Knowledge (XXG)

Luigi Capotorti

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and his Sinfonia in B-flat major composed in 1836 for the Feast Day of Saint Anthony. To mark the 250th anniversary of Capotorti's birth in 2017, his native city of Molfetta organized a series of events that included the first public performance of four of Capotorti's hitherto unpublished pieces of
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at the church of San Lorenzo delle Benedettine but returned to Molfetta from time to time to visit relatives there. He died in San Severo at the age of 75 after being taken ill during his return from the last of those visits. Capotorti had one son from his marriage to Rosa Pollari, Luigi Antonio
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initiated the project "Luigi Capotorti. Un allievo pugliese di Piccinni". There was an exhibition devoted to Capotorti's life and work and a concert in Bari's Chiesa del GesĂą which included the first performances in modern times of the
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as the King of Naples in 1808. The opera introduced elements of the French operatic style including the use of massed choruses to drive the dramatic action forward. It was given a lavish production at the Teatro San Carlo with sets by
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Berardi and Michelangelo Capotorti. He showed an early talent as a violinist and at the age of 12 was hired by the town's cathedral to play whenever the
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in 1805. According to musicologist Maria Caraci Vela, the work had an unusual plot in which Ferdinand IV was identified with its protagonist
719: 465: 275: 657: 983: 212: 747: 311: 148: 120: 390:. The medallions and a large ceiling fresco, also painted by Armenise, were lost in 1991 when a fire destroyed the theatre. 933: 998: 645: 237: 781: 456:(for soprano voice, oboes, horns, and strings) edited by Thomas J. Martino and published by Mannheim Editions in 2012 279: 183: 714: 540: 435: 367: 878: 449:
The devotional aria "Innocente verginella" edited by Annamaria Bonsante and published by Il Melograno in 2001
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edited by Maria Pia Panunzio and published by the SocietĂ  di Storia Patria per la Puglia in 1999
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to honour Ferdinand's name day. Rehearsals began in February 1816 and it was performed at the
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in Naples and spent his entire career in that city. In his later years, Capotorti retired to
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of several Neapolitan churches; the composer of ten operas, five of which premiered at the
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in 2 acts, libretto by Andrea Leone Tottola; premiered Naples, Teatro dei Fiorentini, 1815
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in 2 acts, librettist unknown; premiered Naples, probably Teatro Nuovo, 1796 (music lost)
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and four other vocal and instrumental works was released in 2020. The last of these was
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on 30 May 1816. A few days later, his petition for the professorship was rejected. The
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After 1816, Capotorti dedicated himself to teaching and to composing sacred music and
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in Naples; and a teacher of composition and singing whose students included
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was to be Capotorti's last work composed for the theatre. His final opera,
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Concurrent with his career as an opera composer, Capotorti served as the
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Title page of the score for Capotorti's aria "Ah se voi mi discacciate"
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Inno per il faustissimo giorno onomastico di Sua MaestĂ  Ferdinando IV
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Shortly after leaving the conservatory, he composed his first opera,
824:"Le sinfonie di Capotorti allievo di Piccinni domani a Bari vecchia" 704:. Retrieved 3 February 2020 (subscription required for full access). 286:
was composed. He also taught singing and composition. According to
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in 2 acts, libretto by Giuseppe Maria Diodati; premiered Naples,
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and music which displayed "a rich symphonic and choral texture."
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All works in this list are sourced from De Palma (2010) p. 52.
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was carried outside. In 1783 his father enrolled him in the
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that same year. Their success led to a commission from the
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in Naples where he studied violin under Michele Nasci and
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for Ferdinand IV was supposed to be performed at the
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Capotorti, who also became a musician and composer.
