176:"The toe of her ankle boot is almost invisible, and peeps out like a little black mouse. Her hat is tilted over one ear and is daringly coquettish. Her dress does not reveal enough of her body. There is nothing more annoying than locked doors. Is the painting a portrait? It is to be feared so. The smile is false, and the face is a strong mixture of the old and the childish. But there is still something naĂŻve about her. One gets the impression that this little lady is trying hard to look chaste. The dress which is extremely well painted, is a heavenly blue."
33:
196:"a large painting of a woman in blue painted by Renoir in 1874. The dress is blue, a pure intense blue. The contrast makes the woman's skin look yellowish and reflection makes it look green. The interaction between the colours is captured admirably. It is simple, fresh and beautiful. It was painted twenty years ago, but you would think it had come straight from the studio."
280:
was bought in the year of its first exhibit in 1874. Art collector and fellow
Impressionist artist Henri Rouart paid Renoir 1,500 francs for the painting, hanging it at his home at the Rue de Lisbonne in Paris. Rouart loaned the painting to a Parisian exhibition in 1892, where it was displayed under
145:
The non-descript background of blue, mauve and yellow-grey adds significantly to the final appearance of the work. The paint on the background is far thinner and more loosely brushed, than the more detailed and layered central figure. The work of the hair against the hat, the earrings and above the
141:
is a painting in oils on canvas completed in 1874, signed and dated by the artist. It shows a young woman in a long layered dress of a striking deep blue, her face turned to the viewer as she puts on her gloves. Originally the painting had as its background a doorway in the upper left and a curtain
297:. Durand-Ruel later sold his share of the painting to Knoedler and the work was displayed at the National Portrait Society exhibition at Grosvenor Square in London in 1913. It was purchased from the exhibition in March by Welsh art collector
716:
142:
at the upper right, but these were subsequently painted out by Renoir before its first exhibit. This leaves the central figure almost floating in a neutral space, uncluttered by detail.
606:
208:
describes it as "the most famous painting in the
National Museum", while the Cardiff museum states that, "the painting is regarded as one of their most popular exhibits".
666:
1093:
466:
646:
1452:
254:(1857–1944), who at the time of the sitting was sixteen years old. Henriot was an unknown in 1874, though she would later become well known appearing at the
1432:
826:
489:
322:
1026:
576:
158:, the painting, like most of the other works on display that day, received mixed reviews; though most critics mentioned it in passing. French critic
866:
255:
706:
1076:
536:
459:
401:
1103:
846:
435:
309:. The painting was bequeathed to the National Museum Wales in 1952 where it has remained to date. It is popularly known in Wales as
1447:
976:
566:
219:
was completed in 1874 and was first displayed, along with five other oil paintings and a pastel from Renoir, at the studio of
1202:
1006:
452:
224:
110:
1056:
876:
896:
1437:
1186:
736:
1130:
586:
146:
earrings as well as the upper eyelashes appear to have been added after the painting had received its varnish layer.
1046:
766:
746:
506:
496:
1405:
836:
726:
626:
546:
796:
1442:
1066:
516:
106:
77:
1311:
1120:
1036:
926:
886:
856:
806:
696:
656:
616:
475:
102:
43:
1284:
1140:
986:
966:
906:
816:
220:
163:
1194:
776:
636:
596:
526:
428:
Colour and Light: Fifty
Impressionist and Post-Impressionist Works at the National Museum of Wales
263:
1340:
1333:
1016:
756:
556:
1368:
956:
946:
431:
298:
251:
204:
has become an important part of the museum's collection. Ann Sumner in her 2005 publication,
1398:
1318:
1160:
290:
259:
236:
32:
1411:
1361:
1239:
936:
302:
159:
121:
232:
1326:
1231:
786:
306:
1426:
1390:
1383:
1354:
1347:
1292:
1268:
1247:
1211:
916:
244:
240:
1375:
1276:
228:
181:
98:
69:
163.5 cm Ă— 108.5 cm (64.4 in Ă— 42.7 in)
1255:
185:
379:
200:
Since becoming part of the collection of the
National Museum of Wales in 1952,
266:. Henriot would sit for at least eleven other paintings for Renoir, including
285:. When Rouart died in early 1912 his collection was broken up and auctioned.
