1107:. Directed by Stéphane Bernasconi, Thierry Wermuth voiced the character of Tintin. The episode deviates significantly from the original story line. The passage containing Tintin's drunkenness has been ignored entirely, keeping the character consistent with how it is seen in the rest of series - upright, conscientious and of commendable moral standards. Besides, the political narratives, almost ubiquitously present in the latter part of the original album, have also been largely overlooked. Tintin's conflict with the military was also replaced with one with Alonso Pérez and Ramón Bada. Pérez had take over the role of the fetish's diamond thief over Rodrigo Tortilla, whose been had been the one to listen to diamond story from Pérez years before. Pérez and Bada did not die at the end of the story, as occurs in the album, but are rescued by Tintin as he is retrieved from the sea by the ship's crew, and taken to prison.
382:, only to be returned the following day. Tintin realizes that the replacement is a fake, and draws a connection with a local sculptor, Jacob Balthazar, who has just been murdered. Balthazar's parrot – the only witness to the murder – is obtained by two Hispanic men, Alonso and Ramón, who try to kill Tintin when he begins to investigate their connection to the crime. From the parrot, Alonso and Ramón discover Balthazar's murderer is Rodrigo Tortilla, and they proceed to follow him aboard a ship bound for South America. There, they murder Tortilla, but find that he did not have the original fetish. Tintin, however, follows them, and arranges their arrest when the ship docks at Los Dopicos, capital of
902:
1053:, and that here Tintin loses his position as "the sole point of identification" for the reader, with the other characters becoming more identifiable. Opining that there was a constant theme of twos throughout the story (i.e. the real and the fake fetish, Alonso and Ramón), he thought that the character of Ridgewell was "a kind of Tintin, grown old among the natives, solitary and ill humored", noting that Ridgewell's position among the Arumbayas was akin to Tintin's position among the Ba Baorom in
515:
633:
398:
San
Theodoros and Nuevo Rico ends when Gran Chapo is discovered to have no oil, Tintin returns to Belgium after a brief encounter with Alonso and Ramón. There, Tintin discovers Balthazar's brother has been producing a range of exact replicas of the fetish, which he had discovered among his deceased brother's belongings. Tintin learns it was purchased from him by Samuel Goldbarr, a wealthy American now returning to the
3100:
54:
3126:
3138:
390:
locating the missing fetish, but they only end up briefly put behind bars by him. As aide-de-camp, Tintin opposes the proposed decision of San
Theodoros claiming the supposedly oil rich Gran Chapo, as this would cause a war between San Theodoros and neighboring Nuevo Rico, and he is framed as a traitor by warmongering oil and weapon companies. Nevertheless, Tintin's new friend
972:, being "less detailed and realistic". He thought that the image in which Ramón and Alonso drown in the sea and are dragged to Hell by demons was "truly medieval" and represented the "most fanciful image" in the entire series. He also opined that Hergé's depiction of South American militaries was "full of humour" and that the detail was "generally very accurate". Biographer
988:, politics remains "in the second line", and that instead Hergé let "the narrative rip and succeeds marvellously". Elsewhere, he praised the work as having a "formidable dynamism" and an "unequaled vitality", containing a "revolution" in narrative structure. He thought that it served as a "perfect metaphor" for the theories of German philosopher
753:, who asked Hergé to change the scene; annoyed at their request, he later commented: "On the surface it cost me nothing, but that kind of addition was really difficult for me". For their serialisation of the story, he replaced that particular frame with one in which Tintin vouchsafed the souls of Ramón and Alonso for
882:. As part of this, they included artefacts that featured in the series, with the broken-eared Peruvian statue that inspired Hergé's Arumbaya fetish as the centre piece of the show; however, they feared that it might be stolen, so a replica was exhibited rather than the genuine article. Imitating the events of
892:
in which an individual alleging to be the thief stated that the item would be returned if Hergé returned to the scene of the crime at a certain time with a copy of the book under his right arm. Hergé did so, but carried the book under his left arm; the thief never appeared, and the replica fetish was
397:
Once within Nuevo Rico, Tintin decides to enter the forest and find the
Arumbaya tribe, hoping they can explain to him why people wish to steal the fetish. Finding a British explorer, Ridgewell, living among the Arumbaya, Tintin learns that a diamond was hidden inside the statue. As the war between
402:
with it by ship. Catching up to the boat, Tintin finds Alonso and Ramón aboard. His struggle with them for the possession of the fetish results in it smashing on the floor, and the diamond hidden in it rolling overboard into the sea. Alonso and Ramón try to kill Tintin for making them lose it, and
389:
In the city, Tintin is framed as a terrorist, arrested, and sentenced to death by firing squad. Tintin survives when a revolution topples the government, and the new leader, General
Alcazar, appoints Tintin to be his aide-de-camp. Alonso and Ramón capture Tintin, and interrogate him in the hope of
1057:. Apostolidès also argued that in the comic, Alcazar was a religious figure, who attained a "sacred" quality through the spilling of blood in his revolt against General Tapioca's government. As part of this, he argued that the threats of assassination would make him a martyr, or a "holy king".
