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Kiss Me Deadly

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40: 39: 671:, Robert Aldrich's blisteringly nihilistic noir in which star Ralph Meeker embodies Mickey Spillane's legendary P.I. with brute force savagery... The gumshoe's subsequent investigation into the woman's death doubles as a lacerating indictment of modern society's dissolution into physical/moral/spiritual degeneracy – a reversion that ultimately leads to nuclear apocalypse and man's return to the primordial sea – with the director's knuckle-sandwich cynicism pummeling the genre's romantic fatalism into a bloody pulp. 'Remember me?' Aldrich's sadistic, fatalistic masterpiece is impossible to forget". 720:. We have loved films that had only one idea, or twenty, or even fifty. In Alrdich's films, it is not unusual to encounter a new idea with each shot. In this movie the inventiveness is such that we don't know what to look at--the images are almost too full, too fertile. Watching a film like this is such an intense experience that we want it to go last for hours. It is easy to picture its author as a man overflowing with vitality, as much at ease behind a camera as Henry Miller facing a blank page. This is the film of a young director who is not yet worried about restraint." 599:
her participation. He readily resorts to violence, whether he's defending himself against the thugs Evello sends to kill him, breaking a potential informant's treasured record to get him to talk,or roughing up a coroner who has the temerity to demand payment in return for a key that Christina had apparently swallowed before her death. Bezzerides wrote of the script: "I wrote it fast because I had contempt for it... I tell you Spillane didn't like what I did with his book. I ran into him at a restaurant and, boy, he didn't like me".
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footage showing the escape, and instead superimposing "The End" over the burning house. This implied that Hammer and Velda perished in the blaze, which some have interpreted as an apocalyptic ending. In 1997, the original ending was restored after the missing footage was discovered in the vaults of the Directors Guild by
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Carl Evello comes in to question him, but gets nothing. Mike manages to work one hand free from the ropes. He calls out and Carl returns. He lures Carl over and knocks him out. Mike pretends to be Evello and summons Sugar in to kill Mike. Sugar enters the darkened room and stabs his boss, thinking it
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is a tough private investigator who, with the assistance of his associate and lover Velda, typically works on "penny-ante divorce cases." One evening, Hammer is forced to suddenly stop his sports car by Christina, an escapee from a nearby psychiatric hospital, who is running barefoot along the road,
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Much to the derision of the local police, Hammer makes his living mostly by blackmailing adulterers, he or his secretary sometimes seducing and entrapping the targets themselves, a practice perhaps made even worse because Hammer seems to exploit the genuine affection that Velda feels for him to get
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Hammer goes to the apartment of Lily Carver, who says she was Christina's roommate. Lily tells Hammer she is in hiding and asks him to protect her. She is after a mysterious box that, she believes, has contents worth a fortune. Hammer later arrives at the lavish mansion of gangster Carl Evello, who
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Hammer comes to in a hospital with Velda hovering over him. He decides to investigate Christina's death, believing that it "must be connected with something big." He retrieves a book of poetry from the dead woman's apartment and reads aloud several lines from Rosetti's poem, "Remember", as he tries
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departs from other Mike Hammer films in that Hammer never carries a gun. This is explained when Lt. Murphy tells Hammer his PI license and gun permit have been revoked. Although he is held at gunpoint, pistol whipped, and even shot, he complies with the gun ban, relying only on his fists to hammer
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When Hammer comes into the room, Gabrielle says "Kiss me, Mike" and shoots him. She then opens the box, which emits a blinding light and piercing sound. Gabrielle screams and bursts into flames. Hammer, wounded, struggles to his feet, and looks for Velda. Together, the pair flee the burning house,
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Hammer's friend, Nick the auto mechanic, who helped defuse bombs planted in Hammer's car, is then murdered. Carl's thugs kidnap Hammer and take him to an isolated beach house, where another of their associates, Dr. G. E. Soberin (revealed to be responsible for the murders of Christina and Nick),
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The original ending of the American release of the film shows Hammer and Velda escaping from the burning house, staggering into the ocean as the words "The End" come over them on the screen. Sometime after its first release, the ending was altered on the film's negative, removing 82 seconds of
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is Mike. Mike kills Sugar and escapes. He locates the suspiciously hot box, which burns his arm, in a locker at the Hollywood Athletic Club. But when he goes to his friend Lieutenant Murphy for help, Murphy warns him off, hinting it has to do with a top-secret government experiment akin to the
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era. "The great whatsit," as Velda refers to the object of Hammer's quest, turns out to be a mysterious valise, hot to the touch because of the dangerous, glowing substance it contains, a metaphor for the atomic bomb. The film has been described as "the definitive, apocalyptic, nihilistic,
405:. Before he arrives, Lily, now revealed to be an imposter named Gabrielle, is there with Soberin. They have the box, and have Velda locked in a bedroom. Gabrielle shoots Soberin to get the box for herself. With his dying words, Soberin urges the insatiably curious Gabrielle not to open it. 924:
pays homage to the film, showing the main characters watching the beginning on their television; later the opening of the case is shown on screens on board the mega-Zeppelin. Two notable rock acts have borrowed the film's title for a song title. The first was the UK punk act
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also seeks the box. Hammer fends off Charlie Max and Sugar Smallhouse, two of Evello's henchmen, and then confronts Evello, who is initially impressed by Hammer's brazenness and offers to work out a deal, but swiftly retracts the offer.
