502:"noble savage" and taking the side of the rationalists. In a publicity release for the film, Truffaut wrote: "From Romulus and Remus through Mowgli and Tarzan, men have continually been fascinated by tales of beast children. It may be that in these stories of abandoned infants, reared by wolves, bears, or apes, they see a symbol of the extraordinary destiny of our race. Or it may be simply that they harbor a secret hankering after a natural existence." Film critic Mireille Amiel was disappointed by this aspect of the film and by Truffaut, asking: "How can the rebel of
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way young people grow up, explore themselves, and attempt to function creatively in the world... Truffaut places his personal touch on every frame of the film. He wrote it, directed it, and plays the doctor himself. It is an understated, compassionate performance, a perfect counterpoint to Jean-Pierre Cargol's ferocity and fear... So often movies keep our attention by flashy tricks and cheap melodrama; it is an intellectually cleansing experience to watch this intelligent and hopeful film."
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649:, who went on to work with Truffaut on eight more films. The film included several references to the aesthetics of silent films, such as using an iris shutter to end scenes and filming it in black and white. Truffaut directed first-time actor Cargol by instructing him to pretend to be different animals or people during specific scenes, such as "be like a dog", or "like a horse", or even "like
580:, and began to research the story. The film's script is based upon two reports written by Dr. Itard: one written to the Academy of medicine in 1801 and one written to the French Minister of the Interior in 1806 requesting that the Ministry continue funding Victor's guardian Madame Guérin. Truffaut also studied medical texts and deaf-mutes, as well as books by
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relationship between the doctor and his savage charge... It progresses slowly but absorbingly. Truffaut underplays but exudes an interior tenderness and dedication. The boy is amazingly and intuitively well played by a tousled gypsy tyke named Jean-Pierre Cargol. Everybody connected with this unusual, off-beat film made in black-and-white rates kudos."
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Robert Geller wrote that "...the child's humanity and pathos are not terribly removed from the increasing numbers of young teens and half-primitives who wander drugged and aimlessly, and sleep in alleys and doorwells throughout
America in...Market Place, Sunset Boulevard and Times Square... what they
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it is astonishing." Truffaut had scripted a sequence in which Victor is depicted struggling against the harsh weather conditions of winter in the wild, but budgetary limitations forced him to cut out the scenes. The film has very little dialogue and is mostly dominated with Itard's voice-over, making
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it." He later said that "the decision to play Dr. Itard myself is a more complex choice than I believed at the time ... this was the first time I identified myself with the adult, the father, to the extent that at the end of the editing, I dedicated the film to Jean-Pierre LĂ©aud because this passage,
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place himself alongside the oppressor, even one as sympathetic as Itard?" and adding "the astonishing thing is that
Truffaut the filmmaker is better than Truffaut the man, and that we can accept the interest and beauty of this film at the same time that we're violently opposed to its content." In the
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in southern France. A woman sees him, then runs off screaming. She finds some hunters and tells them that she saw a wild boy. They hunt him down with a pack of dogs who chase him up a tree and attack him when he falls. He fights them off leaving one dog wounded, then continues to flee and hides in a
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gave the film a positive review and discussed the film's theme as one of
Truffaut's favorites. He wrote, "The story is essentially true, drawn from an actual case in 18th Century France, and Truffaut tells it simply and movingly. It becomes his most thoughtful statement on his favorite subject: The
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There is a narrow margin between the laws of civilization in rough
Parisian life and the brutal laws of life in nature. Victor finds a sort of equilibrium in the windows that mark the transition between the closed interiors and the world outside. But he gains his ability to have social relations by
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After considering several little-known actors, Truffaut decided to play the part of Dr. Itard himself so that he could interact directly with the child actor playing Victor instead of depending on an intermediary. After the film's shooting was completed, he said that he had "the impression not of
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idea of humans being basically good in their most primitive state that had long been championed by
Romantics and hippies. Many viewers interpreted the film in this way when first viewing it, but many critics and spectators began to notice that Truffaut seemed to be criticizing the concept of the
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also praised the drama, and wrote: "This is a lucid, penetrating detailing of a young doctor's attempt to civilize a retarded boy found living in the woods in
Southern France in the 18th century. Though based on a true case , it eschews didactics and creates a poetic, touching and dignified
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camera and stated that he would become "the first gypsy director", however Cargol only appeared as an actor in one more film. Truffaut later said that during the making of the film he "saw that the cinema helped his evolution. In my opinion, the difference between Jean-Pierre Cargol
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717:, when I had children in my films, I identified with them, but here, for the first time, I identified with the adult, the father." After the film was released, Truffaut told a reporter: "I did not want to spell out my message. It is simply this: man is nothing without other men."
