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485:. The panel described the winning piece "as a mature and highly imaginative work that gives the listener an ever more rewarding experience. The writing for instruments show complete mastery of the medium with continually evolving and evocative textures." Hesketh has also written extensively for pianist
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in 2016; in the same year, the Prima Facie label released a chamber music disc performed by the
Continuum Ensemble. An orchestral portrait disc, Hesketh's fourth disc, was released in 2018 to great critical acclaim, and Hesketh's fifth portrait disc concentrating on music for 2 pianos and piano four
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and limited randomised procedures has ultimately widened organisational approaches and made freer, as well as made more abstract, the ultimate musical work. This fascination with entropy, mutation and existentialism coexists with a notable interest in formal design based on the influence of
948:"Cheltenham Music Festival (1): Kenneth Hesketh, Judith Weir, The Opera Group, Owen Gilhooly, Heather Shipp, Claire Wild, Mark Wilde (singers/actors) Patrick Baily (conductor). John Fullijames (director) Everyman Theatre, Cheltenham, 2.07.2006 (AO)"
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360:(2008), hallmarks of his more recent style show an interest in what the composer describes as 'unreliable machines': short bursts of mechanistic material that repeat, are transformed but ultimately burn themselves out.
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where he curated a series of new music chamber concerts. He was awarded The
Fondation André Chevillion-Yvonne Bonnaud prize at the 2004 Concours international de piano d'Orléans after a performance of his
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His early work found its stimuli in extra-musical ideas. Several early works have their origins in medieval symbolism and iconography, notably three pieces for chamber ensemble:
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As an outgrowth of this, additional concepts of entropy (in humanistic terms), ageing, death, and failure in physical systems have expanded this interest in works such as
293:(ASKO Ensemble) soon followed. Described as "a glistening whirl of nocturnal colours, a driving sense of purpose and onward movement", the piece was received positively.
230:, an award from the Liverpool Foundation for Sport and the Arts, and on his return to London in 1999, Hesketh was awarded the Constant and Kit Lambert Fellowship at the
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recording (titled
Wunderkammer(konzert), released in 2013) was devoted to large ensemble and orchestral works. A disc of Hesketh's piano music performed by pianist
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and active as a guest lecturer and visiting professor. He lives in London with his wife, American composer Arlene Sierra, and their son
Elliott.
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1458:"In Ictu Oculi – Orchestral Works by Kenneth Hesketh – BBCNOW/Christoph-Mathias Mueller [Paladino Music] @www.classicalsource.com"
966:"The Jerwood Series 6 : LONDON SINFONIETTA SINFCD2-2009 [HC]: Classical Music Reviews - October 2009 MusicWeb-International"
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1433:"HESKETH In Ictu Oculi – PALADINO MUSIC PMR0092 [RHa] Classical Music Reviews: January 2019 - MusicWeb-International"
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Hesketh has received numerous commissions from international ensembles and organisations including the Fromm
Foundation at
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Early works also displayed an interest in the sinister or melancholy nature of children's literature. His 2000-1 work,
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as part of the
Beijing Modern Music Festival, China where Hesketh was a featured composer in 2014. The following year
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1331:"Kenneth HESKETH Wunderkammer - NMC NMCD186 [CT]: Classical Music Reviews - July 2013 MusicWeb-International"
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1233:"Kenneth Hesketh's The Alchymist's Journal selected as test piece for National Brass Band Championships 2015"
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Hesketh's work is notable for its colourful orchestration, dense harmony and a highly mobile rhythmic style.
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His many concert works, including opera, orchestral, chamber, vocal and solo works are published by either
261:(1999). The latter of which was Hesketh's first piece to gain international attention. Commissioned by the
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Potter, Caroline, Unreliable machines: an interview with
Kenneth Hesketh, Musical Times, Winter 2008
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hands was released by the Prima Facie label, performed by the Françoise-Green piano duo in 2019.
