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while the couple finish and leave. Ishita realizes this is a daily occurrence but is unable to stop it. She also realizes being turned on by watching them have sex. The next day, she secretly starts hiding in her apartment, to spy on them through a mirror and leaves her office daily around 3 pm on the pretence of seeing an acupuncturist for her migraines. One day, Seema spots Ishita in the same mirror and realizes she is being watched. Unable to confront Ishita lest she be fired, but also excited by having someone watch her, she continues and pretends as if nothing has happened. One afternoon, Ishita accidentally knocks something over, causing a commotion and forcing Seema to confront her. The two hurl accusations at each other and Seema is fired. She struggles to land another job, while Ishita cannot find another maid as rumours about the altercation have spread. At night, Kamal and Seema argue with each other outside their tiny one-room apartment, right where she found and yelled at her daughter for conversing with her boyfriend. Kamal is at first angry with Seema for screaming at her for something trivial in public at odd hours of the night, which then evolved into an argument about her willingly allowing an invasion of their privacy by Ishita but reconciles when he realizes she did so intentionally as a turn on. Some weeks later, Ishita and Seema run into each other while buying groceries. They enquire about the other's wellbeing, and Seema asks if she can come back to work. Ishita agrees, and hands over the keys to her apartment. The next day, Ishita sneaks back into her apartment at 3pm, indicating a return to the old patterns.
422:, the conversation revolves around their shared interests and hobbies. Both sets of parents seem to agree that the couple would make a 'perfect match', as they share many hobbies and common interests. Veda's grandmother, who is religious and widowed, walks into the room, and casually enquires if the couple have had sex yet. The other elders are shocked, and Arjun and Veda are left embarrassed. Veda's grandmother insists on the importance of physical intimacy in a relationship, as she believes hobbies can be abandoned and interests change over time. Later that night, she privately narrates to Veda her relationship with her own husband, Veda's grandfather, which was based on mutual attraction for each other, as well as the ability to satisfy the other in bed. Taking cues from this, Veda and Arjun become intimate, often renting private hotel rooms to engage in intercourse. Veda confesses to her grandmother that, though she enjoys the experience, she isn't left feeling fully satisfied. Meanwhile, Veda's parents are chided by Veda's grandmother for having let the spark die out of their own relationship, and forcing the same on to their daughter. One afternoon, Veda and Arjun visit her grandmother, and excitedly proclaim that they have finally understood how to satisfy the other person in bed. Veda's grandmother is pleased to hear this, and open heartedly offers her blessings for their wedding. She even offers to set up her room for them, to use on their wedding night as a honeymoon suite.
444:), which makes him happy. Inside her house, it is revealed that they were once married, but she disappeared ten years ago. He is thrilled to see her again, but she wants him to leave. They recall their past and have conversations, during which he behaves inappropriately towards her. She repeatedly asks him to go away, but he refuses. They discuss the events leading up to her disappearance, and she suspects that Anu was involved. He reveals that he married Anu and had children with her, becoming the CEO of Anu's father's company. This angers Shanti, who thinks Anu orchestrated her abduction to marry Vijay. They have sex, and while lying together, Shanti mentions the pregnancy test she took before her disappearance. Vijay's response reveals that he manipulated the situation and planned everything to marry Anu. Shanti realises this and confronts him, and he admits to it. He then suffocates and kills her with a pillow. In order to escape the arriving policeman, Vijay escapes through a window. Back at his car, he sees people pulling his body out, thinking he is dead because he didn't respond. Shanti appears next to him and tells him he should have returned when he had the chance, which is when he screams.
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hired by
Devyani to replace the one who quit. Rekha, is young and innocent, and Suraj tries to take advantage of her on the pretext of getting a massage. Ankur walks in at the same time, and Suraj is forced to leave. Meanwhile, Ankur notices Rekha's disheveled appearance as she adjusts her clothing. At night, Devyani is awoken by sounds of pleasure and moaning emanating from a room in the castle. She believes it is Suraj and Rekha, and seems oddly pleased. Unknown to Suraj, Rekha is the former prostitute, hired from Devyani's mother, to work in the castle. Devyani installs her, hoping that she will pass the "disease" on to Suraj once he inevitably assaults her. As Devyani walks towards the room to seek confirmation, she is interrupted by the sound of Suraj stumbling into the house. He is drunk and unable to walk, and passes out in the courtyard. Devyani is shocked, and turns with a look of horror at the sounds still emanating from the room. She realizes her plan has horribly backfired, as Rekha is likely having sex with Ankur.
