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Konrad Wölki

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originating from the field of amateur music in scientific circles. He did this through the historical exploration of the mandolin, through numerous original compositions and arrangements, but above all through the publication of textbooks for plucked instruments. While the mandolin had been played
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The D.M.G.B. federation published compositions for its members to play. Wölki, the DMGB's "most significant figure" composed music in the 1920s for the mandolin and guitar based orchestras "that demonstrated the dramatic potential and range of color" possible for the plucked orchestra.
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Konrad Wölki has published numerous textbooks for Mandolin and Zupforchester and has published 103 pieces of music for Zupforchester. Of his educational works were distributed to 1977, a million copies. His most important own compositions include:
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Together with his wife Gerda he also recognized the trend towards guitar playing in the 1950s and promoted the choral interaction of guitars. For these merits he was appointed honorary member of the Bund Deutscher Zupfmusiker.
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In the 1930s, Wölki explored 18th century mandolin music from 1760s and 1770s Paris and reached a conclusion that caused controversy. He found that the classical music of the period that used mandolin had been played without
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Initially, Wölki composed in the Romantic or Baroque style, but from the 1950s he used more modern harmonies and rhythms. However, he was not enthusiastic about the experimental and avant-garde music of his time.
155:(League of German plucked instrumentalists, BDZ), with members from his own D.M.G.B. and the German Workers Mandolinists Federation (D.A.M.B.), another mandolin organization closed down under the Nazis). 167:. While some cherished the tremolo, others embraced "a return to classical methods". His influence through the works he composed resulted in a restraint in the use of tremolo in new German compositions. 224:; from 1962 to 1966, he led the seminar for youth music educators at the Municipal Conservatory, which was later affiliated to the State University of Music and the Performing Arts (now: 220:(after 1945: Municipal Conservatory) in Berlin and was from 1939 a member of the examination board for the state music teacher examination. From 1948 to 1959 he directed the Musikschule 144:
He was a senior member of the German Mandolin and Guitar Player Federation (D.M.G.B.) until he was forced out in 1935 and replaced with a Nazi party member. In 1961 he helped create the
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mostly using tremolo since Romantic period, Wölki made the classical playing technique popular again, which uses the tremolo only occasionally as a stylistic device. In his
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and music educator who contributed to the musically critical appreciation of the Zupforchesters (German mandolin orchestras—may also include other
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or conventional orchestral instruments). Historian Paul Sparks labeled Wölki "the founding father of modern German plucked-string music."
777: 706: 716: 797: 246:(1937), he incorporated small amounts of tremolo as a stylistic device, setting an example for future German compositions. 225: 772: 138: 263:
since 1953 and since 1958 the guitar choir of the association. Retired, he was also a member of the jury of the
213:, but was renamed several times in the following years and since 1937 finally was called Berliner Lautengilde . 145: 150: 680: 77: 750: 792: 787: 635:, p. 142"Wölki (who had become a teacher at the Sternsches Konservatorium in Berlin in 1934..." 217: 198: 743: 712: 264: 182:. He continued to teach in Berlin, educating many of the next generation of mandolinists. 175: 766: 620:]. Translated by Harris, Keith. Arlington, Virginia: Plucked String. p. 10. 231:
