288:
337:
grouping on linear and geometric blocks in an orthogonal and independent arrangement around a series of gardens, open spaces and sports areas. It included T-shaped structures for general services, two bedroom pavilions with corridors to the north and rooms to the south, the director's residence, a conference room and other facilities. Lacasa chose a modular design that allowed repetition of brick forms in pure rationalist orthodoxy. After the civil war the whole complex had to be rebuilt, although the original spirit was preserved.
329:
346:
149:
219:
380:, with a very limited budget. It tried to demonstrate that despite the civil war the Spanish Republic was committed to modernity and humanism. The structure had an exact, cool geometry that emphasises horizontal shapes. It was largely colored in shades of gray, although the red lines of the painted metal structure gave a Spanish touch. It contained
261:
Lacasa was an architect at the
Academy of Architecture of the Soviet Union from 1939 to 1954. Between 1943 and 1944 Lacasa and Sánchez Arcas were displaced to the Urals for work on fortifications and defense of Moscow. He spent 1954–60 in China with his family as head of the Spanish section of the
283:
In 1926 Lacasa designed a small residential palace for ValentĂn Ruiz SenĂ©n that was later occupied by the
British Institute for many years. It has a surprising neoclassical style. The building was erected in 1926-31. It was later remodelled by Luciano Delage Villegas in 1944 and then enlarged by
336:
In 1932 Lacasa designed four residential colleges for Madrid
University, Antonio Nebrija, Ximénez de Cisneros, Menéndez y Pelayo and Diego Covarrubias. They were built in 1935–36, and rebuilt and enlarged by Javier Barroso Sánchez-Guerra in 1941–43. The complex of buildings and facilities was a
265:
In 1960 Lacasa was permitted to return to Spain. A group of young modernist architects heard of his return and decided to organize a tribute. Paco OĂza, JosĂ© Luis Romany, Carlos Ferrán, Luis Miquel and Pedro
Casariego arranged the details and asked the Directorate General of Architecture for
266:
financial help for the event and for Lacasa himself. The
Director General GarcĂa Lomas, who later became mayor of Madrid, responded by giving Lacasa 24 hours to leave Spain. He had spent only a month in his native country. In 1964 Lacasa published a memoir about his brother in law,
167:
and Luis MartĂnez-Feduchi and introduced the rationalist architecture of the Modern
Movement to Madrid. The group organized the 11th National Congress of Architecture in 1925 and the first National Congress of Urbanism in 1926. From 1927 he worked in the Technical Office of the
96:(1936–39) was rationalist and functional. He is best known as co-designer of the Spanish Pavilion at the 1937 Paris Exposition, a work designed to showcase the modern legitimacy of the embattled Spanish Republic. After the war he went into exile in the Soviet Union.
364:
and by the French architect Abella. The two main architects favoured different styles, with Lacasa in favour of regionalism and social realism and Sert in modern rationalism. Sert's views prevailed in the structure, while Lacasa was responsible for the
172:. In 1930 he helped create the Colegio de Arquitectos de Madrid. In 1931 he joined the Uranization Office of the Madrid City Council. He was a founding member of the Alliance of Antifascist Intellectuals for the Defense of Culture. In 1931
303:
Manuel Sánchez Arcas and Lacasa won the 1927 competition by the Board for the
Extension of Studies to build the Instituto Nacional de FĂsica y QuĂmica (Institute of Physics and Chemistry) funded by the International Education Board of the
262:
Foreign
Languages Publishing House. In Peking Lacasa and his wife Soledad never locked the door, since in China at that time there was no concern about thieves, and to lock the door would be insulting to visitors.
234:
320:. A giant portico on the main facade has great simplicity. It recalls classical designs but is free from historicism, and reflects the architecture of the great American universities.
245:(Grupo de arquitectos y ticnicos espafioles para el progreso de la arquitectura contemporinea). In a book he published in 1937 Lacasa laid out his architectural beliefs and criticized
163:, writing articles in which he defended the principles of functionalism. Lacasa belonged to the group of architects of the "Generation of 25", which also included Sánchez Arcas,
270:, in Budapest under the pseudonym of "Peter MartĂn". He worked in the Institute of Art History of the Academy of Sciences until his death. He died in Moscow on 30 March 1966.
113:
390:. Picasso visited the pavilion while it was being built, and Sert visited Picasso in his workshop while he was making the painting. The Spanish pavilion was rebuilt in
771:
701:
376:
The
Spanish Pavilion had a rationalist architecture and used modern, functional materials. The temporary building was erected quickly on a small site in the
112:. Lacasa began to study architecture in Barcelona, then moved on to Madrid, the only other city in Spain where the subject was taught. He graduated from the
349:
38:
751:
904:
864:
316:. It fused these principles with traditional construction practices. The windows of the central body have semicircular arches, while the others are
249:, whom he considered an ideologue rather than someone who built habitable buildings. Lacasa returned to Spain the next year, but at the end of the
373:, head of the Directorate General of Fine Arts, made key decisions about the content, as did the Ministries of Propaganda and Public Industry.
