1507:
350:), many works for theory and study (a manual of harmony which was published in Florence, a course for voice which remains only handwritten, a paper regarding musical notation which has been lost, a paper on the construction of the organ which did not oppose the use of electricity, and a historical overview of theatrical costumes), e molta musica sacra, di cui circa 14 messe, molte però rimaste inedite., as well as a lot of sacred music, of which about 14 masses, which, however, remain unedited.
317:
562:). The version by Pieraccini is at the National Library in Florence, at the Cini Foundation in Venice, and at the Palatina Library in Parma. The version by Della Volpe is at the Cini Foundation, at the Archiginnasio and the Conservatory of Bologna, at the Biblioteca Comunale Centrale of Milan, at the Saffi Library in Forlì, at the Library of Ravenna and at the Bayerische Staatsbibliothek in Munich.
309:) and Father Mauro dei Servi di Maria (theorist of the sixteen-hundreds). He curated manuscript editions, collected antique instruments, and compiled papers about out-of-date aspects of performance customs. At his death, he left his own library and his instruments to the Conservatory of Florence. Today, the donated instruments are preserved in the Museum of Musical Instruments in the
503:
Out of
Florence, the spread of manuscripts of Casamorata was because of his sacred music. The lack of specific research regarding the musical possessions of Italian parishes doesn’t allow for the affirmation of how extensive the spread of his sacred works is. However, the presence of a collection of
254:
the school was entirely separated from the academy and became its own independent institution on 15 March 1860 with Pacini still as director. When the school's new charter was finalized in 1862 Casamorata was appointed director of the conservatory. He remained in that post until his death in 1881.
102:
returned to the throne, after the uprising, in 1849 his beliefs were disillusioned and from that moment on, he abandoned being active in the revolt. In this atmosphere of disillusion, he started to alternate journalism with public administrative duties: he was part of the board of directors of the
539:
by
Bellini, printed by Artaria (Milan) and Lucherini (Florence), work that was published in the variation for harp by Ricordi. Other printed editions have been found at the Conservatory of Florence (the institution that preserves the greatest number), the Conservatory in Milan and in Brescia, the
610:
in
Florence, the organists Antonio Tronci, Filippo Tronci and Gabriele Giacomelli performed a concert for organ composed in Florence from the 16th century to 19th century, which also included two pieces by Casamorata. The concert was recorded and distributed as a CD by the recording label named
111:
Casamorata was a very traditionalist critic, linked to formalist ideals. He was convinced that the main scope of music was to imitate nature, and many times he would go into a detailed description of technical cerebral aspects. Two of his most famous reviews were those of the debut of
556:, the only opera of his that exists today, is preserved in two versions: published by the printer named Pieraccini from Pisa following the first performance, and the other published by Della Volpe al Sassi, following the fiasco in Bologna. Both are dated 1838 (see the paragraph
329:
In addition to three theatrical operas that were unsuccessful, he composed a couple of cantatas, some ballets, instrumental music (a concerto for flute, one for clarinet, 4 symphonies, 2 overtures), various works for chamber music (including the reworked version of themes by
258:
Casamorata became an international authority on the history of
Italian music: he celebrated for the entire decade of the 1870s concerts that were organized and held in Florence, which attracted artists such as Franz Liszt; talented composers dedicated pieces of music to him
494:
The current state of research does not permit us to establish that these copies are autographs with certainty, although we can hypothesize a consistent number, since the number of compositions carried out from the copies conforms with most of the noted works by
Casamorata.