956:(on Internet Culturale, the digital library of the 431:, composed for the Benedictine nuns in San Severo. 135:Capotorti was born in the southern Italian town of 84: 65: 37: 21: 845:Bonsante, Annamaria and Mastrorilli, Vito (2020). 650:Operisti di Puglia dall'Ottocento ai giorni nostri 378:in Bari. The other three composers depicted were 298:. In an 1811 decree by Joachim Murat, Capotorti, 777:"Il foyer del Petruzzelli, bello come nel 1903" 572:; premiered Naples, Teatro dei Fiorentini, 1805 251:The church of San Lorenzo delle Benedettine in 1009:Musicians from the Kingdom of the Two Sicilies 877:Biblioteca Digitale Lombarda. Catalog record: 852:Digressione Music. Retrieved 3 February 2020. 255:where Capotorti spent his later years as its 8: 374:which decorated the main auditorium of the 119:, he studied violin and composition at the 582:; premiered Naples, Teatro San Carlo, 1813 515:; premiered Naples, Teatro San Carlo, 1800 211:and was performed to mark the birthday of 182:for an opera to celebrate the birthday of 29: 18: 223:premiered on 15 August 1813 to mark the 290:, amongst his pupils were the composers 43:Luigi Giuseppe Giovanni Nicolò Capotorti 958:Istituto Centrale per il Catalogo Unico 739:Operisti minori dell'ottocento Italiano 640: 638: 636: 634: 630: 602: 231:, who had installed his brother-in-law 934:Scans of Capotorti's manuscript scores 201:were the most distinguished of these. 578:, opera seria in 2 acts, libretto by 561:, opera buffa in 2 acts, libretto by 535:, opera buffa in 2 acts, libretto by 511:, opera seria in 3 acts, libretto by 341:, many of which were set to texts by 7: 1004:Musicians from the Kingdom of Naples 720:Dizionario Biografico degli Italiani 671: 669: 334:, had premiered the previous year. 205:had a libretto based on Xenophon's 421:Sestina in onore di Santa Filomena 127:, where he died at the age of 75. 14: 764:La Pittura in Italia: l'Ottocento 425:Nuova Messa per SolennitĂ  Festiva 409:Nuova Messa per SolennitĂ  Festiva 994:19th-century classical composers 989:18th-century classical composers 921:Un musicista molfettese a Napoli 775:Laforgia, Paola (14 June 2005). 370:depicting famous composers from 362:Capotorti's portrait painted by 310:were appointed examiners of the 652:, pp. 47–52. Edizioni del Sud. 822:Fabris, Dinko (17 June 2001). 742:, pp. 35–36. Gremese Editore. 366:in 1899 was one of four large 345:. He spent his final years in 1: 434:There have been three modern 417:Inno a San Francesco da Paola 402:from Capotorti's last opera, 149:Conservatorio di Sant'Onofrio 121:Conservatorio di Sant'Onofrio 919:Panunzio, Maria Pia (1999). 897:. Retrieved 3 February 2020. 868:. Retrieved 3 February 2020. 832:. Retrieved 3 February 2020 809:. Retrieved 3 February 2020 785:. Retrieved 3 February 2020 762:Castelnuovo, Enrico (1991). 683:. Retrieved 3 February 2020 881:.Retrieved 3 February 2020. 782:La Gazzetta del Mezzogiorno 696:Caraci Vela, Maria (2001). 675:Casaglia, Gherardo (2005). 270:of the Neapolitan churches 1025: 736:Ambiveri, Corrado (1998). 713:Meloncelli, Raoul (1975). 646:"Luigi Giuseppe Capotorti" 159:, Giacomo Insanguine, and 644:De Palma, Fedele (2010). 