108:, Asturias, in 1899. His father, Telmo Lacasa, was the road engineer for Ribadesella. Later his father was reassigned and the family moved to
849:
312:", it was designed in 1927 and built between 1928 and 1930. The brick structure was carefully thought out. It followed the new principles of
159:
In 1923 Lacasa returned to Spain, where he gave lectures on the German approach to urban planning. He became a contributor to the journal
884:
Peralta
Gilabert, Rosa (2012), "Diferentes Vivencias En La EscenografĂa Del Exilio: Alberto Sánchez, Miguel Prieto Y Antoni ClavĂ©",
718:
925:
817:
152:
140:
until 1923. His brother in law was Alberto Sánchez Pérez, a sculptor and painter who learned to read at the age of 15.
963:
208:
313:
361:
169:
287:
20:
173:
117:
356:
Lacasa was commissioned to design the Spanish Pavilion for the 1937 Paris Exposition. He was later joined by
377:
192:
757:
305:
197:
Instituto Nacional de FĂsica y QuĂmica, funded by the Rockefeller Foundation (1927–32), with Sánchez Arcas
164:
910:
870:
787:
Lafuente, A; Saraiva, T. (2004), "The Urban Scale of Science and the Enlargement of Madrid (1851-1936)",
958:
953:
395:
309:
291:
360:, the most international of Spanish architects at the time. They were helped by the young architect
357:
238:
125:
37:
92:(1899 – 30 March 1966) was a Spanish architect. His work in Spain and Paris before and during the
893:
805:
690:
386:
845:
839:
250:
230:
93:
222:
Reconstruction of the ground floor of the Spanish pavilion, with a reproduction of Picasso's
682:
681:(1), University of California Press on behalf of the Society of Architectural Historians,
587:
585:
735:
328:
121:
947:
381:
345:
218:
246:
204:
187:
Lacasa won a number of competitions in architecture and urban planning, including:
835:
628:
626:
624:
148:
116:
in 1921. At the Residencia de Estudiantes he became friends with Alberto Sánchez,
740:(in Spanish), La Junta para AmpliaciĂłn de Estudios e Investigaciones CientĂficas
370:
366:
128:. He went to Germany to learn how to work with reinforced concrete, visited the
105:
51:
673:
Collins, George R. (March 1965), "Spain: A Case Study in Action and Reaction",
720:
Maqueta del PabellĂłn de España en la ExposiciĂłn Internacional de ParĂs de 1937
233:(1936–39) Lacasa was commissioned to design the Spanish Pavilion for the 1937
391:
591:
576:
897:
809:
753:
Instituto Nacional de FĂsica y QuĂmica "FundaciĂłn Rockefeller" del CSIC
242:
137:
129:
694:
414:
ArtĂculos en la revista arquitectura, 1922- 1935 / Luis Lacasa Navarro
317:
133:
109:
235:
Exposition Internationale des Arts et Techniques dans la Vie Moderne
703:
El PabellĂłn español de la ExposiciĂłn Internacional de 1937 en ParĂs
686:
632:
416:, Éntasis, Zaragoza: Institución Fernando el Católico, p. 170
344:
327:
286:
217:
147:
615:
524:
522:
520:
518:
516:
503:
501:
499:
644:
909:(in Spanish), FundaciĂłn Arquitectura COAM, archived from
869:(in Spanish), FundaciĂłn Arquitectura COAM, archived from
756:(in Spanish), FundaciĂłn Arquitectura COAM, archived from
447:
445:
443:
441:
439:
437:
435:
433:
431:
352:
in Barcelona, a reproduction of the 1937 Spanish pavilion
892:(2), Society of Spanish & Spanish-American Studies,
723:(in Spanish), Museo Nacional Centro de Arte Reina SofĂa
412:
Lacasa Navarro, Luis (2012), José Laborda Yneva (ed.),
114:
Superior Technical School of Architecture of Madrid
79:
71:
59:
44:
28:
675:Journal of the Society of Architectural Historians
474:
472:
470:
468:
466:
464:
462:
460:
926:"Luis Lacasa, un arquitecto de origen riosellano"
564:
490:
603:
592:Instituto Nacional de FĂsica y QuĂmica ... COAM
932:(in Spanish), Editorial Prensa Asturiana, S.A.
