119:
configurable to either a series 24dB/octave resonant low-pass setting or else a parallel 12dB/octave high-pass plus 12dB/octave low-pass combination (which together can also be used similar to band-pass filter). Further, despite the very close similarly between the Triton and
Trinity synthesis engines, PCM ROM, and effects processing, Korg programmed many of the Triton preset Programs and Combinations to appeal to the contemporary pop, dance, and hip-hop genres, making full use of the new dual arpeggiators and RPPR feature. All this essentially made Triton one of the best selling synths of the 2000s (its successors M3/M50 and later Krome sound engines are essentially improved Tritons with better UI and more wave ROM). Although it lost the sequencer audio tracks, digital input and output, these options were rarely installed in the Trinity, so the difference thereof was negligible. The onboard sampler was another significant improvement, as well as the "instant sequencing" function found in the latest firmware versions of Triton Classic and all subsequent Tritons (which allows the user to convert a combi into a song where all parts (programs) are instantly set up as tracks within a song). The Triton Extreme added in-track sampling support, allowing stereo samples to be recorded in context with a MIDI sequence and automatic triggering of the samples at their proper locations in the sequence during playback. The Triton Classic has since been re-released by Korg as a software synth (both standalone and VST), for use in digital music production, while hardware Tritons are still widely used by gigging musicians.
79:
451:
as the TR, while the MicroX extended ROM focused more on drum and percussion samples. Neither had the sequencing or expansion capability of the TR. USB connection was available for high-speed MIDI control (and use with the included plug-in editor), but incompatibilities with the other
Tritons hampered the use of libraries for those keyboards. The main difference between the two keyboards was in scale and control layout: the X50 was a 61-key keyboard with pitch and modulation wheels, while the MicroX had only 25 keys with the Triton joystick. Neither had the aftertouch functionality of the TR keyboard. Both included patch editor and librarian software as well as a plug-in for DAW control, allowing the import and export of Triton-compatible files. Similarly to the LE and TR, only one insert effect and two master effects could be assigned.
460:
115:, significantly faster touchscreen response, sample ROM expandability, enhanced UI including category search (ability to browse through related groups of sounds like pianos, brass, strings, etc.), additional audio output jacks, redesigned sequencer adding individual track looping and Cue List and significantly more event memory, more than doubled Program/Combination memory slots, more realtime controllers including knobs, portamento, and availability of multi-timbral MOSS synthesis expansion (whereas Trinity's MOSS expansion was mono-timbral). In addition, the Triton US MSRP was $ 800 less than the basic Trinity.
354:, facilitating exchange of samples, sound programs, sequences, and other Triton-compatible files. CompactFlash and microdrive cards up to 8 GB were supported, negating the need to sample directly to RAM. The USB port also allowed control of software synths and host applications via MIDI. However, unlike the "Classic", Studio, and Rack versions, the Extreme could not be fitted with sample expansion boards due to the expansion ROMs having been pre-installed. It was compatible, though, with the MOSS board and up to 96 MB of sample RAM. No
334:, with many of the features of the Studio (such as the entire PCM ROM from the Studio model) plus the entire sample sets from Korg's best-selling Trance Attack, Orchestral Collection, and Vintage Archives expansion boards, as well as the most popular sounds from the Dance Extreme, Studio Essentials, and Pianos/Classic Keyboards collections. PCM data not available on any other Triton models was also included such as improved pianos and acoustic guitars. The 34MB ROM of the "Classic" was upgraded to 160MB.
237:, released in 2001, featured the Triton synthesis technology with full effects processing, two PCM ROM expansion slots, and MOSS synthesizer expansion slot, but without both Triton's sampling/audio-input functionality and touchscreen interface. It included the more specialised KARMA music system instead of Triton's two programmable arpeggiators. It was only available in a 61-key version (with a lesser quality keyboard than the Triton).
399:
161:
386:
62:
290:
2131:
193:, with eight soft-keys under the LCD and cursor keys for user-interface navigation (essentially the same user interface later used in the Triton Le, Karma, and Korg TR keyboards), plus a rotary wheel and ten-key pad for data entry (like the touchscreen Tritons), while also retaining the knobs (here doing double-duty for both synthesizer and arepeggiator control) and floppy disk drive.
