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Rachel, Jack and Ashley Too

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1102:... and she does it well". Goodman opined that she was "one of the few actresses and singers who could even make this work". Pollard analysed that Cyrus was most impressive at playing the "two extremes" of her character's emotions: "desperate and broken" on one end and "uninhibited and defiant" on the other. Montgomery found her early "subdued, spectral performance" as Ashley O to be the best part of the episode. Leane and Sims both enjoyed her voice acting as Ashley Too, with Leane calling it a "tour-de-force performance" and Sims finding her "especially charming" in the role. However, Robertson preferred her as Ashley O, writing that Ashley Too is a "generic robot sidekick". In contrast, Vorel criticised the characterisation of both versions, saying that the idea "could have come straight from Cyrus' own marketing team, in a meta-attempt to prove that Miley Cryus The Performer is a being of depth and nuance". Heritage saw writing problems in Ashley O's later dialogue, saying that she "stops sounding like Miley Cyrus and starts sounding like a 48-year-old man trying to sound like Miley Cyrus". 818: 1042:" as past episodes that examined themes of cloning and AI more deeply, and wrote that fans "lamented" the episode "for its untapped potential". D'Addario said that the episode "has about fifteen potentially fruitful topics on its mind" but fails to find a good continuation from the premise. An example interesting topic is "women in music presenting a show of empowerment while being financially and creatively under someone else's control". D'Addario pointed to the "fundamental unseriousness of tone" as a reason the episode does not properly explore its themes. White found "fascinating ideas sketched here and there", but a reliance on "vaguely banal statements on the vapidity of pop and the lack of care afforded to some of its most profitable stars". Dissenting, Sims argued that "Brooker does a solid job interpolating" between "three big ideas", where "no single theme gets to dominate or develop fully". 1083:
to the plot till about the forty minute mark". According to Handlen, it starts as a "low-key family drama" and becomes a "kid's adventure film". Robertson found that after "a promising start", the storyline "becomes simultaneously overstuffed and underveloped", omitting "the intimate details that make its early scenes so compelling". Montgomery analysed the latter half as a "hokey-teen-sci-fi-adventure" that is "increasingly ludicrous and puerile" and Robertson said that episode was "at its blandest during some deeply unnecessary action sequences". Vorel criticised "clear-cut heroes and villains" with "paper-thin degrees of depth", and Sims believed the villains to be "particularly overwrought" as the episode does not explore their motivations. However, Leane praised that "an array of toe-tapping tunes
896:... while Jack lashes out against the world". Robertson thought the start of the episode "offers a fittingly melancholic portrait of someone using an imaginary relationship to handle loss and anxiety". Patterson wrote: "Where Ashley O is a kind of Pinocchio dreaming of becoming a real girl, Rachel and Jack Goggins are two sisters awaiting their discovery as princesses". He said the lack of a maternal figure "abets its qualities as a fairy tale". In order to "cope with lonely teenage hell", Robertson said that Rachel does "idol worship" of Ashley O. This connection draws on "the increasingly reciprocal relationship between celebrities and their fans." The Ashley Too doll was compared variously to the robotic toy 557:
role, despite her punk-like persona. Cyrus related to Ashley O's desire to explore other genres, something she did after becoming an adult. Cyrus said that her parents took an active role in her career and focused on getting a manager who would take care of her, in stark contrast to Ashley O's manager Catherine. Cyrus contributed ideas about her character's clothing and appearance. She also spoke to Brooker about enjoying a recent performance to a mostly older audience who were not recording the experience on their phones. Some dialogue and ideas from this conversation inspired aspects of Catherine's presentation of Ashley Eternal.
939:(2019) demonstrates "an eventual cost to the producers of that kind of relentless optimism, especially when the teenage content creators can't keep it up because things at home actually aren't all that great": this is similar to Ashley O's unhappy private life. Wilkinson wrote that "Rachel, Jack and Ashley Too" shows "repercussions for the audience too", as a person views themselves as a failure for being unhappy. She asks: "is it the celebrity performance packaging industry itself that's at fault? Or is it the creators? Or the fans?" On the same note, Zack Handlen of 1106:
to more than a sounding board for Rachel's insecurities". Steiner wrote that the episode fails to understand teenage girls and criticised an overall lack of "an authentic voice for any of the leads", suggesting that having a woman writer may have averted this problem. Leane experienced a "minor letdown" in the lack of "emotional punch" in scenes showing Rachel and Jack with their father. However, he praised that "the core characters all get their chance to shine in a musical number".