169:
Another area that he favoured was the promotion of instrumental music, especially German instrumental music, in Italy. He organized concerts for quartets and symphonies in the large concert halls in his villa located in Via delle
Pinzochere (near
51:
in exile in
Germany. Already when he was seven years old, he moved to Florence and studied piano. In 1825, while he was attending law school at the university, he tried a competition for composition at the Accademia di Belle Arti with
528:
and
Ricordi) and also with Parisian (Delanchy) and London-based publishers (Boosey). Many of his sacred compositions circulate in well-known magazines. The Palatina Library in Parma has the first edition (around 1831) of the
126:
between 11 April and 2 June 1847), in which he judged the music as pleasant, but defined the libretto as a sequel of "a great deal of rubbish"; and that of the first representation in Italy, at the
Pergola in 1843, of
602:
In 2003, the organist
Klemens Schnorr performed the same mass (together with other pieces) on the organ of the Cattedrale di Saragozza for a CD distributed by the recording label Motette (Harmonia Mundi) in
56:. At that point, he attempted a career in the theatre. He composed some ballets, but his attempts to write a comic opera were opposed by the producers, who forced him instead to debut with a dramma,
153:
in 1877). At the beginning he was a permissive and interested observer of all types of church music, but over time he became harsher, almost to the point of intransigence. In fact, he defined the
954:(New York and London: Norton, 1984); Bianca Maria Antolini: "La stampa periodica dell'ottocento come fonte per la ricerca musicologica: il 'RĂ©pertoire International de la Presse Musicale'", in
70:, he finished his studies in Law (he signed "Avv. Casamorata" for his entire life), but he never abandoned music. However, he became better known as a critic than as a composer. He wrote for
1348:
1317:
1713:
1658:
1723:
979:
on 26 February 1843; see Gloria Staffieri: "Firenze, Teatro della Pergola. Materiali per una storia dell'orchestra (dagli anni venti dell'ottocento all'unitĂ d'Italia)", in
277:
in 1877); and his experience was highly sought for the study of Italian operas (in 1874 the Conservatory of Paris turned to him in order to attribute an alleged
1728:
362:; however, because specific studies have not been carried out, the exact number of pieces is unknown. Other autographs are found in the following locations:
305:. From that moment on, he was also considered to be an expert of antique music. He wrote papers about people such as Francesco Nigetti (the inventor of the
1619:
787:
1040:
48:
1605:
1577:
1012:
vols 5 (1971) and 6 (1971) (Torino, ERI, 1971, pp. 753–787 and pp. 973–1002). Casamorata and Mabellini took part in Italian diffusion of
1743:
1718:
223:
541:
235:
178:, in 1864. In addition, he sought to organize stable orchestras and theatre schools in Florence. In fact, his articles inspired the
99:
1163:
281:'s opera). He also wrote for the European Encyclopedia (starting in 1877 he collaborated with Arthur Pougin in order to update the
1171:
1167:
1159:
1748:
1008:
Beethoven's symphonies had no performances in Florence before 1859, see Paolo Paolini: "Beethoven a Firenze nell'Ottocento", in
1733:
480:
collections of pieces by other celebrated composers that Casamorata arranged (or had arranged) for students of the conservatory
442:
The institution that preserves the greatest number of manuscript copies of Casamorata's works is the Conservatory of Florence:
359:
1738:
653:, edited by Silvio d'Amico and Sandro d'Amico, vol. 3 (Roma: Le Maschere, 1954; new edition, Roma: Unedi, 1975), p. 155.
1035:
1398:
912:
668:
1402:
316:
274:
66:). There is information regarding two other attempts at dramas, of which there remains no trace. After his theatrical
286:
516:, discovered by Musical Documentation Center of Tuscany, would indicate that the spread of his works is very large.
310:
247:
40:
1406:
238:
who split the music and art portions of the school into distinct branches of the same institution and appointed
268:
264:
423:
60:, first seen in Pisa in 1838 but was immediately jeered at in Bologna few months later (see also the section
1644:
191:
705:, second edition, edited by Stanley Sadie and John Tyrrell, vol. 5 (London: Macmillan, 2001), p. 227.
154:
1623:
298:
607:
540:
National Library of Florence, the Accademia di Santa Cecilia di Roma, the Accademia Filarmonica and the
347:
231:
171:
1141:
1081:
814:
47:), Casamorata was the son of the Grand Duke's inspector Luigi Giacomo Casamorata, who stayed with the
1708:
1703:
195:
134:
53:
1020:, see Mila De Santis: "La ricezione di Brahms e Schumann a Firenze. Prime indagini (1840–1880)", in
698:, edited by Ludwig Finscher, biographical part vol. 4 (Kassel: Bärenreiter, 2000), columns 333–335.
227:
145:
He actively participated in the debate regarding the esthetics of sacred music, inaugurated by the
95:
592:
331:
302:
251:
187:
570:
The Paideia publishers of Brescia and Bärenreiter of Kassel printed one of his complete masses,
524:
He published in Florence (especially with Genesio Venturini and Angiolo Lucherini), Milan (with
250:
to organize a plan to separate the school into its own separate institution. By royal decree of
103:
railroad in Livorno, was gonfalonier in Fiesole, and town counselor/representative in Florence.
941:, second edition, eds Stanley Sadie and John Tyrrell, vol. 5 (London: Macmillan, 2001), p. 227.