940:
with the inclusion of comical natives and absurdist elements like "comical bombs". They nevertheless thought that it exhibited a "marked improvement" in Hergé's use of plotting, noting that the story was clearly structured, praising the "very effective, dramatic story, with plenty of twists".
738:
at the start of the story; this was removed in the colour edition. At the end of the story, Hergé killed off Ramón and Alonso and depicted them being dragged to Hell by devils; this would mark the last depiction of the death(s) of a villain in the series until
507:, Hergé developed the new habit of keeping plot notes and ideas in a notebook. He also began making cuttings of photographs and other images from magazines and newspapers, filing them away for future use; he used them as a basis for many of the drawings in
526:
to allude to real events that had recently taken place in South
America. The fictional countries of San Theodoros and Nuevo Rico were based on the real countries Bolivia and Paraguay, while the Gran Chapo War depicted in the strip was an allusion to the
1010:
of the
Arumbaya, describing it as "their pleasure, wrapped up in a fetish". He also thought that there was a homosexual subtext between Ramón and Alonso, believing that the scene in which a bullet was fired into Ramón's buttocks was symbolic of
789:
was not redrawn, save for a few minor revisions. To reduce the length of the book, various sections were excised, including a dream sequence that appeared in the original. As the colouration process was new to the series, the use of colour in
403:
the three of them accidentally fall overboard as well. Tintin is rescued, but Alonso and Ramón drown. Goldbarr allows Tintin to return the stolen fetish to the museum, where it is repaired and put back on display, albeit comically damaged.
1044:
established a "tintinian" anthropology that would remain throughout the rest of the series. As part of this, Apostolidès argued, Hergé distances himself from western values and looks at his own society as an outsider, accomplishing what
316:. Commentators have praised the book for showcasing Hergé's then-newfound commitment to a clear narrative structure and strives for historical and technical accuracy, but believe that its use of humour comparable to earlier
557:, who profited from the conflict by supplying arms to both Paraguay and Bolivia. Hergé had learned about the conflict and the western corporations profiting from it through two issues of anti-conformist French magazine
953:
had a "slightly lacklustre quality" to it, and was "disappointing" due to the fact that the "various elements don't gel well together". He believed that the artistic quality and the use of research deteriorated as the
2804:
794:
is more basic than in later volumes; as the book progresses, it is evident that Hergé lost interest and rushed the task, for instance, resorting to using block colour backgrounds without any detail.
2753:
3208:
394:
frees him from imprisonment, allowing for Tintin to flee to Nuevo Rico. However, in the process, he inadvertently causes events that have Nuevo Rico start a war between it and San
Theodoros.
958:
progressed, although it had "the most complex plot yet, by a long way". Philippe Goddin asserted that in the story, Tintin develops from a "classic reporter to an investigative journalist."
594:, he had no access to speakers of indigenous Amerindian languages, and as such, the Arumbaya language that he developed was entirely fictitious. He based its structure largely on the
994:
734:, Hergé inserted an illustration of himself into the second frame. He also made reference to contemporary news stories in the book, having a radio announcer discuss the ongoing
503:). Wallez was subsequently removed from the paper's editorship following a scandal, although Hergé was convinced to stay on the condition of a salary increase. In preparing
3193:
785:
to undergo the reformatting and colouration, and this second edition was published as a 62-page volume by
Casterman in 1943. Unlike some of the earlier adventures,
602:
area of
Brussels, mixed with Spanish endings and constructions. In developing the Arumbaya's rivals, the Bibaros, he was influenced by anthropological accounts of
531:(1932–35) that was waged between Bolivian and Paraguayan forces over lucrative oil fields in the Gran Chaco region. The name "Gran Chapo" was a pun on the French
731:
2231:
1006:, commenting that his "down-at-heel garret speaks volumes of loneliness and semi-realised artistry". He also opined that the diamond within the fetish was the
2471:
3168:
2570:
2539:
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2951:
610:
tribes; when Leslie
Lonsdale-Cooper and Michael Turner translated the book into English, they renamed the Bibaros as the Rumbabas, a pun on the
901:
2945:
2625:
2594:
2176:
2129:
2107:
2085:
2063:
2044:
2020:
1998:
1976:
1957:
3178:
2682:
1095:
549:, of the Vicking Arms Company Ltd (Basil Mazaroff in the 1937 edition), was a thinly veiled allusion to the real-life Greek weapons seller
354:
280:, identifiable by its broken right ear, and deals with other thieves who are after it. In doing so, he ends up in the fictional nation of
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concerns an artist hired to reproduce a priceless artwork; however he ultimately produces more than one copy, fooling the conspirators.
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1074:
340:
3198:
3103:
2788:
2267:
483:
2224:
698:
introduced the character General Alcazar to the series, who went on to become a recurring character who appeared in three further
590:
statue, it was made of wood and dated to between 1200 and 1438 CE. Whereas Hergé had access to speakers of Mandarin when creating
3188:
2835:
2602:
583:
567:), which covered news stories ignored by the mainstream media. It is also likely that he had read Richard Lewinsohn's 1930 book
3173:
2737:
2729:
2618:
3183:
2331:
684:). For this collected edition, one small change was made; the minor character of Carajo was renamed Caraco, because the word
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2610:
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as a "moral condemnation of capitalism, imperialism and war", although felt that it was "not as perfectly constructed" as
3116:
1090:
was divided up into six 5-minute black-and-white episodes that diverted from Hergé's original plot in a variety of ways.