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it was a man who longed for books, that is, culture. With Victor of
Aveyron, what is missing is something more essential – language." Truffaut also considered the making of the film to be a growing experience for him as a person and as a filmmaker, stating that "until
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film, when Victor is first found he is covered with scars from conflict with other animals in the wild, and
Truffaut's interpretation makes it clear that civilization, and especially human communication, is a far better life for Victor than in the wild.
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it close to a silent film. The use of iris-ing in and out of Victor not only reinforced the film's affinity with silent films, but often symbolized Victor's coming out of and going into darkness. The film's music was arranged by
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Living like a wild animal and unable to speak or understand language, the child has apparently grown up in solitude in the forest since an early age. He is brought to Paris and initially placed in a school for
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hole. The dogs continue to follow his scent, eventually finding his hiding place. The hunters arrive and force him out of the hole using smoke to cut off his air supply. After he emerges, the men grab him.
686:, not just for its depicting of frustrated children but because it mirrored his experience working with then first time actor Jean-Pierre LĂ©aud. Truffaut said that "I was reliving somewhat the shooting of
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remains startling for its humane clarity, for Nestor
Almendros's brilliant black-and-white photography, and for the sense that Truffaut is achieving filmmaking mastery on a very small scale."
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690:, during which I initiated Jean-Pierre LĂ©aud into cinema. I basically taught him what cinema was." Truffaut then decided to dedicate the film to LĂ©aud. He later added that he "realized that
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Itard takes custody of the boy, whom he eventually names Victor, and removes him to his house on the outskirts of Paris. There, under the patient tutelage of the doctor and his housekeeper (
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Truffaut had more difficulty casting the role of Victor, knowing that he wanted a child actor who was both talented and suitably undisciplined. He first considered using either an unknown
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is not the sort of movie in which individual performances can be easily separated from the rest of the film, but young Cargol, who early in the film looks and sounds like a
Mediterranean
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Truffaut had always felt a strong connection to children, especially outcasts and young people who reject the traditions of society, and frequently used this theme in films such as
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named Jean-Pierre Cargol and sent a photograph of and interview with Cargol back to Truffaut, who immediately hired Cargol, who was the nephew of the well-known flamenco guitarist
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and documentaries on autistic children. Dr. Itard's diary was invented by Truffaut and co-screenwriter Jean Gruault in order to give Dr. Itard a more direct voice in the film.
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297:, it tells the story of a child who spends the first eleven or twelve years of his life with little or no human contact. It is based on the true events regarding the child
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760:, responds with marvelous, absolute faith to his costar and director, Truffaut, who himself performs with humane, just slightly self-conscious cool."
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this shift became perfectly clear to me." Truffaut later elaborated on the film's autobiographical elements by saying that "I think that Itard is
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as part of their World Films collection on July 24, 2001. This release featured the film's original theatrical trailer as well as
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would be perfect. Unable to find a suitable actor, he enlisted his assistant to scout young, wild-looking boys at schools in
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1024:(includes complete screenplay). New York: Washington Square Press, Pocket Books. 1973. SBN 671-47893-1
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The film opens with the statement: "This story is authentic: it opens in 1798 in a French forest."
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or the son of a famous celebrity, thinking that a younger version of someone like ballet dancer
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boy of 11 or 12 years of age (Jean-Pierre Cargol) is found in a forest in the rural district of
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Truffaut, François & Gruault, Jean, Lewin, Linda & Lémery, Christine (translation).
