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Borys Voznytsky Lviv National Art Gallery

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149: 367: 466: 842: 526: 731: 1060: 1411:, among others from Spain, Italy, and France, and transformed the scope of the city collection from a local gallery into one of national, if not international, significance. This was a major purchase, with complex funding and political issues, including the complication that the city council was buying, at that time, across an international border: Sytkivtsi part of the Russian Empire, Lviv part of the Austro-Hungarian Empire. The collection was moved--"smuggled"—across the Zbruch River, then the border between Russia and Austria, and installed in the halls of the Lviv Art and Industry Museum.. 785: 1517: 747: 712: 804: 1425: 885: 322: 33: 356: 1552:
Voznytsky, who had been awarded the Soviet Medal for bravery for his service to the army during WWII, did not shrink from the task of reviving the museum's mission as he saw it. For the next four decades, he would engage art historians, enthusiasts, and the general public to aid him and the museum in the preservation of some twelve thousand museum-worthy artifacts, which otherwise would have been destroyed as a part of the Soviet campaign against religion.
823: 766: 483:(1838-1893) was one of the foundational artists of the Lviv Gallery collection. His work was included at the Gallery's inaugural 1902 exhibition, and exemplifies the foundational principals of the gallery. The Lviv Gallery holds the largest collection of Matejko's work, outside of Poland. The work demonstrates the wide range of Matejko's artistic expression, including both major treatments of historical themes ( 868: 63: 1588:. "They guaranteed they wouldn't but now we can't trust them. And we need to take care of our heritage because this is our national treasure." ... "We are ready to help in any way we can, for all the museums in the country now in danger," said Kozhan, warning that even Lviv's many protected heritage sites may be targeted in the invasion. 1482:. The Germans confiscated 150 paintings that were never returned. In 1940, the Soviets occupied Lviv and seized the gallery, along with the city's other major cultural institutions. In a major and brutal reorganization, the Soviet authorities decided to consolidate or simply close several of these institutions, including the 416:(1904). The carnage the image depicts, superficially a representation of the expulsion of an invading force, more deeply reflects the local tragedy that the Poles took part in the war on the side of Napoleon, mistakenly believing that he would become the liberator of Poland and the country would restore its statehood. 286:) is the largest art museum in Ukraine, with over 62,000 artworks in its collection, including works of Ukrainian, Polish, Italian, French, German, Dutch and Flemish, Spanish, Austrian and other European artists. The artwork is currently divided into three major collections, housed in the historic Łoziński and 45: 1579:
The museum is currently closed. On March 10, 2022, "The walls of Lviv's National Museum stand bare." In response to the Russian invasion, staff and volunteers in Lviv have packed up and secured fragile artworks and precious historical materials as the Russian invasion of Ukrainian sovereign territory
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In 2012, the Department of Italian Art of the Borys Voznytsky Lviv National Art Gallery was replenished with paintings created by Italian masters in the second half of the 20th century. The paintings were transferred from Italy absolutely free of charge to create a permanent exhibition. This action
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In May 2022, plans were made to reopen galleries at the Lozinsky Palace, displaying temporary exhibits of Ukrainian art. "Putin now has the goal of turning Ukrainians into nobody, into nothing,” Director Taras Voznyak is quoted as saying, “In order to show that we are alive, we have opened several
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was the gallery's wartime director, 1941–1944. In the war-time environment, Ivanets was able to accomplish little, Despite being a decorated war veteran, he ran afoul of the Soviet administration. In July 1944 Ivanets abandoned Lviv for Vienna. While traveling to Kracow in 1945, he was arrested by
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The palace was designed by Parisian architect Louis Dauvergne and Juliusz Cybulski and completed in 1890. In 2002, the city transferred Potocki Palace to the Lviv National Art Gallery for restoration and future use. On February 14, 2007, the Gallery's 100 year anniversary, the palace was opened as
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The chronological and stylistic principle of the art on display in the first exhibition galleries is intended to highlight the complexity and diversity of the artistic and intellectual life, in particular in Lviv, starting from the early 19th century. This was a time of intense political chaos in
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During the 1960s and 1990s, under the directorship of revered art historian Borys Voznytsky, the Lviv Art Gallery became a significant museum center with multiple branches. In recognition of the size and quality of its collection, it received its status as the National Art Gallery of Ukraine in
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has been called the "guardian angel" of Ukrainian museums and castles, cultural monuments of the Ukrainian people. When he assumed the directorship of the Lviv Art Museum in 1962, the museum boasted approximately 10,000 artifacts, but had been reduced in its exhibition space to a single room.
