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Koyaanisqatsi

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688:, and several shots from the setup ended up in the film. Reggio was not on location in Times Square when Fricke shot the footage and thought the idea of shooting portraits of people was "foolish". Upon viewing the footage, Reggio decided to devote an entire section of the film to portraits. The footage was processed with a special chemical to enhance the film's shadows and details, as all footage was shot only with existing lighting. The IRE's $ 40,000 was exhausted after the filming, and almost two cases of film had been used. The unedited footage was screened in Santa Fe, New Mexico, but Fricke said it was "boring as hell" and there were "not that many good shots". Fricke later moved to Los Angeles, and took a job as a waiter, unable to get a job in the film industry. While Fricke was working in Los Angeles, he edited the footage into a 20-minute reel, but "without regard for message or political content". 42: 266: 41: 634:(ACLU). The campaign involved invasions of privacy and the use of technology to control behavior. Instead of making public service announcements, which Reggio felt "had no visibility", advertising spots were purchased for television, radio, newspapers, and billboards. Over thirty billboards were used for the campaign, and one design featured a close-up of the human eye, which Reggio described as a "horrifying image", To produce the television commercials the IRE hired cinematographer 737: 532: 656: 4860: 1140: 1135: 1130: 1125: 1120: 783:, with ten-second delay between frames. The first take was shot throughout the day for twelve hours, then the film was rewound and the same scene was shot at night for twenty minutes. The scene with the Boeing 747 on the runway was filmed at Los Angeles International Airport, and was the longest continuous shot in the film. Fricke and his 638:, who worked on the project for two years. The television advertisements aired during prime-time programming and became so popular that viewers would call the television stations to learn when the next advertisement would be aired. Godfrey described the two-year campaign as "extraordinarily successful", and as a result, 740: 744: 743: 739: 738: 745: 309:
contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and music. Reggio explained the lack of dialogue by stating "it's not for lack of love of the language that these films have no words. It's because, from my point of view, our language is in a state of
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The next sequence features a sunset reflected in the glass of a skyscraper, before depicting people interacting with modern technology. Traffic, rush hours, technology-aided labors are depicted viscerally. The sequence begins to come full circle as the manufacture of cars in an assembly-line factory
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of cities are shown, comparing the lay of each of them. Night shots of buildings are shown, as well as of people from all walks of life, from beggars to debutantes. A rocket in flight explodes, and the camera follows one of its engines as it falls back towards Earth. The film concludes with another
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were passed through various multinational entertainment companies, which eventually prevented a home video release. IRE enforced their legal and contractual rights by creating a federal court lawsuit. IRE distributed a privately issued release of the film on DVD. The release was available to those
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was eliminated as a behavior-modifying drug in many New Mexico school districts. But after the campaign ended, the ACLU eventually withdrew its sponsorship, and the IRE unsuccessfully attempted to raise millions of dollars at a fundraiser in Washington, D.C. The institute only had $ 40,000 left in
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on April 27, 1983. The producers spent $ 6,500 on marketing the initial release, which grossed $ 46,000 throughout its one-week run, and was the highest-grossing film in the San Francisco Bay Area that week. It was released in Los Angeles a month later where it grossed $ 300,000 at two theaters
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Reggio and Fricke came across time-lapse footage in "some low-visibility commercial work". They felt such footage was "the language were missing", and collectively decided to implement time-lapse as a major part of the film to create "an experience of acceleration". For the time-lapse footage,
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and New York City. As there was no formal script, Fricke shot whatever he felt would "look good on film". While filming in New York City, Fricke developed an idea to shoot portraits of people. A grey paper backdrop was displayed in Times Square, and Fricke stood 10 feet (3 m) back with the
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resembles the style of the film, featuring different shots of the fictional Liberty City, with the track "Pruit Igoe" in the background. This track also appears in the final cutscene of the missions "Out of Commission" and "A Revenger's Tragedy" alongside the in-game radio station The
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as "life of moral corruption and turmoil" or "life out of balance", referring to the life of a group. The latter translation has been used in promotional materials for the film and is one of the five definitions listed before the closing credits.
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was the company's first release. Select theaters distributed a pamphlet that defined the title and the Hopi prophecies sung in the film, as well as a copy of the soundtrack from Island Records. The first theatrical run featured four-track
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offered to distribute the film, but Reggio turned down the offer as he wanted to work with a smaller company so he could be more involved with the release. He chose Island Alive as the distributor, a company newly formed in 1983 by
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people. It's been that everyone: politics, education, things of the financial structure, the nation state structure, language, the culture, religion, all of that exists within the host of technology. So it's not the effect
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of 1œ frames per second. Fricke wanted the footage to "look normal" and not contain any "gimmicky" special effects. The time-lapse shot overlooking the freeway in Los Angeles was filmed from the top of a building through a
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and ground footage taken using a tripod. The first aerial footage was too "shaky", so additional footage was taken from a camera mounted onto the airplane. Fricke traveled back to New York City in 1977, during which the
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onto 35 mm film. To compensate for the lens size, a 2× extender was added, which turned it into a full 35 mm zoom lens, allowing footage to be clearly captured onto 35 mm film. The two-week shoot included
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sense of the word) harmonic language. Glass was one of the first composers to employ minimalism in film scoring, paving the way for many future composers of that style. The choral pieces were sung for the film by the
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with a length of 73 minutes. This new recording includes new additional tracks that were cut from the film, as well as extended versions of tracks from the original album. This album was released as
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films are intended to simply create an experience and that "it is up the viewer to take for himself/herself what it is that means." He also said that "these films have never been about the effect
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and that it was "important for people to see", so he added his name into the credits and helped present and distribute the film. Coppola also decided to introduce and end the film with footage of
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On January 13, 2012, a Blu-ray version (screen ratio 16:9) was released in Germany. The Blu-ray was also released in Australia by Umbrella Entertainment on March 22, 2012. In December 2012,
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is shown. Daylight highway traffic are shown, followed by the movement of cars, shopping carts, televisions in an assembly line, and elevators. Time-lapses of various television shows being
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within 15 weeks. Additional releases in select cities throughout the United States continued in September 1983, beginning with a release in New York City on September 15. In mid-October,
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The IRE was continuously receiving funding and wanted to continue the project in 1976, using 35 mm film. After quitting his waiting job, Fricke traveled with a camera crew to the
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its budget, and Reggio was unsure how to use the small amount of funds. Fricke insisted to Reggio that the money could be used to produce a film, which led to the production of
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The following sequence begins with sunbathers on a beach next to a power plant, followed by tourists visiting another power plant. The next images show clouds reflected on the
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was completed after a lengthy delay caused by funding problems and premiered in the United States on October 18, 2002. The film's cinematographer Ron Fricke went on to direct
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assigned the film a weighted average score of 72 out of 100, based on 10 critics, indicating "generaly favourable reviews". In 1983, the film was entered into the
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credit for inspiration. Moreover, amongst the consultants to the director are listed names including Jeffrey Lew, T. A. Price, Belle Carpenter, Cybelle Carpenter,
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housing project was shot from a helicopter, and Fricke nearly passed out during filming, having never flown in a helicopter before. Reggio later chose to shoot in
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Trilogy. The release features 5.1 surround sound audio and a restored digital transfer of the film in 1.85:1 aspect ratio, approved by director Godfrey Reggio.
3930: 798:(1975), which predominately features time-lapse footage of New York City streets. Reggio was impressed with Harris' work and subsequently hired him to work on 349:. However, because of copyright issues, the film was out of print for most of the 1990s. In 2000, the film was selected for preservation in the United States 4975: 4464: 3216: 5400: 4789: 3259: 1716:(NYFF) on October 4, which was promoted as the film's "world premiere", despite its previous screening in September. While the NYFF was based in the 5415: 368:
runs for 86 minutes and consists of a montage of visuals accompanied by a minimalist score, without narration or dialogue. It opens with an ancient
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combines striking visuals and a brilliant score to produce a viewing experience that manages to be formally daring as well as purely entertaining."