676:
Ernesto Teodoro Moneta Caglio: "Contributo del Casamorata al Movimento Ceciliano italiano", in
1067:
343:
339:
278:
211:
199:
183:
158:
146:
129:
456:
the instrumental variations on the themes of Hummel, Meyerbeer, Bellini, Donizetti and Hummel
335:
260:
809:
Casamorata published some extracts with Ricordi, the only that have survived, of the opera
1017:
1013:
792:
639:, vol. 6 no. 1 (January/February 1933) (Torino: Tipografia Fedetto, 1933), pp. 31–40.
263:
dedicated hi Op. 21 to him in 1880); publishers called him to revise scores (for example,
239:
114:
1124:"Pocket score of Pergolesi's Stabat Mater revised by Casamorata published by Guidi, 1877"
1205:
525:
207:
203:
119:
1697:
1563:
1419:
582:
One of his letters to Ricordi from 1845 is preserved at the French National Library.
243:
635:
Adelmo Damerini: "Gli albori della critica musicale italiana: L. F. Casamorata", in
1082:"International celebration of Bartolomeo Cristofori promoted by Casamorata in 1875"
1186:
911:, vol. 21 (Roma: Istituto dell'Enciclopedia Italiana, 1978), available on-line at
667:
vol. 21 (Roma: Istituto dell'Enciclopedia Italiana, 1978); available on-line at
36:
658:
La musica del Granduca. Vita musicale e correnti critiche a Firenze (1800–1855)
535:
1022:
Schumann, Brahms e l'Italia. Convegno internazionale, Roma, 4–5 novembre 1999
22:(15 May 1807 – 24 September 1881) was an Italian composer and music critic.
1110:"Pergolesi's Stabat Mater revised by Casamorata published by Guidi, 1877"
1045:
983:
vol. 16 (Parma: Istituto di Studi Verdiani, 2002), pp. 97–136, here: 111.
795:, biographical part, vol. 4 (Kassel: Bärenreiter, 2000), columns 333–335.
513:
403:
a quartet for pianoforte, clarinet, horn and bassoon (printed by Boosey);
958:, vol. 26 no. 2 (1991) (Lucca: LIM, 1991), pp. 347–385; Marco Beghelli:
234:(then known as the Istituto Musicale) on 6 August 1849 by a decree from
1139:, 4 July 1874 (Firenze, Tipografia della Gazzetta d'Italia, 1874); see
512:
in Pistoia and some masses in the archive of the Sant'Antimo Church in
44:
122:
at the Pergola in 1847 (a very long review that was published in the
86:, alternating his writing regarding music with political pamphlets.
504:
his psalms in Turin (Biblioteca del Capitolo Metropolitano), of an
477:
dramatic studies (recitives and cavatine, dated from 1836 and 1866)
1672:
1591:
1549:
1535:
1521:
1493:
1479:
1465:
1451:
1433:
1376:
1362:
1334:
1303:
1289:
1275:
1261:
1247:
1233:
1219:
1123:
1109:
1095:
997:
Teodulo Mabellini. Il protagonista dell'Ottocento musicale toscano
838:
834:
830:
826:
765:(Roma: Le Maschere, 1954; new edition, Roma: Unedi, 1975), p. 155.
315:
242:
the conservatory's first director. In 1859 Casamorata joined with
625:, third edition (Venezia: Tipografia Cecchini, 1882), p. 37.
591:
In July 1997, at the BrĂĽdernkirche in Braunschweig, the organist
137:, judged as unbalanced between the wind instruments and strings.
1688:
871:
Dizionario enciclopedico universale della musica e dei musicisti
825:. See pages of this extracts in Italian Library System website:
822:
685:
Dizionario enciclopedico universale della musica e dei musicisti
623:
I maestri di musica italiani nel secolo XIX. Notizie biografiche
474:
orchestral pieces (preludes, the ouverture op. 2, symphony n. 3)
735:
Il cavalier Ferdinando Giorgetti, musicista romantico a Firenze
710:
Il cavalier Ferdinando Giorgetti, musicista romantico a Firenze
358:
His autographs of sacred music are found in the Archive of the
544:
di Bologna, and the Biblioteca Nazionale Marciana di Venezia.
400:
At the Conservatory of Florence (some are also digitalized):
174:). He also founded an association for wind instruments, the
1397:, unpublished text, available in pdf format the website of
462:
some pieces for oboe, with piano accompaniment or orchestra
149:(with which he actively collaborated in the writing of the
1395:
Inventario Archivio Capitolare Pistoia Biblioteca Musicale
218:
Conservatory of Florence and the fame of the 1860s and 70s
599:
for organ by Casamorata for the recording label Prospect.
