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Luiz Päetow

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which received the Theatre Shell Award and the Art Critics' Association Prize. This production had its world-premiere at the Istanbul International Theatre Festival and was also presented at the second
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by Jean-Luc Lagarce, which he also translated and created the set/lighting designs, thus receiving the Theatre Shell Award. In 2010, he created his second solo, the endless
107:. As a child, he also developed cinephilia, attending international film festivals where, after seven years, he was allowed to work as an interpreter for the jury members 543: 519: 1186: 421:, his next creation. In the same year, Päetow's previous plays were published in a three-volume box set. He would also start his second opera direction with 1296: 1403: 1398: 417:'s homonymous short story. Then, he coordinated an artistic residency inside the ruins of a historic movie theater, where he presented open rehearsals for 1278: 1246: 944: 231:
Thanks to arrangements between CPT and CICT (International Centre for Theatre Creation), Päetow was then allowed to watch the final rehearsals for
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Between 1996 and 2001, Päetow became a central player for CPT (Centre for Theatre Research). During this period, he created the experimental
1413: 1408: 1218: 496:. Receiving great acclaim, the press also pointed out that his creation would, certainly, impact current ways of consuming culture. 103: 1264: 334:, directed by Gabriel Villela, nominated as best actor by the Art Critics' Association. In 2007, Päetow directed his adaptation of 242: 1200: 1168: 1032: 1014: 961: 926: 876: 823: 631: 1150: 1086: 1068: 1050: 908: 841: 791: 670: 652: 582: 1232: 752: 324:, to whom he also devoted a three-day event examining her life and works. In the same year, he performed the title role in 720: 401:, aimed at empowering anonymous voices and performed at undisclosed venues. The next year, he directed two dance pieces: 218:. At this meeting, they discussed the performing arts of the next century. In 2000, he debuted as an opera director with 993: 348:, which was presented under the pseudonym Zita Woulpe, an anagram of his name. In 2008, he starred in two productions: 313: 1132: 770: 289:, with whom he had trained five years before, during her workshops at FID (São Paulo International Dance Festival). 702: 1373: 423: 203: 1348: 385:, he developed a partnership with two musical ensembles, Klank and Trio Nexus, in order to create his play 1393: 356: 464:, the posthumous play by Antunes Filho. The premiere moved from April 2020 to November 2021, due to the 215: 160: 48: 1331: 1388: 477: 440: 340: 266: 485: 182: 124: 83: 44: 409:, both recipients of the São Paulo City Hall Dance Sponsorship. In 2014, he presented a new solo, 366: 282: 195: 112: 93: 78: 614: 600: 492:, ran for six months, until August 2022 at the Oficina, chosen as the world's best theatre by 465: 432: 335: 1357: 979: 859: 325: 191: 108: 52: 688: 330: 262: 250: 224: 36: 278: 164: 1204: 1172: 1036: 1018: 965: 930: 880: 827: 635: 481: 436: 361: 321: 298: 199: 168: 98: 1382: 308: 303: 246: 219: 207: 172: 88: 60: 1154: 1118: 1104: 1090: 1072: 1054: 912: 845: 795: 674: 656: 586: 809: 493: 452: 394: 258: 211: 116: 40: 427:, libretto by Gertrude Stein. In 2015, invited by Felipe Hirsch, he took part in 894: 414: 286: 232: 177: 68: 56: 16: 293: 73: 756: 159:. His documents were also published later in book form, along with essays by 120: 724: 139:. For this specific project, he directed, wrote and starred in five plays: 63:. Later, he entered the Conservatory for Dramatic Arts (located inside the 997: 350: 450:
was published, with the first Brazilian translation of Gertrude Stein's
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In 2003, Päetow played the lead in the first Brazilian production of
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Päetow started working at age 11, with several productions of the
