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views it as an art historical term in the context of kinetic art; he states that "there is no lumino kinetic art after the early 70s; it stands as a precursor to other contemporary cybernetic, robotic, new media-based arts, and is limited to a very small number of (male) European avant-garde artists
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Quote: "Apart from machines of this type, various other methods of projection have been practised in the field of lumino-kinetic art." Artist mentioned on p199: Leonard, Don Snyder, Stern, Tambellini.
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views the evolution of this type of art as evidence of "aesthetic preoccupations linked with technological advancement" and a starting-point in the context of high-technology art.
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Frank Popper: "The Place of High-Technology Art in the
Contemporary Art Scene." by Frank Popper. Leonardo, Vol. 26, No. 1 (1993), pp. 65–69. Published by: The MIT Press
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p 291 Quote: "Moderne de la Ville de Paris on 23 May 1967, offered the public access to a large range of lumino-kinetic works by artists such as Agam, Calos, Cruz-Diez
23:, a lumino kinetic bronze sculpture and columnar machine that serves as a weather beacon, displaying a weather prediction each day at noon, in Portland, Oregon.
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Quote: "The interruption of "white light" created by overlapping red, green, and blue light serves as one basis for making lumino- kinetic art objects"
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is also associated with the term as a "lumino kinetic sculptor". In the 1960s various exhibits involved Lumino
Kinetic art, inter alia
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Impossible histories: historical avant-gardes, neo-avant-gardes, and post-avant-gardes in
Yugoslavia, 1918-1991
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The multiple origins of the term itself involve, as the name suggests, light and movement. There was an early
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Highlighting
Borusan, example of a lumino kinetic art project by Waltraut Cooper, pioneer of digital art
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Summer of love: psychedelic art, social crisis and counterculture in the 1960s
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Summer of love: psychedelic art, social crisis and counterculture in the 1960s
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in the late 1960s because the moving lights were spectacular and psychedelic.
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is a subset and an art historical term in the context of the more established
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Christoph
Grunenberg; Jonathan Harris; Tate Gallery Liverpool (2005).
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http://www.hatjecantz.de/controller.php?cmd=artdictionary&id=32
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can be regarded as one of the fathers of Lumino kinetic art.
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at the
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worked with the term Lumino-kinetic paintings. Artist
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357:Grunenberg, Christoph; Jonathan Harris (2005).
58:and moving sculpture are the components of his
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391:Djurić, Dubravka; Miško Šuvaković (2003).
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148:Origins and development of kinetic art
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145:Frank Popper; Stephen Bann (1968).
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117:de la Ville de Paris in 1967.
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46:(1895–1946), a member of the
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62:(1922–30), One of the first
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66:pieces which also combines
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266:Retrieved January 17, 2011
169:Roukes, Nicholas (1974).
329:. New Media Encyclopedia
327:"Glossary - Kinetic art"
172:Plastics for kinetic art
38:. The historian of art
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60:Light-Space Modulator
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459:Visual arts genres
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347:Oxford Art Online
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277:www.hatjecantz.de
231:Kinechromatic art
210:978-0-85323-919-2
186:978-0-8230-4029-2
107:Kunst-Licht-Kunst
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444:Light art
410:13 August
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236:Lumia art
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