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for abandoning their watch. However, when he sees Alexis in his costume, he thinks he has found his lost love, the beautiful
Prascovia, and calms down. Olga observes that Prascovia bears a very striking resemblance to Alexis and to deflect suspicion, "Prascovia" tells Olga and Orsakoff that "she" is Alexis's sister. Orsakoff begs Olga to take on Prascovia as her companion, to which she agrees convinced that Prascovia is Alexis's sister. At this point there is a surprise attack by the Circassian army who kidnap Olga and Alexis (still dressed as Prascovia) and take them off to Sultan Aboul-Kazim's
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concubine and that she will retire to a convent unless he marries her within three months. The letter had taken six months to arrive, and the
General is now determined to find the convent where she is staying. In the meantime, Alexis, dressed in his officer's uniform, has called on Orsakoff to ask for Olga's hand in marriage. Still believing that Alexis is Prascovia's brother, and wishing to curry favour with him, Orsakoff promotes Alexis to captain and
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Orsakoff is even willing to leave Olga behind if Aboul-Kazim will release
Prascovia. The Sultan refuses to release either one. In the meantime, Alexis has revealed his true identity to Olga and they declare their love for each other. Olga and Alexis are finally liberated when Russian officers and troops arrive, aided and abetted by Aboul-Kazim's other wives who wish to get rid of their rivals.
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worked so well that the countess's brother-in-law, the boorish
General Orsakoff, fell madly in love with "her" and Alexis was forced to disappear in order to escape his advances. As the soldiers discuss putting on a play to while away the time, Lanskoi, an artist and friend of Alexis, arrives at the fort with a copy of
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languorously sing of the pleasures to be found there: "Doux avenir, joie et plaisir" (Sweet future, joy and pleasure). The Sultan is delighted with Olga and
Prascovia. He designates Olga his chief wife and appoints Prascovia as her companion. Lanskoi arrives with an offer of ransom for the two women.
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In a
Russian fort in Circassia in the dead of winter, Lieutenant Alexis Zouboff recounts an amusing story to his fellow officers. While on a sensitive errand, he had managed to gain entrance to a Russian countess's villa by disguising himself as a Circassian lady's maid named Prascovia. The disguise
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After Olga and Alexis's marriage has taken place, Lanskoi decides to put an end to
Orsakoff's quest for Prascovia once and for all. He concocts another letter from Prascovia to Orsakoff. In it she declares that she is about to commit suicide out of despair at his failure to answer her first letter:
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As rehearsals are underway, General
Orsakoff arrives at the fort with Olga, his niece and ward with whom Alexis had fallen in love when he was recuperating from battle wounds at her aunt's villa in the Crimea. The General is furious at the amateur theatricals and threatens to have the officers shot
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described it as "an uncommonly childish piece of patchwork, scarcely credible as coming from its grey-haired author" and wrote that Auber refused to talk about it, telling him "Ah, let us leave the farces in peace!" The opera's overture was still occasionally played as a concert piece in the late
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Olga and
General Orsakoff are back at his palace in Moscow. A letter from Prascovia arrives which Lanskoi had concocted to explain her sudden disappearance after her liberation from the harem. In the letter Frasovia tells Orsakoff that she had fled because she loved him too much simply to be his
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opera company in
Philadelphia, but it received no performances in Europe outside France. It remained in the Opéra-Comique's repertoire for only one year with a total of 49 performances. In his reminiscences of an encounter with Auber shortly after the premiere,
609:"When you read these lines, I shall have ceased to live." Orsakoff accepts that she is now dead. Alexis is spared any future embarrassment, and Orsakoff's vanity is satisfied—a beautiful woman has killed herself because of her great love for him.
218:, Jacques Heugel praised the score as Auber's "most youthful, clever, and refined music", admirably adapted to Scribe's witty libretto and demonstrating once again that he was "the French musician
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and then to colonel. He also consents to Alexis's marriage to Olga, on the express condition that Alexis consents to his marriage to Prascovia once he finds her.
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280:, achieved great success which led to litigation by Scribe's widow. Auber lived on for another ten years and composed three more operas, including
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222:". He went on to describe the opening night as "a true success" with the audience "in raptures". An English vocal score translated by
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In a snowbound Russian fort, Alexis (dressed as Prascovia) addresses General Orsakoff. A Russian brigadier and Lanskoi look on.
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746:(translated by William Ashton Ellis), p. 342. Originally published in 1896, republished by University of Nebraska Press.
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However, the opera's success proved to be short-lived. In October 1861 an adapted English version of
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was one of Auber's last operas, composed when he was nearly 80 years old. His librettist,
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versions and instrumental fantasies on the score by various composers, including
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Premiere cast based on Letellier (2011). Voice type based on Casaglia (2005)
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was published shortly after the premiere as were numerous
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in Paris on 2 February 1861 in a production directed by
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Opera in Philadelphia: Performance Chronology 1850–1874
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259:(released on the Rare Recorded Editions label).