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the new home of the department of European Art of the 14th - 18th centuries. The halls on the first floor are dedicated to a historical recreation of the palace's original interiors, while the second floor holds one of the richest collections of European art in Ukraine.
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The works on display in Łoziński Palace's exhibition halls represent only a fraction of the Gallery's collection. Lviv holds the most significant deposits of works by several Polish painters outside of the Kraków and Warsaw museums, including over 137 works by
1571:.On October 23, 2009, the Lviv Art Gallery received national status in independent Ukraine. Following his untimely death in a car crash in 2012, on April 12, 2013, the Lviv National Gallery of Arts added Voznytsky's name, in a gesture of deepest respect. 352:
Eastern Europe, as colonizing empires competed for political control. Amidst this chaos, the depiction of historical landmarks, historical monuments, castles, or even of applied arts or individuals, assumed a highly political flavor.
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took place as part of the "Days of Italy in Ukraine"  - the project was launched by the Italian Chamber of Commerce in Ukraine. Participation included 15 contemporary Italian artists who donated about 30 paintings, including:
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The decision to establish a gallery of European art in Lviv was made by the Lviv city magistrates in 1897. In 1902, the first exhibits were organized, featuring artwork by contemporary local painters: Malczewski, Matejko,
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The Gallery's collections are spread (in some cases for logistical purposes) across numerous sites in and around Lviv, with the bulk of the collections held in two 19th century palaces near the city center.
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A separate part of the exposition show the formation of the Lviv portrait. They are presented by works of artists from the Reykhanov, Mashkovsky and Martin Jablonski families. Here are some portraits of
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The newly created museum consolidated earlier donations, and, during WWI, was regarded as a safe haven from the looting occurring in the region. When Russian troops billeted on his estate in Kalnykiv,
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became the Boris Vosznytsky Lviv National Gallery of Arts, in honor of Vosznytsky's more than 40 years service, through the period Soviet rule and into that of independent Ukraine,
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work, "Madonna and Child with Catherine of Alexandria," Anon., (15th c), and a mourning portrait of Maria Ricci, painted on the end of a chest. The highlights here are the relief
148: 784: 746: 325:Łoziński Palace, Lviv. From 1914, home of the Lviv Art Gallery's collection, current home of the Lviv National Art Gallery's collection of 19th—21st century European Art 711: 465: 1910: 1417:
In 1914, the purchase of the palace at 3 Ossolinskikh Street (now Stefanyka Street), and the former property of Lviv University professor, historian and collector
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1938 marked another key year of expansion. Wary of the threat of war, local Polish aristocrats began again to deposit their collections with the gallery.
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Other aspects of the art of the Netherlands of the 16th century are woven carpets - tapestries . Two tapestries from Brussels, depicting scenes from the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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The first public exhibit of the Jakowicz collection in Lviv, opening February 14, 1907, is considered to be the beginning of the museum.
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Yehorova, Iryna (27 February 2007). "Lviv Art Gallery is 100 years old Ukraine's largest museum still without national status".
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Palaces, while the Gallery additionally has the charge of fifteen small museums and historical buildings in or close to Lviv.
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Content in this edit is translated from the existing Ukrainian Knowledge (XXG) article at ]; see its history for attribution.
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continues to the east. Plans are underway to evacuate Ukraine's cultural property in the besieged cities to the east.
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In the 1920s and 1930s, with the region's continued political instability, accessions in this manner were to continue.
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families. The gallery received parts of several of these collections, and was placed under the administration of the
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In late 1906, the city made the decision to purchase the art collection of sugar magnate Jan Jakowicz, from nearby
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The collection's male portrait, from Peter Paul Rubens' brush is, arguably the best of the museum's portraits.
