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Kirke Mechem

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20: 616: 250:'s famous novel. "The Rivals" received its professional premiere in September, 2011 by the Skylight Opera Theater, Milwaukee to rave reviews—"A hit, an instant classic". "Pride and Prejudice" was given its concert premiere by the 273:
Radio-Television Orchestra in March 1991, the first time a Soviet orchestra had devoted an entire concert to a living American composer. Five years later he was invited to attend the Russian-language premiere of
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for "notable contributions to choral music and opera". He has also received lifetime-achievement awards from the National Opera Association and the American Choral Directors Association Western Division.
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Much of the information for this article was drawn from the "Kirke Mechem" chapter, pp 83–119. The chapter also includes several articles on music written previously by Mechem:
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celebrated his 50 years of choral publications with a retrospective concert, performed by the Western Illinois University Singers, at its national convention.
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was published by Rowman & Littlefield in 2015; it won ASCAP Foundation's 48th annual Deems Taylor/Virgil Thomson Award for outstanding musical biography.
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and has taught at other universities as a guest composer and conductor. On May 13, 2012, Mechem received an honorary Doctorate from the
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has since played to audiences in Canada, China, Russia, Austria, Germany, Sweden, Hungary and Japan, as well as in the United States.
739: 459: 199:, which inspired him to write his first opera. He wrote his own libretto, as he does for all his operas. Premiered in 1980 by the 674: 580: 265:
In 1990 Mechem made his first of three trips to Russia, then still the Soviet Union. That year he was a guest of honor at the
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registered performances of his music in 42 countries. He has been called the "dean of American choral composers". His memoir,
669: 563: 390: 641: 108: 132:) and "Give Thanks Unto The Lord." The latter won the tri-annual SAI American Music Award in 1959. His Opus 5 was a 84:). In his senior year, Mechem orchestrated and conducted the student variety show. He earned a master's degree at 239: 215: 443: 709: 491: 338: 172: 219: 160:, which was the only American prize-winner at the fourth International Competition for Composition in 704: 112: 68:, changing his major to music at the end of his junior year. His principal teachers at Stanford were 375: 243: 200: 57: 546: 411: 85: 516: 32: 64:
course taught by Harold Schmidt, the choral director, and continued his study of harmony and
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s inception and premiere, Mechem wrote many other compositions, including two new operas:
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Kirke Mechem, "Confessions of A Hymn Bandit: The Amazing Case of 'Blow Ye The Trumpet'",
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Throughout his career Mechem continued to write commissioned choral works. In 2007 the
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and other vocal works during the early 1970s. In the 1970s he saw a performance of
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48th Annual ASCAP Foundation Deems Taylor/Virgil Thomson Award Winners Announced
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in 1956–57 and 1961–63. In 1963, Mechem returned with his wife and children to
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Inter-American Music Awards - Sigma Alpha Iota International Music Fraternity
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encouraged Mechem to embark upon an opera based on the life of abolitionist,
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Perspectives: Creating and Producing Contemporary Opera and Musical Theater
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in Moscow, and was invited back for an all-Mechem symphonic concert by the
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did not take place until 2008. In the twenty-some years between
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National Opera Association - NOA Lifetime Achievement Awards
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by the Mussorgsky National Theater for Opera and Ballet in
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TicketsOfRUSSIA.ru - Theatres > Mussorgsky opera house
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KU honorary degree recipient: Kirke L. Mechem - KU News
324:"Alienation and Entertainment", first published in the 665:
complete catalog of Mechem's music; links to reviews.
