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The Partisan

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1587: 274: 912: 1261:'The Partisan' gained popularity" in the United States thanks to Cohen's recording, and Josh Jones writes that the song " become so closely associated with Cohen that it has often been credited to him", with Cohen reportedly remarking, "I kind of re-introduced into the world of popular music. I feel I wrote it, but I actually didn't" (bracketed content in source). Hogan writes that Cohen's version "became one of his signature songs, leading to renditions by Joan Baez, Buffy Sainte-Marie, 716: 262: 4596: 1674: 1249:, describes it as having a "folk melody and melancholy lyricism", with what Ratcliff calls a "plodding bass line underpinning the simply strummed guitar and an occasional accordion" and "a rare excursion ... into political territory". Tim Nelson, in his BBC review of Cohen's albums, also refers to the song's "biting political commentary". 1660: 703:, describes the differences between the original French and Zaret's English, saying it "downplays the song's historical content – the English lyrics contain no references to France or the Nazi occupation", with an example of literal English translations of the song's first line, "The Germans were at my house" (French: " 854:, that there are differences between the original French and Zaret's English versions; he comments that Leonard Cohen's "The Partisan" is "substantially Zaret's", and while it does also contain verses sung in the original French, references to "The Germans" in the English verses, "become the more neutral 'soldiers 206:'s French service, through which she and her songs were an inspiration to the Resistance. A number of French artists have recorded and released versions of the song since, but it is better recognised globally in its significantly, both musically and in the meaning of its lyrics, different English adaptation by 457:
Few men were at the centre of the Resistance, for the reason that its centre could rarely be defined and was rarely stable. Even fewer would have the necessary literary and verbal self-consciousness to achieve the goals . One who was at the centre and who did have this self-consciousness was Emmanuel
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was Gordon's first choice to sing his version. Reilly says "the song itself is poignant and heartrending, yet incredibly stirring and motivational. A song that simultaneously mourns what's been lost and steels listeners for a fight to come" and that Gordon and Perkin's version "begins with a softly
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depicting the events of a fictionalised World War II, refers to Cohen's "The Partisan" as being "perhaps" the most famous, and reports that the audio director on Wolfenstein, Nicholas Raynor, also called Cohen's version "a famous one"; according to Gordon, it was Raynor's idea to do a cover for the
478:(English: Radio London), the French Resistance radio operated by the Free French Forces, through the British Broadcasting Corporation. It was at this time that she also wrote "The March of the Partisans", with English lyrics by the Russian ambassador's daughter, Louba Krassine. The French exiles, 1203:
as a fifteen-year-old boy at summer-camp in 1950. Using Zaret's predominantly English adaptation to record the song, with the title "The Partisan", left Cohen dissatisfied, and he suggested to Johnston that French voices were needed on the track. Johnston reportedly arranged to fly with Cohen to
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The recording of "The Partisan" utilized only a classical guitar, double bass, and accordion along with vocals by Cohen and female voices. BottĂ  states, of Cohen's recording of Zaret's adaptation, that "the melody and chord structure is considerably different from the original" by Marly.
880:(English: The version of Leonard Cohen offers a faithful translation, except the last stanza, which is much more positive: the resistant will come out of the shadows and freedom will return. The Resistance is shown more as a hero, who is placed in the light, once freedom has returned). 682:
compares excerpts of d'Astier's original French lyrics alongside, what he calls Zaret's English "‍(mis)translation", and notes that "the two versions reflect very different views"; that Zaret's English suggests that the partisans will "come from the shadows", while the French
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on to the track. The song fades into an intro, followed by nine verses and an outro that fades out; the first five verses are sung from Zaret's English, followed by verses six, seven and eight being sung in French, and the final verse nine being a repeat of the English verse five.
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La version de Léonard Cohen propose une traduction fidèle, sauf la dernière strophe, qui est bien plus positive: les résistants sortiront de l'ombre et la liberté sera revenue. Le résistant est montré davantage comme un héros, qui est placé dans la lumière, une fois la liberté
227:, and as a 7-inch single in Europe. Cohen's version re-popularised the song and is responsible for the common misconception that the song was written by Cohen. It has inspired many other artists to perform, record and release versions of the song, including American 608:" (English: "But I have so many friends / And I have the whole of France"), describing the support of the Resistance from the French people. In the final verse, d'Astier expresses his hope and confidence that Resistance will not be futile; " 1375:
CV Avery to keep you on your toes", having a "gentle acoustic sound" with a "bright and breezy yet intimate and charming atmosphere". David Jeffries called the album a "layered, insightful, and achingly poignant triumph" in his review for
593:" (English: "But I could not / And I took my weapon"), d'Astier introduces the notion of resistance, with a risk of death, loss of family, friends and identity and leading a secretive and dangerous life on the run, evoked by the lines " 563:
The first five verses (quatrains) depict scenes of Nazi occupied France, the expectation of French people to accept the occupation of their country, and the extraordinary reaction of the Resistance. The first line of the song,
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A partisan recalls, in the first person, episodes of his life ... each verse narrates a different situation: life on the run, the loss of the family, that of comrades, the killing of an old man who hid partisans, up to the
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to the shadow" (emphasis in quote) in English, suggests that the partisans – the Resistance – are "an artifact of the imperialism that dominates ", and that "reconciliation of society with its shadows is an illusion".
