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the same year, again centred on a wicker basket, this time huge in dimensions and mysterious in purpose. In the different works it is filled with pigeons, men, horses and donkeys. The second work shows a long-legged girl in a hat standing next to the basket, which is divided into three horizontal
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tiers, occupied from top to bottom by two donkeys, two male heads and doves. He also used the wicker basket motif in his 'Crimea Cycle' of watercolours, which were exhibited alongside the
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by the
Belarusian State Jewish Theater in Minsk, the basket's texture evoking the laconic architecture of the Spanish village where the play was set. He produced the
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235:Вера Чайковская. Тышлер: Непослушный взрослый. — М.: Молодая гвардия, 2010. — 336 с. — (Жизнь замечательных людей). — ISBN 978-5-235-03368-9.
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In 1928 Tyshler used the image of a wicker basket as the central motif for his set design for a production of
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223:В.Лебедева. Театральность Александра Тышлера. Русское искусство. №1 (2006).
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exhibition in April 1928, where they were fiercely criticised.
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is a series of five oil on canvas paintings by
Russian artist
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This article about a twentieth-century painting is a
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16:Series of paintings by Alexander Tyshler
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386:Collection of the Tretyakov Gallery
329:. You can help Knowledge (XXG) by
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411:Collection of the Museum Ludwig
391:Paintings in the Pushkin Museum
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188:Museum of Avant-Garde Mastery
376:20th-century painting stubs
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31:, all produced in 1928.
94:State Tretyakov Gallery
401:Paintings in Cologne
396:Russian paintings
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304:"Catalogue entry"
287:"Catalogue entry"
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29:Alexander Tyshler
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283:(in German)
370:Categories
209:References
108:61 × 70,5
83:Size (cm)
202:73 × 55
177:53 × 72
143:Now lost
133:73 × 55
173:Germany
168:Cologne
80:Country
35:History
198:Russia
193:Moscow
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124:Moscow
104:Russia
99:Moscow
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