Knowledge (XXG)

La Parisienne (Renoir painting)

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176:"The toe of her ankle boot is almost invisible, and peeps out like a little black mouse. Her hat is tilted over one ear and is daringly coquettish. Her dress does not reveal enough of her body. There is nothing more annoying than locked doors. Is the painting a portrait? It is to be feared so. The smile is false, and the face is a strong mixture of the old and the childish. But there is still something naĂŻve about her. One gets the impression that this little lady is trying hard to look chaste. The dress which is extremely well painted, is a heavenly blue." 33: 196:"a large painting of a woman in blue painted by Renoir in 1874. The dress is blue, a pure intense blue. The contrast makes the woman's skin look yellowish and reflection makes it look green. The interaction between the colours is captured admirably. It is simple, fresh and beautiful. It was painted twenty years ago, but you would think it had come straight from the studio." 280:
was bought in the year of its first exhibit in 1874. Art collector and fellow Impressionist artist Henri Rouart paid Renoir 1,500 francs for the painting, hanging it at his home at the Rue de Lisbonne in Paris. Rouart loaned the painting to a Parisian exhibition in 1892, where it was displayed under
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The non-descript background of blue, mauve and yellow-grey adds significantly to the final appearance of the work. The paint on the background is far thinner and more loosely brushed, than the more detailed and layered central figure. The work of the hair against the hat, the earrings and above the
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is a painting in oils on canvas completed in 1874, signed and dated by the artist. It shows a young woman in a long layered dress of a striking deep blue, her face turned to the viewer as she puts on her gloves. Originally the painting had as its background a doorway in the upper left and a curtain
297:. Durand-Ruel later sold his share of the painting to Knoedler and the work was displayed at the National Portrait Society exhibition at Grosvenor Square in London in 1913. It was purchased from the exhibition in March by Welsh art collector 716: 142:
at the upper right, but these were subsequently painted out by Renoir before its first exhibit. This leaves the central figure almost floating in a neutral space, uncluttered by detail.
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describes it as "the most famous painting in the National Museum", while the Cardiff museum states that, "the painting is regarded as one of their most popular exhibits".
666: 1093: 466: 646: 1452: 254:(1857–1944), who at the time of the sitting was sixteen years old. Henriot was an unknown in 1874, though she would later become well known appearing at the 1432: 826: 489: 322: 1026: 576: 158:, the painting, like most of the other works on display that day, received mixed reviews; though most critics mentioned it in passing. French critic 866: 255: 706: 1076: 536: 459: 401: 1103: 846: 435: 309:. The painting was bequeathed to the National Museum Wales in 1952 where it has remained to date. It is popularly known in Wales as 1447: 976: 566: 219:
was completed in 1874 and was first displayed, along with five other oil paintings and a pastel from Renoir, at the studio of
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earrings as well as the upper eyelashes appear to have been added after the painting had received its varnish layer.
