463:
458:
413:
408:
375:
370:
325:
31:
538:
533:
453:
448:
443:
403:
398:
393:
365:
360:
355:
320:
315:
310:
305:
528:
523:
518:
513:
508:
503:
498:
493:
596:
s Robin Murray described it as "a succinct example of Travis' musicality. A mixed bag, it's held together by feverish energy, and some of the band's mainstays – the emotional curiosity, the willingness to think outside the box, and those empathetic vocals". Lee
Campbell of
586:
commented that "Travis aren't attempting to revive the hunger and ambition that fueled them as young men, they're testing the creative boundaries of middle age as they take stock of the state of a world in tumult."
618:
s Chris White found that "it's hard not to admire a band who, a generation on from their heyday, continue to craft their undemanding but eminently listenable songs with passion and charm". Writing for
30:
624:, Patrick Gill summarised that "the record does not deliver a consistent or compelling message, despite moments of quality that have always been present for a band of their caliber".
607:
is "at times wistfully joyful, yet also menacing and dark. It could be their most personal and exposed record in years, and as a result its honesty really strikes a chord."
1035:
1885:
1890:
997:
981:
570:
called it "introspection with a keen ear for accessible melodies that help sweeten the bitter pills with which he's self-medicating".
1845:
1474:
576:
commented that "Travis continue to subtly experiment with their sound, and on this 10th studio set it regularly pays dividends".
1686:
1895:
880:
1380:
1700:
1534:
1392:
70:
1583:
1327:
599:
484:
1851:
1735:
1651:
1516:
1420:
1352:
970:
859:
650:
1679:
1590:
1424:
1408:
1368:
1102:
1039:
1024:
985:
886:
579:
138:
1364:
1798:
1742:
1615:
767:
719:
210:
184:
1770:
1721:
1495:
833:
634:
240:
101:
1880:
1805:
1756:
1672:
1562:
1467:
1404:
1665:
837:
554:
based on nine critics' reviews, which the website categorised as "generally favorable" reception.
1840:
1784:
1749:
1707:
1693:
1548:
902:
682:
197:
1299:
1275:
1150:
589:
572:
566:
472:
434:
334:
1777:
1633:
1576:
1569:
1460:
1235:
1200:
1181:
1020:
1009:
938:
876:
556:
346:
113:
1348:
1141:
1106:
911:
167:
1318:
1874:
1483:
236:
125:
43:
1791:
1763:
1502:
1068:
932:
843:
646:
94:
1823:
1728:
1714:
1555:
1541:
1509:
920:
898:
872:
853:
847:
642:
638:
244:
118:
1858:
1077:
620:
551:
422:
274:
1658:
818:
A deluxe edition includes stripped versions of all tracks on a second disc.
1441:
1244:
1209:
1115:
611:
583:
384:
297:
836:– lead vocals, acoustic guitar, electric guitar, piano, backing vocals,
1446:
856:– electric guitar, acoustic guitar, piano, keyboards, backing vocals
38:
1456:
1452:
550:
received a score of 71 out of 100 on review aggregator
247:
and received generally positive reviews from critics.
560:
felt that "it's unlikely to set anything alight, but
235:
is the tenth studio album by the
Scottish rock band
1833:
1815:
1643:
1625:
1607:
1526:
672:
664:
166:
124:
112:
93:
77:
65:
50:
37:
23:
490:
1468:
8:
440:
390:
352:
302:
1349:"Offiziellecharts.de – Travis – L.A. Times"
1475:
1461:
1453:
1421:"Official Independent Albums Chart Top 50"
949:
254:
29:
20:
1381:"Spanishcharts.com – Travis – L.A TImes"
1365:"Official Scottish Albums Chart Top 100"
655:
1395:. Hung Medien. Retrieved 21 July 2024.
1393:"Swisscharts.com – Travis – L.A. Times"
1383:. Hung Medien. Retrieved 29 July 2024.