128:
419:
262:
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you play melodies using just a single finger, velocity-sensitive trigger pads (16 on the 49-key, 8 on the 25-key) that let you generate chords in the key and scale of your choice, an arpeggiator, ribbon controller, sliders and switches. Audio output is a stereo 1/8'' mini headphone jack. The onboard sounds can't be edited, layered or split, and playback is mono‑timbral.
433:
1849:
2143:
54:
450:
The X50 and MicroX, released in 2007, were oriented towards the lower end of the market and were consequently less physically robust and included fewer features. They contained the same HI synthesis engine found on the TR with the basic Triton and extended ROM: the X50 maintains the same extended ROM
118:
The biggest improvement of Triton was in the sound: new multisamples and better processing, combined with full availability of all five insert effects per
Program (each equivalent to a Trinity "Size 2" or two "Size 1" effects). The HI Synthesis engine also provides dual filters per digital oscillator
472:
A USB-powered controller with the 512 programs from the original factory bank of the
Classic, the Triton Taktile is offered in 25- and 49-key versions, with the same semi-weighted (though without aftertouch) keyboard used on the KROME. It includes a touch pad inherited from the Kaossilator that lets
345:
sounds was included, and proved especially useful for pad and organ sounds, as well as adding depth and realism to acoustic sounds, such as piano. Unlike previous
Tritons, which were a white-silver color, the Extreme was finished in dark blue, though, much like with the Korg Trinity Plus and Triton
305:
input and output, as well as the EXB-PCM08 piano expansion board, and some operating system enhancements. Sample RAM could be expanded to a maximum 96MB and a SCSI interface was included as standard. The instrument also had space for seven EXB-PCM sample expansion boards and could be fitted with an
789:
Except for the Triton
Taktile, all models of the Korg Triton model range have been discontinued by the manufacturer. Today, the Best Of Triton Soundbanks can be found on Korg's website as downloadable programs for the Korg Krome workstation, KORG Pa4X Professional arranger, KRONOS as well as an in
196:
Though not equipped with a keyboard, it had advantages over Triton
Classic 61, Pro, and ProX models, including storage of up to eight (instead of only two) EXB-PCM ROM boards containing additional sampled waveforms, many extra sound Program and Combi memory locations, expandability to maximum 96MB
95:
line of workstations. The two ranges are aesthetically and functionally very similar. The Triton "Classic" followed the
Trinity's naming conventions of the Pro and Pro X being designated to models featuring 76 and 88 keys respectively (that naming system actually started with previous 01/w series,
38:, released in 1999. It uses Korg's "HI (Hyper Integrated) Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the
204:
Like the
Classic models, the Triton-Rack featured sampling and could also support Korg's MOSS synthesizer expansion board (EXB-MOSS), distinguishing a so-expanded Triton-Rack as the only way to obtain MOSS synthesis (essentially identical to Korg's Z1 and extremely similar to Korg's Prophecy) in
301:, released in 2002, included the features of the "Classic" with double polyphony (although oddly split, with half polyphony dedicated to original 32MB ROM samples and sample RAM, and half to all EXB-PCM expansion sample boards including the built-in piano expansion), plus the addition of
140:
The original Triton was released in 1999 and became known as the "Classic" or "Classic 61" as subsequent models were released. The options available to buyers included a MOSS board, SCSI interface, two EXB-PCM expansion boards and 64MB RAM. It had a 61-key synth-/semi-weighted keyboard.
258:-based board, cannot be fitted on the Le. The functionality of the original sequencer and arpeggiator was retained, though. It was possible to load samples via the Smartmedia slot into the onboard sample RAM without requiring the sampling board to be fitted.
790:
app purchasable soundbank for the full version of the korg sound module for iOS. On
December 26, 2019, Korg released a VST plugin replicating the Korg Triton, including all factory patches & waveforms, and the full collection of EXB-PCM expansions.
205:
rack-mounted form, with the additional benefit of the Triton's seven-total effects processors (more numerous, variable, and capable than those in Z1 or Prophecy), albeit with 6-voice polyphony compared to the Z1's 12 (or 18 with optional expansion.)
78:
349:
Like the Triton "Classic" and Studio, the Triton Extreme included a touch screen interface, along with the knob and button controls. A USB interface providing both Type A and Type B connectors enabled external storage and connectivity with a
502:
and expansion boards for additional sounds. Only the Triton Le did not provide this feature. The Triton "Classic", Extreme, and Studio were controlled by a touchscreen. The KARMA, Le and Rack, however, featured a more conventional display.
