321:. Lucy Aphramor writes, "The conversational tone that draws us in camouflages the robust intellectual work that frames the stories. Linking the personal and political with theoretical integrity and without recourse to academic devices for legitimacy, the book serves as an exemplar of a liberatory teaching style. If you’re looking for a moving read that is also an important contribution to fat activism this is it." Terese Mailhot describes these essays as "Sexy and often fearless and real... beautiful and powerful work. Kimberly Dark is hilarious and heart breaking."
296:, Kimberly risks what most writers will not, opening up and asking how masculinity has woven through every realm of our existence, how it has seduced us, betrayed us, protected us, violated us, how it lives in men and women and every other gender and sexuality, how we are facing a reckoning. Kimberly Dark asks us to embrace and reimagine masculinity from the inside out and hold the embrace long enough to change the world."
220:, an American non-profit organization which promotes and supports LGBTQ leaders on University campuses, named Kimberly Dark on the "Top 25 'Best of the Best' LGBT speakers, performers raise awareness of inclusion, visibility on college campuses nationally." The first Tuesday of every month, she offers The Hope Desk, a free social justice online help desk, on different audience-suggested topics.
30:
215:
According to Dr. Lynda
Dickson, University of Colorado, "There is clear evidence that has constructed a social context for her narratives. The characters not only have a personal story – a lived experience – but the stories are routinely connected to a larger, social reality... Attending one of her
160:
Her current work uses sociological perspectives and first person storytelling to discuss ways humans organize social life – through gender, race, class, and sexuality (among others). Her trainings, lectures and writings use humor to reveal the makeup of privilege and oppression, as the purpose is to
352:
says, "Each dazzling essay asks what we might learn from the tensions, contradictions, erasures and difficulties we have inhabited at the edges of culture, and how we may yet reinvent ourselves and new communities. These brilliant insights will illuminate new paths even through the troubled dark."
250:
writes, "In this collection, Kimberly Dark combs the mossy undersides of girl and womanhood and exhumes what is most verdant and fertile in us. Her work illuminates the hard to see places, the shadow sides we most fear exposing because
Kimberly knows all good growth begins in the soil of us. These
377:, and appearance hierarchy. Driving all of her work is the belief that "we are creating the world even as it creates us," and the belief that we can all reclaim our power as social creators. Her texts and trainings are concerned with both politics and pedagogy – the way
246:: "I've always loved Kimberly's work, loved the strength and beauty of her renditions, loved the insights and grace of the arrangement of her words, compiling verse line upon verse line to capture the secrets of our dreams and deepest instincts. Radical, lovely..."
216:
performances could accomplish more than a semester course of introduction to sociology." As a form of pop-sociology, Dark's writings are also well-received as entertainment. Strong poetic imagery blend with moving stage presence (Munro, 2008). In
October 2010,
164:
She offers regular trainings on
Unlearning Unconscious Bias, Becoming a Brilliant Bystander, and Linguistic Reframing. She expands upon these trainings in her 5-day Body Wise Professional Development Intensives in
657:
156:
and performance artist in 1998. She was previously founder and principal for
Current Change Consulting, a firm specializing in coalition building facilitation, conflict resolution, and qualitative research.
389:
and poetic inquiry. As sociologist Laurel
Richardson articulates, "I consider writing as a method of inquiry, a way of finding out about a topic...form and content are inseparable" (2000, p. 923).
169:. Her educational programs and interactive lectures include "Gender Race and Money" and "You Don't Owe Anyone Pretty." Kimberly Dark also teaches in a graduate program in Sociological Practice at
161:
prompt change. Her work has been produced at colleges and universities in North
America and Europe, and at theaters, festivals, conferences and other events worldwide.
661:
313:
explores appearance hierarchy and provides a blueprint for how each of us can build a more just social world, one interaction at a time. Includes an afterword by
877:
640:
385:
are brought to non-academic audiences through storytelling and performance. Academically, Dark's approaches are situated in research methods such as
145:
586:
852:
862:
304:
as a "hypersaturated, unrelenting Willy Wonka boat ride through a pulsating circulatory system of patriarchy, pain, and desire."