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released the film on VHS as part of their "Vintage Classics" collection in 1999, and on DVD in 2001, with the alternative ending as a Special Feature. A digitally restored version of the film was released on DVD and Blu-ray by
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incline railway (still operating), where Hammer parks his Corvette and then takes the back steps up to the Hill Crest Hotel, although when he approaches the hotel's large porch, he is on the Third Street steps opposite Angels
323:, which accused it of being "designed to ruin young viewers", a verdict that director Aldrich protested. Despite initial critical disapproval, it is considered one of the most important and influential film noirs of all time. 587:
people into submission or worse. The screenplay also departs from Spillane's novel, replacing the mafia conspiracy at the center of the novel with an apparent case of espionage and a mysterious suitcase serving as the film's
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appearing in their feature film debuts. The film follows a private investigator in Los Angeles who becomes embroiled in a complex mystery after picking up a female hitchhiker. The screenplay was written by Aldrich and
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reports that 97% of its critics gave the film a positive review, with an average rating of 8.1/10, based on 37 reviews. The consensus states, "An intriguing, wonderfully subversive blend of art and commerce,
1381: 374:. Thugs waylay them, and Hammer hears Christina screaming as she is tortured to death. The thugs then push Hammer's car off a cliff with Christina's body and an unconscious Hammer inside. 664:, Bezzerides denied any conscious intention for this metaphor in his script, saying that "I was having fun with it. I wanted to make every scene, every character, interesting." 2692: 865:. In the 1960s, both filmmakers touted the film as the single American film "most responsible for the French New Wave." Homage is paid to the glowing suitcase MacGuffin in 2257: 2249: 2707: 1377: 2727: 2697: 575:
with contributions from Aldrich, though it "made no effort to follow the book’s convoluted plot, both are structured around search for a mysterious box."
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Pryors, Thomas M. (September 3, 1954). "TRACY AND CLIFT TO STAR IN FILM: Metro Will Team Actors in 'Bannon' Against Background of U. S. Labor Movement".
1082: 843:, praising its bleak and nihilistic tone, its version of pulp fiction archetypes, and its twist ending. Its apocalyptic elements earned it an entry in 2687: 1166:, Obituary, "A.I. Bezzerides: Screenwriter victim of the Hollywood blacklist, he is renowned for three classic American film noirs," February 6, 2007. 621:
The Donigan 'Castle', a Victorian mansion at 325 S. Bunker Hill Avenue (where Cloris Leachman's character lived, used for interior and exterior shots)
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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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wearing nothing but a trench coat. Hammer gives her a ride. Christina asks him, whatever happens, to "remember me," alluding to a poem by
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Apartment Building, 10401 Wilshire Boulevard, NW corner of Wilshire and Beverly Glen (Hammer's apartment building; still standing)
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Critics have generally viewed the film as a metaphor for the paranoia and fear of nuclear war that prevailed during the
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helping each other along the beach to the ocean as the house explodes behind them and becomes consumed in flames.