777:("clear line") drawing style he had developed so that they visually fitted in with the new Tintin stories being created.
3163:
3158:
2780:
2644:
2217:
718:. It also marks the last story in which Tintin is seen taking part in journalistic activity and the first time that the
1049:
called "sociological revolution". He felt that the comic was "more contrived" and "more superficial" than the previous
618:, who mysteriously disappeared into the Amazon jungle in 1925. In crafting the story, Hergé was possibly influenced by
53:
2652:
386:. Nevertheless, the corrupt colonel in charge of the arrest allows the antagonists to slip away, and detains Tintin.
2829:
735:
620:
497:), and to set his third adventure in the United States to use the story as a denunciation of American capitalism (
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2355:
2347:
2323:
1033:
825:
435:
255:
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459:
244:
85:
802:
Casterman republished the original black-and-white version in 1979 in a French-language collected volume with
676:). In 1937, it was collected in a single hardcover volume and published by Éditions Casterman under the title
2140:
614:
pudding. The explorer Ridgewell, found living among the Arumbayas is based upon the British explorer Colonel
3065:
2889:
2363:
2073:
1111:
999:
857:
3034:
2443:
2427:
863:
845:
615:
268:, it was serialised weekly from December 1935 to February 1937. The story tells of young Belgian reporter
3203:
2909:
2851:
2395:
2291:
1926:
932:, although they also considered it to be "more reminiscent of the earlier, more caricatured books" like
910:
745:
305:
3013:
423:
263:
128:
632:
294:
was a commercial success and was published in book form shortly after its conclusion. Hergé continued
2824:
2499:
2435:
2371:
831:
345:
3060:
2930:
2451:
2403:
2275:
1037:
917:
875:
851:
493:
445:
3007:
2958:
2772:
2494:
2479:
2411:
2379:
2193:
470:
269:
161:
664:
3070:
3026:
2940:
2894:
2843:
2519:
2509:
2484:
2339:
2283:
2172:
2125:
2117:
2103:
2095:
2081:
2059:
2040:
2016:
1994:
1972:
1953:
1100:
973:
714:
series to "start and finish in home surroundings" and the first to deal with the pursuit of a
554:
514:
499:
273:
2201:
2874:
2564:
2552:
2514:
2459:
2315:
906:
766:
727:
607:
587:
334:, and was the first to include fictional countries. The story was adapted for both the 1956
300:
215:
3055:
2884:
2524:
2489:
2419:
2008:
989:
819:
Hergé returned to creating fictional nations as allusions to real countries in subsequent
692:, due to the fact Hergé had been unaware of its actual definition during the publication.
582:
Hergé's Arumbaya fetish was based on the design of a genuine Peruvian statue in Brussels'
331:
1002:
thought that Balthazar was an example of the interesting minor characters that imbue the
662:). From 7 February 1937, the story was also serialised in the French Catholic newspaper,
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3085:
2982:
2914:
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2299:
2164:
1046:
946:
740:
703:
603:
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550:
478:
454:
391:
322:
202:
3152:
3142:
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2504:
1025:
1020:
769:
redrew and coloured many of the original black-and-white Tintin adventures using the
546:
537:
488:
399:
383:
375:
281:
17:
2209:
3050:
2997:
2992:
2935:
2899:
2856:
2710:
2124:. Tina A. Kover (translator). Baltimore, Maryland: Johns Hopkins University Press.
1986:
1156:
961:
772:
474:
823:, such as Syldavia and Borduria (based largely on Yugoslavia and Nazi Germany) in
765:
In the 1940s and 1950s, when Hergé's popularity had increased, he and his team at
2034:
3080:
3075:
2879:
2529:
1083:
379:
3137:
3002:
816:
collection. In 1986, Casterman published a facsimile version of the original.
2987:
2702:
1079:
715:
528:
367:
335:
313:
277:
96:
2039:. Leslie Lonsdale-Cooper and Michael Turner (translators). London: Egmont.
1971:. Charles Ruas (translator). Oxford and New York: Oxford University Press.
722:
featured Tintin's flat at 26 Labrador Road, in which Chinese mementos from
2557:
2547:
2246:
2030:
1012:
1007:
980:
was a return to "pure adventure" from the "quasi-documentary realism" of
611:
599:
417:
371:
285:
249:
111:
871:, in which the characters Pablo and Ridgewell also made a reappearance.
448:
Belgian newspaper based in Hergé's native Brussels which was run by the
3020:
1104:
888:
450:
349:
541:
and the name of the Nuevo Rican capital city, Sanfación, was a pun on
595:
1908:
1906:
1637:
1635:
1633:
1631:
1487:
1485:
1483:
1481:
1479:
1477:
886:, a thief broke in and stole the statue. A letter was then sent to
2148:
689:
631:
513:
1952:. Jocelyn Hoy (translator). Stanford: Stanford University Press.