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as "Soldier Blue", all releases featuring "Song of the French Partisan", the title as published by Zaret, a "folk tune she learned from Leonard Cohen" according to Andrea Warner in her book,
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Giacomo Bottà describes Zaret's adaptation as "relatively faithful", while in the Académie de Lyon's evaluation of "La Complainte du partisan", its adaptation and cover versions, they write:
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on guitars, Bubba Fowler on banjo, bass, fiddle and guitar, and Johnston himself playing keyboards. Ten songs were recorded in one eight-hour session, half of which ended up on the album.
911: 599:" (English: "I changed name a hundred times / I lost wife and children ... Yesterday again, we were three / It remains only me / And I'm going around in circles / In the border prison"). 3894: 2055: 2426: 466:
in his own words, d'Astier was seeking the strength of "popular forces, those forces which alone can change our dreams into reality, adventure into history, aesthetics into politics".
728: 543:" (English: "a heartbreaking vision of the commitment of the Resistance members"), and evaluate its structure and the meaning of its words: the song's lyrics are structured as six 4939: 377:(the French naval academy, in charge of the education of the officers of the French Navy) in 1919. Resigning the navy in 1931, d'Astier began a career in journalism, writing for 1371:, which Sue Keogh described, in her review for the BBC, as an "acoustic mix of guitars, banjos and violin, plus a couple of moments of clarinet and trumpet or wry comments from 4055: 596:
J'ai changé cent fois de nom / J'ai perdu femme et enfants ... Hier encore, nous étions trois / Il ne reste plus que moi / Et je tourne en rond / Dans la prison des frontières
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Versions of "The Partisan" have been performed, recorded and released by many other artists, with none being so widely referenced as that by Joan Baez in 1972, on her album
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Alex Young writes that " is often incorrectly credited as the composer of the song – although he is certainly responsible for its survival", Douglas Martin states that
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of the Resistance" from General de Gaulle, leader of the French Free Forces. D'Astier was to become a Chevalier de la LĂ©gion d'Honneur (English: Knight of the
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for French exiles, that she wrote the anti-fascist anthem "La Complainte du partisan", with lyrics by d'Astier, going on to perform it and her other songs on
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Another version to be produced by Bob Johnston was recorded by Israeli singer Esther Ofarim, who had previously taken second place for Switzerland in the
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as being bleak. Sweeting states that it is "another powerful but bleak collection", while Lynskey calls it "sparser and bleaker than the debut",
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that thrives on the enthusiasm of performance", and that their version is "still recognisable ... despite the churning thrash they give it".
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in Paris. Becoming refugees upon the outbreak of World War II, her Dutch aristocrat husband and she travelled to London, arriving in 1941.
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Cohen était fasciné par cette chanson et se demandait d'ailleurs "si la musique et les écrits n'avaient pas, à eux seuls, renversé Hitler"
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in 2012, where they performed a cover of "The Partisan". Clarke says the band create "indie-pop with the scope, precision and polish of
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live in the studio, English group Electrelane included a version of "The Partisan" on the release. Andy Gill, reviewing the album for
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Paris, for "authenticity" according to Maurice Ratcliff, to record a trio of female singers and an accordion player, whose work was
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government and Nazi Germany during World War II – featuring interviews with and archival footage of Emmanuel d'Astier de La Vigerie
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Marly's songs, singing and whistling on Radio Londres, were an inspiration to the French Resistance and earned her the credit "
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There's no official record of Buffy Sainte-Marie's birth ... she was born ... most likely in 1941, on or around February 20th
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Marly performed her song self-accompanied by guitar, and introduced each verse instrumentally while whistling the melody.