320:
Letter of Luigi Ferdinando Casamorata to Giovanni Ricordi
1064:
Il R. Conservatorio di musica Luigi Cherubini di Firenze
964:
Vivaverdi. Dalla A alla Z: Giuseppe Verdi e la sua opera
1522:"Pieraccini's Libretto in National Library of Florence"
966:(Milano, Rizzoli, 2012), at "Casamorata, Ferdinando".
628:
Riccardo Gandolfi: "Luigi Ferdinando Casamorata", in
186:
was the orchestral director) to perform the works of
907:
Clara Gabanizza: "Casamorata, Luigi Ferdinando", in
757:
Claudio Sartori: "Casamorata, Luigi Ferdinando", in
663:
Clara Gabanizza: "Casamorata, Luigi Ferdinando", in
649:
Claudio Sartori: "Casamorata, Luigi Ferdinando", in
960:
La retorica del rituale nel melodramma ottocentesco
471:
chamber music (at least four quartets and one trio)
1407:Website of Musical Documentation Center of Tuscany
962:(Torino: EDT, 2003), p. 100ff.; Eduardo Rescigno:
937:Sergio Lattes: "Casamorata, Luigi Ferdinando", in
785:Fabio Bisogni: "Casamorata, Luigi Ferdinando", in
701:Sergio Lattes: "Casamorata, Luigi Ferdinando", in
694:Fabio Bisogni: "Casamorata, Luigi Ferdinando", in
176:SocietĂ artistico-musicale degli strumenti a fiato
761:, eds Silvio d'Amico and Sandro d'Amico, vol. 3:
729:
727:
725:
680:vol. 1 no. 1 (Milano: NED, 1980), pp. 18–41.
453:, for the florentine celebration of Dante in 1865
1024:(Roma: Accademia dei Lincei, 2001), pp. 197–223.
991:
989:
289:. He handled the biographies of Tuscan artists.
939:The New Grove Dictionary of Music and Musicians
703:The New Grove Dictionary of Music and Musicians
737:(Roma: SocietĂ editrice di musicologia, 2015).
712:(Roma: SocietĂ editrice di musicologia, 2015).
632:vol. 2 (Firenze: Brizzi & Niccolai, 1907).
542:Museo Internazionale e Biblioteca della Musica
230:. The music school of that academy became the
8:
1142:"Abstract and digitalization of the article"
813:, in a printed copy dedicated to his friend
446:the cantata that won the competition in 1825
1714:Academic staff of the Florence Conservatory
1622:. Prospect official website. Archived from
1536:"Pieraccini's Libretto in Parma and Venice"
1335:"Casamorata's Quartett published by Boosey"
691:, vol. 2 (Torino: UTET, 1985), p. 132.
222:Casamorata joined the music faculty of the
1181:
1179:
297:His fame was solidified when he found the
1452:"Messa n. 5 published by Ricordi in 1870"
1363:"Autographed "Absolve Domine" in Bologna"
1329:
1327:
1096:"Busoni's Op. 21 dedicated by Casamorata"
753:
751:
749:
747:
745:
743:
415:At the Accademia Filarmonica of Bologna:
293:Collectionist and expert of antique music
1508:"Printed editions of Casamorata's Music"
1466:"Benedictam Dominum printed by Delanchy"
595:recorded, together with other pieces, a
395:two antiphons for four voices dated 1878
382:the second quartet for strings from 1858
267:employed him for the publication of the
1724:People from the Grand Duchy of WĂĽrzburg
1689:Musical Documentation Center of Tuscany
1200:
1198:
1196:
933:
931:
929:
927:
925:
923:
862:
860:
858:
856:
854:
852:
850:
848:
846:
805:
803:
801:
721:
646:(Torino: UTET, 1961), pp. 478–481.
999:(Pistoia: Brigata del Leoncino, 2005).