2213:
928:-lite", noting that it shared many elements with the previous
754:
469:, revolving around the exploits of fictional Belgian reporter
1857:
1855:
1853:
535:, meaning "big hat", while the name Nuevo Rico was a pun on
1411:
1409:
473:. Wallez ordered Hergé to set his first adventure in the
2013:
The Art of Hergé, Inventor of Tintin: Volume I, 1907–1937
1720:
1718:
1532:
1530:
1528:
1448:
1446:
1444:
518:
Paraguayan troops in Alihuatá, 1932, during the Chaco War
1618:
1616:
304:, while the series itself became a defining part of the
284:, where he becomes embroiled in a war and discovers the
2015:. Michael Farr (translator). San Francisco: Last Gasp.
1072:
that were adapted for the first series of the animated
878:
in Brussels held an exhibition marking fifty years of
3114:
1547:
1545:
1376:
1374:
1372:
1339:
1337:
1335:
995:
The Work of Art in the Age of Mechanical Reproduction
252:. Commissioned by the conservative Belgian newspaper
3043:
2970:
2923:
2865:
2815:
2805:
The Adventures of Tintin: The Secret of the Unicorn
2764:
2754:
Tintin – Le Temple du Soleil – Le Spectacle Musical
2721:
2694:
2667:
2636:
2586:
2579:
2538:
2470:
2253:
210:
197:
192:
175:
167:
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144:
136:
122:
117:
107:
102:
92:
80:
63:
34:
1912:
1897:
1709:
1641:
1519:
1491:
1468:
1435:
1400:
1363:
1114:stated in an interview that the plot of his novel
998:(1936), which Hergé had not read. Literary critic
312:was coloured and reformatted for republication by
1950:The Metamorphoses of Tintin, or Tintin for Adults
1082:in 1957, directed by Ray Goossens and written by
140:5 December 1935 – 25 February 1937
3209:Works originally published in Le Petit Vingtième
2058:. Harpenden, Hertfordshire: Pocket Essentials.
2054:Lofficier, Jean-Marc; Lofficier, Randy (2002).
1032:was "a treatise on fetishism". Literary critic
732:his frequent cameo appearances in his own films
545:, meaning "without manners". Hergé's character
835:. He also re-used other elements pioneered in
248:, the comics series by the Belgian cartoonist
2225:
913:which was copied into the adventure by Hergé.
276:, as he searches for a stolen South American
8:
811:
770:
624:, as there are similarities in their plots.
464:
433:
421:
320:renders it inferior to the previous volume,
261:
253:
126:
41:
1885:
1873:
1861:
1093:It was also adapted into a 1991 episode of
420:—was employed as editor and illustrator of
416:Georges Remi—best known under the pen name
2583:
2232:
2218:
2210:
1155:to describe his drawing style. Cartoonist
656:Les Nouvelles Aventures de Tintin et Milou
52:
31:
3194:Literature first published in serial form
1925:Fernandez-Armesto, Fred (February 2011).
1415:
1310:
1282:
1266:
1844:
1832:
1820:
1724:
1705:
1681:
1669:
1653:
1579:
1536:
1515:
1464:
1452:
1427:
1392:
1355:
1298:
1254:
1118:was "more or less lifted straight" from
900:
3121:
1808:
1796:
1784:
1772:
1583:
1567:
1326:
1314:
1286:
1270:
1250:
1171:
1144:
829:and Sondonesia (based on Indonesia) in
27:Comic album by Belgian cartoonist Hergé
1736:
1607:
1595:
1503:
867:. Tintin returned to San Theodores in
660:The New Adventures of Tintin and Snowy
487:), to set his second adventure in the
1238:
1226:
1214:
1202:
1190:
1178:
236:, originally published in English as
7:
2746:Kuifje – De Zonnetempel (De Musical)
2141:"Investigating the Clear Line Style"
2102:. London: Methuen Children's Books.
1760:
1748:
1693:
1657:
1622:
1563:
1551:
1431:
1396:
1380:
1359:
1343:
674:Tintin and Snowy among the Arumbayas
2078:Tintin and the Secret of Literature
1151:Hergé himself did not use the term
1099:television series by French studio
654:from December 1935 under the title
378:is stolen from Brussels' Museum of
330:introduces the recurring character
670:Tintin et Milou chez les Arumbayas
25:
3169:Comics set in fictional countries
2268:Tintin in the Land of the Soviets
2139:Pleban, Dafna (7 November 2006).
1969:Hergé, the Man Who Created Tintin
1948:Apostolidès, Jean-Marie (2010) .
573:Zaharoff, the Mysterious European
491:to encourage colonial sentiment (
484:Tintin in the Land of the Soviets
3136:
3124:
3099:
3098:
2603:Tintin and the Temple of the Sun
2171:. London: Hodder and Stoughton.