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providing a neat ending than in delving into the deep questions it stirs up", and Brinkhof reported that some fans "accuse its feel-good ending of being a symptom of the infamously bleak show losing its uncompromisingly sinister edge". Leane reviewed that the mouse trap concept "feels like filler", though its payoff was "quite funny". Sims praised one particular scene, wherein Ashley O's comatose musical ideas are turned into pop music, as "a classic piece of grim
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idea, though it "arrives late in a muddled tale" as a "third-act plot twist", and Robertson saw "huge untapped potential" in having Rachel choose between the real Ashley O and the "perfect, locked-down" Ashley Too, or exploring the identity conflict between Ashley O and Ashley Too. Handlen asks why Ashley O's consciousness would be uploaded into the doll when it does not "do anything that much more complicated than empty pleasantries and soundbites". In contrast,
678:"—was a fan of the show and approved. Brooker said that the humour arises from the fact that the pop versions are "insanely positive" and "full of empty affirmations". As an example, "On a Roll" changes the original lyrics "Bow down before the one you serve" to "I'm stoked on ambition and verve". Reznor said that the songs were "wonderfully absurd" and "really funny" in context. He found it "strange to hear music come through the blender and back". 528:'s songwriting or serve as a celebrity virtual assistant. Brooker said that the episode is not disparaging pop music, but criticising inauthenticity in music. According to Brooker, an unused idea saw Catherine revealed as non-human, either with her face being removed to display the machinery behind it, or with her disappearing "in a puff of smoke". In the final episode, after her Ashley Eternal plan fails, she looks at the camera and breaks the 56: 430: 414: 623: 497: 1045:
Patterson wrote that the show was "sharpest in its revisionist considerations of genre", and approved that the episode "tinkers with the tropes of tween tales and talks back to the genre in its own voice and on its own terms". Sims thought the Ashley Too doll's consciousness was the "most compelling"
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The now-conscious Ashley O directs the group to a venue where Catherine is debuting Ashley Eternal, a holographic replacement for Ashley O. Pursued by the police after Jack runs a red light, the group drive through the back entrance of the venue, surprising Catherine and the crowd as Ashley O emerges
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Other characters received less praise. Vorel found Rachel to be so "hopelessly naive" that the viewer "can't reasonably be expected to identify with or even empathize with her". Handlen crticised that Rachel "is basically forgotten once the story kicks in", while Vorel said that Jack "rarely amounts
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Reviewers were largely disappointed by the writing and structure. Pollard summarised that: "Plot points are picked up and dropped; narrative arcs lead to nowhere; unnecessary characters abound". A change in tone midway through was widely commented on, with Handlen writing that "we don't actually get
581:. Cyrus said that she was able to "get into Ashley" as she was isolated from friends and family. Problems in her personal life informed her emotions when portraying Ashley O's life breaking down. On the day that she filmed the scene where Ashley O wakes up from the coma, Cyrus had lost her home to a 371:
Meanwhile, Ashley O is unsatisfied with her musical direction and longs to play as a rock musician. When she writes broody music and does not take the medication given to subdue her, her controlling aunt and manager Catherine (Susan Pourfar) laces her food with drugs to render her comatose. When the
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Brooker and Jones thought Miley Cyrus would be perfect for the part of Ashley O, but did not expect her to be interested, or that they would get a pop star for the role. However, she was a big fan of the programme, and within a couple of days of their reaching out, she accepted the offer. She found
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said that the episode was about a musician trying to find her identity and "break out from the commercial machine". Jones said that Cyrus's personality matched how the episode gets more "heightened and sarcastic and satirical" as it progresses. She also said that Cyrus brought vulnerability to the
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inventions and removes a limiter. Ashley Too reveals herself to be a duplicate of Ashley O's entire consciousness, and persuades Rachel and Jack to look for evidence of Catherine's crimes at her house. Jack inexpertly drives them there, then poses as a mouse pest control service while Rachel takes
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noted the connection between the allegations and the narrative of "Rachel, Jack and Ashley Too". The similarities drew renewed media interest in June 2021 after Spears delivered testimony in a court hearing alleging excessive abuse and control through her conservatorship, including being forcibly
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episodes focus on, such as AI, storage of human memories, and drugs. Stubbs said that it was "not so much science fiction as science fact", because technologies already exist to facilitate hologram performances and production of new music using an artist's voice and image without their consent.