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has a taste of academicism and salon art of the second half of the 19th century, with its polished figures and
96: 117: 1399:). Jakowicz's collection, some 2,000 art objects, included some 400 Western European paintings by Rembrandt, 596: 588: 397:(1823—1862). Acerna, the 16th century Polish patriot poet, is shown on his deathbed in the mode of a stoic. 1711: 1828: 1169:. The canvas being too large for the gallery premises in Lviv, it was decided to exhibit this painting at 1015: 1011: 929: 639: 871:
Potocki Palace, Lviv. From 2007, home of the Lviv National Art Gallery's collection of early European Art
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first formally opened in 1907. The museum experienced grave difficulties during the early Soviet era and
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and Baron Konstanty Brunytsky/Brunicki made significant donations from their estates during this time.
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expands the range of Italian genres, where there are landscapes. "Landscape of the city of Dresden" by
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heroism, seen through the lens of a Polish poet, in a scene taken from the poem of the same name by
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Among the paintings of the history genre should be mentioned "Battle of the Fencers in Hungary" by
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There are over 150 paintings of the Flemish and Dutch schools in the gallery’s collections. From
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Sofonisba Anguissola, Portrait of a Noblewoman (c 1580) B, Voznytsky Lviv National Museum of Art
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The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth Century
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Museum of Ancient Ukrainian Books, 15a Kopernyka street, near Potocki Palace
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is represented by a portrait of an noblewoman. Only two paintings represent
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The decision to found a municipal gallery of art was made in 1897, with the
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and, two landscapes by Abraham Cowarts. There are also paintings from the
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painted "The Apostle Peter Heals the Paralytic." "Landscape (landscape)"
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Symbolism in Polish art is represented by the works of Jacek Malczewski:
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to the source of your translation. A model attribution edit summary is
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Rampley, Matthew; Prokopovych, Markian; Veszprémi, Nóra (2021-02-25).
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Antonio Zgarbossa: What do you want to tell me?, During rehearsals
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The collection's early Italian painting is limited: there is the
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Mykhailo Dzyndra Museum of Modern Sculpture, 16 Muzeyna street,
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composition. Among the highlights of Polish painting in Lviv is
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Ivan Ivanets (director, 1941–1944), Soldiers on Horseback, 1937
