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subjects. Her portraits of imaginary individuals feature people reading, lounging, and resting in traditional poses. She brings to the depiction of her subjects contemplative facial expressions and relaxed gestures, making their posture and mood relatable to many viewers. Commentators have attributed some of the acclaim of Yiadom-Boakye's work to this relatability. She strives to keep her subjects from being associated with a particular decade or time; many of her art pieces depict figures/people of
African descent. This results in choices such as not painting shoes on her subjects, as footwear often serves as a time stamp. These figures usually rest in front of ambiguous backgrounds, floating inside monochromatic dark hues. These cryptic, but emotional backdrops remind commentators of old masters such as Velasquez and Degas.
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psychological dimensions in her works, which focus on imaginary characters who exist beyond our world in a different time and in an unknown location. She paints figures who are intentionally removed from time and place, and has stated, "People ask me, ‘Who are they, where are they?’ What they should be asking is ‘what' are they?"
99:(born 1977) is a British painter and writer, of Ghanaian heritage. She is best known for her portraits of imaginary subjects, or ones derived from found objects, which are painted in muted colours. Her work has contributed to the renaissance in painting the Black figure. Her paintings often are presented in solo exhibitions.
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she stated “Instead of trying to put complicated narratives into my work, I decided to simplify, and focus on just the figure and how it was painted. That in itself would carry the narrative." Following college she worked jobs to support herself until 2006 when she received Arts
Foundation Fellowship
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after emigrating from Ghana in the 1960s. Yiadom-Boakye describes herself as "a boring child--good grades, no mischief--but also quite good at living in my head, using my imagination as an escape." As a senior in high school, she took an art foundations course as an experiment and afterwards gave up
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The artist's style shifted slightly after the opening of her 2017 show "In Lieu of a Louder Love". The show featured a new, warmer colour scheme. Her subjects in this show included more vibrant details such as a checkered linoleum-floor, a bold headwrap and bathing suit, and a yellow, orange, and
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Yiadom-Boakye's work consists mostly of painted portraits of imaginary Black subjects. Her paintings are predominantly figurative, with raw and muted colors. The characteristic dark palette of her work is known for creating a feeling of stillness that contributes to the timeless nature of her
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Although each portrait only contains one person, the paintings typically are presented in groups that are arranged as if family portraits. With her expressive representations of the human figure, Yiadom-Boakye examines the formal mechanisms of the medium of painting and reveals political and
265:" and some intermittent notes on criminality. Her story "an Officer of the Law" is a fictional short story that utilizes animals for the characters. Yiadom-Boakye also creates poetry as shown in her intermittent note "Something Close to a Confession." An example of this:
817:"W. Friese et al. (eds.), Ascending and Descending the Acropolis: Movement in Athenian Religion; and T. Møbjerg et al. (eds.), The Hammerum Burial Site: Customs and Clothing in the Roman Iron Age (Aarhus: Aarhus University Press, 2019)"
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In talks about her work, the artist notes that her writing is to her as her painting is, and explains that she "writes the things she doesn't paint and paints all the things she doesn't write". Her paintings are given poetic titles.
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Yiadom-Boakye has been widely hailed for her work, winning accolades including The Arts
Foundation fellowship for painting (2006), the Pinchuk Foundation Future Generation Prize (2012), Next Generation Prize from the
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Yiadom-Boakye takes inspiration for her paintings from the found objects she uses as well as personal memories, literature, and art history of painting. She also finds inspiration from music and artists including:
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in 2003. It was there, in her final year of graduate school, that she came to a realization that changed the direction of her work, leading to her fame. In an interview with Dodie
Kazanjian of
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For an artist, Yiadom-Boakye is unusual in describing herself as a writer as much as a painter—her short stories and prosy poems frequently appear in her catalogues.
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86:, Arts Foundation fellowship for painting, Pinchuk Foundation Future Generation Prize, Next Generation Prize from the New Museum of Contemporary Art,
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and she was subsequently listed among the "top 10" of the most influential people of
African or African Caribbean heritage in the UK in 2020.
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provides an introduction to her work that is extensive, to accompany a major exhibition of her work held from 2 December 2020 to 9 May 2021.