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The ending received mixed commentary, as did some individual scenes. It was described as "gratifying" by Patterson, "a really triumphant payoff" by Leane and a "fantastic surprise" that subverted "the trademark nihilism" by White. However, Sims accused the episode of being "more interested in
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episodes. Ashley O's storyline was compared to Cyrus's own life, along with those of other figures in the music industry. Some reviewers analysed personality traits of Rachel and Jack as a reaction to their mother's death. Most critics found the episode lacking in structure, writing quality,
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increased in scope to the point where it was separated from the series and released as a standalone film; it premiered on 28 December 2018. Although previous series of the programme produced under Netflix contained six episodes, series five comprises three episodes, as the series creator
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the script's portrayal of the music industry realistic, in terms of its "overt exploitation of artists" and the way in which decisions are driven by performance metrics rather than creativity. Madison Davenport played Jack. She auditioned without knowing that the episode was part of
958:, based on 41 critics, indicating mixed reviews. Its critics' consensus summarises that it "struggles to sew its many concepts together", and the most major strength is Cyrus's "wholly committed and compelling performance". It received ratings of three out of five stars in 545:, and was only told about the scene where Jack distracts a bodyguard from investigating Ashley O's IV drip removal. She was sent the full script a few days prior to filming. Angourie Rice, who plays Rachel, auditioned later in the process and knew that it was for 649:" to "Flirt" was made but not included in the episode. "On a Roll" was released via YouTube on 13 June 2019 and added to various music streaming services on 14 June. It subsequently charted in several countries, including peak positions of 18 in 700:
wrote that "Rachel, Jack and Ashley Too" is an "uncharacteristically upbeat story about subverting sinister tech toward good ends and combining a critique of celebrity fandom with a thought experiment about brain uploading". Tim Brinkhof of
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Ashley Too to where Ashley O lies comatose. The doll pulls the plug, trying to kill Ashley O to put her out of her misery, but it backfires and Ashley O actually wakes up instead. Jack and Rachel subdue two staff members alerted to the
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and of "prestige television" in the latest year. However, Sims found it an "intermittently fascinating bit of pop-music melodrama", albeit "bizarre", and Heritage approved that it was not "pointlessly bleak for the sake of it".
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commented that "'empowerment' has become a brand, with generic messages of confidence and believe-in-yourself churned out for an audience desperate to hear any assurance that there might be some way out of their misery".
1339: 1650: 297:), teenage sisters who have recently lost their mother. The doll Ashley Too, owned by Rachel, is a clone of Ashley O's personality. Brooker based the episode on a sitcom script he had written years prior, about a 3171: 375:
Six months later, Ashley Too is reactivated by a news report on Ashley O's coma and malfunctions upon learning of her real self's predicament. Jack connects the doll to the software Kevin uses for his humane
2239: 592:. Two crew members controlled her movements—one for her head and arms, and the other for her wheels—and the doll spun around and spoke in real life. Some parts, however, required the actors to film with a 2043: 1026:
episodes, with Robertson finding it a "corny, scattershot installment of a show that's usually revered for its sharp cynicism", and D'Addario calling it "the most majestically wrongheaded" episode of
2500: 524:; Brooker found the holograms "ghoulish" and noted that the subjects "often pass away in extremely tragic circumstances". He also considered AI as a means for creating a program which could imitate 1991: 732:
s Alexandra Pollard calling the latter half a "fun, high-concept heist film" and Stubbs describing it as "an adult take on the 1980s, kids' adventure caper, complete with gags a goofy chase".
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serves "to expose the lies and hypocrisies of society", in this case "conflict between the artistic integrity of the artist and the financial interest of their producers". Dan Stubbs of
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that the episode criticises "people who tell kids to have faith in themselves because it suits their own cynical purposes", but nonetheless does "want kids to believe in themselves".
1716: 396:" under the name "Ashley Fuckn O", with Jack on bass. Rachel and Ashley Too watch while Kevin talks to the bartender. Two dissatisfied fans leave the concert as Ashley crowd-surfs. 3072: 3006: 2689: 1498: 3607: 2272: 1781: 1617: 1534: 1328: 512:
minister and return to life to see their manager exploiting their deaths for profit. It also took inspiration from real life holographic performances of dead artists such as
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band who are hanged and return to life to find their manager profiting off their deaths. It was also informed by holographic performances featuring deceased artists.
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in the category Song Written and/or Recorded for Television, with Trent Reznor as the songwriter, Miley Cyrus as the artist and Amelia Hartley as music supervisor.