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imbued less with heroic ideals than with longing for the dead.
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and private collections of the Stauropean Brotherhood and the
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Among the jewels of the collection are two still lives by
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Potocki Palace: European Art of the 14th - 18th centuries
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Maria Cristina Conti: Infinity, Infinity, New Beginning
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Madonna with Saints Mary Magdalene and John the Baptist
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a machine-translated version of the Ukrainian article.
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Carl Gustav and Szymon Starowolski at the Locket Tomb
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was transferred to its new premises - the renovated
362:, Death of Acerna (1865-7) Lviv National Art Gallery 70: 1161:, a German by birth, but from Italy, who worked in 257: 247: 239: 221: 213: 205: 189: 174: 164: 1044:, are exhibited at another branch of the Gallery, 1285:Church of St. John the Baptist, 1 Pidhirna street 1205:Federico Errante: cello painting and one untitled 706:Lviv National Art Museum: 19th Century Paintings 1217:Maurizio Stella: Dizziness, Motives for the zoo 1208:Roberto Ferrari: Three Flowers, Flower Workshop 1187:Roberto Bergonzo: Golden Sections, Yin and Yang 966:The Lviv Art Gallery collection also includes 626:The search for the new continues in the Polish 457:, Peter Kholodny, Yaroslava Muzyka and others. 347:Eastern European Art, 19th — early 20th century 1421:, brought the Gallery to a permanent address. 1354:Pyatychanska Tower, in Pyatychany, Stryi Raion 1214:Stefano Puleo: Summer Day, Fisherman's Holiday 95:accompanying your translation by providing an 57:Click for important translation instructions. 44:expand this article with text translated from 1921:Art museums and galleries established in 1907 1478:Lviv was overswept by opposing armies during 1282:Rusalka Dnistrova Museum, 40 Kopernyka street 955:, the spectacular and very popular paintings 432:Sketch of a Peasant Woman Wearing a Headscarf 8: 1544:The Borys Voznytsky Directorship (1962–2012) 1432:palace) first home for the Lviv Art Gallery 1199:Angelo Di Tommaso: White Rose, Gift to Canoe 1107:of the sixteenth century, with portraits by 134: 487:) and important intimate family paintings ( 305:and executed in Russian territory in 1946. 1132:'s "Pearl Hunts", one of them in Lviv. To 147: 133: 1096:the work of Leonardo da Vinci 's student 1088:, associated with the studio of sculptor 445:Also in these galleries are the works of 309:October, 2009 and on April 12, 2013, the 276:Borys Voznytsky Lviv National Art Gallery 135:Borys Voznytsky Lviv National Art Gallery 936:from the beginning of the 18th century. 365: 1601: 1223:Vittorio Varre: Etheric spaces, Thought 864:Contemporary art and exhibitions space. 704: 1911:1907 establishments in Austria-Hungary 502:turned away from social issues to the 892:(1631) M. Korshitsky Lviv Art Gallery 7: 1916:Art museums and galleries in Ukraine 1737: 1735: 1733: 1211:Ciro Palumbo: Dream, Leaving a Dream 860:Łoziński Palace: Museum of Modernism 1190:Andrea Boltro: Except When, Horizon 1034:with the fun of a private company. 