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An
Introduction to Lynette Yiadom-Boakye From her imagined figures to her poetic titles, discover this figurative painter’s work
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Lynette Yiadom-Boakye Fly In League With The Night - The first major survey of one of the most important painters working today
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where she is a visiting tutor for their Master in Fine Arts programme. Her influence as a painter was recognized in the 2019
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Yiadom-Boakye has staged numerous solo exhibitions at museums and galleries internationally. Her notable solo shows include
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1351:"David Hockney, Lynette Yiadom-Boakye and Beauford Delaney lead Christie's 20th/21st century Frieze Week season in London"
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Lynette Yiadom-Boakye was born in London, UK where she currently lives and works. Her parents worked as nurses for the
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120:(1997-2000) where she eventually was awarded her undergraduate degree in 2000. She then completed an MA degree at the
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440:(2021-2022). Yiadom-Boakye's work is included in several museum collections in the United States including the
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1377:"Art in Context : Kehinde Wiley's "Portrait of Lynette Yiadom-Boakye, Jacob Morland of Capplethwaite""
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College of Art and Design (1996-7); however, she did not enjoy her time there, so she transferred to
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Examples of her works shown in catalogues includes five extracts from a detective novel entitled "
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1428:"Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself"
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Poem After an
Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself
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968:, link.gale.com/apps/doc/A419626495/LitRC?u=lln_alsu&sid=bookmark-LitRC&xid=018b53c4.
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2439:"A bird of few words : narrative mysteries in the paintings of Lynette Yiadom-Boakye"
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980:"How British-Ghanaian Artist Lynette Yiadom-Boakye Portrays Black Lives in Her Paintings"
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her previous intentions to become an optician to become an artist Yiadom-Boakye attended
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A portrait of Yiadom-Boakye by photographer Sal Idriss is held in the collection of the
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She has also participated in a number of group shows and exhibitions, including the
2414:"Life Outside the Manet Paradise Resort: On the Paintings of Lynette Yiadom-Boakye"
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1660:"Lynette Yiadom-Boakye: Fly In League With The Night – Exhibition at Tate Britain"
1830:"2018 Carnegie International's Prizes Go to Lynette Yiadom-Boakye, Postcommodity"
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Female
Artists With African Backgrounds Are Winners at Phillips Auction in London
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Stunning
Paintings of Fictitious Black Figures Subvert Traditional Portraiture
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1518:"Lynette Yiadom-Boakye in conversation with Hans Ulrich Obrist (1 June 2015)"
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308:(2015), a life-size portrait of a standing man, sold for about $ 1 million.
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2447:(Online version is entitled "Lynette Yiadom-Boakye’s imaginary portraits".)
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in 2013. In addition to her artwork, Yiadom-Boakye has taught at the
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1051:"Who are the influential Black Britons honoured in Powerlist 2019?"
2033:"Siskin | Yiadom-Boakye, Lynette | V&A Search the Collections"
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Yiadom-Boakye, Lynette, and
Serpentine Gallery, host institution.
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was published by the Massachusetts's Review on December 26, 2019
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Portrait of Lynette Yiadom-Boakye, Jacob Morland of Capplethwaite
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for painting and was able to afford to focus solely on painting.
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929:"Lynette Yiadom-Boakye: artist in search of the mystery figure"
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20th/21st Century Frieze Week season auction, Yiadom-Boakye's
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was on view at the institution's long-term display for 2023.
785:"LYNETTE YIADOM-BOAKYE: The Love Within | Contemporary And"
1077:"Who's on the list of the most influential black people?"
1166:"LYNETTE YIADOM-BOAKYE'S LOVELY, 'LOUDER' NEW PAINTINGS"
1531:"Lynette Yiadom-Boakye : A Passion To A Principle"
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2428:"Black British artists who should be better known"
1026:"The Ruskin School of Art - Lynette Yiadom Boakye"
1015:, December 3, 2020, with slide show and video link
319:was estimated at £600,000 and sold for £1,482,000
1804:"History - English - Future Generation Art Prize"
1192:"What to See in New York Art Galleries This Week"
1608:"Lynette Yiadom-Boakye: Under-Song For A Cipher"
1583:"Lynette Yiadom-Boakye: Under-Song For A Cipher"
1506:Lynette Yiadom-Boakye : Verses after Dusk.
727:"In the studio: Lynette Yiadom-Boakye, painter"
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1474:Lynette Yiadom-Boyake. Under-song for a cipher
1634:"Lynette Yiadom-Boakye's Imaginary Portraits"
1557:"A Passion To A Principle • Kunsthalle Basel"
1132:"Lynette Yiadom-Boakye's Imaginary Portraits"
754:"Lynette Yiadom-Boakye's Imaginary Portraits"
8:
2445:. Vol. 93, no. 17. pp. 48–53.