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Jonathan H. King wrote, of d'Astier, in his article "Emmanuel d'Astier and the Nature of the French Resistance" for the
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Emmanuel d'Astier de La Vigerie was born in Paris on January 6, 1900, and after studying at the private high school
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Comparison of Marly and Cohen performing, respectively, d'Astier's original French and Zaret's English final verse
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refers to Cohen's "The Partisan" as a "wonderfully affecting ... haunting version", and Josh Jones, writing for
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Evans writes about a Polish translation of Cohen's—Zaret's—song being adopted as an unofficial anthem of the
5514: 5239: 5226: 5073: 5020: 4626: 4249: 3457: 3425: 1736: 418: 416:), publishing counter-propaganda against cooperation with Germany, and worked as an editor of the newspaper 2695: 584:'s radio address, after the Fall of France, announcing his intention to ask for an armistice with Germany. 5507: 5377: 4599: 4579: 4453: 4358: 4319: 3925: 3911: 3855: 2954: 2874: 2646: 2551: 2454:[Bibliographic Record The lament of the partisan - Song of the French partisan. Bernard's words]. 2297: 1718: 1309: 1281: 1190: 551: 487: 273: 354:, south-eastern France. Her artistic talents were encouraged from an early age; she was taught guitar by 5209: 4957: 4742: 3823: 3537: 3488: 3251: 3143: 2081: 1730: 1696: 1637: 1331:
haunting acoustic intro before escalating to stomping blasts of distorted guitar and heaving drumming".
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AllMusic review by William Ruhlmann of She Used to Wanna Be a Ballerina by Buffy Sainte-Marie
5571: 5353: 5150: 5115: 4897: 4812: 4791: 4721: 4379: 4221: 3995: 3673: 3575: 3042:"Leonard Cohen The Songs of Leonard Cohen, Songs from a Room, Songs of Love and Hate Review" 2794: 2253: 1741: 1608: 1601:
In 1970, Canadian singer-songwriter Buffy Sainte-Marie provided the title song for the film
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King, Jonathan H. (1973). "Emmanuel d'Astier and the Nature of the French Resistance".
919: 554:, Giacomo BottĂ  describes d'Astier's lyrics as "very straightforward", then continues: 399: 359: 3352: 3293: 5591: 5566: 5560: 5385: 5369: 5129: 5045: 4553: 4393: 4326: 3974: 3878: 3842: 2994: 2908: 2305: 2273: 1691: 1679: 1569: 1392: 1217: 1181: 1164: 1155:, Nashville, Johnston created a relaxed atmosphere for, what Mike Evans, in his book 1087: 923: 642: 638: 483: 479: 475: 383: 250: 218: 5553: 5361: 5143: 4932: 4700: 4533: 4467: 3981: 3946: 3804: 3597: 3338: 3298: 3274: 3230: 3162: 3008: 2968: 2917: 2894: 2841: 2818: 2740: 2664: 2354: 2319: 2077: 1745: 1687: 1665: 1603: 1594: 1509: 1336: 1176: 1159:, calls "suitable, and non-intrusive, backing" by the assembled session musicians: 1144: 1080: 1024: 179: 27:
1943 song by Anna Marly and Emmanuel d'Astier, popularised by Leonard Cohen in 1969
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was decimated by arrests in 1941, he went into hiding under the pseudonym
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AllMusic review by Richie Unterberger of Esther Ofarim's eponymous album
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Passion and Ambivalence: Colonialism, Nationalism, and International Law
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Passion and Ambivalence: Colonialism, Nationalism, and International Law
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lyricist, whose writing credits include those for "Unchained Melody", "
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Born in Manhattan, New York City in 1907, Hy Zaret was best known as a
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La liberté reviendra / On nous oubliera / Nous rentrerons dans l'ombre
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which resonated with soldiers and their families during World War II
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that Zaret "loosely translated" the French lyrics, and in his book
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The dangers d'Astier describes are countered by the expressions "
