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390:(grave no.28581) with his son Arthur who had predeceased him. In the same family grave were later buried his wife Ellen, and sons Charles and Bernard, also an engraver. Nearby is the shared grave of Walter Fryer Stocks and his wife Marian.
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In 1839, he married Ellen Fryer (1813–1898), the eldest daughter of
William Fryer, of the firm of Messrs. J. & W. Fryer, Manufacturers, of Eastrick and New Bridge Street, Blackfriars, and they lived initially in
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About 1859, he engraved for the Art Union of
Glasgow "Many Happy Returns of the Day", after Frith, which was followed by a series of plates illustrating "The Dowie Dens of Yarrow", after Sir
342:; "The Silken Gown", after Thomas Faed; "Olivia and Viola", from "Twelfth Night", after Sir Joseph Noel Paton; "A Souvenir of Velasquez" and "The Princes in the Tower", after Sir
375:(1842–1915), and their third son Arthur Stocks (1846–1889), were both painters whose works were exhibited at the Royal Academy and elsewhere. A son of Walter Fryer Stocks was
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Among other and later works by Stocks were "Charlotte Corday in the
Conciergerie" and "Marie Antoinette listening to the Act of Accusation the day before her Trial", after
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280:, and in 1855 became an associate engraver of the new class, which rendered him eligible for the higher rank of academician, to which he was elected in 1871.
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In 1865, he engraved for the Art Union of London "Claude Duval," after Frith. In
February 1866, it commissioned him to engrave
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Also for the Art Union of London he engraved "Dr. Johnson waiting for an
Audience of Lord Chesterfield", after
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153:, and while there he received instruction in drawing from Charles Cope, father of the painter and engraver
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measuring 44 inches (110 cm) by 12 inches (30 cm) in the Royal
Gallery of the House of Lords.
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157:. Aged fifteen he moved to London and was apprenticed for six years to the line engraver
129:. In a long career he produced engravings from paintings by notable artists of the day.
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619:. Bingley, Yorkshire: Printed for the editor by T. Harrison and Sons. p. 73-5
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145:, the third of five children of William Stocks, a coalmine-owner, and wife Mary
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231:– engraved for the Association for the Promotion of the Fine Arts in Scotland.
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then in vogue, among which were "The Lace Maker" and "Going to
Service", after
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At about this time he produced "The Dame School" and "The Rubber", after
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197:(1838–1840) the plates of "The Procession to the Christening", after
386:, where he had lived since 1845, and was buried in the west side of
733: This article incorporates text from a publication now in the
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The
Meeting of Wellington and Blücher after the Battle of Waterloo
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for the Forget Me Not annual, 1839, with illustrative verse by
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for The
Keepsake annual, 1837, with a poetical illustration by
756:. Vol. 54. London: Smith, Elder & Co. p. 392–393.
672:. Vol. 54. London: Smith, Elder & Co. p. 392–393.
215:. He produced "Raffaelle and the Fornarina" (1842), after Sir
346:; and "A Spanish Letter Writer", after John Bagnold Burgess.
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Lumb. He was educated at Horton House School, Horton, near
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In 1853, Stocks was elected an associate engraver of the
223:; and three plates – "The Glee Maiden" and "Ruth", after
371:. They had eight sons and a daughter. Their second son
338:; "The Odalisque" and "The Sister's Kiss", after Sir
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125:(29 November 1812 – 28 April 1892) was a British
291:, and "O Nannie, wilt thou gang wi' me?" after
227:, and "The Parable of the Ten Virgins", after
382:Stocks died on 28 April 1892, at his home in
315:; and "Stolen by Gipsies: the Rescue", after
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698:(online ed.). Oxford University Press.
287:, and later by "The Gentle Shepherd", after
264:, and "St Luke painting the Virgin", after
256:, which included "Cupid and Psyche", after
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695:Oxford Dictionary of National Biography
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201:, "Preparing Moses for the Fair", from
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137:Lumb Stocks was born at Gawbert Hall,
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379:, a cathedral organist and composer.
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319:, which had been left unfinished by
260:, "Uncle Toby and the Widow", after
169:. His apprenticeship ended in 1833.