678:Rivista internazionale di musica sacra
486:few religious pieces (a mass and some
483:a patriotic song "alla Patria e al Re"
1057:
1055:
903:
901:
899:
897:
895:
893:
891:
889:
887:
873:, edited by Alberto Basso, serie II:
788:Die Musik in Geschichte und Gegenwart
781:
779:
777:
775:
773:
771:
696:Die Musik in Geschichte und Gegenwart
7:
1494:""Variazione" from Bellini for harp"
1041:Dizionario Biografico degli Italiani
909:Dizionario biografico degli italiani
687:, edited by Alberto Basso, serie 2:
665:Dizionario biografico degli italiani
360:Basilica della Santissima Annunziata
1729:19th-century Italian male musicians
683:"Casamorata, Luigi Ferdinando", in
468:pieces that survived of his ballets
226:on 2 September 1841 in the post of
165:The promotion of instrumental music
1318:"Autographed Quartett in Florence"
1234:"Autographed Magnificat in Naples"
950:David Rosen, Andrew Porter (eds):
490:to the text of Pietro Metastasio).
379:a mass for three voices dated 1844
224:Accademia di Belle Arti di Firenze
14:
1550:"Della Volpe's Libretto in Italy"
1304:"Autographed Antifonas in Naples"
369:a mass for three voices from 1839
236:Leopold II, Grand Duke of Tuscany
141:The debate regarding sacred music
16:Italian composer and music critic
1405:and in the Pistoia's section in
1399:Pistoia's Archive of the Chapter
1290:""Ave Maria a 4 voci" in Naples"
557:
90:The delusion of the Risorgimento
1010:Nuova rivista musicale italiana
956:Rivista italiana di Musicologia
952:Verdi's 'Macbeth'. A Sourcebook
644:La critica musicale e i critici
459:concerts for flute and clarinet
366:At the Conservatory of Naples:
94:Casamorata participated in the
1566:. Bayerische Staatsbibliothek.
1036:"CASAMORATA, Luigi Ferdinando"
465:exercises for organ dated 1874
61:
1:
881:, Torino, UTET, 1985, p. 132.
759:Enciclopedia dello spettacolo
651:Enciclopedia dello spettacolo
867:Casamorata, Luigi Ferdinando
1438:published by Ricordi, 1847"
1420:"Page of Piombino's Church"
1262:"String quartett in Naples"
977:Gazzetta musicale di Milano
660:(Firenze: Vallecchi, 1978).
630:Ricordi Musicali Fiorentini
124:Gazzetta musicale di Milano
107:Characteristics as a critic
72:Gazzetta musicale di Milano
20:Luigi Ferdinando Casamorata
1765:
1744:Italian Romantic composers
426:, dated September 11, 1877
248:Girolamo Alessandro Biaggi
1349:""Benedicta" in Florence"
1276:"1859 Symphony in Naples"
1206:"Search out "Casamorata""
606:In November 2014, in the
531:Variazioni per pianoforte
392:for four voices from 1871
307:cembalo a cinque tastiere
49:Grand Duke Ferdinando III
1154:Some instruments are in
1062:Adelmo Damerini (1941).
1034:Clara Gabanizza (2003).
995:Claudio Paradiso (ed.):
733:Claudio Paradiso (ed.):
708:Claudio Paradiso (ed.):
265:Giovanni Gualberto Guidi
180:Philharmonic Association
151:Manifest of Sacred Music
1749:Musicians from Florence
1719:Musicians from WĂĽrzburg
1673:"Page of the recording"
1659:"Page of the recording"
1645:"Page of the recording"
1620:"Page of the recording"
608:Basilica di San Lorenzo
424:Masseangelo Masseangeli
311:Galleria dell'Accademia
182:in Florence (from 1859
41:Grand Duchy of WĂĽrzburg
1734:Italian male composers
1248:"1844 Massa in Naples"
1220:"1839 Massa in Naples"
321:
283:Biographie universelle
100:Grand Duke Leopoldo II
1739:Italian music critics
1480:"Page of the edition"
1351:. Internet Culturale.
1320:. Internet Culturale.
656:Marcello De Angelis:
319:
287:François-Joseph Fétis
232:Florence Conservatory
642:Andrea Della Corte:
637:La rassegna musicale
385:a symphony from 1859
135:Carl Maria von Weber
54:Ferdinando Giorgetti
1592:"Page of the print"
1436:Duettini per camera
1401:(It): more info on
975:Review appeared in
819:maestro di cappella
410:dated March 5, 1869
299:Codice Squarcialupi
228:maestro di cappella
161:as "un-religious".