872:
847:
612:
292:: "No one anywhere writes all the way through eros, power exchange, and sexuality more fiercely than Kimberly Dark. In
370:
857:
399:"Examining Praise from the Audience: What does it mean to be a 'successful' poet-researcher." (Poetic Inquiry 2009)
256:
637:
344:
writes, “Kimberly Dark has forever transformed the way I understand sex, gender, and the notion of ‘damage.’ The
238:
that uses both personal and fictional accounts to explore themes of love, gender roles, violence, and survival.
328:
will be released on June 29, 2021 that aim to build roads to a more equitable and loving collective culture of
348:
should be terrified of this book. The rest of us can stick it in our hearts—emboldenment for the revolution.”
867:
141:
49:
842:
545:
314:
170:
149:
684:"Through an Online 'Hope Desk,' Kimberly Dark Models How To Have Tough Conversations - Ms. Magazine"
590:
260:
239:
247:
525:
405:"My Son is a Straight A Student" (Poetic Inquiry: Vibrant Voices in the Social Sciences 2009)
683:
349:
285:
235:
166:
644:
540:
535:
386:
382:
378:
366:
333:
91:
453:
The Butch Femme
Chronicles: Discussions With Women Who Are Not Like Me (and Some Who Are)
189:
The Butch Femme
Chronicles: Discussions With Women Who Are Not Like Me (and Some Who Are)
836:
277:
734:
229:
616:
374:
309:
217:
153:
508:
Becoming the
Subject of Your Own Story (Rather Than The Object Of Another's Gaze)
337:
329:
318:
297:
272:
60:
709:
345:
341:
281:
79:
565:
129:
805:
eds. Leggo C, Prendergast M, Sameshima M, Sense Publishing: Rotterdam 2009
176:
As of 2021, she has authored and toured nine solo-performances including,
29:
530:
87:
502:
Is that a Dude? Inside Lesbian Gender, It's More Complex than You Think
362:
83:
284:
and "Daddy" in culture, told as a lesbian leather-Daddy love story.
402:"Parting, Renewal" and "Famous Poet" (San Diego Poetry Annual 2009)
520:
471:
Stripped and Teased: Scandalous Stories With Subversive Subplots
201:
Stripped and Teased: Scandalous Stories With Subversive Subplots
112:
827:
251:
poems reminded me of the possibilities in my own rich earth."
783:
Dark Sheds Light on Identity Issues in Butch Femme Chronicles
758:
420:"Fat, Pretty, and Soon to Be Old" (September 24, 2019)
128:(August 12, 1968) is an American author, professor of
803:
Poetic Inquiry: Vibrant Voices in the Social Sciences
408:"Roadside, Perris CA" (Visible: A Femmethology 2008)
411:"Ways of Being in Teaching" (Sense Publishers 2017)
105:
97:
75:
67:
55:
36:
20:
280:, and pop-culture analysis to expound the role of
186:Complicated Courtesies, Love Sex and Laughter,
483:Things I Learned from Fat People on the Plane
182:Things I Learned from Fat People on the Plane
8:
785:, Gay and Lesbian Times, December 11, 1997
658:"Top 25 Best LGBT speakers and performers"
17:
587:"Kirkland Productions: Kimberly Dark Bio"
276:uses a combination of hybrid narrative,
146:University of Colorado, Colorado Springs
613:"Cal State San Marcos: Faculty Contact"
566:"Current Change Consulting: Who We Are"
557:
148:in 1989, and an M.A. in Sociology from
434:You Are My Singing Lesson, Eko Records
270:will be released on October 21, 2018.
7:
255:also received positive reviews from
878:21st-century American women writers
817:ed. Burke J, Homofactus Press 2008
788:Smith, Kristin. "Lesbian Theater"
465:True Confessions of a Lesbian Diva
423:"Damaged, Like Me" (June 29, 2021)
197:True Confessions of a Lesbian Diva
144:in 1968. She received a B.A. from
14:
811:ed. Hardy, W.H. Authorhouse, 2009
795:Smith Kristin. "Lesbian Theater"
490:Lectures and Educational Programs
152:in 1998. She began her work as a
417:"The Daddies" (October 21, 2018)
414:"Love and Errors" (May 22, 2018)
227:, was released on May 22, 2018.