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hospitalized and medicated against her will as punishment for refusing to perform. Robertson compared "Rachel, Jack and Ashley Too" to the same subject, as well as
770: 2546: 2229: 3039: 2033: 1814: 2973: 1581: 746:, Alissa Wilkinson found that it asks: "What images are celebrities allowed to project? And what do their fans receive in return?" Troy Patterson commented in 2874: 1907: 304:
The executive producers thought Cyrus would be perfect for the role, but were surprised when she agreed. Filming took place in late 2018, for five weeks, in
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s Tim Goodman characterised it as an unintentional "Disney movie spoof" due to its "ridiculous plot and obvious writing". Robertson and Daniel D'Addario of
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said that the episode "offers nothing new or nuanced" in its "poking fun at vapid pop music", a topic well-explored by other works. Heritage listed
845:. He said that "to what extent she has become the master of her own destiny or has remained caught up in the economic machinery remains uncertain". 3138: 3622: 2187: 2804: 508:
The episode was written by Brooker. It was based on a comedy sitcom script from years prior about a 1977 punk band whose members are hanged by a
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The episode's storyline was compared to allegations that Britney Spears was forced to perform against her will during her legal conservatorship.
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Many critics compared Cyrus's real life to the experiences of Ashley O. She is a singer-songwriter who garnered fame as the protagonist of the
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There was critical consensus that the episode contained interesting ideas, but that these were insufficiently explored. Brinkhof pointed to "
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was commissioned by Netflix in March 2018, three months after the release of series four. Initially part of series five's production, the
3062: 2996: 809:". Catherine can be seen using the Smithereen app from "Smithereens"; conversely, in "Smithereens", #AshleyOWembley is a trending topic. 2679: 1488: 3262: 790: 2410:"Black Mirror: Rachel, Jack and Ashley Too, review: Miley Cyrus shines in a prescient, if vague, story with echoes of 'Free Britney'" 1462: 2613: 2262: 1771: 1607: 1524: 740:
Robertson viewed it as "mostly allegorical", and employing technological tropes "to raise questions about human agency". Writing in
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star Ashley O (Miley Cyrus). Much to Jack's annoyance, Rachel treats the doll as a friend, but Ashley Too also compliments Jack's
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ranked the episodes by tone, concluding that "Rachel, Jack and Ashley Too" was the fourth-least pessimistic episode of the show.
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over the course of a fortnight for her part in "Head Like a Hole". Cyrus and Davenport recorded the audio in a music studio.
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Cyrus received acclaim for her portrayal of Ashley O and Ashley Too. Lawler said that "Cyrus is essentially playing herself
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songs. "On a Roll" was released by Cyrus, subsequently appearing on several national music charts as well as receiving a
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news reports that the coma was caused by a shellfish allergy, Jack returns Ashley Too to Rachel, who shows no interest.
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as recent works that also addressed how "young creatives are at the mercy of their morally bankrupt handlers".
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by quality, giving "Rachel, Jack and Ashley Too" a position of 16th. Instead of by quality, Proma Khosla of
794: 509: 353: 1402: 3580: 3269: 3166: 2929: 2720: 1294: 1266: 1150: 1009: 797:", along with a number of events from other episodes. Rachel's high school is named after Colin Ritman, a 782: 642: 2295: 585:. She used the events to inform her acting, though she had to take some breaks during filming the scene. 3213: 3128: 2078: 1075: 917: 880: 849: 719: 703: 2787: 2263:"SugarApe: the awful, iconic Nathan Barley magazine returns in Black Mirror – and he's now the editor" 2938: 1902: 1866: 1525:"'Black Mirror' Showrunners on Landing Miley Cyrus – and if They'll Release Ashley O's Songs (Video)" 1411: 1155: 683: 679: 659: 348:) after the death of their mother. For her fifteenth birthday, Rachel receives Ashley Too (voiced by 996:
s Stuart Heritage found it the worst, with Heritage adding that it was one of the worst episodes of
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Critics commented on how the death of Rachel and Jack's mother affected the children. David Sims of
835:(2006–2011). Similarly, Ashley O is a "peppy, cookie-cutter pop star", according to Kelly Lawler of 3379: 2869: 2415: 925: 858: 2902: 2834: 2373: 2304: 1641:"Where is Black Mirror season 5 filmed? Filming locations included Brazil, South Africa and Kent" 1612: 1576: 1334: 1167: 1143: 1129: 978:. The critics Brinkhof, Patterson and Sims thought it was the best episode of series five, while 756: 472:
viewed this as preferable to making viewers wait longer for the next series. The three episodes—"
1772:"'Black Mirror': Watch the Music Video for Miley Cyrus' – Er, Ashley O's – 'On a Roll' (Video)" 480:" and "Rachel, Jack and Ashley Too"—were released on Netflix simultaneously on 5 June 2019. As 3200: 2968: 2756: 2074:"Critics of Miley Cyrus' 'Black Mirror' Episode Can't See This Is Charlie Brooker at His Best" 1982:"Black Mirror season 5: Rachel, Jack And Ashley Too review – a tour-de-force from Miley Cyrus" 1840: 1018: 864: 650: 513: 501: 341: 294: 174: 3372: 3308: 3067: 2961: 2827: 2541: 2488: 1327: 1191: 980: 654: 577:
during filming in November 2018, rumours began that she would appear in the fifth series of
485: 458: 444: 393: 382: 1114:"Rachel, Jack and Ashley Too" ranked as follows on critics' lists of the 23 instalments of 328:
exploration of themes and characterisation of Rachel, but Cyrus's acting received acclaim.