1879: 1828:(2002). Both films were available in a two-disc box set. Each DVD includes a documentary with interviews by Reggio and Glass and trailers for the 3768: 4701: 4309: 2032: 3008: 1009:, conducted by Michael Riesman. One piece written for the film, "Façades", was intended to be played over a montage of scenes from New York's 5470: 5410: 3443: 5440: 4894: 4327: 3754: 2435: 1041:
school of composition, which is characterized by heavily repeated figures, simple structures, and a tonal (although not in the traditional
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Reggio and Fricke chose to shoot unscripted footage and edit it into an hour-long film. Production began in 1975 in St. Louis, Missouri.
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It ultimately grossed $ 3.2 million at the box office, and became the second-highest-grossing documentary of the 1980s, following
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format in which it was filmed, the MGM release was cropped into a widescreen aspect as it originally was presented in theaters.
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In addition to footage shot by Fricke, some of the footage of people and traffic in New York City was shot by cinematographer
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sung by a choral ensemble during the latter part of the "Prophecies" movement are translated just prior to the end credits.
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has an approval rating of 91% based on 22 reviews, with an average rating of 8/10. The website's critical consensus reads "
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are shown. In slow motion, several people react to being candidly filmed; the camera stays on them until the moment they
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The Kingdom of Dreams: Selected Papers from the Tenth Annual Florida State University Conference on Literature and Film
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The opening for "The Grid" begins with slow sustained notes on brass instruments. The music builds in speed and
265: 4887: 4800: 4457: 4349: 3980: 1843: 1797: 697:, as well as buildings, didn't matter. It was all the same from my standpoint. I just shot the form of things. 711:, which was chosen for filming for its "alien look". Due to the limited budget, Fricke shot with a 16 mm 3931:"Philip Glass Ensemble, LA Philharmonic Perform to "Koyaanisqatsi" at Hollywood Bowl | Nonesuch Records" 2591: 2354:
Naanahoy lanatini naap yaw itamit hiita kya-hak hiita töt sqwat angw ipwaye yaw itam hiita qa löl mat awkökin
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The following screen shows a translation of the three Hopi prophecies sung in the final segment of the film:
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The music has become so popular that the Philip Glass Ensemble has toured the world, playing the music for
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footage (some of it in reverse) of cities and many natural landscapes across the United States. The visual
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who made a donation of at least $ 180 to IRE, and was distributed in a sleeve that was signed by Reggio.
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housing project in St. Louis, Missouri, was one of the early scenes filmed once production began in 1975.
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with a montage of the pieces "Prophecies" and "Pruit Igoe", and features the same tracks in its trailer.
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In 2009, a remastered album was released under Philip Glass' own music label, Orange Mountain Music, as
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episodes feature the main title music with intense staring (the janitor giving JD the 'evil eye'):
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to every incoming class to prompt discussion regarding philosophy, political science, and English.
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as "formulated with absolute precision and congenial expression." It has also been described as a
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features the title music during a scene featuring a character performing an interpretive dance.
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throughout the piece's 21 minutes. When the piece is at its fastest, it is characterized by a
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occurred. Footage of the blackout was filmed in Harlem and the South Bronx, and the film was
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Brief Descriptions and Expanded Essays of National Film Registry Titles|Library of Congress
676: 660: 512:. A time-lapse of a crowd queueing is followed by shots of people walking along streets in 4765: 4166: 3503: 3344: 2157: 1970: 1863: 1793: 1736: 1650: 1627: 1042: 942: 766:, which was used to precisely move the camera between frames. The system was powered by a 759: 672: 639: 552: 521: 408:
moving across the landscapes at fast speeds, and birds are seen and heard flying out of a
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in Utah after visiting the site and becoming fascinated by the ancient sandstone murals.
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by singer Albert de Ruiter over a solemn, four-bar organ-passacaglia bassline. Three
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was again performed live, in Montreal at the Place des Arts, on September 14, 2019.
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The next sequence primarily features clouds moving in time-lapse, in addition to a
290: 125: 2657: 2426: 531: 4073:: Godfrey Reggio's filmic definition of the Hopi concept for 'life out of balance 3945:"Philip Glass | KOYAANISQATSI LIVE – Life out of Balance | TRAQUEN'ART" 3769:"Q+A: Vincent Ocasla, the 22-Year-Old Who Designed the Perfect Totalitarian City" 3648: 3590: 2008:
covered a version of the title track, "Koyaanisqatsi" on their 1987 debut album,
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that lasted for twelve hours, which enabled Fricke to shoot without the use of a
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was added into the cloud sequence, and additional stock footage was provided by
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Reggio is credited for "Concept"; all four writers are credited for "Scenario"
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Recording reviews: a Glass harpist, arias for Farinelli - The Washington Post
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Unheard Minimalisms: The Functions of the Minimalist Technique in Film Scores
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The chanted "koyaanisqatsi" lyric from the film's title song was parodied in
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was released onto 40 to 50 screens throughout the country. It was a surprise
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vast humiliation. It no longer describes the world in which we live." In the
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technology. Technology has become as ubiquitous as the air we breathe ..."
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camera. People walking by started posing for the camera, thinking it was a
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Grand Central Terminal in New York City is shown several times in the film.
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was performed live at the Hollywood Bowl in Los Angeles, on July 23, 2009.
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At the Cassette Store, 1985 (incomplete) - Siskel and Ebert Movie Reviews
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was used due to budget constraints, despite the preference to shoot with
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An abbreviated version of the film's soundtrack was released in 1983 by
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This film also inspired RaMell Ross's 2018 Oscar-nominated documentary
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image of the Great Gallery pictograph, this time with smaller figures.
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I just shot anything that I thought would look good on film. Shooting
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Synaesthetic Cinema: Minimalist Music and Film - Harvard Film Archive
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composed by Philip Glass), replaced with the lyric "coy hotsy-totsy".
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Destruction of large buildings is depicted, including the one at the
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hit as well as a popular presentation at colleges and universities.
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for being "culturally, aesthetically, or historically significant".
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from the original on December 21, 2021 – via www.youtube.com.
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Cult Movies on Videocassette, 1987 - Siskel and Ebert Movie Reviews
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Glass's music for the film is a highly recognizable example of the
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The film's initial limited release began in San Francisco at the
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Yaw yannak yangw sen kisats köö tsaptangat yaw töövayani oongawk
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Warsaw International Film Festival-audience award winning films
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Bodies at Risk: Unsafe Limits in Romanticism and Postmodernism
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Streible, Dan (2006). "Koyaanisqatsi". In Ian Aitken (ed.).
3719:"How The Qatsi Trilogy Gave RaMell Ross a New Way of Seeing" 4042:
A Critical Cinema 2: Interviews with Independent Filmmakers
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American film distribution : the changing marketplace
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included excerpts from the film's score on her 2017 album
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due to the film's "spectacular visual and sound quality".
2272: 1835:. Unlike the IRE release, which featured the film in the 3784:"11 Films You Didn't Know Were Perfect to Watch on 4/20" 1589:, it's that everything exists within . It's not that we 3737:"Under the Influence: RaMell Ross on THE QATSI TRILOGY" 3661:"What Songs Appear on the 'Watchmen' Movie Soundtrack?" 3057: 3045: 2521: 2161:
features the track "Prophecies" in its seventh episode.