855:, a fireball and vivid dream in
702:. As noted by Hergé biographer
584:Royal Museums of Art and History
575:), which had been referenced in
444:"), a staunchly Roman Catholic,
2730:The Mystery of the Blue Diamond
1103:and Canadian animation company
569:Zaharoff, l'Européen mystérieux
432:"), a children's supplement to
306:Franco-Belgian comics tradition
2595:The Crab with the Golden Claws
2332:The Crab with the Golden Claws
2198:at the Official Tintin Website
2169:Tintin: Hergé and his Creation
1991:Tintin: The Complete Companion
1913:Lofficier & Lofficier 2002
1898:Lofficier & Lofficier 2002
1710:Lofficier & Lofficier 2002
1642:Lofficier & Lofficier 2002
1520:Lofficier & Lofficier 2002
1492:Lofficier & Lofficier 2002
1469:Lofficier & Lofficier 2002
1436:Lofficier & Lofficier 2002
1401:Lofficier & Lofficier 2002
1364:Lofficier & Lofficier 2002
260:for its children's supplement
1:
3061:Jean-Marc and Randy Lofficier
2836:Tintin and the World of Hergé
2797:Tintin: Destination Adventure
2611:Tintin and the Lake of Sharks
2100:Tintin and the World of Hergé
1927:"Interview with Tom McCarthy"
1159:first used the term in 1977.
918:Jean-Marc and Randy Lofficier
798:Later publications and legacy
781:was the first of these early
2738:Mr. Boullock's Disappearance
2676:Hergé's Adventures of Tintin
2645:Tintin and the Golden Fleece
1075:Hergé's Adventures of Tintin
749:. This upset the editors of
341:Hergé's Adventures of Tintin
58:Cover of the English edition
3179:Comics set in South America
2653:Tintin and the Blue Oranges
2056:The Pocket Essential Tintin
1967:Assouline, Pierre (2009) .
726:are visible. Influenced by
3225:
736:Second Italo-Ethiopian War
710:is the first story in the
288:tribe deep in the forest.
3094:
2463:(unfinished, unpublished)
2348:The Secret of the Unicorn
810:, the second part of the
481:propaganda for children (
242:) is the sixth volume of
239:Tintin and the Broken Ear
51:
3199:Methuen Publishing books
2684:The Adventures of Tintin
2619:The Adventures of Tintin
2242:The Adventures of Tintin
1096:The Adventures of Tintin
1070:The Adventures of Tintin
880:The Adventures of Tintin
861:, and a firing squad in
650:was first serialised in
460:The Adventures of Tintin
457:. In 1929, Hergé began
355:The Adventures of Tintin
296:The Adventures of Tintin
245:The Adventures of Tintin
137:Date of publication
86:The Adventures of Tintin
3189:Comics set in the 1930s
3035:Little, Brown & Co.
2364:The Seven Crystal Balls
1993:. London: John Murray.
945:two stars out of five.
858:The Seven Crystal Balls
412:Background and research
3174:Comics set in Brussels
2946:Parodies and pastiches
2444:Tintin and the Picaros
2428:The Castafiore Emerald
2356:Red Rackham's Treasure
2324:King Ottokar's Sceptre
1078:by the Belgian studio
1034:Jean-Marie Apostolidès
941:Overall, they awarded
914:
869:Tintin and the Picaros
864:Tintin and the Picaros
846:The Castafiore Emerald
826:King Ottokar's Sceptre
812:
771:
644:
616:Percy Harrison Fawcett
519:
465:
434:
422:
262:
254:
231:
182:Leslie Lonsdale-Cooper
127:
70:1937 (black and white)
42:
3184:Comics set in jungles
2910:Jacques Van Melkebeke
2852:Tintin postage stamps
2396:Explorers on the Moon
2292:Cigars of the Pharaoh
911:Cinquantenaire Museum
904:
804:Cigars of the Pharaoh
746:Explorers on the Moon
688:is Spanish slang for
635:
517:
442:The Twentieth Century
18:L'Oreille cassée
2789:Prisoners of the Sun
2500:Thomson and Thompson
2436:Flight 714 to Sydney
2372:Prisoners of the Sun
2206:at Tintinologist.org
2122:Hergé: Son of Tintin
849:, a ravine crash in
832:Flight 714 to Sydney
761:Second version, 1943
741:Colonel Boris Jorgen
628:Original publication
430:The Little Twentieth
118:Original publication
3164:1943 graphic novels
3159:1937 graphic novels
2452:Tintin and Alph-Art
2404:The Calculus Affair
2276:Tintin in the Congo
2151:on 12 December 2013
1038:Stanford University
984:, and that in this
934:Tintin in the Congo
909:statuette from the
876:Palace of Fine Arts
852:The Calculus Affair
494:Tintin in the Congo
436:Le Vingtième Siècle
344:, and for the 1991
256:Le Vingtième Siècle
3014:Le Petit Vingtième
3008:Methuen Publishing
2959:Tintin in Thailand
2830:Books about Tintin
2773:Tintin on the Moon
2495:Professor Calculus
2455:(1986, unfinished)
2412:The Red Sea Sharks
2380:Land of Black Gold
2080:. London: Granta.
