413:, Anita (La Navarraise), is in love with a soldier, Araquil. Araquil's father, Remigio, finds Anita unacceptable and insists she pay a sum of two-thousand duros as a dowry, knowing she will not be able to raise the money. Hearing this, Anita sings a song of lament while the commander Garrido sings of his hate towards the enemy Commander, Zuccaraga (after hearing of his friend's death by Zuccaraga's hands). Anita hears Garrido, and proposes that she kill Zuccaraga for a sum of two-thousand duros. Garrido, though wary and suspicious, accepts the offer. Garrido asks for her name, but she only dashes off saying "I am only the 'girl from Navarre.'" Anita is spotted going to the enemy camp by the soldier, Ramon. When Ramon hears that Araquil is looking for Anita, he (Ramon) tells Araquil that she is in the enemy camp. Ramon misinterprets this, thinking that Anita is actually a spy, and Araquil thinks that she has gone to see a secret lover in the enemy camp.
417:
nothing wrong." When he sees the money she has received, he accuses her of selling herself, to which she violently objects. Then
Remigio, Ramon and the doctor appear on the scene. Bells can be heard in the distance and Araquil asks his father why they are ringing. Remigio tells him that Zuccaraga was assassinated. Araquil looks at Anita again, only then realizing the truth; with the final words "the price of blood! how horrible!" he dies. Anita collapses in horror, and attempts to kill herself. While searching for a suicide weapon, she finds a statue of the Virgin Mary. She becomes crazy with the death of Araquil and speaks as if he were still there: "Araquil! I have the dowry... We must go... The church is full! Happiness is at hand!" Then, she falls into senseless, wild laughter, as the opera ends with Garrido saying "La folie! la folie!" ("Poor demented child, poor demented child!").
42:
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402:
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After an orchestral intermezzo, Anita is successful in killing
Zuccaraga and obtains her reward, but is told to swear not tell anyone. Just then, Araquil is brought in, having been mortally wounded searching for Anita. He confronts Anita who, under oath not to tell anyone, can only say "I did
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670:
218:. Its popularity has waned since operatic tastes changed in the early part of the twentieth century, and today the opera is rarely performed. However, at the
449:
456:. Recorded from a radio broadcast of 29 November 1963; issued in 2004 on Gala CD cat. no. GL 100.747 (2 CDs; also includes a 15 December 1973 recording of
816:
1208:
626:
836:
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448:(Araquil); Jacques Mars (Garrido), Lucien Lovano (Remigio), Marcel Vigneron (Bustamente), Joseph Peyron (Ramon); Chorus and orchestra of the
730:
Palmer Andrew (2004). Booklet for the recording of the 1963 radio broadcast conducted by
Hartemann issued as Gala CD cat. no. GL 100.747.
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497:. Studio recording (March 1975, London) issued on 1 LP â Columbia M-33506 (USA); CBS 76403 (UK); CBS "Masterworks" DC 40134 (UK).
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232:. It has, however, been recorded a number of times, most notably in 1975 where two versions were recorded, one with
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978:
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196:) on 3 October 1895, which led to more than 180 performances of the work by the company over the next 60 years.
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Booklet for the 1975 studio recording conducted by Lewis issued in 1998 on CD as BMG RCA 74321 50167-2.
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The information for the recordings is from Brian Capon's opera discography website.
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592:. Studio recording (November 2011 - May 2017, various locations), Warner Classics.
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Chorus: Basque women, officers, wounded soldiers, peasants, a doctor, a chaplain
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and was very popular in its day, often being performed on a double bill with
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George Hall: "ThérÚse/La
Navarraise; Cristina, Regina di Svezia â review"
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in the title role, while Calvé returned for the Paris premiere by the
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at their temporary quarters on the Place du ChĂątelet (the present
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29:
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184:. Flon conducted the Brussels premiere on 26 November 1894 with
798:
552:
An additional recording not mentioned in the above source is:
540:. Studio recording (July 1975, London) issued on 1 LP â
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is widely agreed to be
Massenet's answer to Italian
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1061:
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84:
76:
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226:was performed in a double bill with Massenet's
1259:Opera world premieres at the Royal Opera House
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180:and a command performance was then given at
774:Un demi-siĂšcle d'OpĂ©ra-Comique (1900â1950).