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on September 18, 2002, coinciding with the release of
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Koyaanisqatsi: Original Soundtrack Album from the Film
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Godfrey Reggio, Cinematic Seer - Harvard Film Archive
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In 1998, Philip Glass re-recorded the film score for
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is the best known of the trilogy and is considered a
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Godfrey Reggio/IRE Collection - Harvard Film Archive
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to rising seniors in the state of Arkansas, screens
4946: 4911: 4776: 4757: 4694: 4593: 4414: 4334: 4250: 4210: 2287: 2269: 1997:. The music is completely synchronized to the film. 1390: 1382: 1267: 1259: 1166: 1158: 954: 941: 929: 913: 889: 881: 868: 863: 813:While Reggio was working on post-production at the 733:to match the appearance of the 16 mm footage. 255: 247: 239: 229: 175: 156: 131: 121: 104: 96: 88: 61: 51: 34: 4039: 3994: 1949:A clip of this film was featured in the 2016 film 4749:Concerto Fantasy for Two Timpanists and Orchestra 3474:"Koyaanisqatsi (1983) | The Criterion Collection" 1610:literally translates to "chaotic life". It is a 3153:"The Film Festival Turns 20, Mixing Old and New" 3098:"New Mexico Filmmakers Play a Part in "Samsara"" 2997:. Austin, TX: The University of Texas at Austin. 1886:, in his textbook for film educators, describes 1814:eventually received the rights to the film, and 1792:was originally released on VHS and laserdisc by 825:, Coppola's production company. Before shooting 691: 3809:""Scrubs" My New God (TV Episode 2006) - IMDb" 3591:The Postmodern Presence - Google Books (pg.37) 3575:GymnĂĄzium a HudebnĂ­ ĆĄkola hlavnĂ­ho města Prahy 3026:Koyaanisqatsi (Original Motion Picture Score). 2342:Yaw itam it awk haykyanayawk yaw oova iwiskövi 1704:on April 27, 1982. Later that year, the film 4983: 4888: 4472:The Making of the Representative for Planet 8 4303: 4187: 1712:on September 5. It was screened again at the 8: 5396:Documentary films about environmental issues 3571:AudiovizuĂĄlnĂ­ a FilmovĂĄ vĂœchova ve vyučovĂĄnĂ­ 3499:"Koyaanisqatsi – Life Out of Balance (1982)" 2948:"The Past Comes to Life in Horseshoe Canyon" 1117: 5381:American avant-garde and experimental films 4790:Glass: A Portrait of Philip in Twelve Parts 2473: 2471: 1376:Koyaanisqatsi: Complete Original Soundtrack 1081:Koyaanisqatsi: Complete Original Soundtrack 5426:United States National Film Registry films 4990: 4976: 4968: 4895: 4881: 4873: 4310: 4296: 4288: 4194: 4180: 4172: 3632:"Review: Mike Mills' "20th Century Women"" 3604:"[NYFF Review] 20th Century Women" 2042:was cited as an inspiration for the viral 1092: 860: 315: 40: 31: 3974:Gold, Ron (March 1984). "Untold Tales of 2921: 2865: 2784: 2772: 2740: 2725: 2693: 2691: 2689: 1846:released a remastered DVD and Blu-ray of 774:. Most time-lapse shots were filmed at a 559:shows five translations of the Hopi word 388:into a sequence of landscapes with large 5371:1980s avant-garde and experimental films 1621:("corrupted" or "chaotic") and the word 1564:and the other films in the Qatsi trilogy 1373: 1250: 1149: 1076:, rather than a soundtrack of the film. 3217:"Theatrical Release Dates – April 1983" 3151:Insdorf, Annette (September 19, 1982). 2988:Eaton, Rebecca Marie Doran (May 2008). 2380: 2241: 2099:Koyaanis-Scratchy: Death Out of Balance 1880:33rd Berlin International Film Festival 1537: 1359: 1236: 2946:Hillinger, Charles (August 10, 1986). 2933: 2327: 2033:Hale County This Morning, This Evening 1850:, as part of a box set containing the 1656:During the end titles, the film gives 3399:. Comparison between the two versions 3262:from the original on January 18, 2013 2532: 2530: 2394: 2392: 2390: 2388: 2386: 2384: 1538: 1360: 1237: 1098: 749:Example of "time-lapse" video, which 493:at an airport, cars driving on urban 7: 4102:Encyclopedia of the Documentary Film 3337:"How You Can Help: Getting Involved" 2877: 2853: 2841: 2822: 2805: 2757: 2480:"The 1980s and American Documentary" 2436:British Board of Film Classification 802:. Footage filmed by cinematographer 384:chants the film's title. The images 1090:live in front of the movie screen. 5401:Documentary films about technology 3837:"My favourite film: Koyaanisqatsi" 2464:. UMI Research Press. p. 244. 1720:, an exception was made to screen 762:camera, and built a motor with an 25: 4847:Philip Glass Buys a Loaf of Bread 2890:Torneo, Erin (October 18, 2002). 2699:"Philip Glass: Prophecies lyrics" 1752:sound, while later runs featured 1696:was first publicly screened as a 1119: 1001:The film's score was composed by 837:(1983), Coppola requested to see 297:. The film consists primarily of 5416:Films directed by Godfrey Reggio 4859: 4858: 4135:at the Godfrey Reggio Foundation 3993:Hopi Dictionary Project (1998). 3618:"Twentieth Century Women (2016)" 3602:Newman, Nick (October 7, 2016). 3368:"Koyaanisqatsi & Powaqqatsi" 3250:"The Marketing of Koyaanisqatsi" 3123:Robbins, Jim (October 6, 1982). 3070:Neveldine, Robert Burns (1998). 2537:Carson, Greg (director) (2002). 2478:Plantinga, Carl (May 16, 2006). 2259: 1936:movie that is often compared to 1138: 1133: 1128: 1123: 1118: 143:Institute for Regional Education 3782:Short, Hogan (April 17, 2017). 3690:Gann, Kyle (January 19, 1999). 3031:. Retrieved September 20, 2018. 1993:, released on the record label 1625:("life" or "existence"). The 720:taken from an airplane using a 431:. This segues into footage of 4465:The Fall of the House of Usher 4083:Florida State University Press 4048:University of California Press 3393:"Koyaanisqatsi DVD Comparison" 3248:Kreps, Karen (December 1983). 3192:"Our Founder: Chris Blackwell" 2458:Donahue, Suzanne Mary (1987). 