280:Santa Teresa degli Scalzi 28: 849:Luigi Giuseppe Capotorti 766:, Vol. 2, p. 669. Electa 312:Reale Collegio di Musica 276:San Vincenzo alla SanitĂ  984:Italian opera composers 936:, including his operas 513:Antonio Simeone Sografi 470: 438:of Capotorti's works: 423:. A CD containing the 282:for which most of his 261: 155:and composition under 807:Giornale della Musica 803:"Chi era Capotorti? " 541:Teatro dei Fiorentini 468: 343:Giuseppe Saverio Poli 272:San Domenico Maggiore 250: 174:in 1796, followed by 170:, which premiered at 999:People from Molfetta 950:Le nozze per impegno 539:; premiered Naples, 537:Andrea Leone Tottola 533:Le nozze per impegno 461:Operas and oratorios 429:Innocente verginella 395:Conservatory of Bari 184:Queen Maria Carolina 509:Gli Orazi e Curiazi 351:maestro di cappella 267:maestro di cappella 258:maestro di cappella 244:in the title role. 100:maestro di cappella 715:"Capotorti, Luigi" 702:Grove Music Online 519:Le piaghe d'Egitto 471: 384:Giacomo Insanguine 376:Teatro Petruzzelli 304:Giovanni Paisiello 296:Saverio Mercadante 262: 113:Saverio Mercadante 946:Ernesta e Carlino 698:"Capotorti, Luigi 681:Almanacco Amadeus 677:"Luigi Capotorti" 586:Ernesta e Carlino 547:Obeide ed Atamare 499:Enea in Cartagine 444:Ernesta e Carlino 436:critical editions 404:Ernesta e Carlino 393:In May 2001, the 388:Salvatore Fighera 364:Raffaele Armenise 358:Later recognition 349:where he was the 332:Ernesta e Carlino 288:Francesco Florimo 238:Antonio Niccolini 217:Cyrus the Younger 213:King Ferdinand IV 188:Enea in Cartagine 139:the son of Maria 92: 91: 1016: 942:Obeide e Atamare 907: 904: 898: 888: 882: 875: 869: 859: 853: 843: 837: 835: 820: 814: 812: 796: 790: 788: 773: 767: 760: 754: 752: 734: 728: 726: 711: 705: 694: 688: 686: 673: 664: 662: 642: 618: 615:Teatro San Carlo 607: 580:Giovanni Schmidt 571: 563:Giuseppe Palomba 527:Teatro del Fondo 503:Teatro San Carlo 475:I sposi in rissa 324:Teatro del Fondo 180:Teatro San Carlo 168:I sposi in rissa 161:Niccolò Piccinni 157:Giuseppe Millico 105:Teatro San Carlo 72: 69:17 November 1842 53: 51: 44: 33: 19: 16:Italian composer 1024: 1023: 1019: 1018: 1017: 1015: 1014: 1013: 964: 963: 930: 916: 914:Further reading 911: 910: 905: 901: 889: 885: 876: 872: 860: 856: 844: 840: 833: 821: 817: 810: 801:(16 May 2001). 797: 793: 786: 774: 770: 761: 757: 750: 735: 731: 724: 712: 708: 695: 691: 684: 674: 667: 660: 643: 632: 627: 622: 621: 608: 604: 599: 565: 463: 360: 308:Fedele Fenaroli 133: 95:Luigi Capotorti 80: 74: 70: 61: 55: 49: 47: 46: 45: 42: 24: 23:Luigi Capotorti 17: 12: 11: 5: 1022: 1020: 1012: 1011: 1006: 1001: 996: 991: 986: 981: 976: 966: 965: 962: 961: 929: 928:External links 926: 925: 924: 915: 912: 909: 908: 899: 883: 870: 854: 838: 815: 791: 768: 755: 729: 706: 689: 665: 629: 628: 626: 623: 620: 619: 601: 600: 598: 595: 594: 593: 583: 573: 556: 550: 544: 530: 516: 506: 496: 486: 462: 459: 458: 457: 450: 447: 407:sacred music: 380:Giacomo Tritto 359: 356: 300:Giacomo Tritto 292:Stefano Pavesi 242:Andrea Nozzari 132: 129: 109:Stefano Pavesi 90: 89: 86: 82: 81: 75: 73:(aged 75) 67: 63: 62: 56: 41: 39: 35: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1021: 1010: 1007: 1005: 1002: 1000: 997: 995: 992: 990: 987: 985: 982: 980: 977: 975: 972: 971: 969: 959: 955: 951: 947: 943: 939: 935: 932: 931: 927: 922: 918: 917: 913: 903: 900: 896: 892: 887: 884: 880: 874: 871: 867: 863: 858: 855: 851: 850: 847:Liner notes: 842: 839: 