1374:
a weird arrangement that provides up to 120 notes of polyphony, depending on the source bank of the sounds played. However, the 16 MB "PCM expansion boards" always give the Triton Studio 120 notes of polyphony, whatever sound is
485:
software version of the Classic Korg Triton, complete with all of its expansion packs, then followed it up with another VSTi Version of the Korg Triton Extreme on July 28, 2021. Both are available as part of the
253:
slot was instead included. A lighter and cheaper key bed than those used on the Trinity/original Triton range was installed, and the effects bus was downscaled from five insert effects to one. The MOSS, a
111:
with expandable RAM, greatly improved effects & routing possibilities (including the processing of external signals via the internal effects), larger synthesis modulation matrix, faster
498:
All models, except the Triton Rack, X50, Micro-X, KARMA and Taktile were available in 61, 76 and 88-key configurations. They could also be upgraded with increased sample
245:
The Triton Le, released in 2002, was a stripped-down, cost-reduced version of the original Triton. It uses a smaller non-touch screen similar to the TRITON-RACK. The
1404:
410:
cable for data connection with a PC. The TR also features an SD card slot. The piano quality was also improved compared to the "Classic" and Le keyboards.
459:
1354:
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Valve Force circuitry, using a vacuum tube and an analog ultra gain transistor to allow for warmer, guitar amp-like sounds for more extreme analog
2178:
100:
1497:
406:
Released in 2006, the TR was similar to the Triton Le but included expanded ROM and additional programs and combinations. It also features a
2168:
1428:
82:
KORG M3, KORG Triton, 2 KORG Radias-R and Mackie 1402 VLZ3, with MIDI Merge and Thru boxes sitting on the M3 (left and right respectively)
346:
LE, there also was a Special Edition version of the Extreme with a black finish, made exclusive to only the Domestic (Japanese) Market.
189:, it was designed with different abilities. The oversized touchscreen was replaced with a smaller, more conventional 240x64-dot graphic
1642:
2188:
1615:
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drive for making music CDs and loading AKAI format sample libraries. The sequencer was upgraded to facilitate in-track sampling.
157:
was an 88-key hammer-action/full-/piano-weighted workstation. Both were otherwise identical in specification to the Classic 61.
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A special edition of Le was released featuring a black body, visually similar but functionally different from the later TR.
2121:
880:
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a weird arrangement that provides up to 120 notes of polyphony, depending on the source bank of the sounds played.
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link, 64Mb PCM: 32Mb Triton "Classic" + 32Mb unique, Editor Program Librarian software and Plugin (VST)
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This product has now been discontinued in the UK and information supplied here is for reference only.
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Marketed at a much lower price than the original Triton range, the Le was a commercial success.
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1450:"News | The "TRITON" music workstation revived: KORG Collection - TRITON is now available!"
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2008:
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interfaces were included but optical stereo S/PDIF inputs and outputs were installed.
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also available with 61 keys (base and -FD models), 76 (01/wPro) and 88 (01/wProX).
92:
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61:
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The USB Type A connector can be used to connect a USB thumb drive, hard drive or
1913:
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104:
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The original Triton introduced many improvements over the Trinity, like 62-note
27:
2130:
772:
link, 64Mb PCM: same as TR, Editor Program Librarian software and Plugin (VST)
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1976:
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The Triton-Rack also supported the EXB-DI "Digital Interface" board providing
127:
2029:
2024:
1992:
1868:
1708:
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525:
376:
It is also seen as the keyboard of choice for Tsumugi Kotobuki in the anime
370:
261:
39:
1616:"Joker: 'If you really want to make music, sign on … go and live at mum's'"
418:
1474:"TRITON | KORG Collection for Mac/Win - SOFTWARE INSTRUMENTS | KORG (USA)"
1449:
1733:
1556:"Andy Stott Decodes the Mad Science Behind His Latest Sonic Experiments"
432:
91:
The Korg Triton line is considered the direct descendant of the earlier
1908:
1878:
1873:
1863:
1838:
686:
499:
255:
66:
47:
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198:
1597:"Novelist's Grime Centered Debut Album Is Very Bold and Very Needed"
1242:"TRITON taktile - USB CONTROLLER KEYBOARD/SYNTHESIZER | KORG (USA)"
490:
of VST software meant to replicate their previous hardware synths.