1383: 1260: 1159: 1030:playing the piece's bass line 817:in 1981, he met film director 632:American Civil Liberties Union 289:, featuring music composed by 1: 3880:Bitran, Tara (May 27, 2022). 3755:"Magnasanti (Vincent Ocasla)" 320:means "life out of balance". 5471:1982 directorial debut films 5411:Films scored by Philip Glass 5052:The Double Life of Veronique 4077:". In Douglas Fowler (ed.). 3908:Bundel, Ani (May 28, 2022). 3444:"Australian Blu-ray release" 3058:Hopi Dictionary Project 1998 3046:Hopi Dictionary Project 1998 2522:Hopi Dictionary Project 1998 2484:Contemporary American Cinema 2405:AFI Catalog of Feature Films 1985:The film inspired the album 1560:Godfrey Reggio, director of 5441:Films shot in New York City 4725:Violin Concerto (withdrawn) 4007:University of Arizona Press 3546:"Berlinale: 1983 Programme" 3076:. SUNY Press. p. 112. 1900:is followed by the sequels 1048:Western Wind Vocal Ensemble 528:. Cars then move speedier. 506:Pruitt-Igoe housing project 184:September 5, 1982 27:1982 film by Godfrey Reggio 5492: 5391:American documentary films 5386:American independent films 4556:Waiting for the Barbarians 4479:1000 Airplanes on the Roof 4038:(1992). "Godfrey Reggio". 3649:Pruitt Igoe — Philip Glass 2658:"Welcome to Koyaanisqatsi" 2329:[koˈjaːnisˈqatÍĄsi] 2070:Arkansas Governor's School 2063:Hello Gutter, Hello Fadder 1531:"Translations and Credits" 849:from the Great Gallery at 821:through an associate from 808:MacGillivray Freeman Films 398:Southwestern United States 5292:What We Do in the Shadows 5072:Coffee and Cigarettes III 5005: 4856: 4325: 4104:. Vol. 2. New York: 4069:Ramsey, Cynthia (1986). " 3825:– via www.imdb.com. 3811:– via www.imdb.com. 2011:Taint Pluribus Taint Unum 1812:Metro-Goldwyn-Mayer (MGM) 1527: 1516: 1505: 1494: 1483: 1472: 1461: 1450: 1439: 1428: 1417: 1406: 1395: 1387: 1349: 1338: 1327: 1316: 1305: 1294: 1283: 1272: 1264: 1226: 1215: 1204: 1193: 1182: 1171: 1163: 1106: 1103: 1005:and was performed by the 962: 640:Ritalin (methylphenidate) 285:directed and produced by 199:October 4, 1982 46:Theatrical release poster 39: 3981:American Cinematographer 3723:The Criterion Collection 3478:The Criterion Collection 3419:"German Blu-ray release" 2975:"Facades – Philip Glass" 1680:, and Barbara Pecarich. 329:, which was followed by 323:It is the first film in 214:April 27, 1983 5456:Films shot in St. Louis 4735:Violin Concerto No. 2 ( 2365: 2353: 2341: 1818:was released on DVD by 1710:Telluride Film Festival 1689:Theatrical distribution 1568:Reggio stated that the 1487:"The Grid Introduction" 497:, and various types of 485:of a glass skyscraper, 470:, and concludes with a 445:electrical transmitters 316: 5451:Films shot in Missouri 5376:1982 documentary films 5312:My Life as a Courgette 4711:Piano Concerto No. 2 ( 4702:Piano Concerto No. 1 ( 4398:Songs from Liquid Days 4003:HopĂŹikwa LavĂ ytutuveni 3102:Santa Fe Film Festival 2543:MGM Home Entertainment 2400:"Koyaanisqatsi (1983)" 1820:MGM Home Entertainment 1714:New York Film Festival 1702:Santa Fe Film Festival 1565: 904:contemporary classical 754: 727:New York City blackout 699: 664: 659:The demolition of the 536: 351:National Film Registry 293:and cinematography by 270: 222: (limited release) 5446:Films shot in Chicago 5152:Italian for Beginners 4806:Dennis Russell Davies 4784:Philip Glass Ensemble 4737:American Four Seasons 4730:Violin Concerto No. 1 4713:After Lewis and Clark 4507:Les Enfants terribles 4423:Einstein on the Beach 4343:Music in Twelve Parts 3343:. IRE. Archived from 2662:www.koyaanisqatsi.org 2557:"Film: Koyaanisqatsi" 2488:McGraw Hill Education 2093:", features a parody 2024:Einstein on the Beach 1726:Radio City Music Hall 1614:word composed of the 1559: 1007:Philip Glass Ensemble 872: composed by 815:Samuel Goldwyn Studio 748: 658: 579:"life disintegrating" 576:"life out of balance" 545:satellite photography 534: 390:geological formations 380:launch, while a deep 268: 5461:1980s American films 5421:Films without speech 5406:Existentialist films 4744:Cello Concerto No. 1 4720:Harpsichord Concerto 4577:The Perfect American 4549:The Sound of a Voice 4366:String Quartet No. 4 4356:String Quartet No. 2 4328:List of compositions 4108:. pp. 738–739. 3843:. December 15, 2011. 3638:. December 27, 2016. 2127:The music video for 2095:Itchy & Scratchy 1094:Professional ratings 947:Kurt Munkacsi & 819:Francis Ford Coppola 5431:Non-narrative films 5202:The Lives of Others 5032:Drowning by Numbers 4535:In the Penal Colony 4514:La Belle et la BĂȘte 3861:. November 22, 2016 3671:on November 3, 2016 3347:on November 9, 2000 3229:on October 23, 2012 2596:blends music, film" 2524:, pp. 863–864. 2091:Stealing First Base 1961:Grand Theft Auto IV 1379: 1256: 1155: 1095: 758:Fricke purchased a 526:look directly at it 472:nuclear weapon test 355:Library of Congress 278:is a 1982 American 5436:Films shot in Utah 5132:Children of Heaven 5042:Dead Poets Society 4275:Once Within a Time 4202:Films directed by 4156:TCM Movie Database 4085:. pp. 62–78. 3788:BeatRoute Magazine 3448:Umbrellaent.com.au 3314:LaserDisc Database 3158:The New York Times 3104:. November 2, 2012 2600:The Michigan Daily 2138:A 2005 episode of 2083:A 2010 episode of 2074:Clinton Foundation 2055:A 1999 episode of 1952:20th Century Women 1892:postmodernist film 1882:. Czech pedagogue 1798:Pacific Arts Video 1566: 1465:"Pruitt Igoe Coda" 1374: 1251: 1150: 1093: 804:Louis Schwartzberg 755: 665: 537: 535:Koyaanisqatsi Logo 437:cultivated flowers 402:Time-lapse imagery 271: 5353: 5352: 5342:All For My Mother 5322:A Hustler's Diary 5222:Waltz with Bashir 5122:Life Is Beautiful 4965: 4964: 4870: 4869: 4811:David Henry Hwang 4521:Monsters of Grace 4405:Aguas da Amazonia 4285: 4284: 3697:The Village Voice 3692:"Classical Trash" 3620:. March 31, 2017. 3366:Erickson, Glenn. 