Knowledge (XXG)

Ker-Xavier Roussel

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40: 20: 254: 230: 269: 242: 211:, Chapter 3. There she recounts an exchange he had with Theodore Duret in Vollard's shop at an uncertain date after 1904. Roussel complained of the lack of recognition that he and the other Nabi painters had to contend with. Duret consoled him by pointing out his incompatibility with the manners and fashions of the bourgeois world and the differences between "art" and "official art". 148:
episodes depicting women, children, nymphs, centaurs and fauns. His wife Marie (Vuillard's sister), his daughter Annette, his son Jacques and his grandchildren served as models. He abandoned the small format pictures typical of the Nabis and created large, brightly coloured paintings in a
503: 178:. Between 1914 and 1917 he was admitted to a clinic, suffering from depression. He produced large numbers of pastels in his final years, between 1930 and 1944, picturing violent death in mythology. 166:
While Roussel expressed erotic joy in his bucolic pictures (the 'glorious blaze of the flesh' ), he also had a melancholy and dark side expressed in dark lithographic illustrations to works by
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Roussel is known for huge paintings of landscapes decorating public spaces, with others commissioned for private clients. In 1912 he painted the front curtain of the
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post-impressionist style. His paintings celebrated the seasons, abundance, drunkenness, lustful behaviour and dance, the latter influenced by
241: 182: 587: 577: 357:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Roussel (see index) 382: 617: 612: 297: 311: 214:
In 2019 he was rescued from the near oblivion into which he has generally fallen in modern times by a comprehensive exhibition,
582: 352: 153:. A number of paintings depict voyeuristic mythological and Old Testament episodes; one of his paintings illustrates 340:
Exhibition Guide for Ker-Xavier Roussel, Private Garden, Dreamed Garden. Musée des Impressionnismes, Giverny, 2019.
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and in 1937-9 he created a huge eleven-metre panel in the debating chamber at the Palais des Nations (
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for art. His reputation reached a peak in 1936 with a multi-panel scheme for the
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Stein, Gertrude. The Autobiography of Alice B. Toklas. Penguin, 2001, p.37
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and the subject-matter of his paintings veered towards rural landscapes.
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He drew his subject matter from the area around L'Étang-la-Ville and
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Ker-Xavier Roussel died in 1944 at his home in L'Étang-la-Ville.
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Cousturier, Lucie. K.-X. Roussel. Bernheim-Jeune, Paris, 1927
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Frèches-Thory, Claire, & Perucchi-Petry, Ursula, ed.:
360: 113:. In 1899, Roussel, Vuillard, and his close friend, 522: 479: 398: 216:Ker-Xavier Roussel, Private Garden, Dreamed Garden 189:) in Geneva. In 1926, Ker-Xavier Roussel won the 376: 8: 218:at the MusĂ©e des Impressionnismes, Giverny. 93:, he also studied at the studio of painter 383: 369: 361: 85:in 1867, at age fifteen he studied at the 304: 225: 7: 109:and other students formed the group 603:French Post-impressionist painters 14: 101:, and soon began frequenting the 623:19th-century French male artists 593:20th-century French male artists 290:Die Nabis: Propheten der Moderne 267: 252: 240: 228: 209:Autobiography of Alice B. Toklas 354:Pierre Bonnard, the Graphic Art 89:in Paris; alongside his friend 51:on wove paper, 29.2 Ă— 41.8 cm. 129:. In that year he settled in 97:. In 1888, he enrolled in the 1: 588:20th-century French painters 578:19th-century French painters 608:École des Beaux-Arts alumni 23:Ker-Xavier Roussel (left), 641: 183:Théâtre des Champs-ÉlysĂ©es 144:, adapting the scenery to 16:French painter (1867–1944) 