886:Anales de la literatura española contemporánea
528:
507:
136:and worked in the Office of Urban Planning in
577:Palacete para D. ValentĂn Ruiz SenĂ©n ... COAM
341:Spanish pavilion at the 1937 Paris exposition
191:Hospital Provincial de Toledo (1926–31) with
8:
804:(in Spanish) (64/66), Revista Litoral S.A.,
800:LeĂłn, MarĂa Teresa (1976–1977), "La llave",
451:
299:National Institute of Physics and Chemistry
924:Vela CossĂo, Fernando (3 September 2011),
36:
25:
552:
180:dedicated to Luis Lacasa in the magazine
237:in Paris. He collaborated on this with
816:Malo de Molina, Julio (8 August 2015),
633:Josep LluĂs Sert y Luis Lacasa – Artium
540:
427:
203:Villages on the irrigated banks of the
200:Hospital Provincial in Logroño (1929)
176:published a surrealist poem entitled
7:
866:Palacete para D. ValentĂn Ruiz SenĂ©n
656:
478:
350:PavellĂł de la RepĂşblica CRAI Library
214:Plan de Extensión of Logroño (1935).
324:Colegios Mayores student residences
19:For the Paraguayan footballer, see
294:by Lacasa and Sánchez Arcas (1932)
279:British Institute building, Madrid
14:
616:Residencias de estudiantes – COAM
406:Publications by Lacasa included:
332:Colegio Mayor Antonio de Nebrija
284:Eduardo Torallas LĂłpez in 1946.
257:Soviet Union and China (1939–66)
124:and others with whom he founded
104:Luis Lacasa Navarro was born in
773:Josep LluĂs Sert y Luis Lacasa
645:El Pabellón español ... Artium
310:FundaciĂłn Rockefeller building
1:
100:Spain and Germany (1899–1923)
717:Fernández Aparicio, Carmen,
153:Estadio Nacional Complutense
604:Lafuente & Saraiva 2004
253:went into exile in Moscow.
980:
906:Residencias de estudiantes
776:(in Spanish), Artium, 2010
706:(in Spanish), Artium, 2010
18:
824:(in Spanish), LVCD S.L.U.
789:Social Studies of Science
362:Antoni Bonet i Castellana
314:rationalist functionalism
170:University City of Madrid
35:
21:Luis Lacasa (footballer)
353:
333:
306:Rockefeller Foundation
295:
226:
211:and Esteban de la Mora
156:
565:Peralta Gilabert 2012
491:Peralta Gilabert 2012
348:
331:
290:
241:, a fellow member of
221:
174:Federico GarcĂa Lorca
151:
118:Federico GarcĂa Lorca
734:Guerrero, Salvador,
493:, pp. 698, 713.
396:1992 Summer Olympics
378:Jardins du Trocadéro
292:Edificio Rockefeller
193:Manuel Sánchez Arcas
606:, pp. 531–569.
508:Malo de Molina 2015
165:Luis Gutiérrez Soto
126:The Order of Toledo
90:Luis Lacasa Navarro
30:Luis Lacasa Navarro
964:Spanish architects
841:In their own words
529:Fernández Aparicio
354:
334:
296:
227:
209:JesĂşs MartĂ MartĂn
157:
851:978-84-96898-36-3
251:Spanish Civil War
231:Spanish Civil War
94:Spanish Civil War
87:
86:
54:, Asturias, Spain
16:Spanish architect
971:
939:
938:
937:
920:
919:
918:
900:
880:
879:
878:
860:
859:
858:
831:
830:
829:
812:
796:
783:
782:
781:
767:
766:
765:
747:
746:
745:
730:
729:
728:
713:
712:
711:
697:
660:
654:
648:
642:
636:
630:
619:
613:
607:
601:
595:
589:
580:
574:
568:
562:
556:
550:
544:
538:
532:
526:
511:
505:
494:
488:
482:
476:
455:
452:Vela CossĂo 2011
449:
417:
358:Josep LluĂs Sert
308:. Known as the "
239:Josep LluĂs Sert
40:
26:
979:
978:
974:
973:
972:
970:
969:
968:
944:
943:
942:
935:
933:
930:La Nueva Espana
923:
916:
914:
903:
883:
876:
874:
863:
856:
854:
852:
834:
827:
825:
822:lavozdigital.es
815:
799:
786:
779:
777:
770:
763:
761:
750:
743:
741:
733:
726:
724:
716:
709:
707:
700:
672:
668:
663:
655:
651:
643:
639:
631:
622:
614:
610:
602:
598:
590:
583:
575:
571:
563:
559:
551:
547:
539:
535:
527:
514:
506:
497:
489:
485:
477:
458:
450:
429:
425:
420:
411:
404:
343:
326:
301:
281:
276:
259:
146:
144:Spain (1923–39)
102:
67:
64:
55:
49:
31:
24:
17:
12:
11:
5:
977:
975:
967:
966:
961:
956:
946:
945:
941:
940:
921:
901:
888:(in Spanish),
881:
861:
850:
832:
813:
797:
784:
768:
748:
731:
714:
698:
687:10.2307/988282
669:
667:
664:
662:
661:
659:, p. 683.