1393:Umberto Pineschi,
621:Giovanni Masutto:
593:Hans-Dieter Karras
438:Copies in Florence
322:
303:Laurentian Library
252:Victor Emmanuel II
1168:chitarra battente
1137:Gazzetta d'Italia
1068:Felice Le Monnier
488:Armonie religiose
433:Manuscript copies
422:, maybe owned by
325:Works and sources
184:Teodulo Mabellini
147:Cecilian Movement
84:Il Costituzionale
1756:
1677:
1676:
1669:
1663:
1662:
1655:
1649:
1648:
1641:
1635:
1634:
1632:
1631:
1616:
1610:
1609:
1602:
1596:
1595:
1588:
1582:
1581:
1574:
1568:
1567:
1564:"Digitalization"
1560:
1554:
1553:
1546:
1540:
1539:
1532:
1526:
1525:
1518:
1512:
1511:
1504:
1498:
1497:
1490:
1484:
1483:
1476:
1470:
1469:
1462:
1456:
1455:
1448:
1442:
1441:
1430:
1424:
1423:
1416:
1410:
1391:
1385:
1384:
1373:
1367:
1366:
1359:
1353:
1352:
1345:
1339:
1338:
1331:
1322:
1321:
1314:
1308:
1307:
1300:
1294:
1293:
1286:
1280:
1279:
1272:
1266:
1265:
1258:
1252:
1251:
1244:
1238:
1237:
1230:
1224:
1223:
1216:
1210:
1209:
1202:
1191:
1190:
1189:. Gallica. 1845.
1187:"Digitalization"
1183:
1174:
1152:
1146:
1145:
1134:
1128:
1127:
1120:
1114:
1113:
1106:
1100:
1099:
1092:
1086:
1085:
1078:
1072:
1071:
1059:
1050:
1049:
1044:. Vol. 60.
1031:
1025:
1006:
1000:
993:
984:
973:
967:
948:
942:
935:
918:
905:
882:
864:
841:
815:Nicola Benvenuti
807:
796:
783:
766:
755:
738:
731:
552:The libretto of
533:on a theme from
520:Printed editions
261:Ferruccio Busoni
96:uprising in 1848
1764:
1763:
1759:
1758:
1757:
1755:
1754:
1753:
1694:
1693:
1685:
1680:
1671:
1670:
1666:
1657:
1656:
1652:
1643:
1642:
1638:
1629:
1627:
1618:
1617:
1613:
1604:
1603:
1599:
1590:
1589:
1585:
1576:
1575:
1571:
1562:
1561:
1557:
1548:
1547:
1543:
1534:
1533:
1529:
1520:
1519:
1515:
1506:
1505:
1501:
1492:
1491:
1487:
1478:
1477:
1473:
1464:
1463:
1459:
1450:
1449:
1445:
1432:
1431:
1427:
1418:
1417:
1413:
1392:
1388:
1375:
1374:
1370:
1361:
1360:
1356:
1347:
1346:
1342:
1333:
1332:
1325:
1316:
1315:
1311:
1302:
1301:
1297:
1288:
1287:
1283:
1274:
1273:
1269:
1260:
1259:
1255:
1246:
1245:
1241:
1232:
1231:
1227:
1218:
1217:
1213:
1204:
1203:
1194:
1185:
1184:
1177:
1153:
1149:
1140:
1135:
1131:
1122:
1121:
1117:
1108:
1107:
1103:
1094:
1093:
1089:
1080:
1079:
1075:
1061:
1060:
1053:
1033:
1032:
1028:
1018:Johannes Brahms
1014:Robert Schumann
1007:
1003:
994:
987:
974:
970:
949:
945:
936:
921:
906:
885:
869:(sub voce), in
865:
844:
808:
799:
793:Ludwig Finscher
784:
769:
756:
741:
732:
723:
719:
618:
616:Further reading
611:Tactus in 2015.