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While the episode takes place in America, for financial reasons the filming went ahead in
517: 473: 469: 313: 275: 263: 94: 3162:"Guild of Music Supervisors Awards: 'Once Upon a Time,' 'Queen & Slim' Among Winners" 2605: 496: 2234: 935: 853: 831: 826: 748: 2537:"Miley Cyrus Flounders in Black Mirror's Self-Parodying "Rachel, Jack and Ashley Too"" 3596: 3500: 3397: 3294: 2897: 2583: 2267: 2192: 1938: 1645: 1608:"Listen: Miley Cyrus on 'Black Mirror,' Getting Sober and Her Love of Britney Spears" 1035: 941: 856:
was being subjected to abuse through her then-ongoing conservatorship. Adam White of
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stick, and the doll was added in during editing. The driving scenes were filmed on a
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s "Rachel, Jack and Ashley Too" Embodies the Shallow Feminism It Attempts to Skewer"
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references to past works by Brooker. In Catherine's office, a cover of the magazine
289:), a pop singer whose creativity is restricted by her controlling aunt, and Rachel ( 3365: 3237: 2799: 2684: 2495: 1493: 1329:"'Black Mirror' Season 5 Takes On Home Robots And Romance Apps In Dark New Trailer" 1057: 989: 912: 901: 892:
said that both children experience depression, "with Rachel retreating into herself
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The Ashley Too doll's movements were partly captured during the shoot, and partly
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character, and Ashley O is treated at St. Juniper's hospital, which appears in "
774: 622: 605: 604:... a small punk venue". Davenport knew how to play the guitar, but learned the 597: 573:, taking place six days per week for five weeks. After Cyrus was spotted at the 529: 525: 361: 349: 286: 162: 112: 2034:"Rachel, Jack and Ashley Too is Black Mirror's stab at a feel-good teen comedy" 3507: 906: 434: 418: 923:
Wilkinson compared Rachel to Kayla, the protagonist of the comedy-drama film
256:" is the third and final episode of the fifth series of the anthology series 17: 3550: 3100: 2340: 2038: 1207: 837: 696: 617: 566: 377: 365: 357: 309: 305: 298: 108: 2752:"The Unfulfilled Potential of Miley Cyrus' 'Black Mirror' Episode (Column)" 1738: 633:, gave permission for adaptations of their songs to be used in the episode. 1055:
s Rob Leane found it "brilliantly designed" and funny. Chelsea Steiner of
3528: 3133: 1809: 1776: 1221: 872: 312:" and "Right Where I Belong" during the episode—these are adaptations of 3196: 3063:"All 23 episodes of Netflix's 'Black Mirror,' ranked from worst to best" 2680:"Out of tune: why Miley Cyrus' Black Mirror episode hits the wrong note" 2579:"Black Mirror reminds us that sometimes unhappy people sing happy songs" 3001: 1529: 1175: 1069: 930: 637:
Songs performed by Ashley in the episode are adaptations of songs from
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Greene, Steve; Nguyen, Hanh; Miller, Liz Shannon (24 November 2017).
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s Madison Davenport and Angourie Rice on Working With a 'Diva' Robot"
735:"Rachel, Jack and Ashley Too" explores a number of themes that other 3030:"Ranking all 23 episodes of Charlie Brooker's chilling Black Mirror" 500:
Holographic performances that used the image of dead musicians like
2336:"The Miley Cyrus 'Black Mirror' episode is Hannah Montana gone mad" 1489:"Miley Cyrus: 'Black Mirror portrays the exploitation of artists'" 1407:
producers on that Miley Cyrus episode and a creepy pop star trend"
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ranked the song 28th in their list of the 100 Best Songs of 2019.