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themselves have to give up in order to get what they may no longer think is worth getting."
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called it one of Truffaut's best films, "albeit one of his darkest and most conservative."
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I showed a child who missed being loved, who grows up without tenderness; in
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Truffaut, François; Gruault, Jean; Lewin, Linda; Lémery, Christine (1973).
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Pierre Fabre as the attendant at the National Institution for Deaf Mutes
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1352:""L'Enfant sauvage" a grandi parmi les rois de la guitare gitane"
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as Professor Philippe Pinel, Professor at the Faculty of Medicine
552:. In 1962, Truffaut had wanted to make a film based on the play
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National Board of Review Award for Best Foreign Language Film
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Contemporary film critics have continued to praise the film.
37:"L'Enfant Sauvage" redirects here. For the Gojira album, see
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having acted a role, but simply of having directed the film
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United Artists: The Company That Changed the Film Industry
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and civilization. The term "noble savage" is derived from
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This article is about the 1970 film. For other uses, see
1647:"French Syndicate of Cinema Critics - 1970 - Unifrance"
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385:, the Doctor at the National Institution for Deaf Mutes
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as "neither a banal disaster nor a symbolic triumph".
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later that year. In 1966, Truffaut read an article in
305:. The film sold nearly 1.5 million tickets in France.
1084:"Box Office information for Francois Truffaut films"
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After filming was completed, Truffaut realized that
157:(Concerto for Piccolo and Strings in C Major RV 443)
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1795:. New York: Washington Square Press, Pocket Books.
289:. Featuring Jean-Pierre Cargol, François Truffaut,
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523:in a newspaper article and became fascinated with
94:The Memorandum and Report on Victor de l'Aveyron
1062:. University of Wisconsin Press. p. 282.
791:said: "Nearly four decades after its release,
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1903:
1726:Baecque, Antoine de; Toubiana, Serge (1999).
8:
421:Jean Mandaroux as the doctor attending Itard
3221:Films with screenplays by François Truffaut
1565:. Harper & Row Publishers. p. 17.
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682:had a strong connection to his first film
578:Victor of Aveyron, The Wild Boy of Aveyron
427:Jean Gruault as a visitor at the Institute
54:
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2796:Women on the Verge of a Nervous Breakdown
2720:A Few Days from the Life of I. I. Oblomov
562:had already obtained the rights and made
391:as Madame Guérin, Dr. Itard's housekeeper
1753:. New York: Cambridge University Press.
1563:Living Images Film Comment and Criticism
653:." During the shoot, Cargol was given a
625:. One day his assistant spotted a young
361:losing his capacity to live as a savage.
356:and acquires the rudiments of language.
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916:National Society of Film Critics Awards
1818:. New York: The H. W. Wilson Company.
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1776:. New York: Oxford University Press.
7:
451:Frédérique Dolbert as a girl at farm
448:Guillaume Schiffman as a boy at farm
285:) is a 1970 French film by director
3211:Films directed by François Truffaut
2225:François Truffaut: Stolen Portraits
475:was released in the middle of the "
1146:. New York: Beaufort Books. 1985.
827:French Syndicate of Cinema Critics
641:Filming took place on location in
460:Dominique Levert as a girl at farm
430:Robert Cambourakis as a countryman
394:Paul Villé as Remy, an old peasant
25:
2997:The Diving Bell and the Butterfly
1537:"'The Wild Child' Raises Curtain"
1513:from the original on 7 March 2008
597:of the camera and not, as usual,
463:Mlle Théaudiére as a girl at farm
3236:Films about disability in France
3206:Films based on non-fiction books
1687:National Society of Film Critics
483:idea of the "noble savage" over
442:Laura Truffaut as a girl at farm
457:Tounet Cargol as a girl at farm
3201:American black-and-white films
2916:Crouching Tiger, Hidden Dragon
1814:World Film Directors, Volume 2
1705:"The Wild Child [DVD]"
752:liked the acting, and wrote: "
519:Truffaut (in 1967) read about
445:Eva Truffaut as a girl at farm
433:Gitt Magrini as a countrywoman
27:1970 film by François Truffaut
1:
3191:French historical drama films
2680:That Obscure Object of Desire
726:Critical reception and legacy
454:Eric Dolbert as a boy at farm
412:Annie Miller as Madame LĂ©meri
254:1,674,771 admissions (France)
3186:1970s historical drama films
1615:Burr, Ty (6 February 2009).
