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Korg Prophecy

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1282: 36: 1000: 387:, released in 1997, which expanded upon its foundation to include twelve-note polyphony, six-part multitimbrality, a wider variety of oscillator options, a polyphonic arpeggiator, and a performance interface featuring an XY touchpad. The Z1 also made changes and lost some features of the Prophecy's core synthesis engine and effects system. 1294: 279:
The creation of the Prophecy was significantly influenced by the Korg OASYS project, an ambitious synthesizer concept that didn't reach the market due to its high cost and computational demands. Despite OASYS not being commercially released, its innovative approach to sound generation impacted the
328:, and feedback, is then fed through two multi-mode filters, which can be arranged in series, parallel, or split configurations. Each filter directs the signal to a dedicated amplifier; these outputs are subsequently blended and sent through a stereo effects chain, concluding with pan control. 339:(LFOs) with a selection of 30 types. The keyboard features velocity sensitivity and aftertouch and is complemented by three physical wheels dedicated to pitch bending, modulation, and the Wheel 3, a cylindrical control that combines a modulation wheel with a pressure- and position-responsive 284:, which were released simultaneously. Positioned as a more accessible alternative to the expensive Trinity, the Prophecy stood out with its innovative 'log' controller and its analog modelling capabilities, enabling it to emulate classic analog synth characteristics as well as modern sounds. 374:
frequencies, envelope attack times, filter resonance, and stereo panning with a single turn. These knobs are used for real-time sound modulation and editing, as well as for managing the Prophecy's arpeggiator functions, interfaced through the 2-line LCD screen.
394:, and EXB-MOSS (1999) for Korg Triton "Classic", Triton-Rack, Karma, Triton Studio, and Triton Extreme, enabling identical synthesis capabilities, but with changes to polyphony, effects system, timbrality, and storage, to be accessible in those models. 292:
The Prophecy is programmed through five Performance Editor knobs, which also allow for real-time sound adjustments during live performances, complemented by multi-function buttons. It offers five synthesis methods encompassing nine oscillator types:
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It is equipped with five programmable Performance Editors (PE) knobs, each of which can control up to four parameters simultaneously, enabling precise manipulation of aspects like
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and its follow-ups. Analog synthesizers subsequently saw a decline in popularity, with musicians and manufacturers turning their attention to the more contemporary, menu-driven
260:. Emphasized for its portability, expressiveness, and engaging playability, a distinctive feature of the Prophecy is its multifunctional Wheel 3, nicknamed the 'log'. 367:. Additionally, the Prophecy features an arpeggiator that can cover one to four octaves and offers ten pattern options—five presets and five that are user-definable. 244:
in 1995. one of the earliest commercial DSP physical/acoustic and analog "virtual" modeling sound synthesizers and Korg's first monophonic synthesizer since the
248:. The Prophecy employs Korg's Multi Oscillator Synthesis System (MOSS), which features digital oscillators capable of emulating synthesis techniques such as 390:
The Z1's MOSS engine was subsequently integrated into plugin expansion boards for Korg's workstation synthesizers, including the MOSS-TRI (1998) for
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In the mid-1990s, the synthesizer market was dominated by digital, sample-based workstations, notably the
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or resonance effects. This signal, combined with outputs from a sub-oscillator and
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In 2021, Korg released a software plugin version of the Prophecy as part of the
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artists, particularly for its analog emulations. It appeared on tracks by
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Distortion, wah, reverb, delay, chorus, flanger, 2-band parametric EQ
91: 830: 241: 227: 51: 803: 762:. No. 35. Future Publishing. September 1995. p. 26. 297:, variable phase modulation, brass, reed, and plucked string 343:. The programmable effects include, in series, overdrive, 799: 1270: 729:"Korg Collection 3: New emulations of classic synths" 1241: 1220: 1204: 1168: 1152: 1136: 1120: 1104: 1078: 1007: 837: 223: 215: 205: 200: 190: 179: 171: 160: 150: 140: 124: 114: 102: 90: 78: 73: 65: 57: 45: 28: 110:(1 in physical modelling) + Sub-Oscillator + Noise 653:"The Making of The Prodigy's The Fat of the Land" 331:The Prophecy's modulation options include six 815: 679:"LIAM HOWLETT: The Prodigy & Firestarter" 8: 447:, including the main acid-inspired riff in " 822: 808: 800: 316:Each oscillators is processed by a linked 34: 25: 280:development of both the Prophecy and the 240:is a monophonic synthesizer released by 219:Pitch, modulation, log Wheel with ribbon 1277: 631:. Oxford University Press. p. 61. 467: 383:The Korg Prophecy was succeeded by the 16:Not to be confused with the unrelated 569: 567: 565: 563: 561: 559: 557: 503: 501: 397:The Prophecy gained popularity among 313:, collectively referred to as 'MOD'. 7: 597: 595: 537:"Blast from the past: Korg Prophecy" 531: 529: 475: 473: 471: 14: 1292: 1280: 998: 574:Metlay, Mike (1 January 2021). 702:Reid, Gordon (February 2022). 677:Nagle, Paul (September 1996). 602:Reid, Gordon (December 2002). 1: 727:Vincent, Robin (2021-07-29). 604:"The History Of Korg: Part 3" 480:Reid, Gordon (October 1995). 437:. It was used extensively by 146:2 multi‑mode resonant filters 578:. Bjooks. pp. 264–268. 23:Synthesizer released in 1995 1315:Virtual analog synthesizers 1045:Triton/Le/Studio/Extreme/TR 790:Vintage Synth Explorer page 510:Patch & Tweak with KORG 1346: 996: 15: 1257: 627:Vail, Mark (2014-02-19). 508:Bjørn, Kim (2022-01-01). 337:low-frequency oscillators 132:Variable phase modulation 33: 359:, 2-band parametric EQ, 74:Technical specifications 18:Prophet synthesizer line 1325:Monophonic synthesizers 512:. Bjooks. p. 185. 419:The Chemical Brothers 333:multi-stage envelopes 1330:Digital synthesizers 704:"Korg Collection 3" 444:The Fat of the Land 288:Sounds and Features 172:Velocity expression 130:Noise + comb filter 441:on every track of 258:physical modelling 136:Physical modelling 1320:Korg synthesizers 1268: 1267: 1242:Musical arrangers 756:"Korg Prophecy". 456:Korg Collection 3 449:Smack My Bitch Up 341:ribbon controller 234: 233: 216:Left-hand control 1337: 1297: 1296: 1295: 1285: 1284: 1276: 1261:List of products 1205:MIDI controllers 1002: 1001: 824: 817: 810: 801: 795:Polynominal page 779: 743: 742: 740: 739: 724: 718: 717: 715: 714: 699: 693: 692: 690: 689: 674: 668: 667: 665: 664: 649: 643: 642: 624: 618: 617: 615: 614: 599: 590: 589: 571: 552: 551: 549: 548: 533: 524: 523: 505: 496: 495: 493: 492: 477: 311:cross modulation 250:analog synthesis 224:External control 128:Analog-modelling 38: 26: 1345: 1344: 1340: 1339: 1338: 1336: 1335: 1334: 1305: 1304: 1303: 1293: 1291: 1279: 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Index

Prophet synthesizer line

Manufacturer
Korg
Polyphony
Monophonic
Timbrality
Monotimbral
Oscillator
LFO
Filter
Attenuator
expression
Storage
Effects
Keyboard
MIDI
Korg
Mono/Poly
analog synthesis
FM
physical modelling
Korg M1
ROMplers
Korg Trinity
analog
modelling
sync
ring modulation
cross modulation

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