1582:"Wot U Call It, Eski? The Stickiness Of Grime's Old-School Sounds"
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The TRITON Le 88 was introduced at the NAMM Show in July, 2002.
281:
Triton Le 88 – 88 keys (RH2 Real Weighted Hammer action)
766:
740:
710:
679:
407:
190:
971:
197:
sample RAM (instead of only 64MB) and featured a built-in
177:
version of the Triton. Since musicians would use it as a
153:
was a 76-key synth-/semi-weighted workstation, while the
1219:
1648:
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digital audio output (not available on the Classics).
1636:
2119:
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output and Word Clock, or EXB-mLAN option featuring
2090:
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2053:
2017:
2001:
1985:
1969:
1953:
1927:
1856:
1686:
185:, requiring a separate keyboard to control it via
1664:
630:sequencer 16 tracks MIDI, sampler (optional)
8:
318:interface or EXB-mLAN expansion board with
275:Three versions of "Le" are available :
1671:
1657:
1649:
670:sequencer, Valve Force circuitry (using a
1643:official Korg Triton Studio documentation
249:and floppy disk drive were omitted but a
505:
397:
126:
2126:
902:
1498:"Brian Transeau: Emotional Experience"
1312:
1302:
1267:
1257:
1212:"Music Synthesizer | Synth | Korg X50"
940:"Korg Triton | Vintage Synth Explorer"
650:sequencer, S/PDIF, CD-ROM, HDD option
481:On December 26, 2019, Korg released a
314:drive, EXB-DI expansion board with an
1405:"KORG Triton Extreme Parameter Guide"
689:slot, sampler with in-track sampling
7:
1038:
1036:
910:
908:
906:
1813:
720:slot, 64Mb PCM, sampler (optional)
14:
1595:Collins, Hattie (16 April 2018).
1518:i.korg.com/Artist.aspx?artist=125
2141:
2129:
1847:
1614:MacInnes, Paul (25 March 2015).
431:
417:
107:, RPPR phrase recorder, onboard
1639:— video and audio samples
1504:. December 2001. Archived from
477:Triton Classic and Extreme VSTi
1287:"Korg Triton Taktile reviewed"
1:
2179:Samplers (musical instrument)
1580:Raw, Son (29 February 2016).
1392:. synthtopia. July 27, 2004.
1386:"NAMM - Korg Triton Extreme"
1331:"Korg Taktile 25 & 49 |"
279:Triton Le 76 – 76 keys
277:Triton Le 61 – 61 keys
2169:Products introduced in 1999
1894:Triton/Le/Studio/Extreme/TR
330:In 2004, Korg released the
2210:
1845:
1554:Sokol, Zach (2016-04-28).
1528:Sokol, Zach (2007-01-01).
964:"Resource for Korg Triton"
293:Korg Triton Studio 61 Keys
226:
2106:
1645:— user guides (PDF)
1431:. Korg UK. Archived from
1357:. Korg UK. Archived from
173:The Triton-Rack was the
2189:Polyphonic synthesizers
993:"Korg M3 Synth/Sampler"
181:rather than a complete
16:Workstation synthesizer
1410:. KORG. Archived from
469:
403:
390:
389:Triton Extreme 88 Keys
294:
266:
165:
145:Pro and ProX "Classic"
132:
83:
75:
58:
1044:"Korg Triton Extreme"
647:32 + 16 (piano bank)
627:32 + 16 (piano bank)
610:, sampler (optional)
462:
401:
388:
292:
264:
163:
130:
81:
64:
56:
1335:www.soundonsound.com
1192:www.soundonsound.com
1168:www.soundonsound.com
1144:www.soundonsound.com
1140:"Korg Triton Studio"
1120:www.soundonsound.com
1096:www.soundonsound.com
1072:www.soundonsound.com
1048:www.soundonsound.com
1021:www.soundonsound.com
997:www.soundonsound.com
944:www.vintagesynth.com
920:www.soundonsound.com
606:sequencer 16 tracks
87:History and pedigree
30:, featuring digital
1508:on 2 November 2014.
968:www.tritonhaven.com
544:sequencer, sampler
57:Korg Triton Classic
2174:Music workstations
1637:Korg official site
1315:has generic name (
1270:has generic name (
1068:"Korg Triton Rack"
470:
404:
391:
295:
267:
166:
133:
103:, dual polyphonic
84:
76:
59:
50:as its successor.