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Amruta
Subhash. Verma further discusses Sujoy Ghosh's segment, which explores the encounters of Vijay Varma and Tamannaah Bhatia, delving into the subconscious and guilt. She mentions the fanciful visuals and eerie atmosphere of the segment, which focuses less on explicit representations of sex and more on the toxic nature of lust within an individual. She appreciated the enigmatic and imperfect nature of Amit Ravindernath Sharma's concluding segment, addressing domestic violence and casteism. Verma expressed disappointment in the anthology's lack of queer narratives but acknowledged its potential as a streaming franchise.
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hitting a cyclist. Unable to start his car or use his phone, he seeks help from the cyclist and they go to a nearby village. He asks a reluctant mechanic to fix his car, but there is no phone signal available. He goes to a coffee shop and hears a familiar song playing nearby. He follows the sound and finds a woman in a red saree dancing at a community hall. He tries to approach her, but she denies being the person he thinks she is and asks him to leave. A police officer arrives and addresses her by the name he called her (
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456:, who lives in a palace with his wife and step-son. He is sexually abusive towards, not just his wife, Devyani, but also to young girls in the village. He had married Devyani after lusting for her in a prostitution house, and took in her son too. After he assaults a maid working at the palace, forcing her to quit, Devyani is tasked with a replacement. On a regular weekly call, Devyani's mother, who runs a prostitution house, tells Devyani of a young prostitute contracting "the disease" (
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turning point, exploring female desire in a complex manner. "Sex with Ex" is a genre exercise with the captivating performances of leads, who bring chemistry and intrigue to their roles as a woman who vanished mysteriously and her one-time husband, while "Tilchatta" provides a fitting end with Kajol's solid performance. Overall, Chatterjee felt that the show offers a range of narratives, delivering occasional passionate storytelling.
872:. She highlights the engaging nature of anthologies and praises the four filmmakers for their different perspectives on female sexuality. Kukreja particularly enjoys Konkona Sen Sharma's segment and appreciates the performances of Tillotama Shome and Amruta Subhash. While she finds Sujoy Ghosh's segment to be the weakest, she credits Amit Sharma's segment for its twist in the climax. Overall, Kukreja recommends
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the smaller impact of the marquee name, Kajol. Overall, Gupta appreciated the exploration of class and desire in "The Mirror" but criticized the lack of representation of marginalized communities in the anthology. The anthology exploring desi sexuality, receives positive feedback from Monika Rawal
Kukreja of
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Ishita is a graphic designer, in her early 40s, who lives alone. She suffers from frequent migraines. Her maid, Seema, visits during the day, to clean her apartment. One afternoon, Ishita walks in on Seema having sex with her husband, Kamal, in her bedroom. Too shocked to confront them, Ishita hides
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rated the film 3/5 and she described it as a mixed bag of stories and themes. While bursts of passion are present, Chatterjee felt that they are not the main focus. The opening story is criticized for its sterile approach, but Neena Gupta's performance stands out. "The Mirror" is highlighted as the
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found
Konkona Sen Sharma's segment, "The Mirror," to be the most complex and satisfying. Gupta criticized the lack of passion and avoidance of intimacy in the first episode. The third episode left the reviewer confused about its genre. Gupta praised the performances in the fourth episode but noted
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Vijay is a successful CEO of a company, who is married but has a strained relationship with his wife Anu. He meets with an accident while driving his old car. Before the accident, he had a video call with his girlfriend, who distracted him and caused him to crash into a tree while trying to avoid
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as a diverse anthology that explores lust beyond sexual aspects,gave a rating of 3 out of 5 stars. She praised
Konkona Sen Sharma's segment for its intimate storytelling and social context. The segment delves into the primal nature of lust between two characters, portrayed by Tillotama Shome and
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for higher education. Ankur is reluctant to leave his mother alone with his stepfather, but
Devyani's long-term plan is to follow Ankur abroad once he settles down. Suraj discourages Ankur in his plans, and also keeps chiding him for his unknown father. Suraj sets his eyes on Rekha, the new maid
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gave the anthology 2/5 but praised Neena Gupta's role in the first story. She also praised
Konkona Sen Sharma's short "The Mirror", writing "With sweat and spit and other bodily fluids oozing, this short drives in the point that sex can be strange and messy, especially when it steps out of the
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received 5 nominations, including Best Web
Original Film and Best Director in a Web Original Film (Sen Sharma), and won 2 awards – Best Web Original Film (Critics) and Best Supporting Actress in a Web Original Film (Subhash).