28:
324:Her next collection of essays,
310:Fat, Pretty, and Soon to Be Old
1:
809:San Diego Poetry Annual 2008
776:Kimberly Dark and Alix Olson
710:"Love and Errors | AK Press"
778:, Fresno Bee, July 29, 2008
178:You Don't Owe Anyone Pretty
894:
442:, Durga Sound Studio, 2008
223:Her first book of poetry,
853:Feminist studies scholars
761:, "Dark's Contributions".
307:Her collection of essays
110:
27:
863:American lesbian writers
361:Frequent themes include
815:Visible: A Femmethology
759:Visible: A Femmethology
873:Writers from San Diego
848:Artists from San Diego
643:July 13, 2011, at the
496:Gender, Race and Money
440:Location Is Everything
647:"Dr. Dickson Review."
142:San Diego, California
50:San Diego, California
664:on December 13, 2010
546:Fresh Fruit Festival
315:Health at Every Size
171:Cal State San Marcos
150:Cal State San Marcos
63:, Performance Artist
690:. December 15, 2020
261:San Diego City Beat
240:Jimmy Santiago Baca
132:, and storyteller.
248:Sonja Renee Taylor
858:Lesbian feminists
781:Juno, Stephanie.
735:"Love and Errors"
338:gender liberation
140:Dark was born in
123:
122:
885:
828:Official website
762:
756:
750:
749:
747:
745:
731:
725:
724:
722:
720:
706:
700:
699:
697:
695:
680:
674:
673:
671:
669:
660:. Archived from
654:
648:
635:
629:
628:
626:
624:
615:. Archived from
609:
603:
602:
600:
598:
593:on June 26, 2010
589:. Archived from
583:
577:
576:
574:
572:
562:
357:Themes and style
350:Lidia Yuknavitch
330:body sovereignty
326:Damaged, Like Me
286:Lidia Yuknavitch
236:narrative poetry
119:
116:
114:
46:
44:
32:
18:
893:
892:
888:
887:
886:
884:
883:
882:
833:
832:
824:
799:, December 2009
792:, December 2006
771:
766:
765:
757:
753:
743:
741:
733:
732:
728:
718:
716:
714:www.akpress.org
708:
707:
703:
693:
691:
682:
681:
677:
667:
665:
656:
655:
651:
645:Wayback Machine
638:Academic Review
636:
632:
622:
620:
619:on May 29, 2010
611:
610:
606:
596:
594:
585:
584:
580:
570:
568:
564:
563:
559:
554:
541:Performance Art
536:Autoethnography
526:Women's Studies
517:
492:
449:
430:
396:
387:autoethnography
383:critical theory
379:feminist theory
359:
278:magical realism
257:Lambda Literary
253:Love and Errors
244:Love and Errors
230:Love and Errors
225:Love and Errors
213:
138:
111:
48:
47:August 12, 1968
42:
40:
23:
12:
11:
5:
891:
889:
881:
880:
875:
870:
865:
860:
855:
850:
845:
835:
834:
831:
830:
823:
822:External links
820:
819:
818:
812:
806:
800:
793:
786:
779:
774:Munro, David.