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science-fiction film noir of all time – at the close of the classic noir period." A leftist at the time of the
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grossed $ 726,000 in the United States and $ 226,000 overseas. The film received the condemnation of the
2186: 1764: 944: 614:. Many of the locations disappeared in the urban development of the late 1960s, although a few remain. 512: 2170: 2047: 2218: 2071: 2055: 641:
Hollywood Athletic Club, 6525 W. Sunset Blvd. (where Hammer finds the radioactive box; still standing)
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school than as a sleazy, narcissistic bully, perhaps the darkest private detective in film noir.
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Club Pigalle, 4800 block of Figueroa Avenue (the black jazz nightclub that Hammer frequents)
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The Hill Crest Hotel, NE corner of Third and Olive Streets (Italian opera singer's home)
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stories the following year, for Parklane Productions, an independent company owned by
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is a time capsule of Los Angeles, much of it filmed in the downtown neighborhood of
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Film critic Nick Schager wrote, "Never was Mike Hammer's name more fitting than in
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Mickey Spillane on Screen: A Complete Study of the Television and Film Adaptations
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Vol I: 1950–1957. Jefferson, North Carolina: McFarland & Company, 1982.
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has acknowledged its influence on his "elliptic" filmmaking style, as has
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In October 1954 Robert Aldrich announced he would produce and direct two
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This article is about the 1955 film. For the Mickey Spillane novel, see
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as being "culturally, historically, or aesthetically significant."
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as being "culturally, historically, or aesthetically significant".
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Visions of Empire: Political Imagery in Contemporary American Film
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Carl Evello's Mansion, 603 Doheny Road, Beverly Hills, California
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Keep Watching The Skies: Science Fiction Films of the Fiftees
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in June 2011, and also includes the alternative ending.
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The film has been noted as a stylistic precursor to the
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as one of the most influential exemples of American
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(1986). 2708:Films based on works by Mickey Spillane 1494:"Kiss Me Deadly (Robert Aldrich, 1955)" 1023: 988: 1592:The Films and Career of Robert Aldrich 1105: 1103: 835:Contemporary film scholars have named 571:The screenplay was loosely adapted by 2728:English-language crime thriller films 1645:Silver, Alain; Ursini, James (1995). 749: 7: 1647:Whatever Happened to Robert Aldrich? 1321:from the original on August 2, 2012. 1077: 1075: 743: 705:Le sang d'un poète (Blood of a Poet) 2698:Films about nuclear war and weapons 1275:. Last accessed: February 22, 2013. 846:The Encyclopedia of Science Fiction 1631:The Great Science Fiction Pictures 1536:from the original on May 15, 2020. 