424:Mathieu Schiffman as Mathieu
415:Nathan Miller as Baby LĂ©meri
352:), Victor gradually becomes
3196:1970s French-language films
1561:Kauffmann, Stanley (1974).
899:Top Foreign Language Films
205:September 9, 1970
194:February 26, 1970
3262:
885:Best Foreign Language Film
316:One summer day in 1798, a
36:
29:
1747:Insdorf, Annette (1994).
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911:
863:
822:
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814:
811:
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671:and consists of music by
606:and the child Truffaut."
479:" era, which favored the
60:Theatrical release poster
53:
2559:The Sleeping Car Murders
1669:National Board of Review
1358:(in French). 1 July 2012
805:
39:L'Enfant Sauvage (album)
2957:The Barbarian Invasions
2750:A Sunday in the Country
2619:The Sorrow and the Pity
2219:François Truffaut Award
2062:The Man Who Loved Women
2030:A Gorgeous Girl Like Me
572:by Lucien Malson about
529:Jean Marc Gaspard Itard
494:The Conquest of Granada
418:René Levert as Gendarme
383:Jean Marc Gaspard Itard
335:Jean Marc Gaspard Itard
303:Jean Marc Gaspard Itard
99:Jean Marc Gaspard Itard
1942:Shoot the Piano Player
1810:Wakeman, John (1988).
1768:Monaco, James (1976).
994:MGM Home Entertainment
799:Awards and nominations
706:Les Quatre Cents Coups
694:is bound up with both
532:
437:Jean-François Stévenin
371:Jean-Pierre Cargol as
363:
270:
2846:Farewell My Concubine
2649:The Story of Adele H.
2549:Juliet of the Spirits
2046:The Story of Adele H.
1729:Truffaut: A Biography
1535:(11 September 1970).
1203:, pp. 1129–1130.
696:Les Quatre Cent Coups
518:
358:
170:Les Films du Carrosse
18:L'Enfant sauvage
3241:1970s American films
3226:American drama films
3216:United Artists films
2381:No Award (1942–1949)
2323:Carnival in Flanders
2102:Confidentially Yours
1982:The Bride Wore Black
1509:. 9 September 1970.
1407:Truffaut et al. 1973
1380:Truffaut et al. 1973
1339:Truffaut et al. 1973
1303:Truffaut et al. 1973
1291:Truffaut et al. 1973
1279:Truffaut et al. 1973
1267:Truffaut et al. 1973
1252:Truffaut et al. 1973
1228:Truffaut et al. 1973
1131:Truffaut et al. 1973
1119:Truffaut et al. 1973
1058:Balio, Tino (1987).
956:, François Truffaut
213: (United States)
2906:All About My Mother
2856:Eat Drink Man Woman
2740:Fanny and Alexander
2145:Antoine and Colette
2094:The Woman Next Door
1998:Mississippi Mermaid
1732:. New York: Knopf.
1589:(26 October 1985).
1587:Rosenbaum, Jonathan
1476:(16 October 1970).
1436:, pp. 154–155.
965:Best Cinematography
3246:1970s French films
2816:Cyrano de Bergerac
2700:La Cage aux Folles
2629:Cries and Whispers
2519:Sundays and Cybele
2429:A Queen Is Crowned
2343:La Grande Illusion
2244:(2015 documentary)
2241:Hitchcock/Truffaut
2236:(2010 documentary)
2228:(1993 documentary)
2197:Hitchcock/Truffaut
1858:TCM Movie Database
1627:on 9 February 2009
1541:The New York Times
1503:"L'Enfant Sauvage"
1121:, pp. 21–189.