3847: 3502:"Official singles chart results matching: Cinderella Rockefella" 1424: 350:, she escaped with her mother and sister to a Russian colony in 45: 5255: 4615: 3851: 3297:(Magazine) (in French). FĂ©dĂ©ration Jean Vigo. 1971 – via 186:
in World War II. The song was composed in 1943 by Russian-born
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on October 30, 1917, and after her father was murdered by the
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of the partisan"). Marly performed it and other songs on the
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AllMusic review by David Jeffries of Home to You by Po' Girl
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Approximate position of Emmanuel d'Astier in 1944 photograph
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The Pathfinder: Buried Treasures – The Mid-70's Recordings
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Catalog of Copyright Entries: Musical compositions, Part 3
2045:"Anna Marly, 88, Dies; Inspired French Resistance in Song" 1607:, first released as a 7-inch single in France in 1970 by 1216:
released the album track, "The Partisan", in Europe as a
665:", the cover version that popularised the song globally. 446:(English: the Directory of United Resistance Movements). 324:
reviewing troops on the wharf of Rive-Neuve in liberated
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with the title "Soldat Bleu", and elsewhere in 1971 by
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Cohen first learned "La Complainte du partisan" from
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In their examination of the songs of Anna Marly, the
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and that, in his efforts to organise the Resistance,
190:(1917–2006), with lyrics by French Resistance leader 3453:"Recalling the 50th anniversary of the 1963 contest" 1346:, described their style as "a sort of cross between 540:
une vision déchirante de l'engagement des résistants
5531: 5471: 5428: 5289: 5202: 5030: 4949: 4868: 4843: 4649: 4526: 4431: 4343: 4199: 4178: 4125: 4086: 4019: 3903: 2739:, Copyright Office. 1944. p. 1421 – via 1559: 1534: 1520: 1508: 1492: 1471: 1456: 1444: 1434: 1423: 1418: 1086: 1072: 1049: 1035: 1023: 1007: 995: 985: 970: 955: 939: 929: 918: 904: 152: 138: 122: 101: 86: 71: 63: 55: 44: 39: 4496:Tower of Song: A Memorial Tribute to Leonard Cohen 3672: 3242: 3240: 2763:"Rock History 101: Leonard Cohen – "The Partisan"" 2043: 1636:, a British number one hit with the novelty song " 3796:Other Lives - The Partisan (Leonard Cohen cover) 2537: 2535: 2533: 2531: 2291: 2289: 2287: 2285: 2283: 1276:movement for democracy in the detention camps of 605:Mais j'ai tant d'amis / Et j'ai la France entière 438:, to secure the formation and recognition of the 3355:[Official German Charts: Soldier Blue]. 2830: 2828: 2406: 2404: 2402: 2037: 2035: 2033: 2031: 1690:– a song that is associated with a movement for 2579:"Hy Zaret, 99, Tin Pan Alley Lyricist, Is Dead" 2446: 2444: 444:le Directoire des Mouvements unis de RĂ©sistance 3784:Mick Gordon (feat. Tex Perkins) - The Partisan 3740:"La complainte du partisan" at SecondHandSongs 2987:"7" and 12" Vinyl Singles, EPs and CD-Singles" 2868: 2866: 2864: 2686: 2684: 2682: 2680: 2678: 2676: 2674: 2235: 2233: 2209:"Emmanuel of Astier de La Vigerie (1900-1969)" 5267: 4757:Gracias a la Vida: Joan Baez canta en español 4627: 3863: 2653:(Book). Wise Publications. pp. 124–125. 2640: 2638: 1721:" – a 1964 song by American recording artist 729:Anna Marly; "La Complainte du partisan"; 1963 590:Mais je n'ai pas pu / Et j'ai repris mon arme 470:It was in London, in 1943, while Marly ran a 389:centre de renseignements maritimes de Lorient 8: 4510:Hallelujah: Leonard Cohen, A Journey, A Song 3580:Buffy Sainte-Marie: The Authorized Biography 3321:Buffy Sainte-Marie: The Authorized Biography 2756: 2754: 2752: 2750: 2179:"Profiles: Emmanuel d'Astier of the Vigerie" 2082:"Anna Marly: 'Troubadour of the Resistance'" 1617:Buffy Sainte-Marie: The Authorized Biography 1284:in 1985, supporting his album that spawned " 888: 874: 859: 801: 704: 684: 656: 650: 615: 609: 603: 594: 588: 571: 565: 538: 434:, and in Washington with the United States' 210:(1907–2007), best