837:People from Halifax, West Yorkshire
768:2 artworks by or after Lumb Stocks
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568:Portrait of the Scottish chemist
334:; "The Fight Interrupted", after
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753:Dictionary of National Biography
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669:Dictionary of National Biography
583:Grave of Walter Fryer Stocks in
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353:Family grave of Lumb Stocks in
177:Stocks engraved plates for the
272:Royal Academy and later career
161:. In 1832 he exhibited at the
37:Photo of Lumb Stocks from the
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488:Mother & child at bedtime
471:; printed by McQueen for the
862:Burials at Highgate Cemetery
712:UK public library membership
613:Horsfall, Turner J. (1891).
525:Preparing Moses for the fair
377:Harold Carpenter Lumb Stocks
195:Royal Gallery of British Art
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507:The Christening Procession
167:Portrait of a Young Artist
616:Yorkshire County Magazine
242:, and several plates for
211:, and "Nell Gwyn", after
189:of 1835. He engraved for
39:Yorkshire County Magazine
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811:Letitia Elizabeth Landon
792:Letitia Elizabeth Landon
420:Uncle Toby and the Widow
465:A Spanish Letter Writer
238:, and "Bedtime", after
847:19th-century engravers
704:10.1093/ref:odnb/26546
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217:Augustus Wall Callcott
204:The Vicar of Wakefield
740:Graves, Robert Edmund
654:Graves, Robert Edmund
447:The Fight Interrupted
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332:John Callcott Horsley
278:Royal Academy of Arts
262:Charles Robert Leslie
248:from pictures in the
163:Royal Academy of Arts
788:Edmund Thomas Parris
659:"Stocks, Lumb"
469:John Bagnold Burgess
344:John Everett Millais
317:John Bagnold Burgess
240:William Powell Frith
229:James Eckford Lauder
527:. A scene from the
473:Art Union of London
373:Walter Fryer Stocks
321:Charles Henry Jeens
313:Edward Matthew Ward
225:Robert Scott Lauder
221:Art Union of London
219:, engraved for the
857:Royal Academicians
529:Vicar of Wakefield
407:Lumb Stocks, 1860s
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143:Halifax, Yorkshire
852:English engravers
842:British engravers
710:(Subscription or
585:Highgate Cemetery
424:Laurence Sterne's
388:Highgate Cemetery
369:Islington, London
355:Highgate Cemetery
340:Frederic Leighton
330:; "Detected", by
285:Joseph Noel Paton
254:Vernon collection
155:Charles West Cope
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108:Years active
84:Islington, London
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554:Charles Landseer
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451:William Mulready
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384:Holloway, London
336:William Mulready
250:Royal Collection
213:Charles Landseer
179:literary annuals
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57:29 November 1812
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16:British engraver
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770: at the
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744:Stocks, Lumb
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621:. Retrieved
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289:David Wilkie
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258:Thomas Uwins
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173:Early career
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78:(1892-04-28)
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832:1892 deaths
827:1812 births
784:Remembrance
748:Lee, Sidney
723:Attribution
664:Lee, Sidney
587:(west side)
549:Nell Gwynne
357:(west side)
293:Thomas Faed
139:Lightcliffe
118:Lumb Stocks
92:Nationality
61:Lightcliffe
25:Lumb Stocks
821:Categories
714:required.)
593:References
328:E. M. Ward
185:, for the
133:Early life
100:Occupation
53:1812-11-29
803:Alice Lee
742:(1898). "
492:W P Frith
86:, England
67:, England
65:Yorkshire
656:(1898).
623:26 March
431:, after
207:, after
151:Bradford
127:engraver
103:Engraver
750:(ed.).
737::
666:(ed.).
475:in 1888
394:Gallery
141:, near
95:British
772:Art UK
746:". In
708:
556:, R.A.
552:after
535:, R.A.
531:after
509:after
494:, R.A.
490:after
467:after
449:after
187:Amulet
805:. by
786:. by
662:. In
774:site
625:2021
252:and
73:Died
47:Born
41:1891
700:doi
193:'s
147:née
823::
678:^
633:^
601:^
323:.
268:.
165:a
122:RA
111:60
63:,
813:.
706:.
702::
627:.
55:)
51:(
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