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for a future collaboration on his, still unproduced, new play
738: 167:, among others. In 1998, he worked as assistant director to 249:. This year spent in Paris also enabled conversations with 468:. In the meantime, Päetow debuted as a filmmaker with 123:. At age 19, he audited a master's degree course on 273:s transfer from stage to screen. Before moving to 316:. In 2006, he created his first solo, entitled 8: 786: 784: 577: 575: 573: 571: 529:Brazil's Artistic Quality - nomination for 945:"Music Hall: os íngremes caminhos da arte" 377:In 2011, Päetow premiered his third solo, 285:. The following year, he reconnected with 871: 869: 739:"Istanbul International Theatre Festival" 626: 624: 1326: 1324: 1322: 1320: 956: 954: 647: 645: 456:. After this, he started rehearsals for 1009: 1007: 567: 585:. SP theatre magazine. Archived from 7: 755:. caderno2 newspaper. Archived from 1135:. folhasp newspaper. Archived from 773:. folhasp newspaper. Archived from 723:. radikal newspaper. Archived from 488:. The live theater version, namely 283:Ballet de l'Opéra national de Paris 1404:21st-century Brazilian male actors 1399:20th-century Brazilian male actors 374:, nominated for the Shell Awards. 320:, based on the lecture written by 269:, aimed at further developing his 265:, during her retrospective at the 14: 104:The Baden-Baden Lesson on Consent 65:School of Communications and Arts 996:. bravo magazine. Archived from 927:"Beckett's radio plays on stage" 505:Theatre Shell - nomination for 1: 306:, the marathon of five plays 397:. This launched his project 389:, freely based on the novel 1414:Brazilian male stage actors 1409:Brazilian male child actors 431:, performing the poetry of 281:'s open masterclass at the 243:Théâtre des Bouffes du Nord 1435: 1419:Male actors from São Paulo 553:Theatre Shell - award for 536:Theatre Shell - award for 512:Theatre Shell - award for 309:Rebellion in the Backlands 1311:"scenes with Luiz Päetow" 980:"Luiz Päetow Abracadabra" 824:"Peças de Gertrude Stein" 792:"Sarah Kane 4.48 Psicose" 583:"interview in Portuguese" 424:Four Saints in Three Acts 1332:"Prêmio Shell de Teatro" 1297:"Luiz Päetow no Oficina" 1105:"Ou Memória Reinventada" 544:Art Critics' Association 520:Art Critics' Association 185:. In 1999, he worked on 31:Early life and education 446:In 2019, Päetow's poem 364:. In 2009, he directed 55:, and also musicals by 842:"Ciclo Gertrude Stein" 721:"interview in Turkish" 705:. sesc. Archived from 673:. SESC. Archived from 500:Awards and nominations 21: 1263:. uol. Archived from 1203:. uol. Archived from 1171:. uol. Archived from 1153:. uol. Archived from 1089:. uol. Archived from 1071:. uol. Archived from 1053:. uol. Archived from 1035:. uol. Archived from 1017:. uol. Archived from 964:. uol. Archived from 929:. uol. Archived from 911:. uol. Archived from 879:. uol. Archived from 844:. uol. Archived from 826:. uol. Archived from 794:. uol. Archived from 703:"Fragmentos Troianos" 655:. uol. Archived from 634:. uol. Archived from 216:Theodoros Terzopoulos 161:Renato Janine Ribeiro 49:Federico Garcia Lorca 43:, including plays by 19: 1351:Théâtre Contemporain 1313:. folhasp newspaper. 1299:. folhasp newspaper. 1139:on 24 November 2018. 982:. folhasp newspaper. 862:. folhasp newspaper. 777:on 28 November 2018. 759:on 28 November 2018. 727:on 28 November 2018. 709:on 28 November 2018. 555:The Trojan Fragments 548:The Trojan Fragments 478:Matheus Nachtergaele 466:coronavirus pandemic 413:, his adaptation of 407:Or Memory Reinvented 267:Studio des Ursulines 187:The Trojan Fragments 59:with guest director 1285:. 11 December 2015. 860:"Leonce & Lena" 812:. die tageszeitung. 486:Christian Malheiros 183:Fernanda Montenegro 157:Wings of the Shadow 153:Hours of Punishment 125:Pier Paolo Pasolini 84:The Glass Menagerie 45:William Shakespeare 1279:"10 best theatres" 1133:"Cine Art Palacio" 277:, he took part in 113:Artavazd Peleshyan 79:Tennessee Williams 22: 1000:on 13 April 2016. 947:. época magazine. 