known as the lyricist of " 4162:Judy Collins Sings Leonard Cohen: Democracy 3666:1941 Joan Chandos Baez is born on January 9 2370: 2368: 2366: 2364: 1137:, Leonard Cohen worked on his second album 5274: 5260: 5252: 4634: 4620: 4612: 4077:Can't Forget: A Souvenir of the Grand Tour 3870: 3856: 3848: 3353:"Offizielle Deutsche Charts: Soldier Blue" 2950:Various Positions: A Life of Leonard Cohen 2490: 2488: 2486: 2484: 2482: 2480: 2478: 2476: 1415: 1308:about the creation of Australian composer 910: 901: 858:" and "the shelter-giving 'old woman' is ' 513:published the "La Complainte du partisan" 36: 4440:Ladies and Gentlemen... Mr. Leonard Cohen 4148:Tower of Song: The Songs of Leonard Cohen 3772:Emily Loizeau - La complainte du partisan 3389:"Official UK Singles Chart: Soldier Blue" 2302:Leonard Cohen: The Music and The Mystique 1697:Psychological warfare § World War II 1640:" in 1968. She released the cover on her 1302:Luke Reilly, reporting for an article in 852:Leonard Cohen: The Music and The Mystique 850:Maurice Ratcliff also noted, in his book 537:describe "La Complainte du partisan" as " 430:. By 1943, after meetings in London with 358:, and by age sixteen, was dancing in the 5658:Song recordings produced by Bob Johnston 4401:Stranger Music: Selected Poems and Songs 3760:Les Stentors - La complainte du partisan 2651:The Little Black Songbook: Leonard Cohen 1365:included a version on their 2007 album, 576:" (English: "I was told 'Resign yourself 501:), Compagnon de la LibĂ©ration (English: 406:, he co-founded the Resistance movement 5453:Native North American Child: An Odyssey 3841:album version – provided to YouTube by 3822:album version – provided to YouTube by 3711:from the original on September 19, 2020 3433:from the original on September 18, 2020 2803:(Book). Translated by MacDonald, Euan. 2058:from the original on September 18, 2017 2027: 1762: 1433: 1422: 1326:game. The Australian singer-songwriter 928: 917: 43: 3656:from the original on February 24, 2020 2336:Sovereignty, War, and the Global State 1818:Bibliothèque nationale de France (BnF) 1740:– a two-part 1969 documentary film by 1710:" – a 1939 song made famous by singer 1241:, published soon after Cohen's death, 822:Through the graves the wind is blowing 765: 5445:The Best of Buffy Sainte-Marie Vol. 2 4503:Marianne & Leonard: Words of Love 2835:Lynskey, Dorian (November 11, 2016). 2725: 2723: 2696:"7 Covers Leonard Cohen Made His Own" 398:) in north-western France, until the 165: 7: 5109:Last Night I Had the Strangest Dream 3748:Leonard Cohen - The Partisan (Audio) 3743:– a source of cover song information 3687:from the original on August 15, 2019 3625:from the original on August 16, 2019 3561:from the original on August 12, 2020 3514:from the original on October 2, 2020 3369:from the original on August 18, 2019 3170:from the original on August 11, 2019 3120:from the original on August 16, 2019 3087:from the original on August 12, 2019 3054:from the original on August 14, 2019 2925:from the original on August 29, 2020 2876:Leonard Cohen: An Illustrated Record 2849:from the original on October 8, 2020 2775:from the original on August 12, 2019 2708:from the original on October 1, 2020 2623:from the original on August 13, 2019 2591:from the original on August 10, 2020 2429:from the original on August 12, 2019 2126:from the original on August 16, 2019 2094:from the original on August 13, 2019 1951:Leonard Cohen: An Illustrated Record 1744:about the collaboration between the 1157:Leonard Cohen: An Illustrated Record 517:with lyrics by d'Astier credited to 194:(1900–1969), and originally titled " 5137:The Night They Drove Old Dixie Down 4912:Diamonds & Rust in the Bullring 4708:Baptism: A Journey Through Our Time 4042:Field Commander Cohen: Tour of 1979 3652:/ Diamonds & Rust Productions. 2548:Albert-Ludwigs-Universität Freiburg 2189:from the original on August 9, 2020 2159:from the original on August 9, 2020 747:Leonard Cohen; "The Partisan"; 1969 5322:Fire & Fleet & Candlelight 4169:The Songs of Leonard Cohen Covered 3212:And A Voice to Sing With: A Memoir 3190:Come From The Shadows by Joan Baez 2387:from the original on July 25, 2020 2375:Jones, Josh (September 14, 2018). 2149:"Emmanuel d'Astier of the Vigerie" 2042:Martin, Douglas (March 13, 2016). 