2164:Korg synthesizers
2117:
2116:
2091:Musical arrangers
829:Pharrell Williams
782:
781:
674:"Russian Bullet"
586:sequencer, KARMA
247:ribbon controller
25:music workstation
2201:
2184:Music sequencers
2146:
2145:
2144:
2134:
2133:
2125:
2110:List of products
2054:MIDI controllers
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1390:2004 Summer NAMM
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1218:. Archived from
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1177:
1175:
1174:
1160:
1154:
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1116:"Korg Triton LE"
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970:. Archived from
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929:
927:
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512:Year of release
506:
435:
421:
402:Korg TR88 (2007)
265:Korg Triton "Le"
164:Korg Triton rack
113:operating system
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2077:Korg Collection
2065:
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2013:
1997:
1981:
1965:
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1530:"Pet Shop Boys"
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1467:
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1443:
1435:on 2008-11-13.
1427:
1426:
1422:
1414:
1407:
1403:
1401:
1397:
1384:
1383:
1379:
1373:
1369:
1361:on 2011-07-17.
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914:
913:
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866:Roland Fantom-X
842:
796:
787:
661:Triton Extreme
530:Number of keys
496:
488:Korg Collection
479:
457:
448:
443:
442:
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328:
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131:Korg Triton Pro
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89:
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12:
11:
5:
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2035:Electribe EM-1
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1417:on 2012-05-15.
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1188:"Korg Micro X"
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446:X50 and MicroX
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916:"Korg Triton"
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871:Roland Juno-G
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814:Pet Shop Boys
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794:Notable users
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71:predecessor,
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55:
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37:
33:
29:
26:
22:
2194:Synthesizers
2108:
2098:Korg Pa600MY
1893:
1857:Workstations
1744:Monotron Duo
1714:miniKORG 700
1687:Synthesizers
1620:The Guardian
1619:
1609:
1601:i-d.vice.com
1600:
1590:
1575:
1563:. Retrieved
1559:
1549:
1537:. Retrieved
1533:
1523:
1514:
1506:the original
1501:
1492:
1481:. Retrieved
1477:
1468:
1457:. Retrieved
1453:
1444:
1436:
1433:the original
1423:
1412:the original
1398:
1389:
1380:
1370:
1362:
1359:the original
1349:
1338:. Retrieved
1334:
1325:
1294:. Retrieved
1290:
1280:
1249:. Retrieved
1245:
1235:
1224:. Retrieved
1220:the original
1215:
1206:
1195:. Retrieved
1191:
1182:
1171:. Retrieved
1167:
1158:
1147:. Retrieved
1143:
1134:
1123:. Retrieved
1119:
1110:
1099:. Retrieved
1095:
1092:"Korg KARMA"
1086:
1075:. Retrieved
1071:
1062:
1051:. Retrieved
1047:
1024:. Retrieved
1020:
1011:
1000:. Retrieved
996:
987:
976:. Retrieved
972:the original
967:
958:
947:. Retrieved
943:
934:
923:. Retrieved
919:
876:Yamaha Motif
846:Korg Trinity
834:The Neptunes
805:Phil Collins
788:
785:Availability
700:TR 61/76/88
555:Triton Rack
497:
480:
471:
464:
449:
405:
377:
375:
368:
348:
336:
331:
329:
298:
296:
274:
271:
268:
244:
232:
218:
207:
203:
195:
179:sound module
172:
154:
150:
148:
139:
117:
105:arpeggiators
98:
93:Korg Trinity
90:
73:Korg Trinity
20:
18:
2136:Electronics
2045:Kaossilator
2040:Electribe R
2018:Grooveboxes
1919:Nautilus/AT
1824:Volca Beats
1809:Wavestation
1478:KORG Global
1454:KORG Global
1429:"Triton LE"
1355:"Triton LE"
1313:|last=
1291:KORG Global
1268:|last=
1246:KORG Global
1164:"Korg TR88"
886:Synthesizer
709:sequencer,
438:Korg microX
322:interface.