649:
637:
620:
608:
596:
581:
569:
567:, p. 715.
557:
555:, p. 188.
553:León 1976–1977
545:
533:
512:
495:
483:
456:
426:
424:
421:
419:
418:
408:
403:
400:
342:
339:
325:
322:
300:
297:
280:
277:
275:
272:
258:
255:
216:
215:
212:
201:
198:
195:
145:
142:
101:
98:
85:
84:
81:
77:
76:
73:
69:
68:
66:Moscow, Russia
65:
61:
57:
56:
50:
46:
42:
41:
33:
32:
29:
15:
13:
10:
9:
6:
4:
3:
2:
976:
965:
962:
960:
957:
955:
952:
951:
949:
931:
927:
922:
913:on 2018-10-05
912:
908:
907:
902:
899:
895:
891:
887:
882:
873:on 2018-10-05
872:
868:
867:
862:
853:
847:
843:
842:
837:
833:
823:
819:
818:"Luis Lacasa"
814:
811:
807:
803:
798:
794:
790:
785:
775:
774:
769:
760:on 2018-10-05
759:
755:
754:
749:
739:
738:
732:
722:
721:
715:
705:
704:
699:
696:
692:
688:
684:
680:
676:
671:
670:
665:
658:
653:
650:
646:
641:
638:
634:
629:
627:
625:
621:
617:
612:
609:
605:
600:
597:
593:
588:
586:
582:
578:
573:
570:
566:
561:
558:
554:
549:
546:
543:, p. 63.
542:
537:
534:
530:
525:
523:
521:
519:
517:
513:
509:
504:
502:
500:
496:
492:
487:
484:
480:
475:
473:
471:
469:
467:
465:
463:
461:
457:
453:
448:
446:
444:
442:
440:
438:
436:
434:
432:
428:
422:
415:
410:
409:
407:
401:
399:
397:
393:
389:
388:
383:
382:Pablo Picasso
379:
374:
372:
369:and content.
368:
363:
359:
351:
347:
340:
338:
330:
323:
321:
319:
315:
311:
307:
298:
293:
289:
285:
278:
274:Notable works
273:
271:
269:
263:
256:
254:
252:
248:
244:
240:
236:
232:
225:
220:
213:
210:
207:(1934), with
206:
202:
199:
196:
194:
190:
189:
188:
185:
183:
179:
175:
171:
166:
162:
154:
150:
143:
141:
139:
135:
131:
127:
123:
119:
115:
111:
107:
99:
97:
95:
91:
82:
78:
74:
70:
63:30 March 1966
62:
58:
53:
47:
43:
39:
34:
27:
22:
934:, retrieved
929:
915:, retrieved
911:the original
905:
889:
885:
875:, retrieved
871:the original
865:
855:, retrieved
840:
826:, retrieved
821:
801:
792:
788:
778:, retrieved
772:
762:, retrieved
758:the original
752:
742:, retrieved
736:
725:, retrieved
719:
708:, retrieved
702:
678:
674:
652:
640:
611:
599:
572:
560:
548:
541:Collins 1965
536:
486:
413:
405:
402:Publications
385:
384:'s painting
375:
355:
335:
302:
282:
267:
264:
260:
247:Le Corbusier
228:
223:
205:Guadalquivir
186:
181:
177:
161:Arquitectura
160:
158:
103:
89:
88:
959:1966 deaths
954:1899 births
844:, CENDEAC,
737:Luis Lacasa
371:Josep Renau
367:museography
229:During the
122:Luis Buñuel
106:Ribadesella
72:Nationality
52:Ribadesella
948:Categories
936:2018-05-13
917:2018-05-13
877:2018-05-13
857:2018-05-13
836:MirĂł, Joan
828:2018-05-13
780:2018-05-13
764:2018-05-13
744:2018-05-12
727:2018-05-13
710:2018-05-13
80:Occupation
657:MirĂł 2008
392:Barcelona
318:lintelled
182:Occidente
83:Architect
898:23237387
838:(2008),
810:43316072
479:Guerrero
394:for the
387:Guernica
224:Guernica
802:Litoral
666:Sources
268:Alberto
243:GATEPAC
138:Dresden
130:Bauhaus
75:Spanish
896:
848:
808:
695:988282
693:
155:(1927)
134:Weimar
110:Huesca
894:JSTOR
806:JSTOR
691:JSTOR
423:Notes
846:ISBN
178:Vaca
60:Died
48:1899
45:Born
795:(4)
683:doi
132:in
950::
928:,
890:37
820:,
793:34
791:,
689:,
679:24
677:,
623:^
584:^
515:^
498:^
459:^
430:^
398:.
184:.
120:,
685::
647:.
635:.
618:.
594:.
579:.
531:.
510:.
481:.
454:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.