1699:– the use of radio to disseminate 766:Problems playing these files? See 655:(English: "The enemy") changed to 25: 5330:I'm Gonna Be a Country Girl Again 5007:The Joan Baez Country Music Album 4661:(with Bill Wood and Ted Alevizos) 4658:Folksingers 'Round Harvard Square 4271:Hey, That's No Way to Say Goodbye 3465:from the original on May 21, 2020 3401:from the original on May 24, 2019 3317:"Better to find out for yourself" 2411:Reilly, Luke (October 19, 2017). 2153:MusĂ©e de l'Ordre de la LibĂ©ration 1808:MusĂ©e de l'Ordre de la LibĂ©ration 1147:, its producer. In the candlelit 1133:While living at a rented farm in 835:The wind is blowing on the graves 826:Then we'll come from the shadows 820:Oh, the wind, the wind is blowing 5346:She Used to Wanna Be a Ballerina 4595: 4594: 2761:Young, Alex (January 14, 2009). 2577:Martin, Douglas (July 3, 2007). 2542:BottĂ , Giacomo (July 24, 2014). 2460:Bibliothèque nationale de France 2217:Bibliothèque nationale de France 1672: 1658: 1622:She Used to Wanna Be a Ballerina 1438:She Used to Wanna Be a Ballerina 751: 733: 587:In the third and fourth lines, " 5540:Buffy Sainte-Marie: Carry It On 5193:What Have They Done to the Rain 5123:Love Is Just a Four-Letter Word 3733:The Official Leonard Cohen Site 3705:The Official Leonard Cohen Site 3635:doesn't know her exact birthday 3156:Clarke, Betty (April 5, 2012). 2242:Journal of Contemporary History 1825:Journal of Contemporary History 1632:and had, with her then husband 1546:Emmanuel d'Astier de La Vigerie 1060:Emmanuel d'Astier de La Vigerie 451:Journal of Contemporary History 393:maritime information center of 338:Emmanuel d'Astier de La Vigerie 318:Emmanuel d'Astier de La Vigerie 231:(born 1941), on her 1972 album 192:Emmanuel d'Astier de La Vigerie 162:Emmanuel d'Astier de La Vigerie 5547:Buffy Sainte-Marie: Starwalker 5437:The Best of Buffy Sainte-Marie 5394:Coincidence and Likely Stories 4056:Live at the Isle of Wight 1970 3779:– uploaded by EmilyLoizeauVEVO 3755:– uploaded by LeonardCohenVEVO 2991:Leonard Cohen: Everybody Knows 1220:with, in the initial format, " 841:We will return to the shadows 803:Le vent souffle sur les tombes 706:Les Allemands Ă©taient chez moi 611:Le vent souffle sur les tombes 529:Structure, content and context 1: 5494:Until It's Time for You to Go 3933:New Skin for the Old Ceremony 3767:– uploaded by LesstentorsVEVO 3108:"Po' Girl Home To You Review" 3023:The Partisan by Leonard Cohen 1419:"Song of the French Partisan" 898:Leonard Cohen's cover version 897: 246: 5095:It's All Over Now, Baby Blue 4993:The Joan Baez Lovesong Album 4986:The Contemporary Ballad Book 4884:Joan Baez in Concert, Part 2 4186:Leonard Cohen Tour 2008–2010 3576:"Suffer the Little Children" 3540:. Retrieved August 15, 2019. 3491:. Retrieved August 16, 2019. 3289:"Jeune cinĂ©ma, Issues 53-62" 3254:. Retrieved August 15, 2019. 3146:. Retrieved August 15, 2019. 1630:1963 Eurovision Song Contest 1163:on bass, fiddle and guitar, 991:Columbia Studio A, Nashville 809:Nous rentrerons dans l'ombre 686:nous rentrerons dans l'ombre 668:Douglas Martin reported for 647:Leeds Publishing Corporation 5633:Songs written by Anna Marly 5487:Now That the Buffalo's Gone 5088:The House of the Rising Sun 4820:Dark Chords on a Big Guitar 4489:Leonard Cohen: I'm Your Man 4229:Dance Me to the End of Love 4155:Leonard Cohen: I'm Your Man 4116:The Essential Leonard Cohen 2805:Martinus Nijhoff Publishers 2496:"La Complainte du partisan" 1725:which became an anthem for 1412:Song of the French Partisan 1334:Recording their 2005 album 1224:", and in a later format, " 867:" (English: "an old man"). 790:Literal English translation 503:Companion of the Liberation 239:Song of the French Partisan 217:Canadian singer-songwriter 40:"La Complainte du partisan" 5684: 5314:Little Wheel Spin and Spin 4891:Joan Baez in San Francisco 4750:Where Are You Now, My Son? 4352:Let Us Compare Mythologies 4109:More Best of Leonard Cohen 3358:Offizielle Deutsche Charts 3073:Gill, Andy (May 6, 2005). 2645:Wise Publications (2012). 2296:Ratcliff, Maurice (2012). 2258:10.1177/002200947300800402 2183:fondation de la rĂ©sistance 1813:fondation de la rĂ©sistance 1318:Wolfenstein: The Old Blood 630: 331: 67:The lament of the partisan 29: 5638:Songs written by Hy Zaret 4979:Hits: Greatest and Others 4972:The Joan Baez Ballad Book 4589: 4095:The Best of Leonard Cohen 3885: 3791:– uploaded by Mick Gordon 3532:Unterberger, Richie. 