3341:Koyaanisqatsi.org 2953:Los Angeles Times 1995:FAX +49-69/450464 1978:of its character 1548: 1547: 1370: 1369: 1247: 1246: 1147: 1146: 999: 998: 995: 994: 746: 675:. Footage of the 573:"life in turmoil" 499:military vehicles 478:over the desert. 453:evaporation ponds 326:The Qatsi Trilogy 263: 262: 16:(Redirected from 5483: 5466:Postmodern films 5346: 5336: 5326: 5316: 5306: 5296: 5286: 5276: 5266: 5256: 5246: 5236: 5226: 5216: 5212:The Band's Visit 5206: 5196: 5186: 5176: 5166: 5156: 5146: 5136: 5126: 5116: 5106: 5096: 5086: 5076: 5066: 5062:Prospero's Books 5056: 5046: 5036: 5026: 5016: 4992: 4985: 4978: 4969: 4897: 4890: 4883: 4874: 4862: 4861: 4777:Related articles 4486:Hydrogen Jukebox 4458:The Juniper Tree 4437:The Photographer 4312: 4305: 4298: 4289: 4196: 4189: 4182: 4173: 4119: 4096: 4076: 4065: 4045: 4036:MacDonald, Scott 4031: 4028:Internet Archive 4025: 4023: 4000: 3989: 3960: 3955: 3949: 3948: 3941: 3935: 3934: 3933:. July 23, 2009. 3927: 3921: 3920: 3918: 3916: 3905: 3899: 3898: 3896: 3894: 3877: 3871: 3870: 3868: 3866: 3851: 3845: 3844: 3833: 3827: 3826: 3819: 3813: 3812: 3805: 3799: 3798: 3796: 3794: 3779: 3773: 3772: 3765: 3759: 3758: 3751: 3745: 3744: 3733: 3727: 3726: 3715: 3709: 3708: 3706: 3704: 3687: 3681: 3680: 3678: 3676: 3667:. Archived from 3657: 3651: 3646: 3640: 3639: 3628: 3622: 3621: 3614: 3608: 3607: 3599: 3593: 3588: 3582: 3567: 3561: 3560: 3558: 3556: 3542: 3536: 3535: 3522: 3516: 3515: 3513: 3511: 3495: 3489: 3488: 3486: 3484: 3470: 3464: 3463: 3461: 3459: 3454:on June 18, 2012 3450:. Archived from 3440: 3434: 3433: 3431: 3429: 3415: 3409: 3408: 3406: 3404: 3389: 3383: 3382: 3380: 3378: 3363: 3357: 3356: 3354: 3352: 3333: 3327: 3322: 3316: 3311: 3305: 3300: 3294: 3289: 3283: 3278: 3272: 3271: 3269: 3267: 3245: 3239: 3238: 3236: 3234: 3225:. 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Levine 987:The Photographer 964: 963: 925: 924: 920: 870:Soundtrack album 861: 851:Horseshoe Canyon 823:Zoetrope Studios 768:gel cell battery 747: 722:hand-held camera 703: 372:, followed by a 319: 283:documentary film 221: 219: 206: 204: 191: 189: 147:Zoetrope Studios 44: 32: 21: 5491: 5490: 5486: 5485: 5484: 5482: 5481: 5480: 5356: 5355: 5354: 5349: 5339: 5329: 5319: 5309: 5299: 5289: 5279: 5269: 5259: 5249: 5239: 5229: 5219: 5209: 5199: 5189: 5179: 5169: 5159: 5149: 5139: 5129: 5119: 5109: 5099: 5092:Before the Rain 5089: 5079: 5069: 5059: 5049: 5039: 5029: 5019: 5009: 5001: 4996: 4966: 4961: 4942: 4907: 4901: 4871: 4866: 4852: 4772: 4753: 4690: 4589: 4542:Galileo Galilei 4410: 4330: 4321: 4316: 4286: 4281: 4246: 4206: 4200: 4167:Rotten Tomatoes 4127: 4122: 4116: 4099: 4093: 4081:. Tallahassee: 4074: 4068: 4062: 4034: 4021: 4019: 4017: 4005:]. 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Philip Glass. 2973: 2972: 2968: 2958: 2956: 2945: 2944: 2940: 2932: 2928: 2920: 2916: 2906: 2904: 2893: 2889: 2888: 2884: 2876: 2872: 2864: 2860: 2852: 2848: 2840: 2829: 2821: 2812: 2804: 2791: 2783: 2779: 2771: 2764: 2756: 2747: 2739: 2732: 2724: 2717: 2707: 2705: 2697: 2696: 2687: 2680: 2676: 2666: 2664: 2656: 2655: 2651: 2641: 2639: 2632:"Koyaanisqatsi" 2630: 2629: 2625: 2618: 2614: 2604: 2602: 2590: 2589: 2585: 2576: 2575: 2571: 2561: 2559: 2555: 2554: 2550: 2539:Essence of Life 2536: 2535: 2528: 2520: 2516: 2502: 2500: 2498: 2490:. p. 291. 2477: 2476: 2469: 2457: 2456: 2452: 2442: 2440: 2425: 2424: 2420: 2410: 2408: 2398: 2397: 2382: 2377: 2372: 2371: 2363: 2359: 2351: 2347: 2339: 2335: 2324: 2317: 2313: 2262: 2258: 2256: 2252: 2247: 2243: 2238: 2233: 2194: 2158:Stranger Things 2118:and episode 17 1946: 1912:and the shorts 1864:Rotten Tomatoes 1860: 1794:Michael Nesmith 1787: 1737:Chris Blackwell 1691: 1686: 1651:Hopi prophecies 1628:Hopi Dictionary 1593:technology, we 1554: 1549: 1539: 1399:"Koyaanisqatsi" 1371: 1361: 1276:"Koyaanisqatsi" 1248: 1238: 1175:"Koyaanisqatsi" 1139: 1134: 1129: 1124: 1043:common practice 990: 981: 972: 936:Antilles/Island 922: 918: 917: 877: 859: 781:double exposure 736: 705: 701: 653: 624: 619: 605: 585: 553:closing credits 363: 232: 225: 217: 215: 202: 200: 187: 185: 178: 171: 152: 151: 136: 134: 117: 84: 47: 28: 23: 22: 15: 12: 11: 5: 5489: 5487: 5479: 5478: 5473: 5468: 5463: 5458: 5453: 5448: 5443: 5438: 5433: 5428: 5423: 5418: 5413: 5408: 5403: 5398: 5393: 5388: 5383: 5378: 5373: 5368: 5358: 5357: 5351: 5350: 5348: 5347: 5337: 5327: 5317: 5307: 5297: 5287: 5277: 5267: 5257: 5252:Sound of Noise 5247: 5237: 5232:The Dark House 5227: 5217: 5207: 5197: 5187: 5177: 5167: 5157: 5147: 5137: 5127: 5117: 5112:The Full Monty 5107: 5097: 5087: 5077: 5067: 5057: 5047: 5037: 5027: 5017: 5006: 5003: 5002: 4997: 4995: 4994: 4987: 4980: 4972: 4963: 4962: 4960: 4959: 4950: 4948: 4944: 4943: 4941: 4940: 4932: 4924: 4915: 4913: 4909: 4908: 4902: 4900: 4899: 4892: 4885: 4877: 4868: 4867: 4857: 4854: 4853: 4851: 4850: 4843: 4841:Kronos Quartet 4838: 4833: 4828: 4826:La Monte Young 4823: 4818: 4816:Godfrey Reggio 4813: 4808: 4803: 4798: 4793: 4786: 4780: 4778: 4774: 4773: 4771: 4770: 4761: 4759: 4755: 4754: 4752: 4751: 4746: 4741: 4732: 4727: 4722: 4717: 4708: 4698: 4696: 4692: 4691: 4689: 4688: 4678: 4673: 4668: 4663: 4658: 4648: 4638: 4628: 4618: 4613: 4608: 4597: 4595: 4591: 4590: 4588: 4587: 4580: 4573: 4566: 4559: 4552: 4545: 4538: 4531: 4524: 4517: 4510: 4503: 4496: 4489: 4482: 4475: 4468: 4461: 4454: 4451:The Civil Wars 4447: 4440: 4433: 4426: 4418: 4416: 4412: 4411: 4409: 4408: 4401: 4394: 4387: 4380: 4373: 4363: 4353: 4346: 4338: 4336: 4332: 4331: 4326: 4323: 4322: 4317: 4315: 4314: 4307: 4300: 4292: 4283: 4282: 4280: 4279: 4271: 4263: 4254: 4252: 4248: 4247: 4245: 4244: 4236: 4228: 4219: 4217: 4208: 4207: 4204:Godfrey Reggio 4201: 4199: 4198: 4191: 4184: 4176: 4170: 4169: 4158: 4147: 4136: 4126: 4125:External links 4123: 4121: 4120: 4114: 4097: 4091: 4066: 4060: 4032: 4015: 3990: 3970: 3968: 3965: 3962: 3961: 3950: 3936: 3922: 3900: 3872: 3846: 3828: 3814: 3800: 3774: 3760: 3746: 3728: 3710: 3682: 3652: 3641: 3623: 3609: 3594: 3583: 3562: 3537: 3517: 3490: 3465: 3435: 3410: 3384: 3358: 3328: 3317: 3306: 3295: 3284: 3273: 3258:. p. 68. 