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magnificence of the country. Following this style came what is commonly known as Le Pho's
Romanet period, named after the French gallery owner who became Le Pho's major promoter. This period would last until the 1960s. In 1963, Le Pho's work was noticed by the American gallerist Wally Findlay, owner of Findlay galleries, who ordered many of his canvases and sold them to the American market, marking the beginning of Le Pho's final artistic period, his Findlay Period. This is perhaps his most recognizable period, where he produced more works in oil on canvas and featured his distinctly depicted Vietnamese women surrounded by lush landscapes. Many people consider the strong shifts in medium, subject, and style between these three periods to be a testament to Le Pho's versatility as an artist.
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In 1937, he gave up his professorship to return to Paris as a part of the
International Exposition in Paris as both a delegate and a member of the exposition's jury. In 1938, he had his first one-man show in Paris, a show which marked the beginning of his successful artistic career in Europe. He
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Le Pho's work is often divided into three distinct styles. The first style is from his period in Hanoi, and on to his first couple years in Paris. In works from this period we see depictions of the
Vietnamese landscape of Le Pho's youth, paintings steeped with nostalgia and the historical
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Arts of Asia: Volume 39 "Mai Thu... Le Pho's other close friend, Vu Cao Dam, had already decided to live in France, and when the three men were later joined by their fellow Ecole des Beaux-Arts the woman artist Le Thi Luu (Class III, 1927 1932), these
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Though he travelled for his shows, he continued to call Paris his home from 1937 until the time of his death in 2001. He was one of four EBAI graduates who made a career in Paris, including
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6 June 2012 "The earliest
Vietnamese artist to achieve recognition for his work in the ... school during the late colonial period included Lê Phổ (1907-2001)"
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painter. From 1925 until 1930, Le Pho studied at the Ecole des Beaux-Arts of Hanoi. At this point, he earned a scholarship to study at the
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would go on to show his art across France in Paris, Nice, Lyon, and Rouen, as well as in
Morocco, Brussels in Europe, and in New York.
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308:"LE PHO (Vietnamese, 1907-2001), Mother and Child with Two Ladies in the Garden)"
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Gallery specializes in the artist's paintings on the secondary market.
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245:. Đại đoàn kết cuối tuần số 279, số ra ngày 30.12.2001.
243:"Vĩnh biệt Lê Phổ: Danh họa Việt Nam trên đất Pháp"
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281:"Le Pho (1907-2001), VIEW FROM THE HILLTOP"
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179:(2 August 1907 – 12 December 2001) was a
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366:Le Pho Bio - Findlay Galleries
16:Vietnamese painter (1907–2001)
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257:"Le Pho - Findlay Galleries"
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356:Biography of Artist Le Pho
417:20th-century male artists
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222:and female painter
412:People from Hanoi
312:www.christies.com
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75:(2001-12-12)
397:2001 deaths
392:1907 births
341:Before 1945
123:Romanticism
88:Nationality
386:Categories
317:2018-03-06
290:2018-03-06
266:2018-03-06
230:References
224:Lê Thị Lựu
220:Vũ Cao Đàm
181:Vietnamese
131:Surrealism
92:Vietnamese
59:Thanh Xuân
51:1907-08-02
160:Patron(s)
98:Education
331:four..."
145:Children
119:Movement
113:Painting
193:Vietnam
177:Lê Phổ
137:Spouse
63:Hà Nội
45:Lê Phổ
23:Lê Phổ
201:Hanoi
189:Paris
81:Paris
70:Died
41:Born
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