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Colour and Light: Fifty Impressionist and Post-Impressionist Works at the National Museum of Wales
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has become an important part of the museum's collection. Ann Sumner in her 2005 publication,
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163.5 cm Ă— 108.5 cm (64.4 in Ă— 42.7 in)
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Since becoming part of the collection of the National Museum of Wales in 1952,
266:. Henriot would sit for at least eleven other paintings for Renoir, including 285:. When Rouart died in early 1912 his collection was broken up and auctioned. 996: 168: 294: 130:
and is one of the centre-pieces of the National Museum's art collection.
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was sold in Paris in December 1912 where it was jointly purchased by
313:. It is on display in gallery 16 of the National Museum, Cardiff. 448: 109:. The work, which was one of seven presented by Renoir at the 717:
In the Garden - Under the Arbour at the Moulin de la Galette
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In 1898, while the painting was in the collection of
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Cardiff: National Museum of Wales. 7: 1453:Paintings in National Museum Cardiff 1312:MusĂ©e de Montmartre, home and studio 747:Nude woman sitting on a couch (Anna) 707:Portrait of the Painter Claude Monet 1077:The Coast at Cagnes, Sea, Mountains 577:LĂ©onard Renoir, The Artist's Father 1433:Portraits by Pierre-Auguste Renoir 380:"La Parisienne vies for art prize" 14: 1104:The Farm at Les Collettes, Cagnes 847:Lunch at the Restaurant Fournaise 223:in the April of that year at the 113:in 1874, is often referred to as 301:where it was transferred to the 293:and the American art dealership 567:Skaters in the Bois de Boulogne 258:and starred in productions for 1007:Young Woman with a Blue Ribbon 225:First Impressionist Exhibition 111:First Impressionist Exhibition 1: 1165: 1108: 1081: 877:Luncheon of the Boating Party 537:FrĂ©dĂ©ric Bazille at his Easel 162:described it as a 'failure'. 897:Two Sisters (On the Terrace) 1187:A Studio at Les Batignolles 737:Bal du moulin de la Galette 303:Holburne of Menstrie Museum 1469: 1047:Gabrielle with Open Blouse 767:A Girl with a Watering Can 497:Portrait of William Sisley 1406:Pays des Impressionnistes 837:Portrait of Jeanne Samary 627:Bather with a Griffon Dog 93: 30: 1131:Portrait of Adèle Besson 507:Mother Anthony's Tavern 404:. National Museum Wales 107:National Museum Cardiff 78:National Museum Cardiff 1448:19th-century portraits 1121:Blond Girl with a Rose 1037:Woman Playing a Guitar 977:Les Grandes Baigneuses 857:Paysage Bords de Seine 547:A Couple (Les FiancĂ©s) 369:Sumner (2005), p. 123. 355:Sumner (2005), p. 120. 198: 178: 125: 1295:(great-granddaughter) 476:Pierre-Auguste Renoir 194: 174: 103:Pierre-Auguste Renoir 101:by the French artist 44:Pierre-Auguste Renoir 1321:(nanny, later model) 1285:Pierre Roland Renoir 987:Nature morte: fleurs 967:Dance in the Country 907:Young Women in Black 817:The Cup of Chocolate 697:The Grand Boulevards 426:Sumner, Ann (2005). 