3483:Unterberger, Richie. 3265:"Positif, Issues 123-133" 1885:The Little Black Songbook 1094: 909: 789: 783: 777: 689:", he states as "we will 507:Croix de Guerre 1939–1945 257:La Complainte du partisan 196:La Complainte du partisan 32:Partisan (disambiguation) 18:La Complainte du partisan 5643:Buffy Sainte-Marie songs 5613:Songs about the military 5039:Babe I'm Gonna Leave You 5021:Rare, Live & Classic 4387:Selected Poems 1956–1968 3485:Esther Ofarim: Biography 2913:"Leonard Cohen obituary" 573:On m'a dit 'RĂ©signe-toi' 550:In his analysis for the 296:43.2942765°N 5.3743739°E 5240:Joan Baez: I Am a Noise 4250:First We Take Manhattan 3574:Warner, Andrea (2018). 3458:Eurovision Song Contest 3426:Eurovision Song Contest 3315:Warner, Andrea (2018). 3246:Ruhlmann, William. 2298:"Part 1: Studio albums" 1737:The Sorrow and the Pity 839:Everyone will forget us 786:(as compared by Berman) 780:(as compared by Berman) 567:L'ennemi Ă©tait chez moi 342:Anna Marly was born in 269:pass of Anna Marly 1942 4580:The Holy or the Broken 4454:Beware of a Holy Whore 4359:The Spice-Box of Earth 4208:Ain't No Cure for Love 3940:Death of a Ladies' Man 3926:Songs of Love and Hate 3912:Songs of Leonard Cohen 3642:"Bio info: Chronology" 3611:(September 29, 2018). 3158:"Other Lives – review" 2955:Random House of Canada 2552:University of Freiburg 1719:A Change Is Gonna Come 1598: 1282:Various Positions Tour 1191:Songs of Leonard Cohen 959:May 30, 1969 895: 889: 882: 875: 860: 844: 837:Freedom will come back 829: 824:Freedom soon will come 814: 802: 792:(as compared by Young) 719: 705: 685: 657: 651: 616: 610: 604: 595: 589: 572: 566: 561: 552:University of Freiburg 539: 488:Le Chant des Partisans 468: 460: 404:armistice with Germany 402:in 1940. Refusing the 329: 270: 237:, and with the title " 5603:Songs of World War II 5179:There but for Fortune 4958:Portrait of Joan Baez 4834:Whistle Down the Wind 4743:Come from the Shadows 3824:Universal Music Group 3820:Come from the Shadows 3683:. February 24, 2006. 3138:Jeffries, David. 2911:(November 11, 2016). 2694:(November 11, 2016). 2333:Craig, Dylan (2019). 2122:. February 28, 2006. 2080:(February 21, 2006). 1731:Civil Rights Movement 1638:Cinderella Rockefella 1589: 1406:Come from the Shadows 1200:The People's Songbook 886: 872: 832: 817: 798: 718: 631:Further information: 627:Adaptation to English 556: 464: 455: 332:Further information: 301:43.2942765; 5.3743739 276: 264: 234:Come from the Shadows 5608:Songs about soldiers 5515:Mister Can't You See 5402:Running for the Drum 5000:Best of Joan C. Baez 4877:Joan Baez in Concert 4852:Sacco & Vanzetti 4243:Famous Blue Raincoat 4191:Old Ideas World Tour 4134:Famous Blue Raincoat 4010:Thanks for the Dance 3219:. pp. 169–170. 3075:"Album: Electrelane" 3040:Nelson, Tim (2007). 2873:Evans, Mike (2018). 2807:. pp. 455–456. 2768:Consequence of Sound 1943:Consequence of Sound 1918:Consequence of Sound 1595:Grand Gala du Disque 1298:Other cover versions 1269:, and many others." 805:La LibertĂ© reviendra 700:Consequence of Sound 30:For other uses, see 5668:CBS Records singles 5648:Leonard Cohen songs 5577:First Nations music 5053:Diamonds & Rust 5014:Joan Baez: Classics 4764:Diamonds & Rust 4482:Looking for Leonard 4432:Film and television 4063:Songs from the Road 3701:"Songs from a Room" 3106:Keogh, Sue (2007). 2737:Library of Congress 2341:Springer Publishing 1703:during World War II 1135:Franklin, Tennessee 436:President Roosevelt 409:La Dernière Colonne 291: /  5663:Anti-fascist music 5522:Up Where We Belong 5410:Power in the Blood 5283:Buffy Sainte-Marie 5165:Speaking of Dreams 5060:Farewell, Angelina 4965:The First 10 Years 4827:Day after Tomorrow 4799:Speaking of Dreams 4687:Farewell, Angelina 4422:A Ballet of Lepers 4373:Flowers for Hitler 4366:The Favourite Game 4334:You Want It Darker 4003:You Want It Darker 3461:. March 23, 2013. 