2131:"Lynette Yiadom-Boakye – Artists – eMuseum"
20:
832:
287:And draw the blinds against a Slaughter."
278:And alerted the Ugly to all their Flaws
1249:Bollen, Christopher (27 November 2012).
275:Having eaten the Activist and her Cause
148:. She was among those nominated for the
2246:Museum of Contemporary Art, Los Angeles
1476:. New York: New Museum New York. 2017.
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661:Museum of Contemporary Art, Los Angeles
477:(2018). She was also nominated for the
179:(2010) by Lynette Yiadom-Boakye at the
16:British painter and writer (born 1977)
2280:Institute of Contemporary Art, Boston
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670:Institute of Contemporary Art, Boston
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2430:, The IB Tauris Blog, 7 August 2014.
2388:from the original on 16 October 2022
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272:Where Black rivers run in the Bath,
2441:. Onward and Upward with the Arts.
1993:Museum of Contemporary Art, Chicago
1828:Russeth, Andrew (13 October 2018).
554:Museum of Contemporary Art, Chicago
485:Notable works in public collections
132:In 2010 her work was recognized by
2515:English people of Ghanaian descent
2485:21st-century English women artists
2480:20th-century English women artists
2451:Portraits of Lynette Yiadom-Boakye
1759:from the original on 18 April 2022
1402:"Lynette Yiadom-Boakye - Portrait"
978:Kazanjian, Dodie (27 March 2017).
595:San Francisco Museum of Modern Art
284:On Vacant lot, my eyes make water
14:
2455:National Portrait Gallery, London
2015:"Lynette Yiadom-Boakye born 1977"
960:Hirsch, Faye. "The Portraitist."
725:Wright, Karen (8 November 2013).
347:National Portrait Gallery, London
304: in London, Yiadom-Boakye's
2059:Los Angeles County Museum of Art
1251:"Galleries - Interview Magazine"
586:Los Angeles County Museum of Art
281:I Bask where God cannot see me.
1685:"GIBCA • Lynette Yiadom-Boakye"
1332:Scott Reyburn (June 27, 2019),
966:Gale Literature Resource Center
903:"Who is Lynette Yiadom-Boakye?"
2150:National Museum of African Art
1581:Bell, Natalie (4 March 2017).
962:The New York Times Book Review
882:. Contemporary Black Biography
622:National Museum of African Art
469:for Visual Art (2016) and the
463:New Museum of Contemporary Art
269:"Dead but for the life in me,
1:
2505:British contemporary painters
2490:Alumni of Falmouth University
1710:Hirsch, Faye (25 June 2015).
1632:Smith, Zadie (12 June 2017).
1130:Smith, Zadie (12 June 2017).
927:Cooke, Rachel (31 May 2015).
306:Leave A Brick Under The Maple
144:catalogued her exhibition at
2510:English contemporary artists
2382:Minneapolis Institute of Art
2108:Museum of Modern Art, Warsaw
2085:"Appreciation of the Inches"
1808:futuregenerationartprize.org
1305:, Tate Museum, December 2020
815:Baruchello, Giorgio (2020).
701:Minneapolis Institute of Art
604:Museum of Modern Art, Warsaw
448:collection, and the picture
413:Fly In League With The Night
369:Any Number of Preoccupations
1903:Nelson-Atkins Museum of Art
1381:Yale Center for British Art
1117:, accessed December 5, 2020
509:Nelson-Atkins Museum of Art
336:Yale Center for British Art
2536:
964:, 28 June 2015, p. 28(L).