382:. BBC. 5 August 2005 1263:Claude Renoir (son) 777:Mother and Children 637:Woman with Parakeet 597:A Nymph by a Stream 527:Lise with a Parasol 1438:Portraits of women 1394:(his only student) 1341:Catherine Hessling 1334:Marguerite Legrand 1203:The Impressionists 1017:Girls at the Piano 930:(1880–81, 1885–86) 256:Théâtre de l'OdĂ©on 1420: 1419: 1369:Henriette Henriot 957:Dance in the City 947:Dance at Bougival 490:List of paintings 299:Gwendoline Davies 252:Henriette Henriot 150:Critical response 83: 82: 1460: 1408: 1401: 1399:Maison Fournaise 1393: 1386: 1378: 1371: 1364: 1357: 1350: 1343: 1336: 1329: 1322: 1319:Gabrielle Renard 1314: 1296: 1288: 1287:(great-grandson) 1280: 1272: 1264: 1259: 1251: 1243: 1235: 1216: 1195:Bazille's Studio 1170: 1167: 1161:Venus Victorious 1145: 1135: 1125: 1115: 1113: 1110: 1098: 1088: 1086: 1083: 1071: 1061: 1051: 1041: 1031: 1021: 1011: 1001: 991: 981: 971: 961: 951: 941: 931: 921: 920:(1881 and 1882) 911: 901: 891: 881: 871: 861: 851: 841: 831: 821: 811: 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canvas 60: 56: 52: 48: 45: 42: 38: 34: 29: 26: 25:La Parisienne 22: 19: 1376:Jane Henriot 1277:Alain Renoir 1210: 1201: 1193: 1185: 1159: 1139: 1129: 1119: 1102: 1092: 1075: 1065: 1055: 1045: 1035: 1025: 1015: 1005: 995: 985: 975: 965: 955: 945: 935: 925: 915: 905: 895: 885: 875: 865: 855: 845: 835: 825: 815: 805: 797:Eugène Murer 795: 785: 775: 765: 755: 745: 735: 725: 715: 705: 695: 685: 676: 675: 665: 657:Le Pont-Neuf 655: 645: 635: 625: 617:La Promenade 615: 607:L'AlgĂ©rienne 605: 595: 585: 575: 565: 555: 545: 535: 525: 515: 505: 495: 427: 420:Bibliography 406:. 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Retrieved 374: 310: 286: 282: 277: 276: 271: 267: 249: 233:Paul CĂ©zanne 229:Claude Monet 216: 215: 205: 201: 199: 195: 189: 182:Henri Rouart 179: 175: 167: 155: 153: 144: 138: 137: 119: 115: 114: 99:oil painting 94:The Parisian 91: 86: 85: 84: 24: 18: 1327:Lise TrĂ©hot 1256:Jean Renoir 1215:(2012 film) 1169: 1914 1141:The Bathers 1124:(1915–1917) 1112: 1908 1085: 1910 1000:(1886-1887) 980:(1884–1887) 910:(1880-1882) 790:(1876-1877) 270:(1875) and 186:Paul Signac 1427:Categories 1279:(grandson) 1271:(grandson) 1242:(daughter) 1179:Portrayals 1153:Sculptures 408:17 January 386:17 January 329:References 281:the title 66:Dimensions 1144:(1918–19) 997:The Braid 757:The Swing 647:The Harem 600:(1869-70) 557:In Summer 483:Paintings 268:La Source 184:, artist 169:Le Rappel 92:English: 317:See also 295:Knoedler 274:(1876). 272:The Page 97:) is an 74:Location 1304:Related 900:(1881) 687:La Loge 212:History 1234:(wife) 1224:Family 1212:Renoir 1134:(1918) 1114:–1914) 1097:(1911) 1070:(1910) 1060:(1910) 1050:(1907) 1040:(1897) 1030:(1897) 1020:(1892) 1010:(1888) 990:(1885) 970:(1883) 960:(1883) 950:(1883) 940:(1883) 890:(1881) 880:(1881) 870:(1880) 860:(1879) 850:(1879) 840:(1878) 830:(1878) 820:(1878) 810:(1877) 800:(1877) 780:(1876) 770:(1876) 760:(1876) 750:(1876) 740:(1876) 730:(1875) 720:(1875) 710:(1875) 700:(1875) 690:(1874) 680:(1874) 670:(1873) 660:(1872) 650:(1872) 640:(1871) 630:(1870) 620:(1870) 610:(1870) 590:(1869) 580:(1869) 570:(1868) 560:(1868) 550:(1868) 540:(1867) 530:(1867) 520:(1867) 510:(1866) 500:(1864) 434:  122:French 58:Medium 40:Artist 1258:(son) 1250:(son) 517:Diana 221:Nadar 134:Style 1057:Nude 432:ISBN 410:2014 388:2014 307:Bath 192:as: 53:1874 50:Year 305:in 262:'s 166:of 1429:: 1166:c. 1109:c. 1082:c. 360:^ 336:^ 239:, 235:, 231:, 124:: 1171:) 1164:( 1107:( 1087:) 1080:( 468:e 461:t 454:v 440:. 412:. 390:. 128:) 120:( 90:(

Index


Pierre-Auguste Renoir
National Museum Cardiff
oil painting
Pierre-Auguste Renoir
National Museum Cardiff
First Impressionist Exhibition
French
Ernest Chesneau
Jean Prouvaire
Le Rappel
Henri Rouart
Paul Signac
Nadar
First Impressionist Exhibition
Claude Monet
Paul CĂ©zanne
Camille Pissarro
Alfred Sisley
Impressionism
Henriette Henriot
Théâtre de l'Odéon
André Antoine
Théâtre Libre
Paul Durand-Ruel
Knoedler
Gwendoline Davies
Holburne of Menstrie Museum
Bath
List of paintings by Pierre-Auguste Renoir

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