1708:, pp. 72–73;
1518:, pp. 71–72;
1358:, pp. 68–69;
1313:, pp. 40–41;
1285:, pp. 26–29;
1269:, pp. 22–23;
1253:, pp. 31–32;
1024:, the philosopher
915:
652:Le Petit Vingtième
645:
642:Le Petit Vingtième
621:The Maltese Falcon
596:Brusseleir dialect
586:; a pre-Columbian
520:
466:Le Petit Vingtième
424:Le Petit Vingtième
264:Le Petit Vingtième
129:Le Petit Vingtième
3112:
3111:
2668:Television series
2663:
2662:
2510:Bianca Castafiore
2340:The Shooting Star
2284:Tintin in America
2178:978-0-340-52393-3
2131:978-1-4214-0454-7
2109:978-0-416-14882-4
2087:978-1-86207-831-4
2065:978-1-904048-17-6
2046:978-0-416-83450-5
2022:978-0-86719-706-8
2000:978-0-7195-5522-0
1978:978-0-19-539759-8
1959:978-0-8047-6031-7
1876:, pp. 82–83.
1763:, pp. 67–68.
1625:, pp. 68–69.
1317:, pp. 67–68.
1289:, pp. 45–47.
1273:, pp. 34–37.
1257:, pp. 24–25.
1241:, pp. 56–62.
1229:, pp. 46–55.
1217:, pp. 31–45.
1205:, pp. 18–30.
1193:, pp. 12–17.
938:Tintin in America
897:Critical analysis
893:never recovered.
555:Vickers Armstrong
500:Tintin in America
223:
222:
123:Published in
16:(Redirected from
3216:
3141:
3140:
3129:
3128:
3127:
3120:
3102:
3101:
3044:Literary critics
2931:Hergé Foundation
2584:
2553:Marlinspike Hall
2515:Chang Chong-Chen
2388:Destination Moon
2316:The Black Island
2234:
2227:
2220:
2211:
2182:
2160:
2158:
2156:
2147:. Archived from
2135:
2113:
2091:
2069:
2050:
2026:
2009:Goddin, Philippe
2004:
1982:
1963:
1935:
1934:
1931:The White Review
1922:
1916:
1910:
1901:
1895:
1889:
1886:Apostolidès 2010
1883:
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1874:Apostolidès 2010
1871:
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1188:
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1181:, pp. 1–12.
1176:
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1149:
815:
776:
728:Alfred Hitchcock
678:L'Oreille cassée
640:on the cover of
565:The Mortar Shell
468:
463:comic strip for
439:
427:
352:animated series
301:The Black Island
267:
259:
233:L'Oreille cassée
216:The Black Island
211:Followed by
198:Preceded by
132:
56:
45:
43:L'Oreille cassée
32:
21:
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3090:
3056:Philippe Goddin
3039:
2966:
2924:Legacy of Hergé
2919:
2885:Edgar P. Jacobs
2867:
2861:
2818:and memorabilia
2817:
2811:
2781:Tintin in Tibet
2760:
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2690:
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2490:Captain Haddock
2466:
2420:Tintin in Tibet
2257:
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2190:
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2179:
2165:Thompson, Harry
2163:
2154:
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2138:
2132:
2118:Peeters, Benoît
2116:
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2096:Peeters, Benoît
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899:
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751:Cœurs Vaillants
668:under the name
665:Cœurs Vaillants
630:
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370:created by the
364:
332:General Alcazar
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2915:Zhang Chongren
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2905:Josette Baujot
2902:
2897:
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2890:Jacques Martin
2887:
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2571:Other settings
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2308:The Broken Ear
2304:
2300:The Blue Lotus
2296:
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2263:
2261:
2256:The Adventures
2251:
2250:
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2207:
2203:The Broken Ear
2199:
2195:The Broken Ear
2189:
2188:External links
2186:
2184:
2183:
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2161:
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2130:
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2036:The Broken Ear
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1847:, p. 108.
1837:
1835:, p. 111.
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1656:, p. 71;
1646:
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1572:
1566:, p. 61;
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1467:, p. 69;
1457:
1440:
1434:, p. 67;
1430:, p. 70;
1420:
1416:Assouline 2009
1405:
1399:, p. 62;
1395:, p. 69;
1385:
1368:
1362:, p. 62;
1348:
1331:
1319:
1311:Assouline 2009
1303:
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1120:The Broken Ear
1110:Tintin critic
1088:The Broken Ear
1066:The Broken Ear
1062:
1059:
1047:Roger Caillois
1042:The Broken Ear
1040:believed that
1030:The Broken Ear
982:The Blue Lotus
978:The Broken Ear
974:Benoît Peeters
970:The Blue Lotus
966:The Broken Ear
951:The Broken Ear
947:Harry Thompson
943:The Broken Ear
922:The Broken Ear
898:
895:
884:The Broken Ear
843:: a parrot in
837:The Broken Ear
813:Archives Hergé
808:The Blue Lotus
799:
796:
792:The Broken Ear
787:The Broken Ear
779:The Broken Ear
762:
759:
724:The Blue Lotus
708:The Broken Ear
704:Harry Thompson
696:The Broken Ear
682:The Broken Ear
648:The Broken Ear
638:The Broken Ear
629:
626:
604:head shrinking
598:spoken in the
592:The Blue Lotus
577:Le Crapouillot
560:Le Crapouillot
551:Basil Zaharoff
524:The Broken Ear
509:The Broken Ear
505:The Broken Ear
479:anti-socialist
455:Norbert Wallez
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328:The Broken Ear
323:The Blue Lotus
310:The Broken Ear
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1711:
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1706:Thompson 1991
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1683:
1682:Thompson 1991
1678:
1675:
1672:, p. 68.