722:Władysław the Elbow-high near Ojców 1636:"Courage and Fear, by Ola Hnatiuk" 1559:collection of 14th – 18th century 1428:3 Stefanyka Street, Lviv, (former 1220:Rodolfo Tonin: Suburbs, Pure Peace 1196:Maria Joya Dal'allo: Borrowed Vase 738:Fireworks in honor of Catherine II 611:is also presented in the gallery ( 601:Society of Polish Artists "Sztuka" 400:The folly of war and the death of 25: 533:(1900), Lviv National Art Gallery 489:Portrait of the Artist's Children 476:(1879), Lviv National Art Gallery 474:Portrait of the Artist's Children 377:(1904), Lviv National Art Gallery 1490:, Lviv's Historical Museum, the 1202:Silvano D'Orsi: Vacation, Family 984:(1557), a group of paintings by 840: 821: 802: 783: 764: 745: 729: 710: 31: 1248:(?) - "Waving on the balcony." 1103:The gallery is stronger in its 1030:, Dirk Hals, presents a canvas 907:Adoration of the Three Wise Men 140: 757:Christ and the Samaritan woman 689:Works not on Permanent Display 105:You may also add the template 1: 1610:"Ukraine's Finest Art Museum" 1474:WWII / Soviet Re-organization 1357:Museum of Zhydachiv Land, in 311:Lviv National Gallery of Arts 188: 1802:Dafoe, Taylor (2022-05-09). 1294:Memorial Museum-workshop of 897:Dutch and Flemish Collection 657:) is temporarily completed. 1659:Hnatiuk, Ola (2020-01-28). 1612:. lvivalive. Archived from 1154:, a landscape of the city. 947:There are two portraits by 603:. A friend and follower of 563:Portrait of S. Hirschenberg 434:(1831), with his paintings 131:Art museum in Lviv, Ukraine 118:Knowledge (XXG):Translation 1942: 1827:Arraf, Jane (2022-05-07). 1665:. Academic Studies PRess. 1382:Feliks Michał Wygrzywalski 1252:Branch Museums / Divisions 1020:A glass of wine and fruits 951:, a follower of the great 652:Feliks Michał Wygrzywalski 599:represent the work of the 69:Machine translation, like 1887:49.8370167°N 24.0253083°E 1640:Harvard Ukrainian Studies 1511:Ukrainian Academy of Arts 1330:Pidlyssia, Zolochiv Raion 1003:Dutch Golden Age painting 539:Self-Portrait with a Muse 283: 160: 146: 139: 46:the corresponding article 18:Lviv National Art Gallery 1086:Three Crosses on Calvary 795:Santa Maria della Salute 646:) and Zygmunt Radnicki ( 1567:, a former governor of 1565:Palace of Count Potocki 1261:, on 3 Stefanyka street 1122:Venus has fallen asleep 1080:, Anon., (14th c), the 957:Man with viola da gamba 944:, is also represented. 922:Still life with flowers 578:Let's go into the world 495:Other Significant Works 412:'s historical painting 385:'s historical painting 116:For more guidance, see 1892:49.8370167; 24.0253083 1590: 1521: 1433: 1291:Museum, 2 Mytna street 1236:Among the exhibits is 1064: 1016:Jan Jansz van de Velde 893: 888:Gerard van Honthorst, 872: 667:Portrait of a Daughter 636:Still Life with Pears) 580:, a Polish student of 534: 477: 378: 363: 326: 170:Lwowska Galeria Sztuki 1582: 1519: 1427: 1298:, 5 Martovycha street 1276:, 1 Katedralna Square 1267:, 15 Kopernyka street 1257:Lozinsky Palace, the 1232:Works of art of Spain 1062: 887: 870: 736:Jan Bogumił Plersch, 528: 468: 369: 358: 324: 89:copyright attribution 1716:. Penn State Press. 