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61:, and is the only illumination usually attributed to him, although some art historians incline to attribute at least all the full-pages miniatures to him. All the initials are painted in colour and gold, and many pages are richly ornamented. The style is elegant with light colours and expressive faces.
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and four pictures of their symbols (the eagle, angel, lion, and bull), the latter the earliest known
Russian full-page examples. The angel is attributed to
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Treasure no. 4 of
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from the late 14th or early 15th century. The book has numerous similarities to the
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112:, Thames & Hudson, London (or Braziller NY), 1984, nos 36-39
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The Man of
Matthew, a miniature attributed to Andrey Rublev.
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46:, and other East Slavic manuscripts of the 1390s.
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72:. Khitrovo bequeathed the gospel to the
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166:Memory of the World Register in Russia
120:An online view and a short description
171:National Library of Russia collection
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110:Russian Illuminated Manuscripts
64:The gospel takes its name from
16:Russian illuminated manuscript
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135:Memory of the World Register
49:It contains eight full page
156:Old East Slavic manuscripts
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99:Popova (op cit) for one
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82:Russian State Library
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176:Cyrillic manuscripts
55:Evangelist portraits
44:Kiev Psalter of 1397
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74:Trinity Monastery
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29:Khitrovo Gospels
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127:Khitrovo Gospel
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108:Popova, Olga,
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31:is a Russian
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161:Gospel Books
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151:1390s books
84:in Moscow.
36:Gospel Book
33:illuminated
145:Categories
88:References
70:Fyodor III
51:miniatures
53:; four
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78:Moscow
76:near
125:The
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