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Lucas Victor
Schaefels' decorative style and strong sense of design earned him a commission to paint the chapels in a few churches in Antwerp. He acted as the unofficial town festival designer by designing and organising the public decorations for the many special occasions that took place in
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still life paintings of the 17th century and appears not to have been influenced by contemporary art movements. His works feature elaborate and opulent interiors with a wealth of game, produce and flowers arranged in a traditional pyramid-shaped composition.
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Lucas Victor
Schaefels trained with his father Hendrik Raphael Schaefels, a decorative painter working in a Neo-Classical style and a teacher of decorative design at the Antwerp Academy. His younger brother
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painter, draughtsman and engraver known for his still lifes, which for the most part were flower and hunting pieces. He worked in a meticulous style reminiscent of the 17th century
Flemish Baroque.
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Antwerp, which at the time was a center of flower growing, competitions, and shows, as well as of art competitions and exhibitions.
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Lucas Victor
Schaefels was the foremost floral and still life painter of his generation in Antwerp. His style goes back to the
57:(1827-1904) became a successful painter and draughtsman who specialized in naval battles, seascapes and Antwerp genre scenes.
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Claire
Baisier, '17th and 18th Century Drawings: The Van Herck Collection', King Baudoin Foundation, 2000, p. 292-294
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and later became himself a professor of ornamental design at the
Academy, replacing his father in that position.
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Lucas Victor
Schaefels taught many of the next generation of still life painters in Antwerp, including
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Azaleas, peonies, lilac, iris, blossom and other flowers in a vase
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40:, 5 April 1824 – Antwerp, 17 September 1885) was a
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260:19th-century Belgian male artists
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250:19th-century Belgian painters
135:He signed as 'Luc. Schaefels'
55:Hendrik Frans “Rik” Schaefels
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65:Still life with a lobster
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169:at the
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