831: 830: 829:La Repubblica 825: 819: 816: 808: 804: 800: 795: 792: 784: 783: 778: 772: 769: 765: 759: 756: 749: 745: 741: 740: 733: 730: 722: 721: 716: 710: 707: 703: 699: 693: 690: 682: 678: 672: 670: 666: 659: 658:9788875531041 655: 651: 647: 641: 639: 637: 635: 631: 624: 616: 612: 606: 603: 596: 591: 587: 584: 581: 577: 574: 569: 564: 560: 559:Bref il sordo 557: 554: 551: 548: 545: 542: 538: 534: 531: 528: 524: 520: 517: 514: 510: 507: 504: 500: 497: 494: 490: 487: 484: 480: 476: 473: 472: 467: 460: 455: 451: 448: 445: 441: 440: 439: 437: 432: 430: 426: 422: 418: 414: 410: 405: 401: 396: 391: 389: 385: 381: 377: 373: 369: 365: 357: 355: 352: 348: 344: 340: 335: 333: 329: 325: 321: 317: 313: 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 268: 260: 259: 254: 249: 245: 243: 239: 234: 233:Joachim Murat 230: 226: 222: 218: 214: 210: 209: 204: 200: 196: 193: 189: 185: 181: 177: 173: 169: 164: 162: 158: 154: 150: 146: 142: 138: 130: 128: 126: 122: 118: 114: 110: 106: 102: 101: 96: 87: 83: 78: 68: 64: 59: 54:17 March 1767 40: 36: 32: 27: 20: 953: 949: 945: 941: 938:Marco Curzio 937: 920: 902: 886: 873: 857: 848: 841: 834:(in Italian) 827: 818: 811:(in Italian) 806: 794: 787:(in Italian) 780: 771: 763: 758: 751:(in Italian) 738: 732: 725:(in Italian) 718: 709: 692: 685:(in Italian) 680: 661:(in Italian) 649: 610: 605: 585: 576:Marco Curzio 575: 558: 552: 546: 532: 518: 508: 498: 488: 483:Teatro Nuovo 474: 454:Salve Regina 453: 452:The cantata 443: 433: 428: 424: 420: 416: 413:Dio vi salvi 412: 408: 403: 392: 361: 350: 336: 331: 327: 315: 284:sacred music 265: 263: 256: 221:Marco Curzio 220: 206: 202: 199:Marco Curzio 198: 194: 192:opera serias 187: 186:. The work, 175: 172:Teatro Nuovo 167: 165: 153:counterpoint 140: 134: 98: 94: 93: 71:(1842-11-17) 979:1842 deaths 974:1767 births 566: [ 493:opera seria 479:opera buffa 318:, a staged 968:Categories 879:LO10603022 748:8877422637 625:References 590:melodramma 442:The opera 368:medallions 347:San Severo 253:San Severo 125:San Severo 115:. Born in 85:Occupation 77:San Severo 50:1767-03-17 895:798613831 145:Eucharist 866:48876422 523:oratorio 400:Sinfonia 229:Napoleon 225:name day 208:Anabasis 137:Molfetta 117:Molfetta 88:Composer 58:Molfetta 339:romanze 320:cantata 79:, Italy 60:, Italy 952:, and 893:  864:  746:  656:  543:, 1802 529:, 1801 505:, 1799 485:, 1796 419:, and 386:, and 372:Apulia 278:, and 597:Notes 570:] 954:Ciro 891:OCLC 862:OCLC 799:s.n. 744:ISBN 654:ISBN 611:Inno 609:The 553:Ciro 489:Nice 328:Inno 306:and 294:and 240:and 203:Ciro 197:and 195:Ciro 176:Nice 131:Life 111:and 66:Died 38:Born 227:of 141:nĂ©e 970:: 948:, 944:, 940:, 826:. 805:. 779:. 717:. 700:. 679:. 668:^ 648:. 633:^ 588:, 568:it 521:, 491:, 477:, 415:, 411:, 382:, 302:, 274:, 163:. 960:) 836:. 813:. 789:. 753:. 727:. 687:. 663:. 52:) 48:(

Index


Molfetta
San Severo
maestro di cappella
Teatro San Carlo
Stefano Pavesi
Saverio Mercadante
Molfetta
Conservatorio di Sant'Onofrio
San Severo
Molfetta
Eucharist
Conservatorio di Sant'Onofrio
counterpoint
Giuseppe Millico
Niccolò Piccinni
Teatro Nuovo
Teatro San Carlo
Queen Maria Carolina
opera serias
Anabasis
King Ferdinand IV
Cyrus the Younger
name day
Napoleon
Joachim Murat
Antonio Niccolini
Andrea Nozzari

San Severo

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