591:Appreciation of the Inches
576:Victoria and Albert Museum
323:Subject for work of others
1745:"Afro-Atlantic Histories"
1406:National Portrait Gallery
1299:Exhibition Announcement,
1255:www.interviewmagazine.com
1225:"Haus der Kunst - Detail"
467:South Bank Sky Arts Award
88:South Bank Sky Arts Award
1432:The Massachusetts Review
393:A Passion To A Principle
2212:Baltimore Museum of Art
1956:"Lynette Yiadom-Boakye"
1873:Studio Museum in Harlem
1753:National Gallery of Art
1712:"Lynette Yiadom-Boakye"
1316:"Lynette Yiadom-Boakye"
1276:"Lynette Yiadom-Boakye"
876:"Lynette Yiadom-Boakye"
789:www.contemporaryand.com
652:Baltimore Museum of Art
626:Smithsonian Institution
496:Studio Museum in Harlem
437:Afro-Atlantic Histories
405:Under-Song For a Cipher
373:Studio Museum in Harlem
186:Afro-Atlantic Histories
181:National Gallery of Art
146:Studio Museum in Harlem
118:Falmouth College of Art
109:National Health Service
2520:English women painters
2374:"Shelves for Dynamite"
2314:Carnegie Museum of Art
2272:"The Much-Vaunted Air"
2238:"Medicine at Playtime"
821:Nordicum-Mediterraneum
679:Carnegie Museum of Art
545:Pérez Art Museum Miami
526:Durham, North Carolina
475:Carnegie International
446:Pérez Art Museum Miami
442:Carnegie Museum of Art
289:
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2500:Black British artists
1779:"Collection at Perez"
1444:10.1353/mar.2019.0106
513:Kansas City, Missouri
300:At a 2019 auction at
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263:an Officer of the Law
175:
122:Royal Academy Schools
103:Early life and career
97:Lynette Yiadom-Boakye
25:Lynette Yiadom-Boakye
2495:Painters from London
2348:Dallas Museum of Art
2103:"Observer of Spring"
2051:"A Few For the Many"
1934:Nasher Museum of Art
1426:Codjoe, Ama (2019).
697:Shelves for Dynamite
692:Dallas Museum of Art
666:The Much-Vaunted Air
657:Medicine at Playtime
535:Museum of Modern Art
522:Nasher Museum of Art
432:58th Venice Biennale
424:55th Venice Biennale
385:Serpentine Galleries
334:is displayed in the
154:Ruskin School of Art
66:Royal Academy of Art
2306:"No Need of Speech"
2037:V and A Collections
1855:Extracts and Verses
1229:www.hausderkunst.de
834:10.33112/nm.15.1.10
473:at 57th edition of
114:Central St. Martins
62:Falmouth University
58:Central St. Martins
1970:"King for an Hour"
1716:The New York Times
1198:. 8 January 2019.
1196:The New York Times
613:Seattle Art Museum
600:Observer of Spring
582:A Few For the Many
207:green background.
195:
2177:Kunstmuseum Basel
2111:. 7 November 2014
2039:. 25 August 2020.
1988:"Bracken or Moss"
1612:www.newmuseum.org
1357:. 14 October 2022
1172:. 16 January 2019
1083:. 25 October 2019
1057:. 27 October 2018
675:No Need of Speech
639:Kunstmuseum Basel
381:Verses After Dusk
327:Painted in 2017,
158:Oxford University
94:
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75:Painting, writing
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2437:(19 June 2017).
2420:, November 2012.
2418:The White Review
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630:Washington, D.C.
541:King for an Hour
450:King for an Hour
428:Sharjah Biennial
411:, New York; and
397:Kunsthalle Basel
40:, United Kingdom
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2172:"A Culmination"
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2145:"Womanology 12"
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1839:6 September
1834:ARTnews.com
1537:(in German)
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1012:Smithsonian
791:(in German)
738:30 December
643:Switzerland
492:Nous étions
401:Switzerland
363:Exhibitions
248:Tate Museum
217:Miles Davis
46:Nationality
2464:Categories
2392:16 October
2358:16 October
2340:"Repose 3"
2324:16 October
2290:16 October
2276:ICA Boston
2256:16 October
2222:16 October
2188:16 October
2069:16 October
1913:16 October
1592:1 December
1587:New Museum
1411:3 December
1386:8 December
1355:Christie's
1280:artnet.com
708:References
683:Pittsburgh
609:Trapsprung
537:, New York
518:Tambourine
444:, and the
419:, London.
409:New Museum
313:Christie's
296:Art market
229:Nick Drake
225:Bill Evans
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1452:2330-0485
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648:8am Cadiz
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317:Highpower
162:Powerlist
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2352:Archived
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2182:Archived
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2115:24 April
2063:Archived
1999:24 April
1940:24 April
1907:Archived
1879:24 April
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1757:Archived
1695:26 March
1566:11 March
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1234:11 March
1170:AFROPUNK
1087:17 April
1081:BBC News
1061:17 April
1035:17 April
989:17 April
886:19 April
795:26 March
766:11 April
699:(2018),
690:(2018),
688:Repose 3
677:(2018),
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620:(2014),
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578:, London
574:(2012),
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500:New York
494:(2007),
465:(2013),
430:(2015);
407:(2017),
395:(2016),
383:(2015),
377:New York
371:(2010),
302:Phillips
198:Artworks
2453:at the
2378:ArtsMIA
1813:4 April
1783:website
1729:3 March
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1617:20 June
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1488:OCLC
1478:ISBN
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