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Peter, a young
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As their differences become more apparent, Peter dreams of an idealistic love, while Ella embraces a more hedonistic approach. In an attempt to influence Peter, Ella involves herself with two mechanics, triggering jealousy. She dismisses one of his romantic manuscripts and highlights the mating
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The plot focuses on a mysterious romance involving an uninhibited woman (Koscina) and a dour photographer (Harvey), shot in strange modernist interiors and abstract "sports car on a highway to nowhere" exteriors.
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Recognizing the end of their relationship, Peter decides to go his own way, contemplating suicide. Staying true to her character, Ella runs him over with her car.
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habits of silkworms, inviting him to explore the women in her family. Despite Ella's efforts, Peter becomes convinced of their total incompatibility.
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romantic intellectual, sees love as an "absolute" merging of body and spirit, while Ella views love primarily as carnal pleasure.
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in this film has been referred to as "one of the cornerstones of
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16:"She and He" redirects here. For the 1963 Japanese film, see
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Dizionario mondiale dei direttori della fotografia, Vol. A-K
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This article related to an
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672:Films directed by Mauro Bolognini
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412:"I miei cari" and "Luciana" in
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474:"Perché?" and "La Gelosia" in
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667:1960s English-language films
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177:The work of cinematographer
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428:"Gli amanti celebri" in
511:Chronicle of a Homicide
268:L'assoluto naturale
490:That Splendid November
420:"Monsignor Cupido" in
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20:. For other uses, see
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553:Lady of the Camelias
459:"Nuits romaines" in
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364:Bad Girls Don't Cry
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