588:
580:
568:
566:Modern editions
550:
522:
501:
440:
435:
356:
327:
295:
240:Giovanni Pacini
220:
167:
143:
109:
98:, but when the
92:
33:
28:
17:
12:
11:
5:
1762:
1760:
1752:
1751:
1746:
1741:
1736:
1731:
1726:
1721:
1716:
1711:
1706:
1696:
1695:
1692:
1691:
1684:
1683:External links
1681:
1679:
1678:
1664:
1650:
1636:
1611:
1597:
1583:
1569:
1555:
1541:
1527:
1513:
1499:
1485:
1471:
1457:
1443:
1425:
1411:
1386:
1377:"Manuscripted
1368:
1354:
1340:
1323:
1309:
1295:
1281:
1267:
1253:
1239:
1225:
1211:
1192:
1175:
1147:
1129:
1115:
1101:
1087:
1073:
1051:
1026:
1001:
985:
981:Studi verdiani
968:
943:
919:
883:
842:
797:
767:
739:
720:
718:
715:
714:
713:
706:
699:
692:
681:
674:
661:
654:
647:
640:
633:
626:
617:
614:
613:
612:
604:
600:
587:
584:
579:
576:
572:Messa completa
567:
564:
549:
546:
526:Giovanni Canti
521:
518:
500:
497:
492:
491:
484:
481:
478:
475:
472:
469:
466:
463:
460:
457:
454:
447:
439:
436:
434:
431:
430:
429:
428:
427:
420:Absolve Domine
413:
412:
411:
404:
398:
397:
396:
393:
386:
383:
380:
377:
370:
355:
352:
326:
323:
294:
291:
219:
216:
166:
163:
142:
139:
130:Der FreischĂĽtz
108:
105:
91:
88:
32:
29:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
1761:
1750:
1747:
1745:
1742:
1740:
1737:
1735:
1732:
1730:
1727:
1725:
1722:
1720:
1717:
1715:
1712:
1710:
1707:
1705:
1702:
1701:
1699:
1690:
1687:
1686:
1682:
1674:
1668:
1665:
1660:
1654:
1651:
1646:
1640:
1637:
1626:on 2018-01-23
1625:
1621:
1615:
1612:
1607:
1601:
1598:
1593:
1587:
1584:
1579:
1573:
1570:
1565:
1559:
1556:
1551:
1545:
1542:
1537:
1531:
1528:
1523:
1517:
1514:
1509:
1503:
1500:
1495:
1489:
1486:
1481:
1475:
1472:
1467:
1461:
1458:
1453:
1447:
1444:
1439:
1437:
1429:
1426:
1421:
1415:
1412:
1408:
1404:
1400:
1396:
1390:
1387:
1382:
1380:
1372:
1369:
1364:
1358:
1355:
1350:
1344:
1341:
1336:
1330:
1328:
1324:
1319:
1313:
1310:
1305:
1299:
1296:
1291:
1285:
1282:
1277:
1271:
1268:
1263:
1257:
1254:
1249:
1243:
1240:
1235:
1229:
1226:
1221:
1215:
1212:
1207:
1201:
1199:
1197:
1193:
1188:
1182:
1180:
1176:
1173:
1169:
1165:
1161:
1160:viola d'amore
1157:
1151:
1148:
1143:
1138:
1133:
1130:
1125:
1119:
1116:
1111:
1105:
1102:
1097:
1091:
1088:
1083:
1077:
1074:
1069:
1065:
1058:
1056:
1052:
1047:
1043:
1042:
1037:
1030:
1027:
1023:
1019:
1015:
1011:
1005:
1002:
998:
992:
990:
986:
982:
978:
972:
969:
965:
961:
957:
953:
947:
944:
940:
934:
932:
930:
928:
926:
924:
920:
916:
915:
910:
904:
902:
900:
898:
896:
894:
892:
890:
888:
884:
880:
876:
872:
868:
863:
861:
859:
857:
855:
853:
851:
849:
847:
843:
840:
836:
832:
828:
824:
820:
816:
812:
811:Iginia d'Asti
806:
804:
802:
798:
794:
790:
789:
782:
780:
778:
776:
774:
772:
768:
764:
760:
754:
752:
750:
748:
746:
744:
740:
736:
730:
728:
726:
722:
716:
711:
707:
704:
700:
697:
693:
690:
686:
682:
679:
675:
672:
671:
666:
662:
659:
655:
652:
648:
645:
641:
638:
634:
631:
627:
624:
620:
619:
615:
609:
605:
601:
598:
597:Complete Mass
594:
590:
589:
585:
583:
577:
575:
573:
565:
563:
561:
560:
555:
554:Iginia d'Asti
547:
545:
543:
538:
537:
532:
527:
519:
517:
515:
511:
508:in Naples, a
507:
498:
496:
489:
485:
482:
479:
476:
473:
470:
467:
464:
461:
458:
455:
452:
448:
445:
444:
443:
437:
432:
425:
421:
417:
416:
414:
409:
405:
402:
401:
399:
394:
391:
387:
384:
381:
378:
375:
371:
368:
367:
365:
364:
363:
361:
353:
351:
349:
345:
341:
337:
333:
324:
318:
314:
313:in Florence.