621: 495: 385:'s removal by using Kevin's mouse stunner and a sedative syringe. 2369:"Miley Cyrus Calls to 'Free Britney!' Spears at Memphis Concert" 1674:"Miley Cyrus is reportedly filming an episode of 'Black Mirror'" 3209: 3205: 1003:
Hugh Montgomery, writing in the BBC, criticised the episode as
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videos about positivity. Wilkinson said that the documentary
3129:"Every 'Black Mirror' episode ever, ranked by overall dread" 1121: 1457: 262:. The episode was written by series creator and showrunner 3096:"Every 'Black Mirror' Episode Ranked, From Worst to Best" 852:" during a performance, in reference to allegations that 2898:"Every 'Black Mirror' Episode Ranked From Worst to Best" 1363:"Do You Have to Watch 'Black Mirror' Episodes In Order?" 1235:
List of awards and nominations received by Black Mirror
645:" was changed to "Right Where I Belong". A rewrite of " 929:(2018). Kayla is a young girl who films little-viewed 686:, received a credit for adapting the episode's music. 3160:
Nordyke, Kimberly; Howard, Annie (7 February 2020).
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produced the soundtrack to the series four episode "
641:: "Head Like a Hole" was retitled "On a Roll", and " 3567: 3542: 3492: 3460: 3442: 3389: 3336: 3318: 3286: 3254: 3245: 406: 204: 152: 144: 129: 121: 100: 90: 80: 65: 34: 2862: 2408: 904:and the fictional virtual assistant Samantha from 3028:Jeffery, Morgan; Fletcher, Rosie (13 June 2019). 1239:In 2020, "On a Roll" received a nomination for a 1927: 1925: 1262:"'Black Mirror' Renewed for Season 5 at Netflix" 392:During the credits, Ashley O performs the song " 3558:Anyone Who Knows What Love Is (Will Understand) 771:Anyone Who Knows What Love Is (Will Understand) 488:, each instalment can be watched in any order. 3618:Television episodes written by Charlie Brooker 2141: 2139: 2137: 2135: 920:" (1994), Rachel is not critical of her doll. 666:During the writing process, Brooker contacted 423:The trailer for "Rachel, Jack and Ashley Too". 3221: 2223: 2221: 2219: 2217: 2215: 323:Critics found it to be more upbeat than most 29:3rd episode of the 5th series of Black Mirror 8: 3608:Netflix original television series episodes 2673: 2671: 2669: 2482: 2480: 2478: 2476: 2474: 2472: 2470: 2468: 2466: 2329: 2327: 2067: 2065: 2063: 2061: 1453:Made Such Catchy Pop Songs for Miley Cyrus" 364:playing. Rachel dances to Ashley O's song " 3251: 3228: 3214: 3206: 2745: 2743: 1181:22nd – Morgan Jeffery and Rosie Fletcher, 54: 31: 2826:Atad, Corey; Miller, Matt (5 June 2019). 2572: 2570: 2568: 2566: 2564: 1558: 1556: 1554: 1552: 777:, a song which appeared in four previous 2530: 2528: 2526: 2524: 2522: 2520: 2518: 2027: 2025: 2023: 2021: 2019: 2017: 2015: 2013: 2011: 2009: 1898:"The 100 Best Songs of 2019: Staff List" 805:", where it was in turn a reference to " 2829:"Every Episode of Black Mirror, Ranked" 2781: 2779: 2402: 2400: 2398: 2396: 1361:Dwilson, Stephanie Dube (4 June 2019). 1252: 910:(2013). In contrast with an episode of 3075:from the original on 11 September 2018 2709: 2707: 2637: 2635: 2633: 2631: 2181: 2179: 2177: 2175: 2107: 2105: 2103: 2101: 1975: 1973: 1971: 1969: 1967: 1965: 1963: 1961: 1518: 1516: 848:Earlier in 2019, Cyrus had mentioned " 789:, a fictional franchise mentioned in " 403: 165:as Ashley Ortiz and Ashley Too (voice) 3042:from the original on 11 November 2020 3009:from the original on 13 November 2020 2086:from the original on 25 February 2021 1946:from the original on 16 November 2020 1672:Trendell, Andrew (14 November 2018). 