940:François Truffaut
851:Best Foreign Film
785:Jonathan Rosenbaum
555:The Miracle Worker
533:
409:as Monsieur LĂ©meri
301:, reported by Dr.
275:, released in the
116:Jean-Pierre Cargol
3168:
3167:
3157:Anatomy of a Fall
2786:Manon des Sources
2670:The Marquise of O
2539:World Without Sun
2489:Wild Strawberries
2419:The Sound Barrier
2258:
2257:
2249:Willie & Phil
2022:Two English Girls
1919:François Truffaut
1750:François Truffaut
1693:on 23 March 2015.
1482:Chicago Sun-Times
1382:, pp. 16–17.
1341:, pp. 15–16.
1293:, pp. 14–15.
1215:, pp. 75–76.
1174:, pp. 74–75.
1035:Victor of Aveyron
978:
977:
875:François Truffaut
764:Stanley Kauffmann
525:Victor of Aveyron
389:Françoise Seigner
379:François Truffaut
373:Victor of Aveyron
350:Françoise Seigner
339:François Truffaut
299:Victor of Aveyron
291:Françoise Seigner
287:François Truffaut
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121:Françoise Seigner
118:François Truffaut
80:François Truffaut
70:François Truffaut
16:(Redirected from
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3231:1970 drama films
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1689:. Archived from
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1651:en.unifrance.org
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1623:. Archived from
1621:The Boston Globe
1617:"The Wild Child"
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1591:"The Wild Child"
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1144:Finally Truffaut
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1109:
1102:"The Wild Child"
1098:
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1088:Box Office Story
1080:
1074:
1073:
1055:
988:was released on
970:NĂ©stor Almendros
803:
769:The New Republic
692:L"Enfant sauvage
647:NĂ©stor Almendros
631:Manitas de Plata
582:Maria Montessori
375:, the wild child
272:L'Enfant sauvage
212:
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135:NĂ©stor Almendros
58:
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21:
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3027:Of Gods and Men
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2896:Central Station
2893:
2886:Shall We Dance?
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2233:Two in the Wave
2202:
2184:
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2078:Love on the Run
1921:
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1874:
1869:Rotten Tomatoes
1837:
1832:
1826:
1809:
1803:
1790:
1784:
1767:
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1746:
1740:
1725:
1719:Further reading
1716:
1703:
1702:
1698:
1681:
1680:
1676:
1665:"1970 Archives"
1663:
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1467:
1463:, p. 1130.
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1017:
1015:Further reading
983:
949:Best Screenplay
809:Award ceremony
801:
728:
723:
673:Antonio Vivaldi
669:Antoine Duhamel
639:
590:
538:
513:
470:
439:as a countryman
368:
311:
253:
223:
216:
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155:Antonio Vivaldi
145:Agnès Guillemot
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28:
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2972:
2967:The Sea Inside
2962:
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2925:
2924:
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2911:
2901:
2891:
2881:
2871:
2866:Shanghai Triad
2861:
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2811:
2806:Story of Women
2801:
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2599:The Wild Child
2594:
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2569:Elvira Madigan
2564:
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2098:
2090:
2086:The Last Metro
2082:
2074:
2070:The Green Room
2066:
2058:
2050:
2042:
2034:
2026:
2018:
2010:
2006:The Wild Child
2002:
1994:
1986:
1978:
1974:Fahrenheit 451
1970:
1962:
1954:
1946:
1938:
1929:
1927:
1926:Films directed
1923:
1922:
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1915:
1914:
1907:
1900:
1892:
1886:
1885:
1876:The Wild Child
1871:
1864:The Wild Child
1860:
1853:The Wild Child
1849:
1842:The Wild Child
1836:
1835:External links
1833:
1831:
1830:
1825:978-0824207571
1824:
1807:
1801:
1793:The Wild Child
1788:
1783:978-0195019926
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1760:978-0521478083
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1739:978-0375400896
1738:
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1595:Chicago Reader
1578:
1572:978-0060122690
1571:
1553:
1533:Canby, Vincent
1524:
1494:
1465:
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1448:, p. 155.