996:
168:
294:
130:
and is one of the centre-pieces of the
National Museum's art collection.
444:
686:
289:
was sold in Paris in
December 1912 where it was jointly purchased by
313:. It is on display in gallery 16 of the National Museum, Cardiff.
448:
109:. The work, which was one of seven presented by Renoir at the
717:
In the Garden - Under the Arbour at the Moulin de la
Galette
180:
In 1898, while the painting was in the collection of
1303:
1223:
1178:
1152:
482:
73:
65:
57:
49:
39:
23:
867:Portrait of Irène Cahen d'Anvers (La Petite Irène)
667:Claude Monet Painting in His Garden at Argenteuil
1094:Portrait of Ambroise Vollard in a Red Headscarf
250:The model for the painting was French actress
172:expressed mixed sentiments about the painting:
154:When first exhibited in 1874, under the title
460:
105:, completed in 1874 and now displayed at the
8:
227:. Also featured at the studio were works by
827:Madame Georges Charpentier and Her Children
402:"The Parisian Girl [La Parisienne]"
365:
363:
361:
351:
349:
347:
345:
343:
341:
339:
337:
467:
453:
445:
323:List of paintings by Pierre-Auguste Renoir
243:and other leading lights of the embryonic
31:
20:
1027:Yvonne and Christine Lerolle at the Piano
333:
16:1874 painting by Pierre-Auguste Renoir
430:. Cardiff: National Museum of Wales.
7:
1453:Paintings in National Museum Cardiff
1312:Musée de Montmartre, home and studio
747:Nude woman sitting on a couch (Anna)
707:Portrait of the Painter Claude Monet
1077:The Coast at Cagnes, Sea, Mountains
577:LĂ©onard Renoir, The Artist's Father
1433:Portraits by Pierre-Auguste Renoir
380:"La Parisienne vies for art prize"
14:
1104:The Farm at Les Collettes, Cagnes
847:Lunch at the Restaurant Fournaise
223:in the April of that year at the
113:in 1874, is often referred to as
301:where it was transferred to the
293:and the American art dealership
567:Skaters in the Bois de Boulogne
258:and starred in productions for
1007:Young Woman with a Blue Ribbon
225:First Impressionist Exhibition
111:First Impressionist Exhibition
1:
1165:
1108:
1081:
877:Luncheon of the Boating Party
537:Frédéric Bazille at his Easel
162:described it as a 'failure'.
897:Two Sisters (On the Terrace)
1187:A Studio at Les Batignolles
737:Bal du moulin de la Galette
303:Holburne of Menstrie Museum
1469:
1047:Gabrielle with Open Blouse
767:A Girl with a Watering Can
497:Portrait of William Sisley
1406:Pays des Impressionnistes
837:Portrait of Jeanne Samary
627:Bather with a Griffon Dog
93:
30:
1131:Portrait of Adèle Besson
507:Mother Anthony's Tavern
404:. National Museum Wales
107:National Museum Cardiff
78:National Museum Cardiff
1448:19th-century portraits
1121:Blond Girl with a Rose
1037:Woman Playing a Guitar
977:Les Grandes Baigneuses
857:Paysage Bords de Seine
547:A Couple (Les Fiancés)
369:Sumner (2005), p. 123.
355:Sumner (2005), p. 120.
198:
178:
125:
1295:(great-granddaughter)
476:Pierre-Auguste Renoir
194:
174:
103:Pierre-Auguste Renoir
101:by the French artist
44:Pierre-Auguste Renoir
1321:(nanny, later model)
1285:Pierre Roland Renoir
987:Nature morte: fleurs
967:Dance in the Country
907:Young Women in Black
817:The Cup of Chocolate
697:The Grand Boulevards
426:Sumner, Ann (2005).
