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For many years he sculpted directly into stone and wood. His more recent work has emphasized the interior of his sculptures, creating hollow spaces, often by joining pieces of wood in intricate ways. He believes the interior of these words guard the pieces’ energy. The exhibition 3 Casas
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He is inclined toward primitive figures, generally circles and sphere, with a minimalist view. He contrasts his work with the abundance of things and technology today, believing it is necessary to look at simple and “real” things.
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His preferred material is wood, stating it is synonymous with life, nature and fertility. This is in contrast to his former work in lead which he now describes as poisonous, inanimate and of death.
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Extraordinarias invites the onlooker to examine the interiors of three model houses. The three are made to be inhospitable, rather than comforting, such as the one that “rains” on the inside.
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Ota moved to Mexico in 1972, currently living in Mexico City. He came to the country to study art and learn about Mexico and decided to stay.
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the Centro de
Investigación y Experimentación Plástica (Center of Investigation and Plastic Experimentation) of the INBA (1977~1979).
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He originally wanted to be a painter, but in Mexico his interest turned to sculpture, working in lead, stone, iron and wood.
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263:"Kiyoto Ota propone sentir la energĂa interna de la madera mediante esculturas habitables".
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GalerĂa Arte
Contemporáneo (Contemporary Art Gallery), Mexico, D.F. (1987 and 1992)
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Escuela
Nacional de Pintura, Escultura y Grabado "La Esmeralda" alumni
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GalerĂa
Metropolitana (Metropolitan University Gallery), Mexico, D.F.(2006).
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He has exhibited in Europe, the United States and various parts of Mexico.
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Museo de Arte
Carrillo Gil (Carrillo Gil Art Museum), Mexico, D.F.(1997).
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Museo de Arte
Contemporáneo (Museum of Contemporary Art) of Oaxaca (1995)
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the School of
Democratic Art of the Japanese Artistic Association in
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Flores, Viridiana (September 26, 2014). "Kiyoto Ota: Muy mexicano".
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Haw, Dora Luz (October 17, 1995). "Despiertan memorias personales".
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Escuela
Nacional de Pintura, Escultura y Grabado "La Esmeralda"
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Escuela
Nacional de Pintura, Escultura y Grabado "La Esmeralda"
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Academic staff of the
National Autonomous University of Mexico
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Anell, Clarisa (August 11, 2017). "Más que una casa".
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23:Spring Season, a sculpture by Ota in Mexico City.
143:Feria Expositum (Expositum), Mexico, D.F. (1990)
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176:National Autonomous University of Mexico
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245:: CS1 maint: archived copy as title (
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16:Japanese-Mexican sculptor (born 1948)
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267:. Mexico City. September 12, 2012.
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516:Japanese emigrants to Mexico
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307:. Mexico City. p. 14.
287:. Guadalajara. p. 31.
204:. Mexico City. p. 10.
126:Mimi Gallery, Tokyo (1971)
172:Facultad de Arte y Diseño
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455:VerĂłnica Ruiz de Velasco
450:Armando Romero (painter)
405:Arturo Estrada Hernández
132:(Museum of Modern Art),
420:Nicolás Moreno (artist)
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170:Ota teaches art at the
385:Rodolfo Aguirre Tinoco
69:Kiyoto Ota studied at
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130:Museo de Arte Moderno
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425:Mario Moreno Zazueta
317:Arts History Mexico
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491:1948 births
445:Fanny Rabel
151:Guadalajara
88:(1972–1977)
77:(1967–1969)
485:Categories
465:DarĂo Suro
435:Kiyoto Ota
329:Kiyoto Ota
265:La Jornada
232:2010-11-08
182:References
61:sculptor.
40:ĹŚta Kiyoto
28:Kiyoto Ota
241:cite web
99:Artistry
49:Nagasaki
373:Artists
305:Reforma
202:Reforma
174:of the
155:Jalisco
84:of the
157:(1987)
140:(1986)
134:Mexico
118:Career
45:Sasebo
285:Mural
226:(PDF)
219:(PDF)
75:Tokyo
57:is a
53:Japan
34:太田 清人
247:link
138:D.F.
86:INBA
80:the
65:Life
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