1375:from the original on 25 February 2021 717:suggested that the title is a pun on 7: 3141:from the original on 15 January 2021 3108:from the original on 3 December 2020 2976:from the original on 15 January 2021 2963:"Every Black Mirror Episode, Ranked" 2910:from the original on 15 January 2021 2877:from the original on 15 January 2021 2842:from the original on 15 January 2021 2807:from the original on 22 October 2020 2716:"'Black Mirror' Season 5: TV Review" 2654:from the original on 9 February 2021 2606:"Black Mirror – Season 5, Episode 3" 2348:from the original on 7 November 2020 2275:from the original on 20 January 2021 2242:from the original on 24 January 2021 1994:from the original on 8 November 2020 1910:from the original on 31 January 2020 1896:Billboard Staff (11 December 2018). 1877:from the original on 12 January 2021 1501:from the original on 9 February 2021 1442: 1440: 1438: 1436: 1434: 1396: 1394: 1392: 1390: 1342:from the original on 9 February 2021 1274:from the original on 9 February 2021 504:were an inspiration for the episode. 2934:"Every Black Mirror episode ranked" 1705:Bailey, Alyssa (14 November 2018). 308:, South Africa. Ashley O performs " 208: 2549:from the original on 25 April 2021 2381:from the original on 29 March 2021 2312:from the original on 27 April 2021 2146:Pollard, Alexandra (5 June 2019). 1620:from the original on 10 April 2021 1584:from the original on 25 April 2021 954:The episode holds a 51% rating on 25: 2960:Bramesco, Charles (5 June 2019). 2786:Steiner, Chelsea (12 June 2019). 2764:from the original on 2 March 2021 2750:D'Addario, Daniel (4 June 2019). 2616:from the original on 25 July 2019 2442:O'Connor, Roisin (26 June 2021). 2200:from the original on 17 June 2019 2186:Wilkinson, Alissa (5 June 2019). 2160:from the original on 11 June 2019 1847:from the original on 21 June 2019 1817:from the original on 14 June 2019 1784:from the original on 13 June 2019 1751:from the original on 17 June 2019 1007:"at its most crudely parabolic". 682:, sister of the actor and writer 3603:2019 British television episodes 3174:from the original on 14 May 2021 3127:Khosla, Proma (5 January 2018). 2896:Page, Aubrey (10 October 2020). 2728:from the original on 16 May 2021 2678:Heritage, Stuart (7 June 2019). 2642:Montgomery, Hugh (5 June 2019). 2503:from the original on 5 June 2019 2423:from the original on 5 June 2019 2294:Tallerico, Brian (7 June 2019). 2046:from the original on 25 May 2021 1867:"Official Singles Chart Top 100" 1719:from the original on 15 May 2021 1686:from the original on 15 May 2021 1653:from the original on 7 June 2019 1537:from the original on 15 May 2021 1465:from the original on 5 June 2019 1419:from the original on 5 June 2019 1307:from the original on 24 May 2019 1260:Strause, Jackie (5 March 2018). 1241:Guild of Music Supervisors Award 1022:believed it was worse than most 970:. It was rated 5.5 out of 10 in 575:Victoria & Alfred Waterfront 428: 412: 344:) live with their father Kevin ( 318:Guild of Music Supervisors Award 180:Susan Pourfar as Catherine Ortiz 111:" and "Right Where I Belong" by 2692:from the original on 3 May 2021 2228:Patterson, Troy (5 June 2019). 1803:Maas, Jennifer (14 June 2019). 1770:Maas, Jennifer (13 June 2019). 1523:Maas, Jennifer (10 June 2019). 1326:Ovenden, Olivia (15 May 2019). 1293:Jeffery, Morgan (23 May 2019). 785:". A news programme references 769:, can be seen. Ashley O sings " 3623:Works about the music industry 3061:Clark, Travis (10 June 2019). 2644:"Black Mirror series 5 review" 2072:Brinkhof, Tim (11 June 2019). 2032:Robertson, Adi (7 June 2019). 1932:Grow, Kory (5 November 2019). 1401:Hibberd, James (5 June 2019). 356:robotic doll of her favourite 192:Daniel Stewart Sherman as Bear 67: 1: 3197:"Rachel, Jack and Ashley Too" 2577:Handlen, Zack (5 June 2019). 2367:Willman, Chris (6 May 2019). 2334:Lawler, Kelly (5 June 2019). 2261:Martin, Laura (6 June 2019). 1639:Martin, Laura (6 June 2019). 1606:Malkin, Marc (23 June 2020). 1447:Grebey, James (5 June 2019). 340:) and her older sister Jack ( 2714:Goodman, Tim (4 June 2019). 2296:"Every Hidden Easter Egg in 1563:Ivie, Devon (11 June 2019). 