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The Skylight's clever, tuneful "The Rivals" is a hit
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Kirke Mechem, "The Chronic Crisis", remarks for the
547:John Brown: Evolution of An Opera - New Music USA 359:Kirke Mechem, "An American Opera Network", in 8: 765:United States Army personnel of World War II 42:Believe Your Ears: Life of a Lyric Composer, 428:Believe Your Ears: Life of a Lyric Composer 386:Music Critics Association of North America 509:"Playing Composer, of Course, to Impress" 107:. He became composer-in-residence at the 311:"The Text Trap", first published in the 403: 328:, March,1973; republished, March, 1998. 179:. Krips commissioned Mechem to write a 242:'s classic play of the same name; and 154:Divertimento for Flute and String Trio 527:from the original on January 13, 2014 287:American Choral Directors Association 267:Tchaikovsky International Competition 140:and a book of teaching pieces called 7: 785:21st-century American male musicians 780:20th-century American male musicians 124:Most of Mechem's early work was for 52:Mechem was born August 16, 1925, in 760:University of San Francisco faculty 412:Kirke Mechem - Wise Music Classical 88:in 1953, studying composition with 14: 613:"Living Music: Browse Interviews" 507:Smith, Steve (January 12, 2014). 367:, 1983, revised and reprinted in 730:21st-century classical composers 725:20th-century classical composers 299:Composers on Composing for Choir 218:. An essay Mechem wrote for the 150:Trio for Violin, Cello and Piano 775:20th-century American composers 770:21st-century American composers 644:from the original on 2008-07-09 619:from the original on 2011-08-05 352:Interview for program notes of 144:. In Vienna, he began writing 72:(harmony and counterpoint) and 750:Musicians from Wichita, Kansas 371:magazine, Opera America, 1999. 1: 755:Musicians from Topeka, Kansas 745:American male opera composers 675:KM article: "Why John Brown?" 391:San Francisco Classical Voice 171:was premiered in 1965 by the 16:American composer (born 1925) 735:American classical composers 354:San Francisco Choral Society 689:Interview with Kirke Mechem 597:Mechem: 50 Years of Harmony 301:, Tom Wine, ed., GIA, 2007. 109:University of San Francisco 801: 715:Stanford University alumni 601:www.wisemusicclassical.com 416:www.wisemusicclassical.com 720:Harvard University alumni 684:: Evolution of An Opera." 740:American opera composers 670:Schirmer's Mechem pages. 343:American Music Institute 254:in April 2019. Mechem's 448:www.ascapfoundation.org 293:References/bibliography 130:Mormon Tabernacle Choir 356:, Carol Talbeck, 2007. 339:University of Michigan 337:with Hannah Williams, 173:San Francisco Symphony 136:, later followed by a 24: 220:American Music Center 22: 583:", Archived copy of 496:www.sai-national.org 462:", Archived copy of 347:Living Music Project 222:'s online magazine, 113:University of Kansas 691:, November 16, 1991 585:ticketsofrussia.com 349:, October 30, 2004. 244:Pride and Prejudice 201:San Francisco Opera 195:'s classic satire, 156:, and by his first 58:Stanford University 568:urbanmilwaukee.com 513:The New York Times 256:Songs of The Slave 152:was followed by a 25: 394:, August 5, 2003. 792: 653: 652: 650: 649: 634: 628: 627: 625: 624: 609: 603: 593: 587: 577: 571: 560: 554: 543: 537: 536: 534: 532: 504: 498: 488: 482: 472: 466: 456: 450: 440: 434: 424: 418: 408: 333:Interview about 315:, November, 2003 252:Redwood Symphony 94:Randall Thompson 800: 799: 795: 794: 793: 791: 790: 789: 695: 694: 661: 656: 647: 645: 636: 635: 631: 622: 620: 611: 610: 606: 594: 590: 578: 574: 561: 557: 551:NewMusicBox.org 544: 540: 530: 528: 506: 505: 501: 489: 485: 473: 469: 464:www.news.ku.edu 457: 453: 441: 437: 425: 421: 409: 405: 401: 388:, published in 381:, Spring, 2004. 