382:. BBC. 5 August 2005
1263:Claude Renoir (son)
777:Mother and Children
637:Woman with Parakeet
597:A Nymph by a Stream
527:Lise with a Parasol
1438:Portraits of women
1394:(his only student)
1341:Catherine Hessling
1334:Marguerite Legrand
1203:The Impressionists
1017:Girls at the Piano
930:(1880–81, 1885–86)
256:Théâtre de l'Odéon
1420:
1419:
1369:Henriette Henriot
957:Dance in the City
947:Dance at Bougival
490:List of paintings
299:Gwendoline Davies
252:Henriette Henriot
150:Critical response
83:
82:
1460:
1408:
1401:
1399:Maison Fournaise
1393:
1386:
1378:
1371:
1364:
1357:
1350:
1343:
1336:
1329:
1322:
1319:Gabrielle Renard
1314:
1296:
1288:
1287:(great-grandson)
1280:
1272:
1264:
1259:
1251:
1243:
1235:
1216:
1195:Bazille's Studio
1170:
1167:
1161:Venus Victorious
1145:
1135:
1125:
1115:
1113:
1110:
1098:
1088:
1086:
1083:
1071:
1061:
1051:
1041:
1031:
1021:
1011:
1001:
991:
981:
971:
961:
951:
941:
931:
921:
920:(1881 and 1882)
911:
901:
891:
881:
871:
861:
851:
841:
831:
821:
811:
801:
791:
781:
771:
761:
751:
741:
731:
727:Woman with a Cat
721:
711:
701:
691:
681:
671:
661:
651:
641:
631:
621:
611:
601:
591:
581:
571:
561:
551:
541:
531:
521:
511:
501:
469:
462:
455:
446:
441:
414:
413:
411:
409:
398:
392:
391:
389:
387:
376:
370:
367:
356:
353:
291:Paul Durand-Ruel
237:Camille Pissarro
206:Colour and Light
95:
35:
21:
1468:
1467:
1463:
1462:
1461:
1459:
1458:
1457:
1423:
1422:
1421:
1416:
1412:Renoir (crater)
1404:
1397:
1389:
1382:
1374:
1367:
1362:Suzanne Valadon
1360:
1353:
1346:
1339:
1332:
1325:
1317:
1310:
1299:
1291:
1283:
1275:
1267:
1262:
1254:
1246:
1240:Lucienne Bisson
1238:
1230:
1219:
1209:
1198:(1870 painting)
1190:(1870 painting)
1174:
1168:
1148:
1138:
1128:
1118:
1111:
1101:
1091:
1084:
1074:
1064:
1054:
1044:
1034:
1024:
1014:
1004:
994:
984:
974:
964:
954:
944:
937:By the Seashore
934:
924:
914:
904:
894:
884:
874:
864:
854:
844:
834:
824:
814:
804:
794:
784:
774:
764:
754:
744:
734:
724:
714:
704:
694:
684:
674:
664:
654:
644:
634:
624:
614:
604:
594:
587:La Grenouillère
584:
574:
564:
554:
544:
534:
524:
514:
504:
494:
478:
473:
438:
425:
422:
417:
407:
405:
400:
399:
395:
385:
383:
378:
377:
373:
368:
359:
354:
335:
331:
319:
283:La Dame en Bleu
214:
160:Ernest Chesneau
152:
136:
126:La Dame en Bleu
17:
12:
11:
5:
1466:
1464:
1456:
1455:
1450:
1445:
1443:1874 paintings
1440:
1435:
1425:
1424:
1418:
1417:
1415:
1414:
1409:
1402:
1395:
1387:
1380:
1372:
1365:
1358:
1351:
1344:
1337:
1330:
1323:
1315:
1307:
1305:
1301:
1300:
1298:
1297:
1289:
1281:
1273:
1265:
1260:
1252:
1244:
1236:
1232:Aline Charigot
1227:
1225:
1221:
1220:
1218:
1217:
1207:
1199:
1191:
1182:
1180:
1176:
1175:
1173:
1172:
1156:
1154:
1150:
1149:
1147:
1146:
1136:
1126:
1116:
1099:
1089:
1072:
1067:After the Bath
1062:
1052:
1042:
1032:
1022:
1012:
1002:
992:
982:
972:
962:
952:
942:
932:
922:
912:
902:
892:
882:
872:
862:
852:
842:
832:
822:
812:
802:
792:
787:At the Theatre
782:
772:
762:
752:
742:
732:
722:
712:
702:
692:
682:
672:
662:
652:
642:
632:
622:
612:
602:
592:
582:
572:
562:
552:
542:
532:
522:
512:
502:
492:
486:
484:
480:
479:
474:
472:
471:
464:
457:
449:
443:
442:
436:
421:
418:
416:
415:
393:
371:
357:
332:
330:
327:
326:
325:
318:
315:
247:art movement.