753:Upton, George, P.; Borowski, Felix (1928).
817:
803:
795:
727:" in Sadie 1992, vol. 3, pp. 563â564.
176:The first performance was attended by the
40:
20:
473:(Araquil), Vincenzo Sardinero (Garrido),
255:
613:
611:
607:
267:Premiere cast, 20 June 1894
128:
7:
485:(Ramon), Claude MĂ©loni (Un soldat);
681:. L'Almanacco di Gherardo Casaglia
636:website. Retrieved 10 August 2012.
161:(1890). It was first performed at
157:, based on Claretie's short story
14:
739:The New Grove Dictionary of Opera
444:1963 â GeneviĂšve Moizan (Anita),
1203:
1202:
742:(4 volumes). London: Macmillan.
298:sergeant of the Biscay regiment
1:
757:New York: Blue Ribbon Books.
1124:(arr. Leighton Lucas, 1974)
704:. Retrieved 10 August 2012.
582:Opera Orchestra of New York
1275:
669:Casaglia, Gherardo (2005).
450:Radio Television Française
349:captain of Biscay regiment
222:in October/November 2013,
1200:
979:Le jongleur de Notre-Dame
832:
530:London Symphony Orchestra
487:London Symphony Orchestra
459:Le jongleur de Notre-Dame
432:in the title role at the
375:
39:
28:
1229:Operas by Jules Massenet
772:Wolff, Stéphane (1953).
755:The Standard Opera Guide
586:New York Choral Ensemble
409:A lowly-born girl from
405:Eugenia Burzio as Anita
16:Opera by Jules Massenet
1254:Operas based on novels
1234:French-language operas
534:Ambrosian Opera Chorus
491:Ambrosian Opera Chorus
437:
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169:on 20 June 1894, with
101:20 June 1894
574:Michael Anthony McGee
454:Jean-Claude Hartemann
428:
404:
130:[lana.va.ÊÉz]
1192:Cercle Funambulesque
939:Le portrait de Manon
837:List of compositions
776:Paris: André Bonne.
645:Wolff 1953, p. 126.
544:ARL1-1114 â 1 CD â
215:Cavalleria rusticana
1249:Operas set in Spain
1121:L'histoire de Manon
434:Royal Swedish Opera
194:Théùtre de la Ville
173:in the title role.
867:Don CĂ©sar de Bazan
658:, 27 October 2013
495:Antonio de Almeida
438:
407:
271:Philippe Flon
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1215:
748:978-1-56159-228-9
736:, editor (1992).
698:by Jules Massenet
566:George Andguladze
558:Aleksandra Kurzak
382:
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331:father of Araquil
240:, the other with
186:Georgette Leblanc
120:
119:
92:by Jules Claretie
50:in the title role
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1206:
1205:
1185:Related articles
1149:Incidental music
1094:La Terre Promise
1070:Marie-Magdeleine
875:Le roi de Lahore
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630:26 November 1894
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590:Alberto Veronesi
518:Gabriel Bacquier
341:Charles Gilibert
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220:Wexford Festival
133:, "The Woman of
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588:, conducted by
578:Issachah Savage
536:, conducted by
514:Nicola Zaccaria
510:Sherrill Milnes
506:PlĂĄcido Domingo
493:, conducted by
483:Michel Sénéchal
452:, conducted by
423:
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370:EugĂšne Dufriche
280:(La Navarraise)
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238:PlĂĄcido Domingo
178:Prince of Wales
141:in two acts by
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842:List of operas
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826:Jules Massenet
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721:Milnes, Rodney
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562:Roberto Alagna
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696:La Navarraise
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679:20 June 1894"
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673:La Navarraise
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528:(Un soldat);
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522:Ryland Davies
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502:Marilyn Horne
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479:Claude MĂ©loni
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475:GĂ©rard Souzay
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430:Lilly Walleni
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285:mezzo-soprano
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234:Marilyn Horne
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224:La Navarraise
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200:La Navarraise
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163:Covent Garden
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24:La Navarraise
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1157:Les Ărinnyes
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724:
711:
710:
702:OPERADIS.HTM
695:
690:
683:(in Italian)
672:
665:
656:The Guardian
650:
641:
627:
622:
617:Milnes 1992.