1452:Western European art 1438:Bolesław Orzechowicz 1345:Hetman Ivan Vyhovsky 1338:Memorial Museum, in 1326:Markiyan Shashkevych 1126:Sofonisba Anguissola 1014:and a still life by 1012:Pieter van der Croos 949:Gerrit van Honthorst 814:Landscape from Meaux 640:Stanisław Osostowicz 597:Włodzimierz Tetmajer 547:Christ before Pilate 520:Aleksander Gierymski 516:Rome Street at Night 226:Western European Art 1883: /  1532:and transported to 1328:Memorial Museum in 1289:Johann Georg Pinsel 1270:Museum of Modernism 1142:Alessandro Magnasco 978:Portrait of a woman 961:Woman with a guitar 890:Woman with a Guitar 810:Zygmunt Waliszewski 700:John Singer Sargent 632:Zygmunt Waliszewski 609:Władysław Ślewiński 593:Kazimierz Sichulski 395:Władysław Syrokomla 387:The Death of Acerna 136: 1833:The New York Times 1522: 1505:, Gołuchowski and 1488:Baworowski Library 1457:Racławice Panorama 1434: 1419:Władysław Łoziński 1105:Venetian paintings 1065: 940:, an associate of 934:Joseph van Bredael 894: 873: 753:Henryk Siemiradzki 675:Kasper Żelechowski 535: 478: 461:Matejko Collection 379: 364: 332:Władysław Łoziński 327: 193:3 Stefanyka street 97:interlanguage link 1723:978-0-271-08904-1 1672:978-1-64469-253-0 1492:Lubomirski Museum 1347:Museum, in Ruda, 1159:Martino Altomonte 1146:Bernardo Bellotto 918:Peter Paul Rubens 679:Aleksander Kotsis 671:Henryk Rodakowski 589:Władysław Jarocki 512:Alma-Tadema-esque 408:are reflected in 404:'s troops in the 383:Wilhelm Leopolski 381:In this context, 360:Wilhelm Leopolski 273: 272: 129: 128: 58: 54: 16:(Redirected from 1933: 1898: 1897: 1895: 1894: 1893: 1888: 1884: 1881: 1880: 1879: 1876: 1851: 1850: 1848: 1847: 1824: 1818: 1817: 1815: 1814: 1799: 1793: 1792: 1790: 1789: 1774: 1768: 1767: 1765: 1764: 1758:www.columbia.edu 1750: 1744: 1743: 1739: 1728: 1727: 1707: 1701: 1700: 1698: 1697: 1691:www.columbia.edu 1683: 1677: 1676: 1662:Courage and Fear 1656: 1650: 1649: 1647: 1646: 1632: 1626: 1625: 1623: 1621: 1606: 1569:Austrian Galicia 1549:Borys Vorznytsky 1500: 1397:Vinnitsya Oblast 1317:Pidhirtsi Castle 1177:The Italian Gift 1138:Bernardo Strozzi 1054:Giant Polyphemus 1024:Pauwels Casteels 1006:, for instance, 926:Abraham Brueghel 848:Józef Chełmoński 844: 829:Jacek Malczewski 825: 806: 791:Jan Stanisławski 787: 768: 749: 733: 714: 644:Street-Chestnuts 575:Ferdynand Ruszyc 573:and the work of 529:Jan Ciągliński, 455:Mykhailo Boichuk 451:Jacek Malczewski 295:Lviv Art Gallery 285: 269: 266: 264: 185: 183: 151: 137: 108: 102: 75:Google Translate 56: 52: 35: 34: 27: 21: 1941: 1940: 1936: 1935: 1934: 1932: 1931: 1930: 1926:Museums in Lviv 1901: 1900: 1891: 1889: 1885: 1882: 1877: 1874: 1872: 1870: 1869: 1859: 1854: 1845: 1843: 1826: 1825: 1821: 1812: 1810: 1801: 1800: 1796: 1787: 1785: 1777:Atika Shubert. 1776: 1775: 1771: 1762: 1760: 1752: 1751: 1747: 1741: 1740: 1731: 1724: 1709: 1708: 1704: 1695: 1693: 1685: 1684: 1680: 1673: 1658: 1657: 1653: 1644: 1642: 1634: 1633: 1629: 1619: 1617: 1616:on 29 June 2016 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1296:Teodozia Bryzh 1292: 1286: 1283: 1280: 1277: 1271: 1268: 1265:Potocki Palace 1262: 1253: 1250: 1246:Francisco Goya 1238:Jose de Ribera 1233: 1230: 1228: 1227: 1224: 1221: 1218: 1215: 1212: 1209: 1206: 1203: 1200: 1197: 1194: 1191: 1188: 1184: 1178: 1175: 1098:Andrea Solario 1069: 1066: 998:Mary Magdalene 938:Pieter Neefs I 928:, grandson of 914:Jan van Kessel 898: 895: 877: 874: 861: 858: 857: 856: 846: 839: 837: 827: 820: 818: 808: 801: 799: 789: 782: 780: 770: 763: 761: 751: 744: 742: 735: 728: 726: 716: 709: 707: 696:Jan Ciągliński 690: 687: 663:Artur Grottger 559:Olga Boznańska 496: 493: 462: 