213:
210:
188:described the
164:Jean Prouvaire
151:
148:
135:
132:
81:
80:
75:
71:
70:
67:
63:
62:
59:
55:
54:
51:
47:
46:
41:
37:
36:
28:
27:
15:
13:
10:
9:
6:
4:
3:
2:
1465:
1454:
1451:
1449:
1446:
1444:
1441:
1439:
1436:
1434:
1431:
1430:
1428:
1413:
1410:
1407:
1403:
1400:
1396:
1392:
1391:Jeanne Baudot
1388:
1385:
1384:Raoul Rigault
1381:
1379:(child model)
1377:
1373:
1370:
1366:
1363:
1359:
1356:
1355:Jeanne Samary
1352:
1349:
1348:Richard Guino
1345:
1342:
1338:
1335:
1331:
1328:
1324:
1320:
1316:
1313:
1309:
1308:
1306:
1302:
1294:
1293:Sophie Renoir
1290:
1286:
1282:
1278:
1274:
1270:
1269:Claude Renoir
1266:
1261:
1257:
1253:
1249:
1248:Pierre Renoir
1245:
1241:
1237:
1233:
1229:
1228:
1226:
1222:
1214:
1213:
1208:
1206:(2006 series)
1205:
1204:
1200:
1197:
1196:
1192:
1189:
1188:
1184:
1183:
1181:
1177:
1163:
1162:
1158:
1157:
1155:
1151:
1143:
1142:
1137:
1133:
1132:
1127:
1123:
1122:
1117:
1106:
1105:
1100:
1096:
1095:
1090:
1079:
1078:
1073:
1069:
1068:
1063:
1059:
1058:
1053:
1049:
1048:
1043:
1039:
1038:
1033:
1029:
1028:
1023:
1019:
1018:
1013:
1009:
1008:
1003:
999:
998:
993:
989:
988:
983:
979:
978:
973:
969:
968:
963:
959:
958:
953:
949:
948:
943:
939:
938:
933:
929:
928:
927:The Umbrellas
923:
919:
918:
917:Blonde Bather
913:
909:
908:
903:
899:
898:
893:
889:
888:
887:Pink and Blue
883:
879:
878:
873:
869:
868:
863:
859:
858:
853:
849:
848:
843:
839:
838:
833:
829:
828:
823:
819:
818:
813:
809:
808:
807:The Day Dream
803:
799:
798:
793:
789:
788:
783:
779:
778:
773:
769:
768:
763:
759:
758:
753:
749:
748:
743:
739:
738:
733:
729:
728:
723:
719:
718:
713:
709:
708:
703:
699:
698:
693:
689:
688:
683:
679:
678:
677:La Parisienne
673:
669:
668:
663:
659:
658:
653:
649:
648:
643:
639:
638:
633:
629:
628:
623:
619:
618:
613:
609:
608:
603:
599:
598:
593:
589:
588:
583:
579:
578:
573:
569:
568:
563:
559:
558:
553:
549:
548:
543:
539:
538:
533:
529:
528:
523:
519:
518:
513:
509:
508:
503:
499:
498:
493:
491:
488:
487:
485:
481:
477:
470:
465:
463:
458:
456:
451:
450:
447:
439:
437:0-7200-0551-5
433:
429:
424:
423:
419:
403:
397:
394:
381:
375:
372:
366:
364:
362:
358:
352:
350:
348:
346:
344:
342:
340:
338:
334:
328:
324:
321:
320:
316:
314:
312:
311:The Blue Lady
308:
304:
300:
296:
292:
288:
287:La Parisienne
284:
279:
278:La Parisienne
275:
273:
269:
265:
264:Théâtre Libre
261:
260:André Antoine
257:
253:
248:
246:
245:Impressionism
242:
241:Alfred Sisley
238:
234:
230:
226:
222:
218:
217:La Parisienne
211:
209:
207:
203:
202:La Parisienne
197:
193:
191:
190:La Parisienne
187:
183:
177:
173:
171:
170:
165:
161:
157:
156:La Parisienne
149:
147:
143:
140:
139:La Parisienne
133:
131:
129:
127:
123:
118:
117:
116:The Blue Lady
112:
108:
104:
100:
96:
89:
88:
87:La Parisienne
79:
76:
72:
68:
64:
61:Oil on canvas
60:
56:
52:
48:
45:
42:
38:
34:
29:
26:
25:La Parisienne
22:
19:
1376:Jane Henriot
1277:Alain Renoir
1210:
1201:
1193:
1185:
1159:
1139:
1129:
1119:
1102:
1092:
1075:
1065:
1055:
1045:
1035:
1025:
1015:
1005:
995:
985:
975:
965:
955:
945:
935:
925:
915:
905:
895:
885:
875:
865:
855:
845:
835:
825:
815:
805:
797:Eugène Murer
795:
785:
775:
765:
755:
745:
735:
725:
715:
705:
695:
685:
676:
675:
665:
657:Le Pont-Neuf
655:
645:
635:
625:
617:La Promenade
615:
607:L'Algérienne
605:
595:
585:
575:
565:
555:
545:
535:
525:
515:
505:
495:
427:
420:Bibliography
406:. Retrieved
396:
384:. Retrieved
374:
310:
286:
282:
277:
276:
271:
267:
249:
233:Paul CĂ©zanne
229:Claude Monet
216:
215:
205:
201:
199:
195:
189:
182:Henri Rouart
179:
175:
167:
155:
153:
144:
138:
137:
119:
115:
114:
99:oil painting
94:The Parisian
91:
86:
85:
84:
24:
18:
1327:Lise Tréhot
1256:Jean Renoir
1215:(2012 film)
1169: 1914
1141:The Bathers
1124:(1915–1917)
1112: 1908
1085: 1910
1000:(1886-1887)
980:(1884–1887)
910:(1880-1882)
790:(1876-1877)
270:(1875) and
186:Paul Signac
1427:Categories
1279:(grandson)
1271:(grandson)
1242:(daughter)
1179:Portrayals
1153:Sculptures
408:17 January
386:17 January
329:References
281:the title
66:Dimensions
1144:(1918–19)
997:The Braid
757:The Swing
647:The Harem
600:(1869-70)
557:In Summer
483:Paintings
268:La Source
184:, artist
169:Le Rappel
92:English:
317:See also
295:Knoedler
274:(1876).
272:The Page
97:) is an
74:Location
1304:Related
900:(1881)
687:La Loge
212:History
1234:(wife)
1224:Family
1212:Renoir
1134:(1918)
1114:–1914)
1097:(1911)
1070:(1910)
1060:(1910)
1050:(1907)
1040:(1897)
1030:(1897)
1020:(1892)
1010:(1888)
990:(1885)
970:(1883)
960:(1883)
950:(1883)
940:(1883)
890:(1881)
880:(1881)
870:(1880)
860:(1879)
850:(1879)
840:(1878)
830:(1878)
820:(1878)
810:(1877)
800:(1877)
780:(1876)
770:(1876)
760:(1876)
750:(1876)
740:(1876)
730:(1875)
720:(1875)
710:(1875)
700:(1875)
690:(1874)
680:(1874)
670:(1873)
660:(1872)
650:(1872)
640:(1871)
630:(1870)
620:(1870)
610:(1870)
590:(1869)
580:(1869)
570:(1868)
560:(1868)
550:(1868)
540:(1867)
530:(1867)
520:(1867)
510:(1866)
500:(1864)
434:
122:French
58:Medium
40:Artist
1258:(son)
1250:(son)
517:Diana
221:Nadar
134:Style
1057:Nude
432:ISBN
410:2014
388:2014
307:Bath
192:as:
53:1874
50:Year
305:in
262:'s
166:of
1429::
1166:c.
1109:c.
1082:c.
360:^
336:^
239:,
235:,
231:,
124::
1171:)
1164:(
1107:(
1087:)
1080:(
468:e
461:t
454:v
440:.
412:.
390:.
128:)
120:(
90:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.