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1319:
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1162:. pp. 230-231.
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710:Fahrenheit 451
701:Fahrenheit 451
680:The Wild Child
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615:Rudolf Nureyev
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574:feral children
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2609:Claire's Knee
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2038:Day for Night
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2024:
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2019:
2016:
2015:
2014:Bed and Board
2011:
2008:
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1995:
1992:
1991:
1990:Stolen Kisses
1987:
1984:
1983:
1979:
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1971:
1968:
1967:
1966:The Soft Skin
1963:
1960:
1959:
1958:Jules and Jim
1955:
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1950:The Army Game
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1935:
1934:The 400 Blows
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1683:"Past Awards"
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1304:
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1281:, p. 14.
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1269:, p. 13.
1268:
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1254:, p. 11.
1253:
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1241:
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1229:
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1197:
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1190:
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1152:0-8253-0335-4
1149:
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1133:, p. 22.
1132:
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1106:JP Box Office
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936:Best Director
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870:Best Director
868:
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848:
847:Laurel Awards
845:
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835:
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750:Vincent Canby
746:
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742:
738:The staff at
736:
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693:
689:
688:The 400 Blows
685:
684:The 400 Blows
681:
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674:
670:
665:
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1544:. Retrieved
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1515:. Retrieved
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1485:. Retrieved
1481:
1474:Ebert, Roger
1468:
1461:Wakeman 1988
1446:Insdorf 1994
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1434:Insdorf 1994
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1392:Wakeman 1988
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1360:. Retrieved
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222:Running time
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84:Jean Gruault
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3077:Son of Saul
2947:Talk to Her
2308:Man of Aran
2129:Les Mistons
2113:Short films
1517:22 February
1487:30 December
1422:Monaco 1976
1240:Monaco 1976
1213:Monaco 1976
1189:Monaco 1976
1172:Monaco 1976
832:Prix Méliès
732:Roger Ebert
604:André Bazin
599:from behind
560:Arthur Penn
558:; however,
536:Development
499:Rousseauian
489:John Dryden
485:rationalism
105:Produced by
66:Directed by
3181:1970 films
3175:Categories
3127:La Llorona
3067:Wild Tales
2509:Die BrĂĽcke
2170:Breathless
2121:Une Visite
1041:References
981:Home media
865:NBR Awards
859:Nominated
772:described
758:Patty Duke
651:Harpo Marx
511:Production
398:Jean Dasté
354:socialized
331:deaf-mutes
295:Jean Dasté
249:Box office
226:85 minutes
209:1970-09-09
198:1970-02-26
163:Production
125:Jean Dasté
32:Wild child
3017:A Prophet
2836:Indochine
2661:1976–2000
2400:1951–1975
2388:The Titan
2299:1934–1950
1362:21 August
1046:Citations
1009:subtitles
921:Best Film
812:Category
623:Marseille
252:$ 800,000
141:Edited by
3117:Parasite
3107:Cold War
3057:The Past
2876:Ridicule
2730:Mephisto
2639:Amarcord
2409:Rashomon
1546:12 March
1511:Archived
1160:12613514
1029:See also
815:Nominee
595:in front
569:Le Monde
527:and Dr.
497:and the
481:Romantic
239:Language
151:Music by
113:Starring
90:Based on
3097:Foxtrot
2207:Related
2154:, 1962)
1883:YouTube
1856:at the
1631:10 June
1600:10 June
1507:Variety
1006:Spanish
998:English
818:Result
789:Ty Burr
741:Variety
721:Release
643:Aveyron
637:Filming
588:Casting
381:as Dr.
333:". Dr.
322:Aveyron
231:Country
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3160:(2023)
3150:(2022)
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3137:A Hero
3130:(2020)
3120:(2019)
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3147:Close
3047:Amour
2589:Shame
2469:Ordet
2189:Books
912:1970
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806:Year
704:. In
664:after
627:gypsy
619:Nîmes
343:idiot
318:naked
1847:IMDb
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