3240: 3208: 3196:Island Outpost 3183: 3143: 3115: 3089: 3082: 3062: 3060:, p. 463. 3050: 3048:, p. 154. 3033: 3018: 3000: 2980: 2966: 2938: 2926: 2924:, p. 399. 2922:MacDonald 1992 2914: 2882: 2870: 2868:, p. 387. 2866:MacDonald 1992 2858: 2846: 2827: 2810: 2789: 2787:, p. 386. 2785:MacDonald 1992 2777: 2775:, p. 385. 2773:MacDonald 1992 2762: 2745: 2743:, p. 384. 2741:MacDonald 1992 2730: 2728:, p. 383. 2726:MacDonald 1992 2715: 2685: 2674: 2649: 2638:. 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244: 241: 237: 236: 233: 230: 227: 226: 224: 223: 212: 197: 181: 179: 176: 173: 172: 170: 169: 166: 160: 158: 157:Distributed by 154: 153: 150: 149: 144: 140: 139: 137: 132: 129: 128: 123: 119: 118: 116: 115: 112: 108: 106: 102: 101: 98: 97:Cinematography 94: 93: 92:Godfrey Reggio 90: 86: 85: 83: 82: 79: 78:Godfrey Reggio 76: 74:Michael Hoenig 71: 65: 63: 59: 58: 56:Godfrey Reggio 53: 49: 48: 45: 37: 36: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5488: 5477: 5476:Qatsi trilogy 5474: 5472: 5469: 5467: 5464: 5462: 5459: 5457: 5454: 5452: 5449: 5447: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5412: 5409: 5407: 5404: 5402: 5399: 5397: 5394: 5392: 5389: 5387: 5384: 5382: 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5363: 5361: 5344: 5343: 5338: 5334: 5333: 5328: 5324: 5323: 5318: 5314: 5313: 5308: 5304: 5303: 5298: 5294: 5293: 5288: 5284: 5283: 5278: 5274: 5273: 5268: 5264: 5263: 5258: 5254: 5253: 5248: 5244: 5243: 5238: 5234: 5233: 5228: 5224: 5223: 5218: 5214: 5213: 5208: 5204: 5203: 5198: 5194: 5193: 5192:Adam's Apples 5188: 5184: 5183: 5178: 5174: 5173: 5168: 5164: 5163: 5158: 5154: 5153: 5148: 5144: 5143: 5138: 5134: 5133: 5128: 5124: 5123: 5118: 5114: 5113: 5108: 5104: 5103: 5102:Trainspotting 5098: 5094: 5093: 5088: 5084: 5083: 5082:Arizona Dream 5078: 5074: 5073: 5068: 5064: 5063: 5058: 5054: 5053: 5048: 5044: 5043: 5038: 5034: 5033: 5028: 5024: 5023: 5022:Koyaanisqatsi 5018: 5014: 5013: 5008: 5007: 5004: 5000: 4993: 4988: 4986: 4981: 4979: 4974: 4973: 4970: 4957: 4956: 4955:Koyaanisqatsi 4952: 4951: 4949: 4945: 4938: 4937: 4933: 4930: 4929: 4925: 4922: 4921: 4917: 4916: 4914: 4910: 4905: 4898: 4893: 4891: 4886: 4884: 4879: 4878: 4875: 4865: 4855: 4849: 4848: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4807: 4804: 4802: 4801:Robert Wilson 4799: 4797: 4796:Minimal music 4794: 4792: 4791: 4787: 4785: 4782: 4781: 4779: 4775: 4768: 4767: 4763: 4762: 4760: 4756: 4750: 4747: 4745: 4742: 4740: 4738: 4733: 4731: 4728: 4726: 4723: 4721: 4718: 4716: 4714: 4709: 4707: 4705: 4700: 4699: 4697: 4693: 4686: 4682: 4679: 4677: 4674: 4672: 4669: 4667: 4664: 4662: 4659: 4656: 4652: 4649: 4646: 4645:Plutonian Ode 4642: 4639: 4636: 4632: 4629: 4626: 4622: 4619: 4617: 4614: 4612: 4609: 4606: 4602: 4599: 4598: 4596: 4592: 4586: 4585: 4581: 4579: 4578: 4574: 4572: 4571: 4567: 4565: 4564: 4560: 4558: 4557: 4553: 4551: 4550: 4546: 4544: 4543: 4539: 4537: 4536: 4532: 4530: 4529: 4525: 4523: 4522: 4518: 4516: 4515: 4511: 4509: 4508: 4504: 4502: 4501: 4497: 4495: 4494: 4490: 4488: 4487: 4483: 4481: 4480: 4476: 4474: 4473: 4469: 4467: 4466: 4462: 4460: 4459: 4455: 4453: 4452: 4448: 4446: 4445: 4441: 4439: 4438: 4434: 4432: 4431: 4427: 4425: 4424: 4420: 4419: 4417: 4413: 4407: 4406: 4402: 4400: 4399: 4395: 4393: 4392: 4388: 4386: 4385: 4381: 4379: 4378: 4374: 4371: 4367: 4364: 4361: 4357: 4354: 4352: 4351: 4347: 4345: 4344: 4340: 4339: 4337: 4333: 4329: 4324: 4320: 4313: 4308: 4306: 4301: 4299: 4294: 4293: 4290: 4277: 4276: 4272: 4269: 4268: 4264: 4261: 4260: 4256: 4255: 4253: 4249: 4242: 4241: 4237: 4234: 4233: 4229: 4226: 4225: 4224:Koyaanisqatsi 4221: 4220: 4218: 4216: 4214: 4209: 4205: 4197: 4192: 4190: 4185: 4183: 4178: 4177: 4174: 4168: 4164: 4163: 4162:Koyaanisqatsi 4159: 4157: 4153: 4152: 4151:Koyaanisqatsi 4148: 4146: 4142: 4141: 4140:Koyaanisqatsi 4137: 4134: 4133: 4132:Koyaanisqatsi 4129: 4128: 4124: 4117: 4115:0-415-97638-3 4111: 4107: 4103: 4098: 4094: 4092:0-8130-0863-8 4088: 4084: 4080: 4072: 4071:Koyaanisqatsi 4067: 4063: 4061:0-520-07917-5 4057: 4053: 4049: 4044: 4043: 4037: 4033: 4029: 4018: 4016:0-8165-1789-4 4012: 4008: 4004: 3999: 3998: 3991: 3987: 3983: 3982: 3977: 3976:Koyaanisqatsi 3972: 3971: 3966: 3959: 3954: 3951: 3946: 3940: 3937: 3932: 3926: 3923: 3911: 3904: 3901: 3889: 3888: 3883: 3876: 3873: 3860: 3856: 3850: 3847: 3842: 3838: 3832: 3829: 3824: 3818: 3815: 3810: 3804: 3801: 3789: 3785: 3778: 3775: 3770: 3764: 3761: 3756: 3750: 3747: 3742: 3738: 3732: 3729: 3724: 3720: 3714: 3711: 3699: 3698: 3693: 3686: 3683: 3670: 3666: 3662: 3656: 3653: 3650: 3645: 3642: 3637: 3633: 3627: 3624: 3619: 3613: 3610: 3605: 3598: 3595: 3592: 3587: 3584: 3580: 3576: 3572: 3566: 3563: 3551: 3547: 3541: 3538: 3533: 3532: 3527: 3521: 3518: 3506: 3505: 3500: 3494: 3491: 3479: 3475: 3469: 3466: 3453: 3449: 3445: 3439: 3436: 3424: 3420: 3414: 3411: 3398: 3394: 3388: 3385: 3373: 3369: 3362: 3359: 3346: 3342: 3338: 3332: 3329: 3326: 3321: 3318: 3315: 3310: 3307: 3304: 3299: 3296: 3293: 3288: 3285: 3282: 3277: 3274: 3261: 3257: 3256: 3251: 3244: 3241: 3228: 3224: 3223: 3218: 3212: 3209: 3197: 3193: 3187: 3184: 3179: 3168: 3164: 3160: 3159: 3154: 3147: 3144: 3132: 3131: 3126: 3119: 3116: 3103: 3099: 3093: 3090: 3085: 3083:9780791436493 3079: 3075: 3074: 3066: 3063: 3059: 3054: 3051: 3047: 3042: 3040: 3038: 3034: 3030: 3027: 3022: 3019: 3014: 3010: 3004: 3001: 2993: 2992: 2984: 2981: 2976: 2970: 2967: 2955: 2954: 2949: 2942: 2939: 2936:, p. 62. 2935: 2930: 2927: 2923: 2918: 2915: 2903: 2902: 2897: 2886: 2883: 2880:, p. 72. 2879: 2874: 2871: 2867: 2862: 2859: 2856:, p. 70. 2855: 2850: 2847: 2844:, p. 68. 2843: 2838: 2836: 2834: 2832: 2828: 2825:, p. 66. 2824: 2819: 2817: 2815: 2811: 2808:, p. 64. 2807: 2802: 2800: 2798: 2796: 2794: 2790: 2786: 2781: 2778: 2774: 2769: 2767: 2763: 2760:, p. 63. 