1447:from the original on May 15, 2020. 1384:from the original on May 15, 2020. 1344:from the original on May 15, 2020. 774:AFI's 100 Years...100 Movie Quotes 14: 1305:"100 Greatest American Thrillers" 680:is an influential noir classic." 2688:Films directed by Robert Aldrich 2459:What Ever Happened to Baby Jane? 303:, based on the 1952 crime novel 1820:("The Kiss Me Mangled Mystery") 1429:Poland, David (June 27, 1997). 25:Kiss Me Deadly (disambiguation) 2703:Films based on American novels 2658:American black-and-white films 1492:Hamid, Rahul (18 March 2016). 1378:"Kiss Me Deadly [DVD]" 977:List of American films of 1955 943:(1998). The second was a 1988 789:AFI's 10 Top 10 – Mystery Film 651:Critical response and analysis 1: 2723:Mike Hammer (character) films 2653:American crime thriller films 2258:Mickey Spillane's Mike Hammer 2250:Mickey Spillane's Mike Hammer 2211:Mike Hammer: Murder Takes All 1010:: "If we don't, remember me." 759:AFI's 100 Years...100 Thrills 711:Les Dames du Bois de Boulogne 2713:Films scored by Frank De Vol 2663:1950s English-language films 2519:The Killing of Sister George 2479:Hush...Hush, Sweet Charlotte 1731:AFI Catalog of Feature Films 1516:"DVR Alert: Kiss Me Deadly" 1460:"Nuclear-powered nastiness" 1458:Cox, Alex (June 16, 2006). 1239:Slant Staff (May 5, 2006). 1179:, Praeger/Greenwood, 1992, 251:436,699 admissions (France) 2744: 2648:1950s crime thriller films 1572:Collins & Traylor 2018 579:Differences from the novel 467:as Lily Carver / Gabrielle 390:before interrogating him. 18: 2559:Emperor of the North Pole 2509:The Legend of Lylah Clare 2489:The Flight of the Phoenix 2332: 1332:American Film Institute. 1303:American Film Institute. 266:produced and directed by 44:Theatrical release poster 37: 2683:Films set in Los Angeles 2673:American detective films 2589:Twilight's Last Gleaming 2281:Mike Hammer, Private Eye 1404:The Criterion Collection 1380:. Amazon. 19 June 2001. 1151:Arnold & Miller 1986 1031:Silver & Ursini 1995 812:The Criterion Collection 401:Hammer goes back to the 1785:("Evidence of a Style") 1649:. New York: Limelight. 1431:"The revised ending of 1334:"Greatest Movie Quotes" 908:Raiders of the Lost Ark 898:Guardians of the Galaxy 751:American Film Institute 550:. The stories would be 16:1955 American film noir 2227:Mike Hammer: Song Bird 1718:National Film Registry 1665:Science Fiction Movies 996:Nominated for dialogue 961:National Film Registry 717:The Lady From Shanghai 686:wrote, "To appreciate 352:National Film Registry 247:$ 726,000 (USA/Canada) 195:May 18, 1955 23:. For other uses, see 2187:Murder Me, Murder You 2096:Masquerade for Murder 1669:Octopus Books Limited 603:Los Angeles locations 2718:1950s American films 1799:Criterion Collection 1440:Entertainment Weekly 1411:on January 20, 2013. 1290:The Films In My Life 935:self titled debut LP 431:as Dr. G. E. Soberin 2419:Ten Seconds to Hell 2273:The New Mike Hammer 2104:Kill Me If You Can 2064:Murder Never Knocks 1808:photos from the set 1087:Library of Congress 1045:at Box Office Story 965:Library of Congress 929:, featuring singer 903:Ark of the Covenant 807:Metro-Goldwyn-Mayer 662:Hollywood blacklist 527:as nightclub singer 503:as Sugar Smallhouse 461:as Christina Bailey 356:Library of Congress 321:Kefauver Commission 290:. It also features 262:is a 1955 American 249:$ 226,000 (foreign) 2619:...All the Marbles 2449:Sodom and Gomorrah 2324:Films directed by 2120:Baby, It's Murder 1777:2019-02-12 at the 1765:TCM Movie Database 1524:. March 19, 2010. 1221:2007-10-01 at the 1138:The New York Times 1117:. 