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1045:"Tamannaah Bhatia clarifies she did not break her 18-year-old no-kissing policy for Vijay Varma in Lust Stories 2 just for popularity sake"
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1161:"'Lust Stories 2' teaser: Kajol, Neena Gupta, Tamannaah Bhatia, Vijay Varma impress and leave fans wanting for more!"
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1131:"Lust Stories 2 teaser: Neena Gupta, Kajol, Tamannaah Bhatia, Vijay Verma, Mrunal Thakur to star in anthology"
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1423:"Lust Stories 2 review: With more hits than misses, Netflix delivers another winner on desi sexuality"
1333:"Lust Stories 2 Review: High-Wattage Tamannaah Sizzles, Vijay Varma Absorbs The Heat Without Melting"
1075:"Tamannaah Bhatia Breaks Her 18-Year-Old 'No Kiss' Policy for Vijay Varma: 'Not Trying to Be Famous'"
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confines of straight-laced monogamous heteronormativity. It no longer remains palatable or clean."
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The film is a series of four short stories on the topic of love, sex, violence, and relationships.
1199:"Lust Stories 2 teaser: Kajol, Vijay Varma and more star in the second edition of the hit anthogy"
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Unicorn Entertainment, the film has an
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Zeeshan Nadaf as Kuwar Ankur Singh, Suraj Singh's step son, Chanda's son
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for its brilliant performances and the message it portrays.
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as Smt. Devyani Singh / Chanda, Suraj Singh's mistress
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When Veda and Arjun's families meet to discuss their
1363:"'Lust Stories 2' review: More sordid than sensuous"
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Kanupriya Pandit as Mohini M. Kaushal, Veda's mother
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1303:"Lust Stories 2 Review: Konkona Saves The Day!"
953:Best Supporting Actress in a Web Original Film
607:Payal Pande as Batari, Suraj Singh's house maid
565:Jeniffer Piccinato as Nisha, Vijay's girlfriend
535:Shrikant Yadav as Kamal Mhatre, Seema's husband
501:Hemant Kher as Mohan P. Kaushal, Veda's father
452:Suraj Singh is a wealthy former king in rural
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940:Best Director in a Web Original Film
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1463:from the original on 20 January 2024
1018:British Board of Film Classification
489:as Kamli Kaushal, Veda's grandmother
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562:as Anita "Anu", Vijay's second wife
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1433:from the original on 29 June 2023
1403:from the original on 29 June 2023
1343:from the original on 27 July 2023
1081:from the original on 15 June 2023
1055:from the original on 15 June 2023
1025:from the original on 29 June 2023
969:Pooja Tolani, Konkona Sen Sharma
932:Best Web Original Film (Critics)
1373:from the original on 5 July 2023
1313:from the original on 5 July 2023
1247:from the original on 6 June 2023
1209:from the original on 6 June 2023
1179:from the original on 6 June 2023
1141:from the original on 6 June 2023
1111:from the original on 6 June 2023
993:List of Netflix India Originals
966:Best Story (Web Original Film)
507:The Mirror (Konkona Sen Sharma)
386:and others. It was released on
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495:as Arjun Bhalla, Veda's fiancé