601:
600:
570:Brian Kontes
551:
546:RCA Red Seal
542:RCA Red Seal
526:Leslie Fyson
457:
439:
415:
408:
390:Place: Spain
376:
348:
330:
297:
279:
269:(Conductor:
228:
223:
213:
203:
199:
198:
175:
159:La cigarette
158:
145:to a French
123:
122:
121:
89:La Cigarette
88:
18:
1244:1894 operas
1167:Other works
907:Esclarmonde
572:(Remigio),
568:(Garrido),
564:(Araquil);
538:Henry Lewis
516:(Remigio),
512:(Garrido),
508:(Araquil);
477:(Remigio),
471:Alain Vanzo
446:Alain Vanzo
395:Carlist War
363:Bustamente
323:Pol Plançon
246:Alain Vanzo
1223:Categories
1175:MĂ©ditation
971:Grisélidis
963:Cendrillon
634:La Monnaie
597:References
467:Lucia Popp
421:Recordings
290:Emma Calvé
263:Voice type
242:Lucia Popp
171:Emma Calvé
155:Henri Cain
105:1894-06-20
68:Henri Cain
56:Librettist
48:Emma Calvé
1086:La Vierge
1062:Oratorios
1043:Cléopùtre
883:HĂ©rodiade
767:499102428
723:(1992). "
580:(Ramon);
560:(Anita),
524:(Ramon),
504:(Anita),
469:(Anita),
366:baritone
329:Remigio,
296:Araquil,
137:") is an
1209:Category
1132:Concerto
987:Chérubin
790:78755097
782:44733987
397:in 1874.
385:Synopsis
336:baritone
314:Garrido
210:Mascagni
147:libretto
114:, London
97:Premiere
85:Based on
77:Language
1105:Ballets
1035:Panurge
1011:Bacchus
1003:ThérÚse
923:Werther
915:Le Mage
786:2174128
712:Sources
632:at the
556:2018 -
548:50167-2
500:1975 â
465:1975 â
436:in 1906
411:Navarre
347:Ramon,
229:ThérÚse
205:verismo
135:Navarre
103: (
1239:Operas
1141:(1902)
1116:(1904)
1113:Cigale
1097:(1900)
1089:(1880)
1081:(1875)
1073:(1873)
1054:(1922)
1051:Amadis
1046:(1914)
1038:(1913)
1030:(1912)
1022:(1910)
1014:(1909)
1006:(1907)
998:(1906)
995:Ariane
990:(1905)
982:(1902)
974:(1901)
966:(1899)
958:(1897)
950:(1894)
942:(1894)
934:(1894)
926:(1892)
918:(1891)
910:(1889)
902:(1885)
899:Le Cid
894:(1884)
886:(1881)
878:(1877)
870:(1872)
862:(1867)
851:Operas
780:
763:921222
761:
746:
677:
393:Time:
353:tenor
278:Anita
167:London
80:French
955:Sapho
931:ThaĂŻs
891:Manon
602:Notes
303:tenor
259:Role
252:Roles
139:opera
30:Opera
1027:Roma
778:OCLC
759:OCLC
744:ISBN
318:bass
244:and
236:and
153:and
1078:Ăve
700:at
212:'s
165:in
149:by
32:by
1225::
788:,
784:,
765:,
610:^
584:,
532:,
489:,
462:).
273:)
248:.
818:e
811:t
804:v
769:.
750:.
685:.
675:,
671:"
127:(
107:)
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