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231:; walking tour of feminist art galleries and spaces in Montreal led by Erin Silver, as well as a workshops that looked at how feminist organizations can successfully navigate a transition from women-only spaces to inclusive spaces led by Denise Brown from the Leeway Foundation, and gendered language use in French and English led by Susanne de Lotbinière-Harwood.
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neighbourhood. The original founders were
Elizabeth Bertoldi, Leslie Busch, Isobel Dowler-Gow, Margaret Griffin, Clara Gutshe, Billie-Joe Mericle, Stasje Plantenga and Pat Walsh. In 1973 it held its first show, in a rented space on
187:"GENDER ALARM! Nouveaux féminismes en art actuel" was a series of events that marked the one-year anniversary of La Centrale's new mandate, and included an exhibition with work by Lynne Chan, Jacinthe Loranger,
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One of the goals of the original mandate for the gallery was to address the under representation of women artists in Québécoise, Canadian, and art international institutions and exhibitions.
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Parent, Sylvie (2008). "La
Centrale, pour un féminisme inclusif: entrevue avec Roxanne Arsenault / La Centrale, for an Inclusive Feminism: Interview with Roxanne Arsenault".
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Hashmi, Aneessa; Tayler, Felicity (Fall–Winter 2006). "Performative Gender: Art, Activism and
Community at La Centrale Galerie Powerhouse".
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Où en sommes-nous avec l'art féministe? : Analyse de la programmation de la
Centrale Galerie Powerhouse (1973-1978 et 2007-2010)
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Duncan, Ann (January 25, 1993). "Bringing their art into the light: Quebec woman artists are a growing presence on world scene",
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have been common in the gallery's exhibits, and frequent themes are motherhood, identity, activism, gender, and community.
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Lehmann, Henry (December 15, 2001). "Powerhouse going strong: Show features works of feminist group's founders",
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Duncan, Ann (November 4, 1992). "Ex-curator's return is news to museum boss",
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group that met on a routine basis at a crafts store, Flaming Apron, in the
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The gallery has moved many times, with locations on St. Dominique St. and
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In 2007, La
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that had floral-print wallpaper and a table with a family photo.
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305:(Master's Thesis). Université du Québec à Montréal.
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