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257:(1997-8, after Hieronymous Bosch's depiction of Hell from The Garden of Earthly Delights), and
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1383:"Richard Causton, Kenneth Hesketh: A Land So Luminous CD review – doubly worthwhile"
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Mon Hughes, Glyn, Music Review: Like the Sea, Like Time at the
Philharmonic Hall,
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Drummond Fund, toured nationally throughout 2013 with final performances in the
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by pianist Daniel Becker. Between 2007 and 2009 he was
Composer in the House (
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1356:"Classical CDs Weekly: Kenneth Hesketh, Vaughan Williams, Ensemble Pygmalion"
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Rickards, Guy, 'Voices: Henze at 75', Tempo No. 217 (Jul. 2001), pp. 48–52
809:"Kenneth Hesketh in interview with Christopher Thomas : MusicWeb(UK)"
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for wind orchestra won the 'Wind Band or Brass Band' category of the 2017
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1207:"Blue Scholars, Alice in Chains inspire composers for 'Sonic Evolution'"
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911:"A new acceptance of time: A 50th birthday tribute to Kenneth Hesketh"
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scholarship from the
Toepfer Foundation, Hamburg at the behest of Sir
666:. His seasonal compositions for choir and orchestra are published by
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University of Michigan School of Music, Theatre & Dance alumni
1031:"5 Questions to Kenneth Hesketh (composer) on his 50th Birthday"
500:, the Continuum Ensemble, a Faber Millennium Commission for the
1482:"Knotted Tongues; Of Time and Disillusionment; In Ictu Oculi".
1083:. Royal Liverpool Philharmonic. 25 October 2007. Archived from
532:(Hessicher Rundfunk), the Sudwest Rundfunk (Baden-Baden), the
453:, Lindbury Theatre. Commissioned and premiered in 2012 by the
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in 1995 as the Leonard Bernstein Fellow where he studied with
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662:. Hesketh's works for symphonic wind band are published by
218:. After completing a master's degree in composition at the
1056:"Kenneth Hesketh / Royal Liverpool Philharmonic Orchestra"
1002:"Kenneth Hesketh at 50 Interview - CompositionToday.Com"
834:"The Constant and Kit Lambert Fellowship - Past Winners"
751:"Kenneth Hesketh at 50 Interview - CompositionToday.Com"
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Festival), as well as featured at the Prague Premieres (
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which was nominated for an Ivor Composer Award in 2019.
1181:"Phoenix Dance Theatre, Linbury Theatre - dance review"
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and Endymion (in honour of Henze's 75th birthday), the
314:– comprises five short movements inspired variously by
1306:"The Ivors Composer Awards 2019 nominations announced"
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141:, Psappha, Prima Facie, SOMM Records, Paladino Music,
1281:"Winners of 2017 British Composer Awards announced"
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475:National Brass Band Championships of Great Britain
388:From 2003 to 2005 Hesketh was New Music Fellow at
300:(from the Japanese miniature sculptures called
611:, Claire Booth and Marie Vassiliou, baritone
587:. Soloists include violinists Simon Blendis,
24:(born 20 July 1968) is a British composer of
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1255:"Hesketh work claims British Composer Award"
524:and the Opera Group at the Linbury Theatre,
417:as part of the celebrations for Liverpool's
781:"Kenneth Hesketh composer - long biography"
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670:. Hesketh is Professor of Composition and
473:was selected as a test piece for the 2015
182:and began composing whilst a chorister at
53:
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924:: 20–23 – via kennethhesketh.co.uk.
886:"The highways and byways of modern music"
375:(2017). The incorporation of aspects of
222:, USA, a series of awards followed: the
1609:Academics of the Royal College of Music
1549:Kenneth Hesketh, Royal College of Music
909:Rickards, Guy (October–December 2018).
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1123:"BBC Proms 2008: caprice and cohesion"
723:"Kenneth Hesketh Schott Music Profile"
528:. Performances have been given by the
411:Royal Liverpool Philharmonic Orchestra
188:Royal Liverpool Philharmonic Orchestra
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858:Clements, Andrew (24 November 1999).
7:
1604:Alumni of the Royal College of Music
1081:"Royal Liverpool Philharmonic: 2006"
658:, London or, for more recent works,
1639:21st-century British male musicians
1634:20th-century British male musicians
1381:Maddocks, Fiona (16 October 2016).
619:, Sarah Nichols and Daniel Becker.
520:, an ENO/Almeida joint commission,
502:Birmingham Contemporary Music Group
433:in 2008. Hesketh's work for dance,
263:Birmingham Contemporary Music Group
210:between 1987 and 1992 and attended
1544:Kenneth Hesketh, Novello & Co.