2759: 2754: 2752: 2750: 2746: 2742: 2737: 2735: 2731: 2727: 2722: 2720: 2716: 2704: 2700: 2694: 2692: 2690: 2686: 2683: 2678: 2675: 2663: 2659: 2653: 2650: 2637: 2633: 2627: 2624: 2621: 2616: 2613: 2601: 2597: 2595: 2594:Koyaanisqatsi 2587: 2584: 2579: 2573: 2570: 2558: 2552: 2549: 2544: 2540: 2533: 2531: 2527: 2523: 2518: 2515: 2510: 2499: 2497:0-3352-2843-7 2493: 2489: 2485: 2481: 2474: 2472: 2468: 2463: 2462: 2454: 2451: 2438: 2437: 2432: 2430: 2429:Koyaanisqatsi 2422: 2419: 2407: 2406: 2401: 2395: 2393: 2391: 2389: 2387: 2385: 2381: 2374: 2367: 2361: 2358: 2355: 2349: 2346: 2343: 2337: 2334: 2330: 2322: 2321: 2307: 2254: 2251: 2245: 2242: 2235: 2230: 2225: 2224: 2220: 2217: 2216: 2212: 2209: 2208: 2204: 2201: 2200: 2196: 2195: 2191: 2186: 2182: 2179: 2176:Dutch-Korean 2175: 2172: 2171:Koyaanisqatsi 2169: 2166: 2165:Koyaanisqatsi 2163: 2160: 2159: 2154: 2150: 2149:fourth season 2146: 2143: 2142: 2141:Gilmore Girls 2137: 2134: 2130: 2126: 2123: 2122: 2117: 2113: 2109: 2108: 2103: 2100: 2096: 2092: 2088: 2087: 2082: 2079: 2078:Koyaanisqatsi 2075: 2071: 2067: 2064: 2060: 2059: 2054: 2051: 2050: 2045: 2041: 2038: 2035: 2034: 2029: 2026: 2025: 2020: 2019:P. D. Q. Bach 2016: 2013: 2012: 2007: 2003: 1999: 1996: 1992: 1988: 1984: 1981: 1977: 1973: 1972: 1967: 1963: 1962: 1957: 1954: 1953: 1948: 1947: 1943: 1941: 1939: 1938:Koyaanisqatsi 1935: 1931: 1930: 1925: 1921: 1917: 1916: 1911: 1910: 1905: 1904: 1899: 1898:Koyaanisqatsi 1895: 1893: 1889: 1888:Koyaanisqatsi 1885: 1881: 1877: 1873: 1872:Koyaanisqatsi 1869: 1868:Koyaanisqatsi 1865: 1857: 1855: 1853: 1849: 1848:Koyaanisqatsi 1845: 1840: 1838: 1834: 1832: 1827: 1826: 1821: 1817: 1816:Koyaanisqatsi 1813: 1809: 1806: 1805:Koyaanisqatsi 1801: 1799: 1795: 1791: 1790:Koyaanisqatsi 1784: 1782: 1780: 1779: 1773: 1771: 1767: 1766:Koyaanisqatsi 1762: 1757: 1755: 1751: 1746: 1745:Koyaanisqatsi 1742: 1738: 1733: 1732:Triumph Films 1729: 1727: 1723: 1722:Koyaanisqatsi 1719: 1715: 1711: 1707: 1703: 1699: 1695: 1694:Koyaanisqatsi 1688: 1683: 1681: 1679: 1675: 1671: 1667: 1663: 1659: 1658:Jacques Ellul 1654: 1652: 1648: 1647: 1642: 1637: 1634: 1633:koyaanisqatsi 1630: 1629: 1624: 1620: 1617: 1613: 1609: 1608: 1607:koyaanisqatsi 1603: 1602:Hopi language 1598: 1596: 1592: 1588: 1583: 1579: 1575: 1571: 1563: 1562:Koyaanisqatsi 1558: 1551: 1543: 1540:Total length: 1533: 1530: 1526: 1522: 1519: 1515: 1511: 1508: 1504: 1500: 1497: 1493: 1489: 1486: 1482: 1478: 1475: 1471: 1467: 1464: 1460: 1456: 1454:"Pruitt Igoe" 1453: 1449: 1445: 1442: 1438: 1434: 1431: 1427: 1423: 1420: 1416: 1412: 1409: 1405: 1401: 1398: 1394: 1381: 1377: 1365: 1362:Total length: 1355: 1352: 1348: 1344: 1341: 1337: 1333: 1330: 1326: 1322: 1319: 1315: 1311: 1308: 1304: 1300: 1297: 1293: 1289: 1286: 1282: 1278: 1275: 1271: 1258: 1254: 1253:Koyaanisqatsi 1242: 1239:Total length: 1232: 1229: 1225: 1221: 1218: 1214: 1210: 1207: 1203: 1199: 1196: 1192: 1188: 1185: 1181: 1177: 1174: 1170: 1157: 1153: 1116: 1114: 1111: 1110: 1102: 1099:Review scores 1097: 1091: 1089: 1088:Koyaanisqatsi 1084: 1082: 1077: 1075: 1074:Koyaanisqatsi 1071: 1066: 1064: 1059: 1057: 1053: 1052:William Zukof 1049: 1044: 1040: 1035: 1033: 1029: 1025: 1020: 1018: 1017: 1012: 1008: 1004: 989: 988: 984: 980: 979: 978:Koyaanisqatsi 975: 971: 970: 966: 965: 961: 957: 953: 950: 946: 944: 940: 937: 934: 932: 928: 916: 912: 909: 905: 901: 897: 894: 892: 888: 884: 880: 876: 871: 867: 864:Koyaanisqatsi 862: 856: 854: 852: 848: 844: 843:Koyaanisqatsi 840: 839:Koyaanisqatsi 836: 835: 830: 829: 828:The Outsiders 824: 820: 816: 811: 809: 805: 801: 800:Koyaanisqatsi 797: 793: 792:Hilary Harris 788: 786: 782: 777: 773: 769: 765: 761: 752: 751:Koyaanisqatsi 734: 732: 728: 723: 719: 714: 710: 704: 698: 696: 689: 687: 682: 678: 674: 670: 662: 657: 650: 648: 646: 645:Koyaanisqatsi 641: 637: 633: 629: 621: 616: 614: 612: 601: 598: 595: 594: 592: 591: 590: 581: 578: 575: 572: 569: 568: 566: 565: 564: 562: 561:koyaanisqatsi 558: 554: 549: 546: 542: 533: 529: 527: 523: 517: 515: 511: 507: 502: 500: 496: 492: 488: 484: 479: 477: 473: 469: 465: 461: 458: 457:hydroelectric 454: 450: 446: 442: 438: 434: 430: 426: 422: 418: 413: 411: 407: 403: 399: 395: 391: 387: 383: 379: 375: 371: 370:cave painting 367: 366:Koyaanisqatsi 360: 358: 356: 352: 348: 344: 343:Koyaanisqatsi 340: 339: 334: 333: 328: 327: 321: 318: 317:koyaanisqatsi 313: 312:Hopi language 308: 304: 300: 296: 292: 288: 284: 281: 280:non-narrative 277: 276: 275:Koyaanisqatsi 267: 259:$ 3.2 million 258: 254: 251:$ 2.5 million 250: 246: 243:United States 242: 238: 234: 228: 213: 210: 198: 195: 183: 182: 180: 177:Release dates 174: 167: 165: 162: 161: 159: 155: 148: 145: 142: 141: 138: 130: 127: 124: 120: 113: 111:Alton Walpole 110: 109: 107: 103: 99: 95: 91: 87: 81:Alton Walpole 80: 77: 75: 72: 70: 67: 66: 64: 60: 57: 54: 50: 43: 38: 35:Koyaanisqatsi 33: 30: 19: 18:KoyaanisQatsi 5340: 5330: 5320: 5310: 5300: 5290: 5280: 5270: 5260: 5250: 5240: 5230: 5220: 5210: 5200: 5190: 5180: 5170: 5160: 5150: 5140: 5130: 5120: 5110: 5100: 5090: 5080: 5070: 5060: 5050: 5040: 5030: 5021: 5020: 5010: 4954: 4953: 4934: 4926: 4918: 4845: 4821:Errol Morris 4788: 4764: 4736: 4712: 4703: 4684: 4654: 4644: 4634: 4624: 4604: 4582: 4575: 4568: 4561: 4554: 4547: 4540: 4533: 4526: 4519: 4512: 4505: 4498: 4491: 4484: 4477: 4470: 4463: 4456: 4449: 4442: 4435: 4428: 4421: 4403: 4396: 4389: 4382: 4375: 4369: 4359: 4348: 4341: 4335:Compositions 4319:Philip Glass 4273: 4265: 4257: 4238: 4230: 4223: 4222: 4212: 4161: 4150: 4139: 4131: 4101: 4078: 4070: 4046:. Berkeley: 4041: 4026:– via 4020:. Retrieved 4002: 3996: 3985: 3979: 3975: 3967:Bibliography 3953: 3939: 3925: 3913:. Retrieved 3903: 3891:. Retrieved 3885: 3875: 3863:. Retrieved 3858: 3849: 3841:the Guardian 3840: 3831: 3817: 3803: 3791:. Retrieved 3787: 3777: 3763: 3749: 3731: 3722: 3713: 3701:. Retrieved 3695: 3685: 3675:February 12, 3673:. Retrieved 3669:the original 3664: 3655: 3644: 3635: 3626: 3612: 3597: 3586: 3570: 3565: 