3217:Simon and Schuster 3030:(list of releases) 2584:The New York Times 2516:on August 12, 2019 2051:The New York Times 1858:The New York Times 1782:The New York Times 1599: 1593:performing at the 1591:Buffy Sainte-Marie 1576:Buffy Sainte-Marie 1429:Buffy Sainte-Marie 1383:Betty Clarke, for 1090:singles chronology 720: 671:The New York Times 509:. In Paris, 1945, 505:) and awarded the 440:Free French Forces 330: 271: 267:Free French Forces 249:1941) and Israeli 243:Buffy Sainte-Marie 5628:French Resistance 5623:French folk songs 5585: 5584: 5480:Universal Soldier 5249: 5248: 5186:We Shall Overcome 5172:Sweet Sir Galahad 4940:Live At Woodstock 4844:Soundtrack albums 4806:Play Me Backwards 4729:One Day at a Time 4673:Joan Baez, Vol. 2 4609: 4608: 4559:Julie Christensen 4517:So Long, Marianne 4306:So Long, Marianne 4285:In My Secret Life 4102:So Long, Marianne 3954:Various Positions 3919:Songs from a Room 3363:GfK Entertainment 2881:Plexus Publishing 2795:Berman, Nathaniel 2558:on April 28, 2016 2250:SAGE Publications 1727:African Americans 1584: 1583: 1291:Various Positions 1186:Songs from a Room 1174:Both writing for 1140:Songs from a Room 1131: 1130: 1127: 1126: 1101:So Long, Marianne 974:October 1968 933:Songs from a Room 884:They state that: 848: 847: 793: 787: 781: 778:d'Astier's French 756: 738: 521:, his Resistance 432:Charles de Gaulle 320:(far right) with 224:Songs from a Room 198:" (English: "The 184:French Resistance 182:anthem about the 172: 171: 16:(Redirected from 5675: 5572:Vanguard Records 5276: 5269: 5262: 5253: 5235:(brother-in-law) 5116:Lily of the West 4898:From Every Stage 4813:Gone from Danger 4636: 4629: 4622: 4613: 4598: 4597: 4380:Beautiful Losers 4257:The Gypsy's Wife 4222:Bird on the Wire 3996:Popular Problems 3872: 3865: 3858: 3849: 3837:– Electrelane – 3831: 3812: 3797: 3785: 3773: 3761: 3749: 3742: 3735: 3720: 3718: 3716: 3696: 3694: 3692: 3676: 3668: 3663: 3661: 3637: 3632: 3630: 3604: 3570: 3568: 3566: 3555:MusĂ©e de l'armĂ©e 3541: 3530: 3524: 3523: 3521: 3519: 3498: 3492: 3481: 3475: 3474: 3472: 3470: 3449: 3443: 3442: 3440: 3438: 3417: 3411: 3410: 3408: 3406: 3385: 3379: 3378: 3376: 3374: 3349: 3343: 3342: 3312: 3303: 3302: 3285: 3279: 3278: 3261: 3255: 3244: 3235: 3234: 3203: 3197: 3186: 3180: 3179: 3177: 3175: 3153: 3147: 3136: 3130: 3129: 3127: 3125: 3103: 3097: 3096: 3094: 3092: 3070: 3064: 3063: 3061: 3059: 3037: 3031: 3019: 3013: 3012: 2983:Kubernik, Harvey 2979: 2973: 2972: 2941: 2935: 2934: 2932: 2930: 2905: 2899: 2898: 2870: 2859: 2858: 2856: 2854: 2832: 2823: 2822: 2791: 2785: 2784: 2782: 2780: 2758: 2745: 2744: 2727: 2718: 2717: 2715: 2713: 2688: 2669: 2668: 2642: 2633: 2632: 2630: 2628: 2619:. 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843: 840: 838: 836: 828: 825: 823: 821: 813: 808: 806: 804: 784:Zaret's English 773: 772: 764: 762: 761: 760: 759: 752: 749: 743: 742: 741: 734: 731: 725: 721: 715: 635: 629: 582:Philippe PĂ©tain 577: 531: 424:the Last Column 414:the Last Column 340: 306: 304: 300: 298: 294: 293: 290: 285: 282: 280: 278: 277: 259: 160: 153: 139: 131: 127: 126: 93: 91: 78: 76: 35: 28: 23: 22: 15: 12: 11: 5: 5681: 5679: 5671: 5670: 5665: 5660: 5655: 5650: 5645: 5640: 5635: 5630: 5625: 5620: 5615: 5610: 5605: 5600: 5590: 5589: 5583: 5582: 5580: 5579: 5574: 5569: 5564: 5557: 5550: 5543: 5535: 5533: 5529: 5528: 5526: 5525: 5518: 5511: 5504: 5497: 5490: 5483: 5475: 5473: 5469: 5468: 5466: 5465: 5457: 5449: 5441: 5432: 5430: 5426: 5425: 5423: 5422: 5418:Medicine Songs 5414: 5406: 5398: 5390: 5382: 5378:Changing Woman 5374: 5366: 5358: 5350: 5342: 5334: 5326: 5318: 5310: 5302: 5293: 5291: 5287: 5286: 5281: 5279: 5278: 5271: 5264: 5256: 5247: 5246: 5244: 5243: 5236: 5233:Richard Fariña 5230: 5224: 5218: 5212: 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Index

La Complainte du partisan
Partisan (disambiguation)
Song
Anna Marly
Genre
Folk
chanson
Composer(s)
Anna Marly
Lyricist(s)
Emmanuel d'Astier de La Vigerie
anti-fascist
French Resistance
Anna Marly
Emmanuel d'Astier de La Vigerie
lament
BBC
Hy Zaret
Unchained Melody
Leonard Cohen
Songs from a Room
Joan Baez
Come from the Shadows
Buffy Sainte-Marie
Esther Ofarim

Free French Forces
A group of men in suits and military uniforms, marching past, while admiring, a group of saluting soldiers
43°17′39″N 5°22′28″E / 43.2942765°N 5.3743739°E / 43.2942765; 5.3743739 (Approximate position of Emmanuel d'Astier in 1944 photograph)
Emmanuel d'Astier de La Vigerie

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