810:"Krieg im Sertão" 771:"theatre article" 522:- nomination for 441:Gregório de Matos 433:Haroldo de Campos 357:Words & Music 336:Clarice Lispector 39:Theatre Group in 1426: 1369: 1336: 1335: 1328: 1315: 1314: 1307: 1301: 1300: 1293: 1287: 1286: 1275: 1269: 1268: 1257: 1251: 1250: 1243: 1237: 1236: 1229: 1223: 1222: 1215: 1209: 1208: 1197: 1191: 1190: 1187:"Gertrude Stein" 1183: 1177: 1176: 1165: 1159: 1158: 1147: 1141: 1140: 1129: 1123: 1122: 1115: 1109: 1108: 1101: 1095: 1094: 1083: 1077: 1076: 1065: 1059: 1058: 1047: 1041: 1040: 1029: 1023: 1022: 1011: 1002: 1001: 994:"theatre review" 990: 984: 983: 976: 970: 969: 958: 949: 948: 941: 935: 934: 923: 917: 916: 905: 899: 898: 891: 885: 884: 873: 864: 863: 856: 850: 849: 838: 832: 831: 820: 814: 813: 806: 800: 799: 788: 779: 778: 767: 761: 760: 749: 743: 742: 735: 729: 728: 717: 711: 710: 699: 693: 692: 685: 679: 678: 667: 661: 660: 649: 640: 639: 628: 619: 618: 611: 605: 604: 597: 591: 590: 579: 462:$ ODOM\G/OMORRAH 192:Theatre Olympics 145:Under the Bridge 109:Abbas Kiarostami 53:Nelson Rodrigues 1434: 1433: 1429: 1428: 1427: 1425: 1424: 1423: 1379: 1378: 1367: 1363:(in Portuguese) 1358:Luiz Päetow at 1349:Luiz Päetow at 1345: 1340: 1339: 1330: 1329: 1318: 1309: 1308: 1304: 1295: 1294: 1290: 1277: 1276: 1272: 1259: 1258: 1254: 1245: 1244: 1240: 1231: 1230: 1226: 1217: 1216: 1212: 1199: 1198: 1194: 1185: 1184: 1180: 1167: 1166: 1162: 1149: 1148: 1144: 1131: 1130: 1126: 1117: 1116: 1112: 1103: 1102: 1098: 1085: 1084: 1080: 1067: 1066: 1062: 1051:"der hausierer" 1049: 1048: 1044: 1031: 1030: 1026: 1013: 1012: 1005: 992: 991: 987: 978: 977: 973: 960: 959: 952: 943: 942: 938: 925: 924: 920: 907: 906: 902: 897:. GO newspaper. 893: 892: 888: 875: 874: 867: 858: 857: 853: 840: 839: 835: 822: 821: 817: 808: 807: 803: 790: 789: 782: 769: 768: 764: 753:"Ópera Purcell" 751: 750: 746: 737: 736: 732: 719: 718: 714: 701: 700: 696: 691:. itaucultural. 687: 686: 682: 669: 668: 664: 653:"Prêt-à-Porter" 651: 650: 643: 630: 629: 622: 617:. sp newspaper. 613: 612: 608: 603:. sp newspaper. 599: 598: 594: 581: 580: 569: 564: 524:Leonce and Lena 502: 448:Theatre Capsule 331:Leonce and Lena 263:Chantal Akerman 251:Cristiana Reali 225:The Fairy-Queen 133: 67:) and acted in 37:British Council 33: 12: 11: 5: 1432: 1430: 1422: 1421: 1416: 1411: 1406: 1401: 1396: 1391: 1381: 1380: 1377: 1376: 1364: 1355: 1344: 1343:External links 1341: 1338: 1337: 1316: 1302: 1288: 1270: 1267:on 2022-01-25. 1261:"Transmission" 1252: 1238: 1224: 1210: 1207:on 2017-10-26. 1192: 1178: 1175:on 2018-02-20. 1160: 1157:on 2016-03-16. 1142: 1124: 1110: 1096: 1093:on 2016-03-04. 1078: 1075:on 2016-03-16. 1060: 1057:on 2017-08-09. 1042: 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Back to 367:Music-Hall 304:Volksbühne 294:Sarah Kane 149:No Concert 141:Passengers 74:Marat/Sade 1233:"Antunes" 962:"Lagarce" 615:"article" 341:Água Viva 338:'s novel 241:, at the 121:Oja Kodar 117:Béla Tarr 41:São Paulo 1247:"Sodoma" 1119:"Lázaro" 1069:"Taeter" 1015:"Paetow" 877:"Leonce" 632:"résumé" 490:Theatron 351:Cascando 314:Zé Celso 196:Shizuoka 1374:YouTube 1169:"Books" 1121:. sesc. 741:. iksv. 411:Lazarus 245:, with 1249:. uol. 1221:. uol. 1189:. uol. 1107:. uol. 557:(2000) 550:(2000) 533:(2004) 526:(2007) 516:(2010) 509:(2011) 429:Puzzle 399:Taeter 383:Berlin 275:Berlin 238:Hamlet 131:Career 1219:"Ida" 318:Plays 484:and 472:and 439:and 405:and 354:and 261:and 214:and 163:and 155:and 119:and 1372:on 393:by 360:by 328:'s 296:'s 235:'s 222:'s 194:in 175:'s 171:on 101:'s 91:'s 1385:: 1319:^ 1281:. 1006:^ 953:^ 868:^ 783:^ 644:^ 623:^ 570:^ 480:, 443:. 435:, 228:. 210:, 206:, 202:, 151:, 147:, 143:, 127:. 115:, 111:, 97:, 87:, 81:' 77:, 71:' 51:, 47:, 1334:. 419:W

Index


British Council
São Paulo
William Shakespeare
Federico Garcia Lorca
Nelson Rodrigues
Cole Porter
Nancy Diuguid
School of Communications and Arts
Peter Weiss
Marat/Sade
Tennessee Williams
The Glass Menagerie
Arnold Wesker
The Kitchen
Bertolt Brecht
The Baden-Baden Lesson on Consent
Abbas Kiarostami
Artavazd Peleshyan
Béla Tarr
Oja Kodar
Pier Paolo Pasolini
Renato Janine Ribeiro
Olgária Matos
Daniela Thomas
Anton Chekhov
The Seagull
Fernanda Montenegro
Theatre Olympics
Shizuoka

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