1487:Pelley, Rich (1 June 2019). 198:Nicholas Pauling as Dr. Munk 3483:Rachel, Jack and Ashley Too 2995:Molloy, Tim (8 June 2019). 2487:Sims, David (5 June 2019). 2407:White, Adam (5 June 2019). 2112:Stubbs, Dan (5 June 2019). 447:" sung by Ashley O (Cyrus). 419:Rachel, Jack and Ashley Too 274:on 5 June 2019, alongside " 254:Rachel, Jack and Ashley Too 37:Rachel, Jack and Ashley Too 3639: 2535:Vorel, Jim (5 June 2019). 1980:Leane, Rob (5 June 2019). 1232: 615: 590:computer-generated imagery 464:Black Mirror: Bandersnatch 439:Official music video for " 3277:The Entire History of You 2861:Power, Ed (5 June 2020). 1165:18th – Charles Bramesco, 966:, and two stars from the 427: 411: 243: 209: 159: 53: 43: 900:, the virtual assistant 871:and her former producer 755:The episode makes small 354:artificially intelligent 189:Jerah Milligan as Busy G 1871:Official Charts Company 763:, from the 2005 sitcom 629:, the lead vocalist of 552:The executive producer 3581:Thanksgiving of Horror 3575:Awards and nominations 3270:Fifteen Million Merits 3167:The Hollywood Reporter 2721:The Hollywood Reporter 1837:"NZ Hot Singles Chart" 1739:"On A Roll / Ashley O" 1267:The Hollywood Reporter 1215:instalments excluding 1211:authors ranked the 22 1118:, from best to worst: 1010:The Hollywood Reporter 822: 783:Fifteen Million Merits 643:Right Where It Belongs 634: 505: 492:Conception and writing 3613:Black Mirror episodes 2079:The New York Observer 1189:23rd – Travis Clark, 918:Lisa vs. Malibu Stacy 916:on a similar topic, " 820: 720:Rita, Sue and Bob Too 704:The New York Observer 625: 499: 443:", an adaptation of " 285:It follows Ashley O ( 270:; it was released on 195:James III as Habanero 133:5 June 2019 130:Original release date 2939:Entertainment Weekly 1412:Entertainment Weekly 1156:Entertainment Weekly 1141:15th – Aubrey Page, 781:episodes, first in " 684:Phoebe Waller-Bridge 680:Isobel Waller-Bridge 293:) and Jack Goggins ( 3380:Hated in the Nation 3263:The National Anthem 1173:18th – Tim Molloy, 1127:9th – Matt Miller, 867:between the singer 791:The National Anthem 583:California wildfire 561:Filming and editing 823: 787:Sea of Tranquility 635: 506: 453:A fifth series of 352:), an interactive 205:Episode chronology 60:Promotional poster 3590: 3589: 3538: 3537: 3359:Shut Up and Dance 1841:Recorded Music NZ 1203: 1202: 1135:14th – Ed Power, 974:and graded C+ in 694:Adi Robertson of 451: 450: 342:Madison Davenport 295:Madison Davenport 250: 249: 239: 238: 175:Madison Davenport 171:as Rachel Goggins 154:Guest appearances 122:Cinematography by 16:(Redirected from 3630: 3373:Men Against Fire 3309:The Waldo Moment 3252: 3230: 3223: 3216: 3207: 3184: 3183: 3181: 3179: 3157: 3151: 3150: 3148: 3146: 3124: 3118: 3117: 3115: 3113: 3091: 3085: 3084: 3082: 3080: 3068:Business Insider 3058: 3052: 3051: 3049: 3047: 3025: 3019: 3018: 3016: 3014: 2992: 2986: 2985: 2983: 2981: 2965: 2957: 2951: 2950: 2948: 2946: 2932:(9 April 2020). 2926: 2920: 2919: 2917: 2915: 2893: 2887: 2886: 2884: 2882: 2866: 2858: 2852: 2851: 2849: 2847: 2831: 2823: 2817: 2816: 2814: 2812: 2794: 2783: 2774: 2773: 2771: 2769: 2747: 2738: 2737: 2735: 2733: 2711: 2702: 2701: 2699: 2697: 2675: 2664: 2663: 2661: 2659: 2639: 2626: 2625: 2623: 2621: 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Index

Kevin Goggins
Black Mirror
A popstar faces forward with a crowd of fans behind her and the text "Sing Along With Ashley" written above a microphone
Anne Sewitsky
Charlie Brooker
On a Roll
Ashley O
Miley Cyrus
Angourie Rice
Madison Davenport
Marc Menchaca
Smithereens
Joan Is Awful
List of episodes
Black Mirror
Charlie Brooker
Anne Sewitsky
Netflix
Striking Vipers
Smithereens
Miley Cyrus
Angourie Rice
Madison Davenport
punk
Cape Town
On a Roll
Nine Inch Nails
Guild of Music Supervisors Award
Angourie Rice
Madison Davenport

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