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1558:Netflix original programming
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235:Flying Unicorn Entertainment
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577:as Inspector Inderjit Singh
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1528:2020s Hindi-language films
759:"Jab Koi Baat Bigad Jaaye"
601:Anushka Kaushik as Rekhaji
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186:Chandrashekhar Prajapati
58:Amit Ravindernath Sharma
917:Best Web Original Film
777:Marianne D'Cruz Aiman,
678:Feature Film soundtrack
613:as Mausi, brothel madam
583:Tilchatta (Amit Sharma)
35:Official release poster
1533:Indian anthology films
262:29 June 2023
641:8 June 2023
326:segments directed by
322:, consisting of four
1367:best-of-netflix.com
913:Filmfare OTT Awards
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414:Made for Each Other
16:2023 anthology film
1397:The Indian Express
1165:The Times of India
1135:The Indian Express
1049:The Times of India
944:Konkona Sen Sharma
862:The Indian Express
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571:as David Chaudhary
532:), Ishita's friend
526:Konkona Sen Sharma
516:as Ishita Sengupta
483:as Veda M. Kaushal
332:Konkona Sen Sharma
211:Subhajit Mukherjee
178:Nayan H. K. Bhadra
53:Konkona Sen Sharma
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810:review aggregator
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575:Tarun Khanna
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360:Kumud Mishra
319:Lust Stories
317:
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278:Running time
255:Release date
161:Anand Bansal
108:Kumud Mishra
18:
774:(recreated)
560:Mukti Mohan
548:Vijay Varma
487:Neena Gupta
384:Vijay Varma
372:Neena Gupta
340:Sujoy Ghosh
282:132 minutes
231:RSVP Movies
208:Sagar Desai
138:Vijay Varma
123:Neena Gupta
72:Produced by
63:Sujoy Ghosh
41:Directed by
1523:2023 films
1517:Categories
1467:9 February
999:References
980:Nominated
972:Nominated
948:Nominated
925:Nominated
826:Rediff.com
645:2023-06-08
530:Voice-over
493:Angad Bedi
426:The Mirror
368:Angad Bedi
350:including
324:short film
266:2023-06-29
220:Production
113:Angad Bedi
1241:0971-751X
1233:The Hindu
1173:0971-8257
893:Category
880:Accolades
829:reviewed
804:Reception
745:Aman Pant
726:Singer(s)
454:Rajasthan
448:Tilchatta
222:companies
205:Aman Pant
169:Edited by
1461:Archived
1431:Archived
1401:Archived
1371:Archived
1341:Archived
1337:NDTV.com
1311:Archived
1245:Archived
1207:Archived
1203:Filmfare
1177:Archived
1139:Archived
1109:Archived
1105:NDTV.com
1079:Archived
1053:Archived
1023:Archived
987:See also
812:website
763:Indeevar
684:Language
654:Recorded
638:Released
420:marriage
328:R. Balki
295:Language
194:Music by
91:Starring
48:R. Balki
1503:Netflix
1437:29 June
1407:29 June
1347:29 June
1317:29 June
1286:8 April
1085:15 June
1059:15 June
1029:29 June
899:Result
819:Critic
808:On the
796:Release
741:Shellee
666:Netflix
643: (
393:At the
388:Netflix
287:Country
264: (
248:Netflix
1377:5 July
1307:Rediff
1251:6 June
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1213:6 June
1183:6 June
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1145:6 June
1115:6 June
788:
729:Length
720:Lyrics
662:Studio
442:Shanti
902:Ref.
887:Year
823:from
723:Music
717:Title
693:Label
687:Hindi
673:Genre
619:Music
590:Kajol
352:Kajol
298:Hindi
290:India
98:Kajol
1492:IMDb
1469:2024
1439:2023
1409:2023
1379:2023
1349:2023
1319:2023
1288:2024
1253:2023
1237:ISSN
1215:2023
1185:2023
1169:ISSN
1147:2023
1117:2023
1087:2023
1061:2023
1031:2023
961:Won
935:Won
908:2023
841:NDTV
751:2:22
657:2018
469:Cast
406:Plot
338:and
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