459: 424:Artur Grottger 375:Spring of 1813 348: 345: 343: 340: 336:Potocki Palace 318: 317:The Collection 315: 271: 270: 259: 255: 254: 249: 245: 244: 241: 237: 236: 223: 219: 218: 215: 211: 210: 207: 203: 202: 191: 187: 186: 176: 172: 171: 168: 165: 162: 161: 158: 157: 152: 144: 143: 130: 127: 126: 122: 121: 114: 103: 81: 78: 67: 60: 41: 40: 39: 37: 30: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1938: 1927: 1924: 1922: 1919: 1917: 1914: 1912: 1909: 1908: 1906: 1899: 1896: 1875:49°50′13.26″N 1864: 1861: 1860: 1856: 1842: 1838: 1834: 1830: 1823: 1820: 1809: 1805: 1798: 1795: 1784: 1780: 1773: 1770: 1759: 1755: 1749: 1746: 1738: 1736: 1734: 1730: 1725: 1719: 1715: 1714: 1706: 1703: 1692: 1688: 1682: 1679: 1674: 1668: 1664: 1663: 1655: 1652: 1641: 1637: 1631: 1628: 1615: 1611: 1605: 1602: 1596: 1594: 1589: 1587: 1581: 1574: 1572: 1570: 1566: 1562: 1558: 1553: 1550: 1543: 1541: 1539: 1535: 1531: 1526: 1518: 1514: 1512: 1508: 1504: 1498: 1493: 1489: 1485: 1481: 1473: 1471: 1469: 1468:Leon Piniński 1464: 1461: 1460: 1458: 1453: 1449: 1448: 1443: 1439: 1431: 1426: 1422: 1420: 1415: 1412: 1410: 1406: 1402: 1398: 1394: 1389: 1387: 1383: 1379: 1370: 1365: 1360: 1356: 1353: 1350: 1346: 1343: 1341: 1337: 1334: 1331: 1327: 1324: 1322: 1318: 1315: 1313: 1309: 1308:Olesko Castle 1306: 1304: 1300: 1297: 1293: 1290: 1287: 1284: 1281: 1278: 1275: 1272: 1269: 1266: 1263: 1260: 1259:main building 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The artist 1123: 1120: 1119:Palma Vecchio 1116: 1115:Marco Basaiti 1112: 1110: 1106: 1101: 1099: 1095: 1091: 1087: 1083: 1079: 1075: 1067: 1061: 1057: 1055: 1051: 1047: 1046:Olesko Castle 1043: 1038: 1035: 1033: 1029: 1025: 1021: 1017: 1013: 1009: 1005: 1004: 999: 995: 991: 987: 983: 979: 975: 971: 970: 964: 962: 958: 954: 950: 945: 943: 942:Frans Franken 939: 935: 931: 927: 923: 919: 915: 910: 908: 904: 896: 891: 886: 882: 875: 869: 865: 859: 853: 849: 843: 838: 834: 830: 824: 819: 815: 811: 805: 800: 796: 792: 786: 781: 777: 773: 767: 762: 758: 754: 748: 743: 739: 732: 727: 723: 719: 713: 708: 705: 703: 701: 697: 688: 686: 684: 680: 676: 672: 668: 664: 658: 656: 653: 649: 645: 641: 637: 633: 629: 628:expressionism 624: 622: 618: 614: 610: 606: 602: 598: 594: 590: 587:The works of 585: 583: 579: 576: 572: 568: 564: 560: 556: 552: 548: 544: 540: 532: 527: 523: 521: 517: 513: 509: 505: 501: 494: 492: 490: 486: 482: 475: 471: 467: 460: 458: 456: 452: 448: 443: 441: 437: 433: 429: 425: 421: 417: 415: 411: 407: 403: 398: 396: 392: 388: 384: 376: 372: 368: 361: 357: 353: 346: 341: 339: 337: 333: 323: 316: 314: 312: 306: 304: 300: 296: 291: 289: 281: 277: 268: 260: 256: 253: 252:Taras Voznyak 250: 246: 242: 238: 235: 234:Ukrainian Art 231: 227: 224: 220: 216: 214:Accreditation 212: 208: 204: 201: 197: 192: 177: 173: 169: 163: 159: 155: 150: 145: 138: 119: 115: 112: 104: 98: 94: 90: 86: 82: 79: 76: 72: 68: 65: 62: 61: 55: 49: 47: 42:You can help 38: 29: 28: 19: 1878:24°1′31.11″E 1868: 1844:. 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Retrieved 1614:the original 1604: 1591: 1583: 1578: 1561:European art 1555:In 2005 the 1554: 1547: 1525:Ivan Ivanets 1523: 1503:Dzieduszycki 1477: 1465: 1462: 1455: 1451: 1445: 1435: 1416: 1413: 1390: 1374: 1303:Briukhovychi 1258: 1235: 1180: 1156: 1149: 1121: 1113: 1102: 1093: 1085: 1077: 1071: 1053: 1049: 1039: 1036: 1031: 1019: 1007: 1001: 997: 993: 989: 977: 974:Lucas Gassel 969:Saint Jerome 967: 965: 960: 956: 946: 930:Jan Brueghel 921: 911: 906: 900: 889: 879: 863: 851: 832: 813: 794: 775: 772:Julian Fałat 756: 737: 721: 692: 683:Józef Brandt 666: 659: 654: 647: 643: 635: 625: 620: 619:, Brittany. 