Wölki is considered one of the first to contribute to the general recognition of the
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In 1972, Wölki gave the direction of the lute guild to his wife, who had led the
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Concerto for violin, 2 flutes and Zupforchester, Op. 57 (1954, new version 1966)
332: 197:(Berlin). At the age of 12, he became a member of the children's choir at the 134: 279: 164: 120: 756: 194: 101: 735:, by Michael Kubik (north berlin / kultur- & theaterforum) 1983] 739:"Für Mandoline notiert – Wölki-Archiv in Trossingen begründet" 18: 242:(1935), he used classical methods, especially no tremolo. In 319:
Overture No. 4 (B minor) for plucked orchestra and woodwinds
282:(Berlin). For his funeral on July 19, former members of the 381:, Berlin N 65, Swakopmunder Str. 12 : Ragotzky, 1939. 216:
From 1934 to 1940 Wölki taught plucked instruments at the
133:(27 December 1904 – 5 July 1983) was a German composer, 207:(plucked-string orchestra), which was initially called 185:
He composed or arranged 103 pieces of published music.
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competition and regularly published for the journal
441:, Berlin N 65, Swakopmunder Str. 12 : Ragotzky 435:, Berlin N 65, Swakopmunder Str. 12 : Ragotzky 369:, Berlin N 65, Swakopmunder Str. 12 : Ragotzky 201:in Berlin. In 1922, at the age of 18, he founded a 109: 87: 68: 170:He was the author of a history of the mandolin, 532: 530: 528: 607: 605: 753:by Edwin Mertes, Saarländisches Zupforchester 8: 283: 258: 232: 208: 202: 592: 590: 588: 586: 584: 582: 580: 578: 576: 551: 549: 547: 545: 76: 65: 504: 429:, Berlin : Apollo-Verlag (3 volumes) 391:Instrumentationslehre für Zupfinstrumente 502: 500: 498: 496: 494: 492: 490: 488: 486: 484: 16:German composer and musician (1904–1983) 480: 671: 669: 667: 665: 663: 661: 632: 596: 567: 555: 536: 757:Wölki's compositions and arrangements 659: 657: 655: 653: 651: 649: 647: 645: 643: 641: 275:) of the Bund Deutscher Zupfmusiker. 7: 417:, Berlin : Apollo-Verlag, 1971. 411:, Berlin : Ries und Erler, 1970 405:, Berlin : Apollo-Verlag, 1966. 387:, Berlin : Globus Verlag, 1939. 174:(1939), and a three-volume mandolin 47:move details into the article's body 759:, mandoisland.com, 24 February 2013 711:. Oxford: Oxford University Press. 399:, Berlin : Apollo-Verlag, 1960 803:20th-century German male musicians 278:Konrad Wölki died in July 1983 in 14: 375:, Berlin : H. Ragotzky, 1936 193:Konrad Wölki was born in 1904 in 23: 783:German male classical composers 393:, Berlin : Ragotzky, 1948. 447:, Berlin- : Apollo-Verlag 423:, Hamburg : Trekel, 1984. 409:Musiklehre für Gitarrenspieler 313:Overture No. 2 (F-sharp minor) 1: 521:– via hubert-woelky.de. 511:"Ein Leben für die Zupfmusik" 459:, Berlin : Apollo-Verlag 453:, Berlin : Apollo-Verlag 439:Deutsche Schule für Mandoline 421:50 Jahre Berliner Lautengilde 367:Das Studienwerk für Mandoline 180:Deutsche Schule für Mandoline 82:Konrad Wölki, by Edwin Mertes 433:Deutsche Schule für Gitarre 379:Das Studienwerk für Gitarre 210:Mandolinenorchester Fidelio 819: 778:German classical composers 463:Wölki-Schule für Akkordeon 385:Das goldene Akkordeon-Buch 353:Three old-fashioned dances 146:Bund Deutscher Zupfmusiker 139:plucked string instruments 733:Biography of Konrad Wölki 397:Melodisches Gitarrenspiel 373:Mandoline, Gitarre, Laute 75: 614:Geschichte der Mandoline 325:Overture No. 6 (G major) 322:Overture No. 5 (C major) 316:Overture No. 3 (D major) 310:Overture No. 1 (A major) 172:Geschichte der Mandoline 681:German National Library 618:History of the Mandolin 509:Kubik, Michael (1983). 465:, Berlin : Curtius 415:Gitarrenspiel am Anfang 708:The Classical Mandolin 612:Wölki, Konrad (1984). 427:Der Akkordeon-Musikant 344:Small suite in G major 284: 259: 233: 226:University of the Arts 209: 203: 798:Musicians from Berlin 705:Sparks, Paul (2003). 