1288:
1286:
1135:
1133:
1057:
798:
755:"I Hope That You Spontaneously Combust"
1170:
1168:
1312:
1310:
1194:
1192:
799:
283:
260:
7:
1264:
1262:
1229:
1227:
1097:
1095:
1063:
1061:
916:Steve Olmon – engineering assistance
492:
239:, released on 12 July 2024 through
14:
564:still leaves a warm glow", while
442:
392:
354:
304:
941:– choir vocals on "Raze the Bar"
935:– choir vocals on "Raze the Bar"
536:
531:
526:
521:
516:
511:
506:
501:
496:
491:
461:
456:
451:
446:
441:
411:
406:
401:
396:
391:
373:
368:
363:
358:
353:
323:
318:
313:
308:
303:
1405:"Official Albums Chart Top 100"
18:2024 studio album by Travis
1886:Albums produced by Tony Hoffer
1687:Why Does It Always Rain on Me?
1317:Campbell, Lee (11 July 2024).
1234:Gill, Patrick (16 July 2024).
1140:Murray, Robin (11 July 2024).
665:
1:
1199:White, Chris (12 July 2024).
1073:by Travis Reviews and Tracks"
926:Stefan Ruiz – all photography
1891:BMG Rights Management albums
1236:"Travis' Tenth Studio Album
1044:
1029:
1014:
1002:
990:
975:
641:; "L.A. Times" written with
1279:. August 2024. p. 105.
71:North Hollywood, California
1912:
1427:. Retrieved 20 July 2024.
1411:. Retrieved 19 July 2024.
1371:. Retrieved 20 July 2024.
1355:. Retrieved 19 July 2024.
1303:. August 2024. p. 40.
1185:. August 2024. p. 81.
633:All tracks are written by
1852:Boulevard of Broken Songs
1490:
1034:
1019:
1007:
995:
980:
968:
961:
958:
892:Jacob Scesney – saxophone
788:
777:
762:
751:
740:
729:
714:
703:
692:
677:
669:
291:
288:
268:
265:
224:
177:
162:
132:
28:
1736:The Beautiful Occupation
1652:All I Want to Do Is Rock
1353:GfK Entertainment Charts
1103:Erlewine, Stephen Thomas
883:, programming, keyboards
1425:Official Charts Company
1409:Official Charts Company
1369:Official Charts Company
895:Devon Taylor – trombone
867:Additional contributors
637:; "Alive" written with
580:Stephen Thomas Erlewine
190:Released: 20 March 2024
128:studio album chronology
1846:List of recorded songs
1743:Love Will Come Through
951:Chart performance for
768:Naked in New York City
216:Released: 19 July 2024
211:Naked in New York City
203:Released: 28 June 2024
54:12 July 2024
1722:Flowers in the Window
1036:UK Independent Albums
243:. It was produced by
241:BMG Rights Management
1896:Travis (band) albums
1673:Writing to Reach You
1563:The Boy with No Name
929:Joe Waghorn – design
256:Professional ratings
1010:Schweizer Hitparade
955:
907:The Indian – mixing
862:– drums, percussion
707:"Live It All Again"
661:
257:
1785:Something Anything
1750:Walking in the Sun
1608:Compilation albums
1584:Everything at Once
1549:The Invisible Band
1449:(list of releases)
1240:Lacks Consistency"
971:Offizielle Top 100
950:
656:
255:
251:Critical reception
1868:
1867:
1111:– Travis | Album"
1049:
1048:
910:Cameron Lister –
809:
808:
545:
544:
228:
227:
158:
157:
106:Red Telephone Box
1903:
1834:Related articles
1477:
1470:
1463:
1454:
1428:
1418:
1412:
1402:
1396:
1390:
1384:
1378:
1372:
1362:
1356:
1346:
1340:
1339:
1337:
1335:
1314:
1305:
1304:
1290:
1281:
1280:
1276:Record Collector
1266:
1257:
1256:
1254:
1252:
1231:
1222:
1221:
1219:
1217:
1205:| Album Reviews"
1196:
1187:
1186:
1172:
1163:
1162:
1160:
1158:
1137:
1128:
1127:
1125:
1123:
1099:
1090:
1089:
1087:
1085:
1065:
996:Spanish Albums (
956:
850:, backing vocals
802:
667:
662:
617:
595:
567:Record Collector
541:
540:
539:
535:
534:
530:
529:
525:
524:
520:
519:
515:
514:
510:
509:
505:
504:
500:
499:
495:
494:
466:
465:
464:
460:
459:
455:
454:
450:
449:
445:
444:
435:Record Collector
416:
415:
414:
410:
409:
405:
404:
400:
399:
395:
394:
378:
377:
376:
372:
371:
367:
366:
362:
361:
357:
356:
328:
327:
326:
322:
321:
317:
316:
312:
311:
307:
306:
261:Aggregate scores
258:
217:
214:
204:
201:
191:
188:
134:
133:
89:
88:
84:
61:
59:
33:
21:
1911:
1910:
1906:
1905:
1904:
1902:
1901:
1900:
1871:
1870:
1869:
1864:
1829:
1811:
1799:Where You Stand
1639:
1634:More Than Us EP
1621:
1603:
1577:Where You Stand
1570:Ode to J. Smith
1522:
1486:
1481:
1437:
1432:
1431:
1419:
1415:
1403:
1399:
1391:
1387:
1379:
1375:
1363:
1359:
1347:
1343:
1333:
1331:
1328:Under the Radar
1316:
1315:
1308:
1292:
1291:
1284:
1268:
1267:
1260:
1250:
1248:
1233:
1232:
1225:
1215:
1213:
1198:
1197:
1190:
1174:
1173:
1166:
1156:
1154:
1139:
1138:
1131:
1121:
1119:
1101:
1100:
1093:
1083:
1081:
1067:
1066:
1059:
1054:
982:Scottish Albums
969:German Albums (
963:
948:
939:Brandon Flowers
846:– bass guitar,
840:, art direction
825:
810:
800:
630:
615:
600:Under the Radar
593:
537:
532:
527:
522:
517:
512:
507:
502:
497:
485:Under the Radar
462:
457:
452:
447:
412:
407:
402:
397:
374:
369:
364:
359:
324:
319:
314:
309:
253:
220:
215:
208:
207:
202:
195:
194:
189:
182:
181:
151:
142:
86:
82:
81:
57:
55:
46:
19:
12:
11:
5:
1909:
1907:
1899:
1898:
1893:
1888:
1883:
1873:
1872:
1866:
1865:
1863:
1862:
1855:
1848:
1843:
1837:
1835:
1831:
1830:
1828:
1827:
1819:
1817:
1813:
1812:
1810:
1809:
1802:
1795:
1788:
1781:
1774:
1767:
1760:
1753:
1746:
1739:
1732:
1725:
1718:
1711:
1704:
1697:
1690:
1683:
1676:
1669:
1662:
1655:
1647:
1645:
1641:
1640:
1638:
1637:
1629:
1627:
1626:Extended plays
1623:
1622:
1620:
1619:
1611:
1609:
1605:
1604:
1602:
1601:
1594:
1587:
1580:
1573:
1566:
1559:
1552:
1545:
1538:
1530:
1528:
1524:
1523:
1521:
1520:
1513:
1506:
1499:
1491:
1488:
1487:
1482:
1480:
1479:
1472:
1465:
1457:
1451:
1450:
1436:
1435:External links
1433:
1430:
1429:
1413:
1397:
1385:
1373:
1357:
1341:
1306:
1282:
1258:
1223:
1188:
1164:
1129:
1091:
1056:
1055:
1053:
1050:
1047:
1046:
1043:
1032:
1031:
1028:
1017:
1016:
1013:
1008:Swiss Albums (
1005:
1004:
1001:
993:
992:
989:
978:
977:
974:
966:
965:
960:
947:
944:
943:
942:
936:
930:
927:
924:
917:
914:
908:
905:
896:
893:
890:
884:
864:
863:
857:
851:
841:
824:
821:
820:
819:
807:
806:
803:
797:
796:
793:
790:
786:
785:
782:
779:
775:
774:
771:
764:
760:
759:
756:
753:
749:
748:
745:
742:
738:
737:
734:
731:
727:
726:
723:
716:
712:
711:
708:
705:
701:
700:
697:
696:"Raze the Bar"
694:
690:
689:
686:
679:
675:
674:
671:
668:
631:
629:
626:
603:remarked that
543:
542:
488:
480:
479:
476:
468:
467:
438:
430:
429:
426:
418:
417:
388:
380:
379:
350:
342:
341:
338:
330:
329:
300:
294:
293:
290:
286:
285:
281:
280:
277:
271:
270:
267:
263:
262:
252:
249:
226:
225:
222:
221:
219:
218:
205:
192:
178:
175:
174:
164:
163:
160:
159:
156:
155:
153:
144:
130:
129:
122:
121:
116:
110:
109:
108:
107:
104:
97:
91:
90:
79:
75:
74:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
1908:
1897:
1894:
1892:
1889:
1887:
1884:
1882:
1879:
1878:
1876:
1861:
1860:
1856:
1853:
1849:
1847:
1844:
1842:
1839:
1838:
1836:
1832:
1825:
1821:
1820:
1818:
1814:
1807:
1803:
1800:
1796:
1793:
1789:
1786:
1782:
1779:
1775:
1772:
1768:
1765:
1761:
1758:
1754:
1751:
1747:
1744:
1740:
1737:
1733:
1730:
1726:
1723:
1719:
1716:
1712:
1709:
1705:
1702:
1701:Coming Around
1698:
1695:
1691:
1688:
1684:
1681:
1677:
1674:
1670:
1667:
1663:
1660:
1656:
1653:
1649:
1648:
1646:
1642:
1636:
1635:
1631:
1630:
1628:
1624:
1618:
1617:
1613:
1612:
1610:
1606:
1600:
1599:
1595:
1593:
1592:
1588:
1586:
1585:
1581:
1579:
1578:
1574:
1572:
1571:
1567:
1565:
1564:
1560:
1558:
1557:
1553:
1551:
1550:
1546:
1544:
1543:
1539:
1537:
1536:
1532:
1531:
1529:
1527:Studio albums
1525:
1519:
1518:
1517:Neil Primrose
1514:
1512:
1511:
1507:
1505:
1504:
1500:
1498:
1497:
1493:
1492:
1489:
1485:
1478:
1473:
1471:
1466:
1464:
1459:
1458:
1455:
1448:
1444:
1443:
1439:
1438:
1434:
1426:
1422:
1417:
1414:
1410:
1406:
1401:
1398:
1394:
1389:
1386:
1382:
1377:
1374:
1370:
1366:
1361:
1358:
1354:
1351:(in German).
1350:
1345:
1342:
1330:
1329:
1324:
1322:
1313:
1311:
1307:
1302:
1301:
1296:
1289:
1287:
1283:
1278:
1277:
1272:
1265:
1263:
1259:
1247:
1246:
1241:
1239:
1230:
1228:
1224:
1212:
1211:
1206:
1204:
1195:
1193:
1189:
1184:
1183:
1178:
1171:
1169:
1165:
1153:
1152:
1147:
1145:
1136:
1134:
1130:
1118:
1117:
1112:
1110:
1104:
1098:
1096:
1092:
1080:
1079:
1074:
1072:
1064:
1062:
1058:
1051:
1041:
1037:
1033:
1026:
1022:
1018:
1011:
1006:
999:
994:
987:
983:
979:
972:
967:
959:Chart (2024)
957:
954:
945:
940:
937:
934:
931:
928:
925:
922:
919:The Indian –
918:
915:
913:
909:
906:
904:
900:
897:
894:
891:
888:
885:
882:
878:
874:
871:
870:
869:
868:
861:
860:Neil Primrose
858:
855:
852:
849:
845:
842:
839:
835:
832:
831:
830:
829:
822:
817:
816:
815:
814:
804:
801:Total length:
794:
791:
787:
783:
780:
776:
772:
769:
765:
761:
757:
754:
750:
746:
743:
739:
735:
732:
728:
724:
721:
717:
713:
709:
706:
702:
698:
695:
691:
687:
684:
680:
676:
663:
660:track listing
659:
654:
652:
651:Neil Primrose
648:
644:
640:
636:
628:Track listing
627:
625:
623:
622:
614:
613:
608:
606:
602:
601:
592:
591:
585:
581:
577:
575:
574:
569:
568:
563:
559:
558:
553:
549:
489:
487:
486:
482:
481:
477:
475:
474:
470:
469:
439:
437:
436:
432:
431:
427:
425:
424:
420:
419:
389:
387:
386:
382:
381:
351:
349:
348:
344:
343:
339:
337:
336:
332:
331:
301:
299:
296:
295:
287:
284:Review scores
282:
278:
276:
273:
272:
264:
259:
250:
248:
246:
242:
238:
234:
233:
223:
212:
206:
199:
193:
186:
180:
179:
176:
173:
169:
165:
161:
154:
150:
149:
145:
141:
140:
136:
135:
131:
127:
123:
120:
117:
115:
111:
105:
103:
100:
99:
98:
96:
92:
80:
76:
72:
69:Dave's Room (
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1857:
1792:Song to Self
1764:Selfish Jean
1632:
1614:
1597:
1596:
1589:
1582:
1575:
1568:
1561:
1554:
1547:
1540:
1535:Good Feeling
1533:
1515:
1508:
1503:Dougie Payne
1501:
1494:
1440:
1416:
1400:
1388:
1376:
1360:
1344:
1332:. Retrieved
1326:
1320:
1298:
1294:
1274:
1270:
1249:. Retrieved
1243:
1237:
1214:. Retrieved
1208:
1202:
1180:
1176:
1155:. Retrieved
1149:
1143:
1120:. Retrieved
1114:
1108:
1082:. Retrieved
1076:
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933:Chris Martin
887:Stewart Cole
866:
865:
844:Dougie Payne
827:
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811:
792:"L.A. Times"
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647:Dougie Payne
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39:Studio album
15:
1881:2024 albums
1841:Discography
1824:Another Guy
1816:Other songs
1729:Re-Offender
1556:12 Memories
1542:The Man Who
1510:Andy Dunlop
921:Dolby Atmos
912:engineering
899:Dave Cooley
873:Tony Hoffer
854:Andy Dunlop
848:double bass
838:programming
781:"The River"
643:Andy Dunlop
639:Tony Hoffer
245:Tony Hoffer
172:L.A. Times
119:Tony Hoffer
1875:Categories
1859:Wreckorder
1598:L.A. Times
1496:Fran Healy
1442:L.A. Times
1321:L.A. Times
1319:"Travis –
1295:L.A. Times
1293:"Travis –
1271:L.A. Times
1269:"Travis –
1238:L.A. Times
1201:"Travis –
1177:L.A. Times
1175:"Travis –
1146:| Reviews"
1144:L.A. Times
1142:"Travis –
1109:L.A. Times
1078:Metacritic
1071:L.A. Times
1052:References
998:PROMUSICAE
953:L.A. Times
877:production
834:Fran Healy
658:L.A. Times
635:Fran Healy
621:PopMatters
605:L.A. Times
552:Metacritic
548:L.A. Times
423:PopMatters
275:Metacritic
232:L.A. Times
148:L.A. Times
58:2024-07-12
24:L.A. Times
1680:Driftwood
1659:U16 Girls
1021:UK Albums
964:position
903:mastering
889:– trumpet
823:Personnel
1778:J. Smith
1591:10 Songs
1245:AllMusic
1210:MusicOMH
1203:LA Times
1116:AllMusic
720:Gaslight
612:MusicOMH
584:AllMusic
562:LA Times
385:MusicOMH
298:AllMusic
185:Gaslight
139:10 Songs
114:Producer
51:Released
41: by
1771:My Eyes
1644:Singles
1616:Singles
1447:Discogs
1334:17 July
1251:17 July
1216:17 July
1157:17 July
1122:17 July
1084:17 July
733:"Alive"
168:Singles
152:(2024)
143:(2020)
56: (
1806:Moving
1757:Closer
1484:Travis
1323:(BMG)"
946:Charts
923:mixing
881:mixing
828:Travis
744:"Home"
673:Length
649:, and
292:Rating
289:Source
279:71/100
269:Rating
266:Source
237:Travis
126:Travis
78:Length
66:Studio
44:Travis
1666:Happy
1300:Uncut
1151:Clash
805:32:12
670:Title
616:'
594:'
590:Clash
573:Uncut
473:Uncut
335:Clash
170:from
95:Label
1715:Side
1708:Sing
1694:Turn
1336:2024
1253:2024
1218:2024
1182:Mojo
1159:2024
1124:2024
1086:2024
962:Peak
813:Note
795:4:08
784:2:16
773:4:23
758:2:18
747:3:05
736:2:48
725:3:23
710:3:23
699:3:05
688:3:23
557:Mojo
478:7/10
428:6/10
347:Mojo
340:7/10
1445:at
1297:".
1273:".
1179:".
1040:OCC
1025:OCC
1015:75
1003:76
986:OCC
976:15
789:10.
683:Bus
666:No.
582:of
198:Bus
102:BMG
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