29 November 2013 1111:"Top 10 film noir" 887:John Frankenheimer 565:The Silver Chalice 372:Christina Rossetti 2630: 2629: 2529:Too Late the Hero 2291: 2290: 2171:Margin for Murder 2048:King of the Weeds 1984:Survival... Zero! 1968:The Twisted Thing 1920:Vengeance Is Mine 1656:978-0-879-10185-5 1622:978-0-786-49242-8 1603:978-0-870-49504-5 1286:François Truffaut 1175:Prince, Stephen, 877:Quentin Tarantino 859:François Truffaut 799: 798: 684:François Truffaut 509:as Harvey Wallace 479:as Carmen Trivago 477:Fortunio Bonanova 449:as Lt. 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1710: 1706: 1705: 1701: 1696: 1695:0-89950-032-3 1692: 1688: 1684: 1681: 1678: 1677:0-7064-0470-X 1674: 1670: 1666: 1662: 1658: 1652: 1648: 1643: 1640: 1639:0-8108-1029-8 1636: 1632: 1628: 1624: 1618: 1614: 1609: 1605: 1599: 1594: 1593: 1586: 1585: 1581: 1574:, p. 44. 1573: 1568: 1566: 1562: 1550: 1543: 1540: 1535: 1531: 1527: 1523: 1522: 1517: 1511: 1508: 1503: 1499: 1495: 1488: 1485: 1473: 1469: 1465: 1461: 1454: 1451: 1446: 1442: 1441: 1436: 1434: 1425: 1423: 1421: 1419: 1415: 1410: 1406: 1405: 1400: 1394: 1392: 1388: 1383: 1379: 1373: 1370: 1365: 1361: 1357: 1351: 1348: 1343: 1339: 1335: 1328: 1325: 1320: 1316: 1312: 1311: 1306: 1299: 1296: 1292:. p. 94. 1291: 1287: 1281: 1278: 1274: 1270: 1269: 1263: 1260: 1248: 1247: 1242: 1235: 1232: 1228: 1224: 1220: 1217: 1216:Vallance, Tom 1212: 1209: 1204: 1200: 1193: 1190: 1186: 1185:0-275-93662-7 1182: 1178: 1172: 1169: 1165: 1159: 1156: 1153:, p. 38. 1152: 1147: 1144: 1139: 1132: 1129: 1116: 1112: 1106: 1104: 1100: 1088: 1084: 1078: 1076: 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Retrieved 1059: 1050: 1038: 1026: 1007: 1003: 999: 995: 991: 956: 947:from former 938: 927:Generation X 915: 913: 906: 896: 890: 882:Pulp Fiction 880: 870: 850: 844: 836: 834: 821: 805: 731:Institution 715: 709: 703: 697: 692: 687: 682: 677: 668: 666: 654: 607: 606: 597: 583: 582: 570: 563: 557: 551: 541: 501:Jack Lambert 495:Percy Helton 465:Gaby Rodgers 435:Paul Stewart 420:Ralph Meeker 407: 400: 392: 384: 380: 376: 365: 347: 325: 316: 315: 304: 280:Paul Stewart 272:Ralph Meeker 258: 257: 256: 211:Running time 188:Release date 157:Frank De Vol 119:Paul Stewart 109:Ralph Meeker 78: 69:(uncredited) 2469:4 for Texas 2339:Big Leaguer 2284:(1997–1998) 2276:(1986–1987) 2253:(1958–1960) 2179:I, the Jury 2139:I, the Jury 2040:Complex 90 2000:Black Alley 1904:I, the Jury 1889:Mike Hammer 1816:article by 1795:J. Hoberman 1781:article by 1252:November 7, 1121:24 November 1060:www.loc.gov 1004:Mike Hammer 955:. In 1999, 901:. When the 885:(1994) and 612:Bunker Hill 538:Development 525:Kitty White 483:Nick Dennis 471:Marion Carr 447:Wesley Addy 424:Mike Hammer 403:beach house 367:Mike Hammer 346:. In 1999, 288:Wesley Addy 270:, starring 215:106 minutes 94:Produced by 50:Directed by 2643:1955 films 2637:Categories 2242:Television 2222:(TV, 1994) 2214:(TV, 1989) 2206:(TV, 1986) 2198:(TV, 1984) 2190:(TV, 1983) 2174:(TV, 1981) 1848:0826429777 1667:. London: 1364:6304508549 1065:2020-07-20 1018:References 945:hit single 931:Billy Idol 802:Home media 793:Nominated 778:Nominated 763:Nominated 593:hardboiled 533:Production 244:Box office 199:1955-05-18 164:Production 84:1952 novel 2668:Film noir 2369:Vera Cruz 1960:The Snake 1712:essay by 1530:0028-792X 1472:0261-3077 1008:Christina 1000:Christina 953:Lita Ford 940:SLC Punk! 841:film noir 831:Influence 737:Category 724:Accolades 589:MacGuffin 489:Jack Elam 473:as Friday 264:film noir 239:$ 410,000 143:Edited by 2265:episodes 1775:Archived 1754:AllMovie 1671:, 1976. 1534:Archived 1477:July 27, 1445:Archived 1382:Archived 1342:Archived 1319:Archived 1288:(1975). 