751:Biographical article 457:Schule für Mandoline 773:German mandolinists 331:for Zupforchester, 260:Jugendzupforchester 539:, pp. 137–138 218:Stern Conservatory 744:Neue Musikzeitung 269:Zupfmusik-Gitarre 128: 127: 64: 63: 43:length guidelines 810: 747:, September 1997 722: 692: 691: 689: 687: 673: 636: 630: 624: 623: 609: 600: 594: 571: 565: 559: 553: 540: 534: 523: 522: 520: 518: 506: 451:Gitarre zum Lied 287: 265:Jugend musiziert 262: 236: 212: 206: 154: 116: 98:27 December 1904 97: 95: 80: 66: 59: 56: 50: 41:Please read the 27: 26: 19: 818: 817: 813: 812: 811: 809: 808: 807: 763: 762: 729: 719: 704: 696: 695: 685: 683: 677:"List of works" 675: 674: 639: 631: 627: 611: 610: 603: 595: 574: 566: 562: 554: 543: 535: 526: 516: 514: 508: 507: 482: 472: 363: 350:Rondo scherzoso 307: 298: 191: 148: 124: 118: 114: 105: 99: 93: 91: 83: 71: 60: 54: 51: 40: 37:may be too long 32:This article's 28: 24: 17: 12: 11: 5: 816: 814: 806: 805: 800: 795: 790: 785: 780: 775: 765: 764: 761: 760: 754: 748: 736: 728: 727:External links 725: 724: 723: 717: 694: 693: 637: 625: 601: 599:, pp. 142 572: 570:, pp. 141 560: 541: 524: 479: 478: 471: 468: 467: 466: 460: 454: 448: 442: 436: 430: 424: 418: 412: 406: 403:Gitarre allein 400: 394: 388: 382: 376: 370: 362: 359: 358: 357: 356:Vienna concert 354: 351: 348: 345: 342: 336: 326: 323: 320: 317: 314: 311: 306: 303: 297: 294: 244:Suite Number 2 240:Suite Number 1 190: 187: 126: 125: 119: 117:(aged 78) 111: 107: 106: 100: 89: 85: 84: 81: 73: 72: 69: 62: 61: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 815: 804: 801: 799: 796: 794: 791: 789: 786: 784: 781: 779: 776: 774: 771: 770: 768: 758: 755: 752: 749: 746: 745: 740: 737: 734: 731: 730: 726: 720: 718:9780195173376 714: 710: 709: 703: 702: 701: 700: 682: 678: 672: 670: 668: 666: 664: 662: 660: 658: 656: 654: 652: 650: 648: 646: 644: 642: 638: 634: 629: 626: 622: 619: 615: 608: 606: 602: 598: 593: 591: 589: 587: 585: 583: 581: 579: 577: 573: 569: 564: 561: 558:, p. 166 557: 552: 550: 548: 546: 542: 538: 533: 531: 529: 525: 512: 505: 503: 501: 499: 497: 495: 493: 491: 489: 487: 485: 481: 477: 476: 469: 464: 461: 458: 455: 452: 449: 446: 443: 440: 437: 434: 431: 428: 425: 422: 419: 416: 413: 410: 407: 404: 401: 398: 395: 392: 389: 386: 383: 380: 377: 374: 371: 368: 365: 364: 360: 355: 352: 349: 346: 343: 340: 337: 334: 330: 327: 324: 321: 318: 315: 312: 309: 308: 304: 302: 295: 293: 291: 286: 281: 276: 274: 270: 266: 261: 255: 251: 247: 245: 241: 235: 234:Zupforchester 229: 227: 223: 222:Reinickendorf 219: 214: 211: 205: 204:Zupforchester 200: 196: 189:Life and work 188: 186: 183: 181: 177: 173: 168: 166: 160: 156: 152: 147: 142: 140: 136: 132: 122: 112: 108: 103: 90: 86: 79: 74: 67: 58: 48: 44: 38: 36: 30: 21: 20: 742: 707: 698: 697: 684:. 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Retrieved 474: 473: 462: 456: 450: 444: 438: 432: 426: 420: 414: 408: 402: 396: 390: 384: 378: 372: 366: 338: 328: 305:Compositions 299: 289: 277: 272: 268: 256: 252: 248: 243: 239: 230: 215: 192: 184: 179: 171: 169: 161: 157: 143: 131:Konrad Wölki 130: 129: 115:(1983-07-05) 70:Konrad Wölki 55:January 2021 52: 35:lead section 33: 793:1983 deaths 788:1904 births 633:Sparks 2003 597:Sparks 2003 568:Sparks 2003 556:Sparks 2003 537:Sparks 2003 339:Suite No. 2 329:Suite No. 1 290:Suite No. 1 288:played his 285:Lautengilde 199:Royal Opera 149: [ 135:mandolinist 113:5 July 1983 767:Categories 517:18 January 470:References 445:Flötentöne 273:Concertino 94:1904-12-27 335:29 (1935) 45:and help 271:(today: 123:, Berlin 104:, Berlin 699:Sources 280:Frohnau 165:tremolo 121:Frohnau 715:  195:Moabit 176:method 102:Moabit 686:6 May 616:[ 475:Notes 361:Books 296:Works 153:] 713:ISBN 688:2019 519:2021 110:Died 88:Born 333:Op. 228:). 769:: 741:, 679:. 640:^ 604:^ 575:^ 544:^ 527:^ 483:^ 292:. 178:, 151:de 721:. 690:. 96:) 92:( 57:) 53:( 49:. 39:.

Index

lead section
length guidelines
move details into the article's body

Moabit
Frohnau
mandolinist
plucked string instruments
Bund Deutscher Zupfmusiker
de
tremolo
method
Moabit
Royal Opera
Stern Conservatory
Reinickendorf
University of the Arts
Jugend musiziert
Frohnau
Op.









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