102:—to form the Association of Teachers of Operatic Dancing, which was later to become the Royal Academy of Dance. Between them, the five represented the principal dance training methods of the time - Genée the Danish school, Karsavina the Russian school, Cormani the Italian school, Espinosa the French school, and Bedells the English school. In 1923 the association began a series of Annual Matinées; ten of Cormani's students participated in the premier performance, dancing a tarantella.
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Because of her tall muscular frame, Lucia was several times cast as a "travesty dancer" (a woman dressed as a man) -- for example as a male pirate chief in the ballet "Algeria" in 1887, and as a sorcerer in "Enchantment." Such roles were sometimes added for effect in ballets without being properly
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Lucia's life is not well documented, in part because she never danced in the most famous female roles. She was probably born about 1854 and died shortly after 1934. Her name appears on posters of ballet performances in
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in London. She also taught, using the stage of the
Alhambra since she had no studio of her own. In 1920, she collaborated with four other great dancers --
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and in 1900 she danced the role of Canio in a
Metropolitan Opera production of Pagliacci (Philadelphia).
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from about 1893 to 1911. In 1903 she choreographed a production of
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This article about someone associated with the art of dance is a
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and there are dozens of photographs of
Cormani in the
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214:19th-century Italian ballet dancers
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54:(1883) and
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