1241:"B Noir" 1219:Archived 971:See also 949:Runaways 920:(2006), 875:(1984), 872:Repo Man 867:Alex Cox 693:Scarface 657:Cold War 340:Alex Cox 228:Language 153:Music by 102:Starring 75:Based on 2234:, 2003) 1833:YouTube 1797:at the 1763:at the 1728:at the 1720:website 1716:on the 1582:Sources 1340:. AMC. 963:by the 740:Result 646:Release 485:as Nick 354:by the 231:English 220:Country 197: ( 166:company 2622:(1981) 2612:(1979) 2602:(1977) 2592:(1977) 2582:(1975) 2579:Hustle 2572:(1974) 2562:(1973) 2552:(1972) 2542:(1971) 2532:(1970) 2522:(1968) 2512:(1968) 2502:(1967) 2492:(1965) 2482:(1964) 2472:(1963) 2462:(1962) 2452:(1962) 2442:(1961) 2432:(1959) 2422:(1959) 2412:(1956) 2409:Attack 2402:(1956) 2392:(1955) 2382:(1955) 2372:(1954) 2362:(1954) 2359:Apache 2352:(1954) 2342:(1953) 2182:(1982) 2166:(1963) 2158:(1957) 2150:(1955) 2142:(1953) 2123:(2024) 2115:(2023) 2107:(2022) 2099:(2020) 2091:(2019) 2083:(2018) 2075:(2017) 2067:(2016) 2059:(2015) 2051:(2014) 2043:(2013) 2035:(2012) 2027:(2011) 2019:(2010) 2011:(2008) 2003:(1996) 1995:(1989) 1987:(1970) 1979:(1967) 1971:(1966) 1963:(1964) 1955:(1962) 1947:(1952) 1939:(1951) 1931:(1951) 1923:(1950) 1915:(1950) 1907:(1947) 1896:Novels 1846:  1693:  1675:  1653:  1637:  1619:  1600:  1528:  1470:  1362:  1183:  1092:May 4, 714:, and 635:Flight 342:, and 286:, and 236:Budget 2131:Films 983:Notes 892:Ronin 785:2008 770:2005 755:2001 734:Year 1844:ISBN 1743:IMDb 1691:ISBN 1673:ISBN 1651:ISBN 1635:ISBN 1617:ISBN 1598:ISBN 1556:2021 1526:ISSN 1479:2019 1468:ISSN 1360:ASIN 1254:2022 1181:ISBN 1123:2022 1094:2020 744:Ref. 556:and 413:Cast 362:Plot 294:and 1887:'s 1831:on 1752:at 1741:at 1315:AMC 1271:at 914:In 905:in 889:'s 879:'s 869:'s 422:as 309:by 86:by 2639:: 1685:. 1564:^ 1532:. 1518:. 1496:. 1466:. 1462:. 1443:. 1437:. 1417:^ 1401:. 1390:^ 1358:. 1336:. 1317:. 1313:. 1307:. 1243:. 1225:. 1201:. 1113:. 1102:^ 1085:. 1074:^ 1058:. 998:: 857:. 849:. 827:. 708:, 702:, 696:, 568:. 398:. 338:, 334:, 313:. 282:, 278:, 274:, 2317:e 2310:t 2303:v 2232:V 2230:( 1877:e 1870:t 1863:v 1697:. 1679:. 1659:. 1641:. 1625:. 1606:. 1558:. 1481:. 1435:" 1366:. 1256:. 1205:. 1187:. 1140:. 1125:. 1096:. 1068:. 201:) 27:.

Index

Kiss Me, Deadly
Kiss Me Deadly (disambiguation)
In the upper half of the poster, there's a torso painting of a man embracing a woman. He's kissing her neck just below her left ear. The man is wearing a business suit. The woman is in a strapless gown; her skin is bare above her chest. She's leaning away from the man, with her eyes open and a quizzical expression; she's holding a small pistol in her right hand, which is dangling loosely. In the upper right corner, the words "Blood Red Kisses!" are lettered in red. In the middle of the poster, and just below the right corner of the painting of the couple, the phrase "Mickey Spillane's Latest H-Bomb" is lettered. Below the left corner: "White Hot Thrills" is lettered. Below the center is a painting of parted red lips with "Kiss Me Deadly" lettered on them; in smaller letters above the lips is "Parklane Pictures presents". There's a small billing block at the lower left of the poster: "starring Ralph Meeker / with Albert Dekker - Paul Stewart - Juano Hernandez / Produced and directed by Robert Aldrich / screenplay by A.I. Bezzerides / Released through United Artists". There are several small paintings of scenes from the film scattered around the poster.
Robert Aldrich
A.I. Bezzerides
Kiss Me, Deadly
Mickey Spillane
Ralph Meeker
Albert Dekker
Paul Stewart
Juano Hernandez
Ernest Laszlo
Michael Luciano
Frank De Vol
United Artists
film noir
Robert Aldrich
Ralph Meeker
Albert Dekker
Paul Stewart
Juano Hernandez
Wesley Addy
Maxine Cooper
Cloris Leachman
A.I. Bezzerides
Kiss Me, Deadly
Mickey Spillane
Kefauver Commission
French New Wave
François Truffaut

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