504:Toulouse-Lautrec Cooking 203:Roussel is mentioned in 160:L'après-midi d'un faune 75:François Xavier Roussel 618:AcadĂ©mie Julian alumni 613:LycĂ©e Condorcet alumni 259:Women in a Landscape, 235:Rural Festival, Summer 55: 36: 42: 22: 583:French male painters 99:École des Beaux-Arts 45:Landscape with House 43:Ker-Xavier Roussel, 531:L'Estampe originale 431:Henri-Gabriel Ibels 247:The Seasons of Life 547:Post-Impressionism 451:Ker-Xavier Roussel 300:(German), (French) 222:Selected paintings 195:Palais de Chaillot 146:Greek mythological 59:Ker-Xavier Roussel 56: 37: 555: 554: 512:Homage to CĂ©zanne 187:Palace of Nations 168:Maurice de Guerin 157:'s poem of 1876, 155:StĂ©phane MallarmĂ© 630: 471:Édouard Vuillard 441:Aristide Maillol 385: 378: 371: 362: 341: 338: 332: 329: 323: 320: 314: 309: 271: 256: 244: 232: 131:L'Étang-la-Ville 95:Diogène Maillart 91:Édouard Vuillard 49:chromolithograph 25:Édouard Vuillard 640: 639: 633: 632: 631: 629: 628: 627: 558: 557: 556: 551: 518: 475: 461:FĂ©lix Vallotton 436:Georges Lacombe 416:Maxime Dethomas 394: 389: 349: 344: 339: 335: 330: 326: 321: 317: 310: 306: 285: 278: 272: 263: 257: 248: 245: 236: 233: 224: 117:, travelled to 103:AcadĂ©mie Julian 87:LycĂ©e Condorcet 71: 53:Brooklyn Museum 33:FĂ©lix Vallotton 17: 12: 11: 5: 638: 637: 634: 626: 625: 620: 615: 610: 605: 600: 595: 590: 585: 580: 575: 570: 560: 559: 553: 552: 550: 549: 544: 539: 534: 526: 524: 520: 519: 517: 516: 508: 500: 496:The Seamstress 492: 483: 481: 477: 476: 474: 473: 468: 463: 458: 453: 448: 443: 438: 433: 428: 423: 421:Meijer de Haan 418: 413: 408: 406:Pierre Bonnard 402: 400: 396: 395: 390: 388: 387: 380: 373: 365: 359: 358: 348: 347:External links 345: 343: 342: 333: 324: 315: 303: 302: 301: 284: 281: 280: 279: 273: 266: 264: 258: 251: 249: 246: 239: 237: 234: 227: 223: 220: 205:Gertrude Stein 191:Carnegie Prize 151:Isadora Duncan 115:Pierre Bonnard 79:Lorry-lès-Metz 70: 67: 15: 13: 10: 9: 6: 4: 3: 2: 636: 635: 624: 621: 619: 616: 614: 611: 609: 606: 604: 601: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 574: 571: 569: 566: 565: 563: 548: 545: 543: 540: 538: 535: 533: 532: 528: 527: 525: 521: 514: 513: 509: 506: 505: 501: 498: 497: 493: 490: 489: 485: 484: 482: 478: 472: 469: 467: 464: 462: 459: 457: 456:Paul SĂ©rusier 454: 452: 449: 447: 444: 442: 439: 437: 434: 432: 429: 427: 424: 422: 419: 417: 414: 412: 411:Maurice Denis 409: 407: 404: 403: 401: 397: 393: 386: 381: 379: 374: 372: 367: 366: 363: 356: 355: 351: 350: 346: 337: 334: 328: 325: 319: 316: 313: 308: 305: 299: 298:3-7913-1969-8 295: 291: 287: 286: 282: 277: 274:The Sleeping 270: 265: 262: 261:ĂŽle-de-France 255: 250: 243: 238: 231: 226: 221: 219: 217: 212: 210: 206: 201: 198: 196: 192: 188: 184: 179: 177: 173: 169: 164: 162: 161: 156: 152: 147: 143: 138: 136: 132: 128: 124: 120: 116: 112: 108: 107:Maurice Denis 104: 100: 96: 92: 88: 84: 80: 76: 68: 66: 64: 60: 54: 50: 46: 41: 34: 30: 29:Romain Coolus 26: 21: 529: 510: 502: 494: 488:The Talisman 486: 450: 426:Hermann-Paul 353: 336: 327: 318: 312:Oxford Index 307: 289: 215: 213: 208: 202: 199: 180: 175: 172:La Bacchante 171: 165: 158: 142:Saint-Tropez 139: 110: 74: 72: 58: 57: 47:, ca. 1897, 44: 598:Nabis (art) 573:1944 deaths 568:1867 births 466:Jan Verkade 446:Paul Ranson 176:Le Centaure 562:Categories 283:References 542:LugnĂ©-Poe 480:Paintings 119:Lake Como 111:Les Nabis 69:Biography 63:Les Nabis 537:Intimism 399:Painters 135:Yvelines 523:Related 83:Moselle 515:(1900) 507:(1898) 499:(1893) 491:(1888) 296:  125:, and 123:Venice 105:where 35:, 1899 31:, and 392:Nabis 276:Diana 127:Milan 73:Born 294:ISBN 174:and 207:'s 77:in 564:: 197:. 170:, 133:, 121:, 81:, 65:. 27:, 384:e 377:t 370:v

Index


Édouard Vuillard
Romain Coolus
FĂ©lix Vallotton

chromolithograph
Brooklyn Museum
Les Nabis
Lorry-lès-Metz
Moselle
Lycée Condorcet
Édouard Vuillard
Diogène Maillart
École des Beaux-Arts
Académie Julian
Maurice Denis
Pierre Bonnard
Lake Como
Venice
Milan
L'Étang-la-Ville
Yvelines
Saint-Tropez
Greek mythological
Isadora Duncan
Stéphane Mallarmé
L'après-midi d'un faune
Maurice de Guerin
Théâtre des Champs-Élysées
Palace of Nations

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