1671:
1670:Thompson 1991
1666:
1663:
1660:, p. 64.
1659:
1655:
1654:Thompson 1991
1650:
1647:
1644:, p. 39.
1643:
1638:
1636:
1634:
1632:
1628:
1624:
1619:
1617:
1613:
1609:
1604:
1601:
1598:, p. 27.
1597:
1592:
1589:
1586:, p. 86.
1585:
1581:
1580:Thompson 1991
1576:
1573:
1570:, p. 82.
1569:
1565:
1560:
1557:
1554:, p. 61.
1553:
1548:
1546:
1542:
1539:, p. 72.
1538:
1537:Thompson 1991
1533:
1531:
1529:
1525:
1522:, p. 38.
1521:
1517:
1516:Thompson 1991
1512:
1509:
1506:, p. 15.
1505:
1500:
1497:
1494:, p. 37.
1493:
1488:
1486:
1484:
1482:
1480:
1478:
1474:
1471:, p. 38.
1470:
1466:
1465:Thompson 1991
1461:
1458:
1455:, p. 70.
1454:
1453:Thompson 1991
1449:
1447:
1445:
1441:
1438:, p. 38.
1437:
1433:
1429:
1428:Thompson 1991
1424:
1421:
1418:, p. 57.
1417:
1412:
1410:
1406:
1403:, p. 38.
1402:
1398:
1394:
1393:Thompson 1991
1389:
1386:
1383:, p. 62.
1382:
1377:
1375:
1373:
1369:
1366:, p. 38.
1365:
1361:
1357:
1356:Thompson 1991
1352:
1349:
1346:, p. 64.
1345:
1340:
1338:
1336:
1332:
1329:, p. 84.
1328:
1323:
1320:
1316:
1312:
1307:
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1301:, p. 46.
1300:
1299:Thompson 1991
1295:
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1035:
1031:
1027:
1026:Michel Serres
1023:
1022:
1016:
1014:
1009:
1005:
1001:
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996:
992:published in
991:
987:
983:
979:
976:thought that
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877:
874:In 1979, the
872:
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865:
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854:
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848:
847:
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839:in his later
838:
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817:
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767:Studios Hergé
760:
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547:Basil Bazarov
544:
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538:nouveau riche
534:
533:grand chapeau
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512:
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489:Belgian Congo
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103:Creative team
101:
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73:1943 (colour)
72:
69:
68:
66:
62:
55:
50:
46:
44:
37:
33:
30:
19:
3204:Tintin books
3066:Tom McCarthy
3051:Michael Farr
3027:
3019:
3012:
2998:Golden Press
2957:
2950:
2936:Ligne claire
2900:Roger Leloup
2857:Tintin coins
2844:
2834:
2825:Tintin media
2803:
2795:
2787:
2779:
2771:
2752:
2744:
2736:
2728:
2711:Tintin and I
2709:
2701:
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2168:
2153:. Retrieved
2149:the original
2145:Comicfoundry
2144:
2121:
2099:
2077:
2055:
2035:
2012:
1990:
1968:
1949:
1941:Bibliography
1930:
1920:
1893:
1881:
1869:
1840:
1828:
1823:, p. 8.
1816:
1809:Peeters 2012
1804:
1797:Peeters 2012
1792:
1785:Peeters 1989
1780:
1773:Peeters 1989
1768:
1756:
1744:
1732:
1701:
1689:
1677:
1665:
1649:
1603:
1591:
1584:Peeters 2012
1575:
1568:Peeters 2012
1559:
1511:
1499:
1460:
1423:
1388:
1351:
1327:Peeters 2012
1322:
1315:Peeters 2012
1306:
1294:
1287:Peeters 2012
1278:
1271:Peeters 2012
1262:
1251:Peeters 1989
1246:
1234:
1222:
1210:
1198:
1186:
1174:
1157:Joost Swarte
1153:ligne claire
1152:
1147:
1128:Men in Space
1127:
1123:
1119:
1116:Men in Space
1115:
1112:Tom McCarthy
1109:
1094:
1092:
1087:
1073:
1069:
1065:
1064:
1054:
1050:
1041:
1029:
1028:opined that
1019:
1017:
1003:
1000:Tom McCarthy
993:
985:
981:
977:
969:
965:
962:Michael Farr
960:
955:
950:
942:
937:
933:
929:
925:
921:
916:
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873:
868:
862:
856:
850:
844:
840:
836:
830:
824:
820:
818:
807:
803:
801:
791:
786:
782:
778:
773:ligne claire
764:
750:
744:
743:'s death in
723:
719:
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707:
699:
695:
694:
685:
681:
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619:
591:
581:
576:
572:
568:
564:
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536:
532:
523:
521:
508:
504:
498:
492:
482:
475:Soviet Union
458:
449:
446:conservative
441:
429:
415:
396:
388:
365:
353:
339:
327:
321:
317:
309:
299:
295:
291:
290:
272:and his dog
243:
238:
237:
232:
226:
225:
224:
214:
201:
84:
40:
35:
29:
3081:Numa Sadoul
3076:Yves Rodier
2941:Musée Hergé
2880:Bob de Moor
2816:Other media
2765:Video games
2637:Live-action
2530:Jolyon Wagg
1737:Goddin 2008
1608:Pleban 2006
1596:Goddin 2008
1504:Goddin 2008
1084:Michel Greg
1061:Adaptations
1018:Writing in
522:Hergé used
380:Ethnography
338:animation,
308:. In 1943,
219: (1938)
206: (1936)
153:Translation
3153:Categories
3003:Le Lombard
2971:Publishers
2626:soundtrack
2472:Characters
1239:Hergé 1975
1227:Hergé 1975
1215:Hergé 1975
1203:Hergé 1975
1191:Hergé 1975
1179:Hergé 1975
1134:References
1068:is one of
1051:Adventures
1021:Libération
1004:Adventures
964:described
949:felt that
926:Blue Lotus
920:described
841:Adventures
821:Adventures
783:Adventures
720:Adventures
700:Adventures
606:among the
543:sans façon
318:Adventures
193:Chronology
176:Translator
2988:Casterman
2703:I, Tintin
2687:(1991–92)
2679:(1962–66)
2258:of Tintin
2120:(2012) .
