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The creation of the
Prophecy was significantly influenced by the Korg OASYS project, an ambitious synthesizer concept that didn't reach the market due to its high cost and computational demands. Despite OASYS not being commercially released, its innovative approach to sound generation impacted the
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339:(LFOs) with a selection of 30 types. The keyboard features velocity sensitivity and aftertouch and is complemented by three physical wheels dedicated to pitch bending, modulation, and the Wheel 3, a cylindrical control that combines a modulation wheel with a pressure- and position-responsive
284:, which were released simultaneously. Positioned as a more accessible alternative to the expensive Trinity, the Prophecy stood out with its innovative 'log' controller and its analog modelling capabilities, enabling it to emulate classic analog synth characteristics as well as modern sounds.
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frequencies, envelope attack times, filter resonance, and stereo panning with a single turn. These knobs are used for real-time sound modulation and editing, as well as for managing the
Prophecy's arpeggiator functions, interfaced through the 2-line LCD screen.
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The
Prophecy is programmed through five Performance Editor knobs, which also allow for real-time sound adjustments during live performances, complemented by multi-function buttons. It offers five synthesis methods encompassing nine oscillator types:
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It is equipped with five programmable
Performance Editors (PE) knobs, each of which can control up to four parameters simultaneously, enabling precise manipulation of aspects like
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and its follow-ups. Analog synthesizers subsequently saw a decline in popularity, with musicians and manufacturers turning their attention to the more contemporary, menu-driven
260:. Emphasized for its portability, expressiveness, and engaging playability, a distinctive feature of the Prophecy is its multifunctional Wheel 3, nicknamed the 'log'.
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in 1995. one of the earliest commercial DSP physical/acoustic and analog "virtual" modeling sound synthesizers and Korg's first monophonic synthesizer since the
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The Z1's MOSS engine was subsequently integrated into plugin expansion boards for Korg's workstation synthesizers, including the MOSS-TRI (1998) for
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679:"LIAM HOWLETT: The Prodigy & Firestarter"
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280:development of both the Prophecy and the
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219:Pitch, modulation, log Wheel with ribbon
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631:. Oxford University Press. p. 61.
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383:The Korg Prophecy was succeeded by the
16:Not to be confused with the unrelated
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727:Vincent, Robin (2021-07-29).
604:"The History Of Korg: Part 3"
480:Reid, Gordon (October 1995).
437:. It was used extensively by
146:2 multi‑mode resonant filters
578:. Bjooks. pp. 264–268.
23:Synthesizer released in 1995
1315:Virtual analog synthesizers
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510:Patch & Tweak with KORG
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132:Variable phase modulation
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74:Technical specifications
18:Prophet synthesizer line
1325:Monophonic synthesizers
512:. Bjooks. p. 185.
419:The Chemical Brothers
333:multi-stage envelopes
1330:Digital synthesizers
704:"Korg Collection 3"
444:The Fat of the Land
288:Sounds and Features
172:Velocity expression
130:Noise + comb filter
441:on every track of
258:physical modelling
136:Physical modelling
1320:Korg synthesizers
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756:"Korg Prophecy".
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1196:Kaossilator
1191:Electribe R
1169:Grooveboxes
1070:Nautilus/AT
975:Volca Beats
960:Wavestation
439:The Prodigy
186:128 patches
161:Aftertouch
97:Monotimbral
1309:Categories
1212:PadKontrol
1153:Soundcards
1065:Kronos/X/2
980:Volca Keys
970:Volca Bass
776:1032779031
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713:2024-04-01
688:2024-04-01
663:2024-04-01
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547:2024-04-01
541:MusicRadar
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462:References
423:Apollo 440
322:distortion
318:waveshaper
264:Background
163:expression
152:Attenuator
134:Modulation
104:Oscillator
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85:Monophonic
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860:microKORG
768:0967-0378
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427:808 State
407:Radiohead
335:and four
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80:Polyphony
61:1995-1997
1221:Software
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274:ROMplers
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183:memory
142:Filter
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1112:DSS-1
1091:DRM-1
1086:DDD-1
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950:Sigma
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900:MS-10
399:dance
361:delay
66:Price
58:Dates
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236:The
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52:Korg
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