295: 258:, a suite from 210:The success of 181:Second Symphony 134:Suite for Piano 122: 101:Vienna, Austria 54:Wichita, Kansas 50: 17: 12: 11: 5: 798: 796: 788: 787: 782: 777: 772: 767: 762: 757: 752: 747: 742: 737: 732: 727: 722: 717: 712: 707: 697: 696: 693: 692: 686: 677: 672: 667: 660: 659:External links 657: 655: 654: 638:"Kirke Mechem" 629: 604: 588: 572: 555: 538: 499: 483: 467: 451: 435: 419: 402: 400: 397: 396: 395: 382: 376:Chorus America 372: 357: 350: 331: 330: 329: 326:Choral Journal 322: 316: 313:Choral Journal 303: 302: 294: 291: 280:St. Petersburg 169:Symphony No. 1 158:String Quartet 121: 118: 70:Leonard Ratner 49: 46: 15: 13: 10: 9: 6: 4: 3: 2: 797: 786: 783: 781: 778: 776: 773: 771: 768: 766: 763: 761: 758: 756: 753: 751: 748: 746: 743: 741: 738: 736: 733: 731: 728: 726: 723: 721: 718: 716: 713: 711: 710:Living people 708: 706: 703: 702: 700: 690: 687: 685: 683: 680:KM article: " 678: 676: 673: 671: 668: 666: 663: 662: 658: 643: 639: 633: 630: 618: 614: 608: 605: 602: 598: 592: 589: 586: 582: 576: 573: 569: 565: 559: 556: 552: 548: 542: 539: 526: 522: 518: 514: 510: 503: 500: 497: 493: 487: 484: 481: 477: 471: 468: 465: 461: 455: 452: 449: 445: 439: 436: 433: 429: 423: 420: 417: 413: 407: 404: 398: 393: 392: 387: 383: 380: 377: 373: 370: 366: 365:Opera America 362: 358: 355: 351: 348: 344: 340: 336: 332: 327: 323: 321: 317: 314: 310: 309: 308: 307: 306: 300: 297: 296: 292: 290: 288: 283: 281: 277: 272: 268: 263: 261: 257: 253: 249: 245: 241: 238:, based upon 237: 233: 229: 225: 224:New Music Box 221: 217: 213: 208: 206: 202: 198: 194: 190: 186: 182: 178: 174: 170: 165: 163: 159: 155: 151: 147: 146:chamber music 143: 139: 135: 131: 127: 119: 117: 114: 110: 106: 105:San Francisco 102: 97: 95: 91: 90:Walter Piston 87: 83: 79: 78:orchestration 75: 71: 67: 63: 59: 55: 47: 45: 43: 39: 35: 34: 29: 21: 681: 646:. Retrieved 632: 621:. Retrieved 607: 600: 591: 584: 575: 567: 558: 550: 541: 529:. Retrieved 512: 502: 495: 486: 479: 470: 463: 454: 447: 438: 431: 422: 415: 406: 389: 378: 368: 360: 353: 346: 342: 334: 312: 304: 298: 284: 275: 264: 259: 255: 235: 231: 227: 223: 211: 209: 204: 180: 168: 166: 157: 153: 149: 141: 138:Piano Sonata 137: 133: 123: 99:He lived in 98: 74:Sandor Salgo 66:counterpoint 60:. He took a 51: 41: 31: 28:Kirke Mechem 27: 26: 23:Kirke Mechem 705:1925 births 480:www.noa.org 248:Jane Austen 232:John Brown' 177:Josef Krips 699:Categories 682:John Brown 648:2008-07-06 623:2011-08-05 432:rowman.com 399:References 260:John Brown 236:The Rivals 228:John Brown 216:John Brown 82:conducting 521:0362-4331 167:Mechem's 48:Biography 642:Archived 617:Archived 525:Archived 335:Tartuffe 276:Tartuffe 240:Sheridan 212:Tartuffe 205:Tartuffe 197:Tartuffe 189:cantatas 33:Tartuffe 570:(2008). 553:(2008). 193:Molière 86:Harvard 62:harmony 531:May 2, 519:  369:Encore 185:suites 175:under 162:Monaco 148:. His 126:chorus 120:Career 379:VOICE 246:, on 142:Whims 38:ASCAP 533:2024 517:ISSN 320:ACDA 271:USSR 92:and 80:and 599:", 566:", 549:", 494:", 478:", 446:", 430:", 414:", 701:: 640:. 615:. 523:. 515:. 511:. 363:, 345:, 341:, 282:. 203:, 187:, 164:. 651:. 626:. 595:" 579:" 562:" 545:" 535:. 490:" 474:" 458:" 442:" 426:" 410:" 76:(

Index


Tartuffe
ASCAP
Wichita, Kansas
Stanford University
harmony
counterpoint
Leonard Ratner
Sandor Salgo
orchestration
conducting
Harvard
Walter Piston
Randall Thompson
Vienna, Austria
San Francisco
University of San Francisco
University of Kansas
chorus
Mormon Tabernacle Choir
chamber music
Monaco
San Francisco Symphony
Josef Krips
suites
cantatas
Molière
Tartuffe
San Francisco Opera
John Brown

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