770:
767:
764:
763:
751:
726:
701:
688:msmagazine.com
675:
649:
630:
604:
578:
556:
555:
553:
550:
549:
548:
543:
538:
533:
528:
523:
516:
513:
512:
511:
505:
499:
491:
488:
487:
486:
480:
474:
468:
462:
459:Public Contact
456:
448:
445:
444:
443:
437:
429:
426:
425:
424:
421:
418:
415:
412:
409:
406:
403:
400:
395:
392:
358:
355:
334:racial justice
212:
209:
193:Public Contact
137:
134:
121:
120:
108:
107:
103:
102:
101:Caleb Westberg
99:
95:
94:
77:
73:
72:
69:
65:
64:
57:
53:
52:
38:
34:
33:
25:
24:
21:
13:
10:
9:
6:
4:
3:
2:
890:
879:
876:
874:
871:
869:
868:Living people
866:
864:
861:
859:
856:
854:
851:
849:
846:
844:
841:
840:
838:
829:
826:
825:
821:
816:
813:
810:
807:
804:
801:
798:
794:
791:
787:
784:
780:
777:
773:
772:
768:
760:
755:
752:
744:September 10,
740:
739:KIMBERLY DARK
736:
730:
727:
719:September 10,
715:
711:
705:
702:
689:
685:
679:
676:
663:
659:
653:
650:
646:
642:
639:
634:
631:
618:
614:
608:
605:
592:
588:
582:
579:
567:
561:
558:
551:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
518:
514:
509:
506:
503:
500:
497:
494:
493:
489:
484:
481:
478:
475:
472:
469:
466:
463:
460:
457:
454:
451:
450:
446:
441:
438:
435:
432:
431:
427:
422:
419:
416:
413:
410:
407:
404:
401:
398:
397:
393:
391:
388:
384:
380:
376:
372:
368:
364:
356:
354:
351:
347:
343:
339:
335:
331:
327:
322:
320:
316:
312:
311:
305:
303:
299:
295:
291:
287:
283:
279:
275:
274:
269:
264:
262:
258:
254:
249:
245:
241:
237:
233:
231:
226:
221:
219:
210:
208:
206:
202:
198:
194:
190:
187:
183:
179:
174:
172:
168:
162:
158:
155:
151:
147:
143:
135:
133:
131:
127:
126:Kimberly Dark
118:
115:.kimberlydark
109:
104:
100:
96:
93:
89:
85:
81:
78:
74:
70:
66:
62:
58:
54:
51:
39:
35:
31:
26:
22:Kimberly Dark
19:
16:
814:
808:
802:
796:
789:
782:
775:
754:
742:. Retrieved
738:
729:
717:. Retrieved
713:
704:
692:. Retrieved
687:
678:
666:. Retrieved
662:the original
652:
633:
621:. Retrieved
617:the original
607:
595:. Retrieved
591:the original
581:
569:. Retrieved
560:
507:
501:
495:
482:
476:
470:
464:
458:
452:
447:Performances
439:
433:
394:Publications
360:
325:
323:
308:
306:
301:
293:
289:
271:
267:
265:
252:
243:
228:
224:
222:
218:Campus Pride
214:
204:
200:
196:
192:
188:
185:
181:
177:
175:
163:
159:
139:
125:
124:
15:
843:1968 births
668:October 27,
428:Discography
319:Lindo Bacon
302:The Daddies
298:Hanne Blank
294:The Daddies
290:The Daddies
273:The Daddies
268:The Daddies
154:storyteller
68:Nationality
61:Sociologist
837:Categories
769:References
694:August 23,
346:patriarchy
342:Ariel Gore
300:describes
282:patriarchy
266:Her novel
234:a book of
56:Occupation
43:1968-08-12
477:Dykeotomy
367:sexuality
205:Dykeotomy
130:sociology
92:Sexuality
641:Archived
531:Feminism
515:See also
317:expert,
288:says of
259:and the
242:says of
98:Children
88:Feminism
71:American
59:Writer,
623:July 2,
597:July 2,
571:July 2,
106:Website
76:Subject
510:(2007)
504:(2004)
498:(2003)
485:(2017)
479:(2009)
473:(2005)
467:(2000)
461:(1999)
455:(1998)
436:, 2002
363:gender
336:, and
203:, and
167:Hawaii
84:Gender
797:Curve
790:Curve
552:Notes
375:class
746:2018
721:2018
696:2021
670:2010
625:2010
599:2010
573:2010
521:LGBT
381:and
371:race
211:Work
136:Life
117:.com
80:LGBT
37:Born
113:www
839::
737:.
712:.
686:.
373:,
369:,
365:,
340:.
332:,
263:.
232:is
207:.
199:,
195:,
191:,
184:,
180:,
173:.
90:,
86:,
82:,
748:.
723:.
698:.
672:.
627:.
601:.
575:.
45:)
41:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.