312:
308:
304:
300:
292:
290:
288:
284:
280:
276:
272:
271:
266:
262:
256:
253:
249:
245:
244:Abramo Basevi
241:
237:
233:
229:
225:
217:
215:
213:
209:
205:
201:
197:
193:
189:
185:
181:
177:
173:
164:
162:
160:
156:
152:
148:
140:
138:
136:
132:
131:
125:
121:
117:
116:
106:
104:
101:
97:
89:
87:
85:
81:
77:
73:
69:
65:
64:
59:
58:Iginia d'Asti
55:
50:
46:
42:
38:
30:
25:
23:
21:
1667:
1653:
1639:
1628:. Retrieved
1624:the original
1614:
1608:. Europeana.
1606:"The letter"
1600:
1586:
1580:. Europeana.
1572:
1558:
1544:
1530:
1516:
1502:
1488:
1474:
1460:
1446:
1435:
1428:
1414:
1394:
1389:
1378:
1371:
1357:
1343:
1312:
1298:
1284:
1270:
1256:
1242:
1228:
1214:
1155:
1150:
1136:
1132:
1118:
1104:
1090:
1076:
1063:
1039:
1029:
1021:
1009:
1004:
996:
980:
976:
971:
963:
959:
955:
951:
946:
938:
913:
908:
878:
875:Le biografie
874:
870:
866:
818:
810:
791:, edited by
786:
762:
758:
734:
709:
702:
695:
689:Le biografie
688:
684:
677:
669:
664:
657:
650:
643:
636:
629:
622:
596:
581:
571:
569:
558:
553:
551:
534:
530:
523:
510:Salve Regina
509:
505:
502:
499:Other copies
493:
487:
450:
441:
419:
407:
389:
373:
357:
328:
306:
296:
282:
270:Stabat Mater
269:
257:
221:
179:
175:
168:
155:Stabat Mater
150:
144:
128:
123:
113:
110:
93:
83:
80:Il Nazionale
79:
75:
71:
67:
62:
57:
34:
19:
18:
1709:1881 deaths
1704:1807 births
1661:. AllMusic.
914:Treccani.it
670:Treccani.it
559:Before 1849
449:a cantata,
200:Mendelssohn
172:Santa Croce
31:Before 1849
1698:Categories
1630:2018-01-22
1422:. CeDoMus.
1381:in Naples"
1158:catalogue
877:, vol. 2:
717:References
586:Recordings
574:, in 1981
536:Sonnambula
376:dated 1842
374:Magnificat
354:Autographs
1647:. Amazon.
1403:this page
1379:Ave Maria
1156:Europeana
1144:. ArtMus.
1084:. ArtMus.
548:Librettos
506:Ave Maria
408:Benedicta
390:Ave Maria
344:Meyerbeer
340:Donizetti
275:Pergolesi
212:Meyerbeer
196:Beethoven
76:La Patria
63:Librettos
1164:salterio
1046:Treccani
514:Piombino
451:Beatrice
279:Cimarosa
37:WĂĽrzburg
35:Born in
1208:. URFM.
879:BUS-FOX
763:Car-Daf
578:Letters
336:Bellini
332:Rossini
301:in the
159:Rossini
115:Macbeth
45:Bavaria
39:in the
1675:. SBN.
1594:. SBN.
1578:"Item"
1552:. SBN.
1538:. SBN.
1524:. SBN.
1510:. SBN.
1496:. SBN.
1482:. SBN.
1468:. SBN.
1454:. SBN.
1440:. SBN.
1383:. SBN.
1365:. SBN.
1337:. SBN.
1306:. SBN.
1292:. SBN.
1278:. SBN.
1264:. SBN.
1250:. SBN.
1236:. SBN.
1222:. SBN.
1172:ribeca
1126:. SBN.
1112:. SBN.
1098:. SBN.
839:item 4
835:item 3
831:item 2
827:item 1
348:Hummel
208:Gounod
204:Wagner
192:Mozart
82:, and
68:fiasco
673:(It).
603:2006.
188:Haydn
120:Verdi
43:(now
1016:and
917:(It)
823:Pisa
346:and
246:and
210:and
26:Life
821:in
418:an
388:an
285:of
273:by
157:by
133:by
118:by
1700::
1326:^
1195:^
1178:^
1170:,
1166:,
1162:,
1066:.
1054:^
1038:.
988:^
922:^
886:^
845:^
837:,
833:,
829:,
817:,
800:^
770:^
742:^
724:^
406:a
372:a
342:,
338:,
334:,
214:.
206:,
202:,
198:,
194:,
190:,
78:,
74:,
1633:.
1434:"
1409:.
1070:.
1048:.
259:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.