1121:Norris, Geoffrey (3 August 2008).
575:, Patrick Bailey, Philip Headlam,
530:Frankfurt Radio Symphony Orchestra
516:, the Michael Vyner Trust for the
413:, culminating in the premieres of
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1029:Potter, Caroline (20 July 2018).
394:Corpus Christi College, Cambridge
306:) – commissioned by the ensemble
220:University of Michigan, Ann Arbor
1594:British male classical composers
1584:21st-century classical composers
1579:20th-century classical composers
435:Forms entangled, shapes collided
269:, it was first conducted by Sir
1559:Kenneth Hesketh Youtube Channel
1534:Kenneth Hesketh, Cecilian Music
1408:"Review: HESKETH In ictu oculi"
1156:"RPS Drummond Fund commissions"
884:Rye, Matthew (22 August 2001).
236:Worshipful Company of Musicians
1629:21st-century British composers
1624:20th-century British composers
1437:www.musicweb-international.com
1335:www.musicweb-international.com
970:www.musicweb-international.com
813:www.musicweb-international.com
622:His work has been recorded by
447:The Royal Philharmonic Society
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1529:Kenneth Hesketh, Schott Music
489:including the piano concerto
377:computer-assisted composition
28:in numerous genres including
1539:Kenneth Hesketh, Faber Music
946:Ozorio, Anne (2 July 2006).
550:Czech Philharmonic Orchestra
259:The Circling Canopy of Night
184:Liverpool Anglican Cathedral
26:contemporary classical music
1589:British classical composers
694:Kenneth Hesketh discography
638:and Prima Facie labels; an
467:Shenzhen Symphony Orchestra
437:, commissioned by ensemble
429:, a co-commission with the
419:European Capital of Culture
369:Of Time and Disillusionment
352:). Including such works as
336:. Other such works include
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1160:Royal Philharmonic Society
1060:Royal Philharmonic Society
603:, Christopher Redgate and
544:, the Continuum Ensemble (
455:Seattle Symphony Orchestra
403:Royal Philharmonic Society
273:and further championed by
918:Musical Opinion Quarterly
577:Christoph-Mathias Mueller
563:. Conductors include Sir
445:, through the support of
399:Three Japanese Miniatures
289:) and the Concertgebouw,
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1619:Musicians from Liverpool
1006:www.compositiontoday.com
785:www.kennethhesketh.co.uk
755:www.compositiontoday.com
680:, honorary professor at
234:, with support from the
174:Early life and education
1554:Kenneth Hesketh website
1462:www.classicalsource.com
860:"Preparation for Paris"
605:Hansjorg Schellenberger
593:Peter Sheppard-Skaerved
483:British Composer Awards
471:The Alchymist's Journal
415:Like the sea, like time
338:Small Tales, tall tales
1502:Royal College of Music
677:Royal College of Music
354:Theatre of Attractions
348:(2002, after Japanese
346:Detail from the Record
232:Royal College of Music
196:Royal College of Music
97:Contemporary classical
62:Background information
465:was performed by the
443:Phoenix Dance Theatre
255:Torturous Instruments
1107:Liverpool Daily Post
1035:I Care If You Listen
682:Liverpool University
477:. In 2017 Hesketh's
194:. He studied at the
178:Hesketh was born in
727:en.schott-music.com
561:Gaudeamus Festivals
491:Uncoiling the River
1484:BBC Music Magazine
1187:. 20 November 2013
1109:, 21 January 2008
1087:on 25 October 2007
632:London Sinfonietta
534:London Sinfonietta
518:London Sinfonietta
498:Harvard University
310:at the request of
287:London Sinfonietta
279:Promenade Concerts
139:London Sinfonietta
1498:"Kenneth Hesketh"
1261:. 6 December 2017
1213:. 23 October 2012
1211:The Seattle Times
510:Hans Werner Henze
451:Royal Opera House
409:scheme) with the
340:(2009, after the
334:Walter de la Mare
312:Hans Werner Henze
283:Royal Albert Hall
224:Shakespeare Prize
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514:Munich Biennale
463:Knotted Tongues
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320:Le Petit Prince
316:Saint-Exupéry's
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216:Henri Dutilleux
204:Joseph Horovitz
198:, London, with
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275:Oliver Knussen
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1362:. 28 May 2016
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1360:The Arts Desk
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