2033:(1975) .
1761:Farr 2001
1749:Farr 2001
1694:Farr 2001
1658:Farr 2001
1623:Farr 2001
1564:Farr 2001
1552:Farr 2001
1432:Farr 2001
1397:Farr 2001
1381:Farr 2001
1360:Farr 2001
1344:Farr 2001
1167:Footnotes
1080:Belvision
986:Adventure
956:Adventure
930:Adventure
716:MacGuffin
529:Chaco War
374:tribe of
336:Belvision
314:Casterman
230:(French:
158:Publisher
97:Casterman
93:Publisher
3104:Category
3030:magazine
2868:of Hergé
2847:magazine
2587:Animated
2558:Syldavia
2548:Borduria
2540:Settings
2520:Abdullah
2167:(1991).
2155:4 August
2098:(1989).
2076:(2006).
2011:(2008).
1989:(2001).
1013:anal sex
1008:clitoris
612:rum baba
600:Marolles
372:Arumbaya
362:Synopsis
286:Arumbaya
145:Language
3131:Belgium
3117:Portals
3021:Le Soir
2622:(2011)
2565:Unicorn
1122:. Like
1105:Nelvana
1101:Ellipse
889:Le Soir
608:Jibaros
407:History
350:Nelvana
346:Ellipse
162:Methuen
108:Creator
3143:Comics
3028:Tintin
2993:Egmont
2845:Tintin
2808:(2011)
2800:(2001)
2792:(1997)
2784:(1996)
2776:(1987)
2757:(2002)
2749:(2001)
2741:(1941)
2733:(1941)
2714:(2003)
2706:(1976)
2656:(1964)
2648:(1961)
2614:(1972)
2606:(1969)
2598:(1947)
2525:Nestor
2480:Tintin
2447:(1976)
2439:(1968)
2431:(1963)
2423:(1960)
2415:(1958)
2407:(1956)
2399:(1954)
2391:(1953)
2383:(1950)
2375:(1949)
2367:(1948)
2359:(1944)
2351:(1943)
2343:(1942)
2335:(1941)
2327:(1939)
2319:(1938)
2311:(1937)
2303:(1936)
2295:(1934)
2287:(1932)
2279:(1931)
2271:(1930)
2175:
2128:
2106:
2084:
2062:
2043:
2019:
1997:
1975:
1956:
924:as "a
712:Tintin
686:carajo
471:Tintin
368:fetish
278:fetish
270:Tintin
148:French
81:Series
2722:Stage
2485:Snowy
2247:Hergé
2031:Hergé
1139:Notes
1055:Congo
907:Chimú
690:penis
588:Chimu
418:Hergé
392:Pablo
298:with
274:Snowy
250:Hergé
112:Hergé
2895:Greg
2562:The
2173:ISBN
2157:2013
2126:ISBN
2104:ISBN
2082:ISBN
2060:ISBN
2041:ISBN
2017:ISBN
1995:ISBN
1973:ISBN
1954:ISBN
936:and
905:The
806:and
730:and
451:Abbé
171:1975
168:Date
64:Date
2245:by
1036:of
755:God
553:of
477:as
3155::
2143:.
1929:.
1905:^
1852:^
1717:^
1630:^
1615:^
1544:^
1527:^
1476:^
1443:^
1408:^
1371:^
1334:^
1126:,
1086:.
1015:.
757:.
706:,
579:.
511:.
440:("
428:("
366:A
358:.
326:.
3119::
2233:e
2226:t
2219:v
2181:.
2159:.
2134:.
2112:.
2090:.
2068:.
2049:.
2025:.
2003:.
1981:.
1962:.
1933:.
1610:.
680:(
672:(
658:(
571:(
563:(
348:/
47:)
39:(
20:)
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