310:, internal
183:workstation
169:Triton-Rack
65:Successor,
28:synthesizer
21:Korg Triton
2158:Categories
2061:PadKontrol
2002:Soundcards
1914:Kronos/X/2
1829:Volca Keys
1819:Volca Bass
1534:Mix Online
1483:2019-12-28
1459:2019-12-28
1340:2017-03-07
1296:2017-03-07
1251:2017-03-07
1226:2015-12-22
1216:i.korg.com
1197:2015-12-22
1173:2015-12-22
1149:2015-12-22
1125:2015-12-22
1101:2015-12-22
1077:2015-12-22
1053:2015-12-22
1026:2015-12-22
1002:2015-12-22
978:2015-12-22
949:2015-12-22
925:2015-12-22
897:References
856:Korg OASYS
851:Korg KARMA
819:Andy Stott
810:Chris Lowe
597:Triton Le
343:distortion
308:hard drive
251:Smartmedia
235:Korg KARMA
229:Korg KARMA
36:sequencing
2030:Electribe
2025:Kaoss Pad
2009:OASYS PCI
1729:Monologue
1724:Mono/Poly
1719:Minilogue
1709:microKORG
1539:21 August
891:Polyphony
726:61/76/88
695:61/76/88
656:61/76/88
550:61/76/88
526:Polyphony
522:Features
519:size, MB
371:CD writer
339:overdrive
306:optional
175:rackmount
136:"Classic"
101:polyphony
42:in 2007,
40:NAMM Show
2070:Software
1954:Samplers
1889:N364/264
1789:Prophecy
1774:Poly-800
1734:Monotron
1375:selected
1305:cite web
1285:author.
1260:cite web
1240:author.
840:See also
703:2006-07
564:sampler
494:Features
424:Korg X50
216:output.
123:Variants
32:sampling
2122:Portals
1970:Vocoder
1884:Trinity
1864:Korg M1
1804:Trident
1784:PS-3300
1779:Polysix
1769:Poly-61
1764:PE-2000
1699:DW-8000
1694:DW-6000
881:Sampler
731:MicroX
718:SD card
687:CF card
535:Triton
500:EDO RAM
326:Extreme
109:sampler
67:Korg M3
48:Korg M3
1986:Organs
1794:RADIAS
1759:MS2000
716:link,
685:link,
616:61/76
509:Model
303:S/PDIF
285:Studio
199:S/PDIF
2148:Music
2082:DS-10
1977:VC-10
1961:DSS-1
1940:DRM-1
1935:DDD-1
1904:OASYS
1899:KARMA
1799:Sigma
1754:MS-20
1749:MS-10
1565:1 May
1560:THUMP
1415:(PDF)
1408:(PDF)
824:Wiley
760:2007
734:2007
672:12AU7
664:2004
644:2002
624:2002
600:2002
580:2001
576:KARMA
570:None
558:2000
538:1999
515:Wave
463:Korg
379:K-On!
312:CD-RW
223:KARMA
23:is a
1993:CX-3
1869:01/W
1704:DS-8
1680:Korg
1567:2016
1541:2022
1317:help
1272:help
770:MIDI
757:X50
744:MIDI
714:MIDI
683:MIDI
676:tube
667:160
608:MIDI
483:VSTi
364:ADAT
360:mLAN
356:SCSI
320:mLAN
316:ADAT
297:The
233:The
214:mLAN
210:ADAT
187:MIDI
155:ProX
149:The
69:and
44:Korg
34:and
19:The
1814:X50
812:of
778:61
775:62
767:USB
763:64
752:25
749:62
741:USB
737:64
723:62
711:USB
706:64
680:USB
678:),
636:88
633:62
613:62
603:32
592:61
589:62
583:32
567:60
561:32
547:62
541:32
517:ROM
408:USB
362:or
191:LCD
151:Pro
2160::
1909:M3
1879:i3
1874:X3
1839:Z1
1618:.
1599:.
1558:.
1532:.
1500:.
1476:.
1452:.
1388:.
1333:.
1309::
1307:}}
1303:{{
1289:.
1264::
1262:}}
1258:{{
1244:.
1214:.
1190:.
1166:.
1142:.
1118:.
1094:.
1070:.
1046:.
1035:^
1019:.
995:.
966:.
942:.
918:.
905:^
800:BT
394:TR
382:.
358:,
352:PC
256:Z1
241:Le
2124::
1672:e
1665:t
1658:v
1622:.
1569:.
1543:.
1486:.
1462:.
1343:.
1319:)
1299:.
1274:)
1254:.
1229:.
1200:.
1176:.
1152:.
1128:.
1104:.
1080:.
1056:.
1029:.
1005:.
981:.
952:.
928:.
341:/
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