616: 612: 605:Paul Gauguin 586: 577: 570: 566: 562: 554: 546: 542: 538: 536: 530: 515: 507: 500:Paul Merwart 498: 488: 484: 479: 473: 444: 439: 438:(1864), and 435: 431: 427: 418: 414:Spring, 1813 413: 399: 390: 386: 380: 374: 350: 328: 310: 307: 294: 292: 275: 274: 93:edit summary 84: 51: 48:in Ukrainian 43: 1890: / 1808:Artnet News 1593:branches.” 1586:Ihor Kozhan 1538:Perm Oblast 1495: [ 1386:Edward Okuń 1371:Early years 1349:Stryi Raion 1274:Boim Chapel 1068:Italian Art 669:, 1881) by 555:Philistines 551:Edward Okuń 549:(1910) and 506:. His work 481:Jan Matejko 470:Jan Matejko 420:Ottyniowice 406:war of 1812 263:lvivgallery 222:Collections 175:Established 166:Former name 53:(June 2011) 1905:Categories 1863:Courant 12 1846:2022-05-11 1813:2022-05-11 1788:2022-03-11 1763:2022-03-09 1696:2022-03-10 1645:2022-03-10 1597:References 1557:Lubomirski 1484:Ossolineum 1454:, and the 1447:Polish art 1134:Caravaggio 1074:Florentine 1028:Frans Hals 953:Caravaggio 617:Still Life 230:Soviet Art 209:Art museum 1841:0362-4331 1534:Solikamsk 1409:Velasquez 1393:Sytkivtsi 1378:Jan Styka 1359:Zhydachiv 1321:Pidhirtsi 1094:This Man! 1090:Donatello 1008:The Storm 740:, (~1787) 621:Fisherman 571:Children, 280:Ukrainian 111:talk page 1430:Łoziński 1405:Van Dyke 1340:Zolochiv 1167:Salzburg 976:(1539), 963:(1631). 920:, and a 607: - 545:(1917), 541:(1904), 436:Nocturne 428:Ukrainka 402:Napoleon 248:Director 190:Location 87:provide 1620:26 July 1507:Sapieha 1366:History 1163:Zhovkva 1082:Umbrian 1050:Odyssey 1042:Odyssey 1032:Banquet 994:Bellona 903:Utrecht 288:Potocki 258:Website 200:Ukraine 180: ( 109:to the 91:in the 50:. 1839:  1720:  1669:  1530:SMERSH 1407:, and 1401:Rubens 1384:, and 1312:Olesko 1151:veduta 1109:Titian 990:Venice 905:, the 854:(1906) 835:(1909) 816:(1929) 797:(1904) 778:(1907) 759:(1890) 724:(1890) 681:, and 648:Fruits 595:, and 543:Pythia 430:, and 422:-born 391:Polish 303:SMERSH 243:62,000 1865:(PDF) 1499:] 1319:, in 1310:, in 1148:is a 655:Labor 531:Yalta 508:Flood 504:Bible 71:DeepL 1837:ISSN 1718:ISBN 1667:ISBN 1622:2013 1480:WWII 1165:and 1092:and 1052:and 996:and 959:and 833:Eloe 776:Snow 299:WWII 265:.org 217:1907 206:Type 196:Lviv 182:1897 178:1897 85:must 83:You 64:View 1783:CNN 1056:). 1010:by 980:by 972:by 924:by 630:of 623:). 613:Sea 553:'s 518:by 267:.ua 73:or 1907:: 1835:. 1831:. 1806:. 1781:. 1756:. 1732:^ 1689:. 1638:. 1513:. 1497:pl 1486:, 1450:, 1403:, 1388:. 1380:, 1173:. 1100:. 1018:, 992:, 988:, 850:, 831:, 812:, 793:, 774:, 755:, 720:, 677:, 673:, 638:, 615:, 591:, 584:. 569:, 565:, 561:: 522:. 472:, 453:, 449:, 373:, 282:: 232:, 228:, 198:, 1849:. 1816:. 1791:. 1766:. 1726:. 1699:. 1675:. 1648:. 1624:. 1536:( 1459:. 1395:( 1361:. 1351:. 1332:. 1076:" 1048:( 665:( 642:( 634:( 278:( 184:) 120:. 113:. 20:)

Index

Lviv National Art Gallery
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Potocki Palace.
Lviv
Ukraine
Western European Art
Soviet Art
Ukrainian Art
Taras Voznyak
lvivgallery.org.ua
Ukrainian
Potocki
WWII
SMERSH

Władysław Łoziński
Potocki Palace

Wilhelm Leopolski
Wojciech Kossak, Spring of 1813 (1904) Lviv National Art Gallery
Wojciech Kossak

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