3555:November 17, 3553:. Retrieved 3550:berlinale.de 3549: 3540: 3529: 3520: 3510:November 25, 3508:. Retrieved 3502: 3493: 3481:. Retrieved 3477: 3468: 3456:. Retrieved 3452:the original 3447: 3438: 3426:. Retrieved 3422: 3413: 3401:. Retrieved 3396: 3387: 3375:. Retrieved 3371: 3361: 3351:November 21, 3349:. Retrieved 3345:the original 3340: 3331: 3320: 3309: 3298: 3287: 3276: 3264:. Retrieved 3253: 3243: 3233:September 4, 3231:. Retrieved 3227:the original 3220: 3211: 3201:September 4, 3199:. Retrieved 3195: 3186: 3176:– via 3170:. Retrieved 3156: 3146: 3134:. Retrieved 3128: 3118: 3106:. Retrieved 3092: 3072: 3065: 3053: 3029:AllMusic.com 3028: 3021: 3013:the original 3003: 2990: 2983: 2969: 2957:. Retrieved 2951: 2941: 2929: 2917: 2905:. Retrieved 2899: 2885: 2873: 2861: 2849: 2780: 2706:. Retrieved 2677: 2665:. Retrieved 2661: 2652: 2640:. Retrieved 2635: 2626: 2615: 2605:February 12, 2603:. Retrieved 2599: 2593: 2586: 2572: 2560:. Retrieved 2551: 2538: 2517: 2509:Google Books 2507:– via 2503:February 24, 2501:. Retrieved 2483: 2460: 2453: 2441:. Retrieved 2434: 2428: 2421: 2409:. Retrieved 2403: 2360: 2348: 2336: 2253: 2244: 2221: 2213: 2205: 2197: 2184: 2170: 2164: 2156: 2139: 2133:Ray of Light 2119: 2115: 2114:, episode 5 2105: 2098: 2097:film titled 2086:The Simpsons 2084: 2077: 2058:The Simpsons 2056: 2048: 2044:Simcity 3000 2040:Koyaaniqatsi 2039: 2031: 2022: 2009: 1986: 1976:origin story 1969: 1959: 1950: 1937: 1927: 1923: 1919: 1913: 1907: 1901: 1897: 1896: 1887: 1884:Rudolf Adler 1871: 1867: 1861: 1851: 1847: 1841: 1830: 1823: 1815: 1810: 1804: 1802: 1789: 1788: 1776: 1774: 1765: 1758: 1750:Dolby Stereo 1744: 1730: 1721: 1693: 1692: 1674:Leopold Kohr 1655: 1644: 1641:Philip Glass 1638: 1632: 1626: 1622: 1618: 1605: 1599: 1594: 1590: 1586: 1581: 1577: 1576:technology, 1573: 1569: 1567: 1561: 1520:"Prophecies" 1375: 1353:"Prophecies" 1331:"Pruit Igoe" 1298:"Cloudscape" 1252: 1230:"Prophecies" 1208:"Pruit Igoe" 1197:"Cloudscape" 1151: 1087: 1085: 1080: 1078: 1073: 1067: 1060: 1036: 1021: 1014: 1003:Philip Glass 1000: 985: 977: 976: 967: 956:Philip Glass 949:Philip Glass 875:Philip Glass 842: 838: 832: 826: 812: 799: 795: 789: 785:focus puller 756: 753:uses heavily 750: 709:Four Corners 706: 700: 692: 686:still camera 666: 644: 625: 608: 588: 570:"crazy life" 560: 550: 538: 518: 503: 480: 468:metalworking 464:oil drilling 443:operations, 414: 365: 364: 342: 336: 330: 324: 322: 291:Philip Glass 274: 273: 272: 231:Running time 164:Island Alive 126:Philip Glass 29: 4912:As director 4906:filmography 4836:Terry Riley 4831:Steve Reich 4758:Film scores 4528:White Raven 4259:Anima Mundi 4251:Other films 4050:. pp.  3988:(3): 62–74. 3865:October 26, 3859:Dallas News 3569:Adler, R., 2934:Ramsey 1986 2562:January 26, 2411:January 11, 2257:Pronounced 1991:Oliver Lieb 1934:pure cinema 1915:Anima Mundi 1662:Ivan Illich 1604:, the word 1509:"Microchip" 1028:synthesizer 1011:Wall Street 847:pictographs 834:Rumble Fish 831:(1983) and 731:desaturated 702:—Ron Fricke 681:Los Angeles 677:Pruitt–Igoe 661:Pruitt–Igoe 611:end credits 514:slow motion 429:slow-motion 335:(1988) and 314:, the word 299:slow motion 89:Produced by 52:Directed by 5366:1982 films 5360:Categories 5332:Heavy Trip 5282:Tangerines 4904:Ron Fricke 4594:Symphonies 4563:Appomattox 4493:The Voyage 4430:Satyagraha 4350:Glassworks 4240:Naqoyqatsi 4232:Powaqqatsi 3793:August 25, 3531:Metacritic 3397:DVD Beaver 3372:DVD Savant 2703:Musicmatch 2231:References 2116:My New God 2049:Magnasanti 2002:noise rock 1924:Naqoyqatsi 1909:Naqoyqatsi 1903:Powaqqatsi 1876:Metacritic 1837:open matte 1825:Naqoyqatsi 1785:Home media 1670:Guy Debord 1616:bound form 1498:"The Grid" 1432:"Resource" 1342:"The Grid" 1309:"Resource" 1219:"The Grid" 1039:minimalist 1016:Glassworks 969:Glassworks 958:chronology 908:minimalism 900:film score 896:Soundtrack 776:frame rate 673:35 mm film 669:16 mm film 636:Ron Fricke 622:Background 617:Production 557:title card 555:, the end 541:microchips 487:Boeing 747 474:forming a 433:reservoirs 423:, and its 382:bass voice 338:Naqoyqatsi 332:Powaqqatsi 303:time-lapse 295:Ron Fricke 256:Box office 235:86 minutes 218:1983-04-27 203:1982-10-04 188:1982-09-05 168:New Cinema 133:Production 114:Ron Fricke 100:Ron Fricke 69:Ron Fricke 62:Written by 4947:As writer 4695:Concertos 4584:The Trial 4377:The Light 4106:Routledge 4022:March 10, 3665:ThoughtCo 3577:, 2018), 3573:(Prague: 3483:March 15, 3423:Amazon.de 3255:Boxoffice 3222:JoBlo.com 3172:March 12, 3167:424423676 3136:March 12, 3108:March 12, 2959:April 26, 2907:April 26, 2901:IndieWire 2878:Gold 1984 2854:Gold 1984 2842:Gold 1984 2823:Gold 1984 2806:Gold 1984 2758:Gold 1984 2667:April 27, 2578:"TCM.com" 2443:April 19, 2375:Citations 2131:'s song " 1858:Reception 1844:Criterion 1706:premiered 1698:workprint 1619:koyaanis- 1580:industry 1443:"Vessels" 1410:"Organic" 1320:"Vessels" 1287:"Organic" 1186:"Vessels" 1019:in 1982. 772:generator 713:zoom lens 626:In 1972, 609:Over the 539:Shots of 510:St. Louis 489:aircraft 417:waterfall 347:cult film 307:tone poem 135:companies 105:Edited by 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Index

KoyaanisQatsi
A black film poster with a dark gray background pattern resembling a circuit board. "KOYAANISQATSI" appears in large red text, with "LIFE OUT OF BALANCE" beneath in small white text. The poster also includes the quote "Until now, you've never really seen the world you live in" and "A remarkable film event" in addition to filmmaker credits listed throughout.
Godfrey Reggio
Ron Fricke
Michael Hoenig
Philip Glass
Zoetrope Studios
Island Alive
TFF
NYFF

non-narrative
documentary film
Godfrey Reggio
Philip Glass
Ron Fricke
slow motion
time-lapse
tone poem
Hopi language
The Qatsi Trilogy
Powaqqatsi
Naqoyqatsi
cult film
National Film Registry
Library of Congress
cave painting
close-up
rocket
bass voice

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