716:Introduction to Daniel-François-Esprit Auber:
251:19th century and was recorded in the 1970s by
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151:. It was premiered on 2 February 1861 by the
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262:Scribe died two weeks after the premiere of
163:, the opera was also known under the titles
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149:Une année de la vie du chevalier de Faublas
85:Une année de la vie du chevalier de Faublas
1340:Opera world premieres at the Opéra-Comique
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811:International Music Score Library Project
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818:(in French). Paris: N. Tresse. (via
241:was given three performances by the
212:. In his review of the premiere for
637:. L'Almanacco di Gherardo Casaglia
159:in Paris. Set in Russia during the
187:Background and performance history
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296:Roles, voice types, premiere cast
204:. The opera was premiered by the
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905:Le testament et les billets doux
699:, p. 81. Retrieved 22 July 2013.
310:Premiere cast, 2 February 1861
377:Joseph-Antoine-Charles Couderc
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1057:Gustave III, ou Le bal masqué
587:At the harem of Aboul-Kazim,
463:in the service of Aboul Kasim
369:an artist and Alexis's friend
679:(10 February 1861) pp. 81–83
274:. Suppé's setting, entitled
131:) in three acts composed by
1137:Les diamants de la couronne
1041:La marquise de Brinvilliers
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1249:Le premier jour de bonheur
1241:La fiancée du roi de Garbe
712:Letellier, Robert Ignatius
625:Casaglia, Gherardo (2005).
491:one of Aboul Kasim's wives
477:one of Aboul Kasim's wives
286:, his last major success.
283:Le premier jour de bonheur
1345:Libretti by Eugène Scribe
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769:. Retrieved 22 July 2013.
657:. Retrieved 22 July 2013.
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412:Charles-François Duvernoy
351:Orsakoff's niece and ward
257:Modern Symphony Orchestra
95:2 February 1861
37:
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327:Achille-FĂ©lix Montaubry
317:a young Russian officer
1350:Operas based on novels
1325:Operas by Daniel Auber
1320:French-language operas
1025:Le dieu et la bayadère
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530:Russian-Circassian War
161:Russian-Circassian War
1105:La fĂŞte de Versailles
913:La bergère châtelaine
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135:to a French-language
16:Opera by Daniel Auber
1355:Operas set in Russia
1185:Haydée, ou Le Secret
1089:Les chaperons blancs
1001:La muette de Portici
961:Le concert Ă la cour
669:(16 February 1861).
445:a Circassian officer
169:La révolte au Sérail
45:Mademoiselle Monrose
1073:Le cheval de bronze
897:Le séjour militaire
671:"Auber's New Opera"
431:a Russian brigadier
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171:(The Revolt in the
945:VendĂ´me en Espagne
791:(16 February 1861)
787:Synopsis based on
743:Actors and Singers
695:2016-03-04 at the
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504:Russian soldiers,
470:Paul-Pierre Laget
397:Eugène-Louis Troy
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688:Hamilton, Frank.
667:The Musical World
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335:a Russian general
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264:La circassienne
255:conducting the
239:La circassienne
232:Eugène Ketterer
224:Thomas Oliphant
192:La circassienne
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1335:1861 operas
1209:Marco Spada
1017:Fra Diavolo
506:Circassians
415: [
402:Soltikoff,
201:Fra Diavolo
1314:Categories
1217:Jenny Bell
1049:Le serment
1033:Le philtre
1009:La fiancée
752:0803297734
727:1443829234
613:References
589:odalisques
510:odalisques
333:Orsakoff,
306:Voice type
99:1861-02-02
53:Librettist
1161:La sirène
985:Le timide
929:Leicester
578:Odalisque
526:Circassia
524:Setting:
457:Boudour,
438:Ambroise
435:baritone
408:baritone
367:Lanskoi,
344:Barielle
277:Fatinitza
143:based on
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993:Fiorella
977:Le maçon
969:LĂ©ocadie
937:La neige
763:WorldCat
740:(1995).
693:Archived
651:WorldCat
551:Dalayrac
519:Synopsis
495:soprano
481:soprano
452:Davoust
340:baritone
268:operetta
173:Seraglio
137:libretto
91:Premiere
77:Based on
69:Language
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1129:Zanetta
1065:Lestocq
714:(2011)
489:NeĂŻla,
475:Zoloé,
429:Perod,
356:soprano
181:Faublas
108:, Paris
97: (
47:as Olga
1330:Operas
1290:Portal
1260:(1869)
1252:(1868)
1244:(1864)
1236:(1861)
1228:(1856)
1220:(1855)
1212:(1852)
1204:(1851)
1196:(1850)
1188:(1847)
1180:(1847)
1172:(1845)
1164:(1844)
1156:(1843)
1148:(1842)
1140:(1841)
1132:(1840)
1124:(1839)
1116:(1837)
1108:(1837)
1100:(1836)
1092:(1836)
1084:(1836)
1081:Actéon
1076:(1835)
1068:(1834)
1060:(1833)
1052:(1832)
1044:(1831)
1036:(1831)
1028:(1830)
1020:(1830)
1012:(1829)
1004:(1828)
996:(1826)
988:(1826)
980:(1825)
972:(1824)
964:(1824)
956:(1824)
948:(1823)
940:(1823)
932:(1823)
924:(1821)
916:(1820)
908:(1819)
900:(1813)
892:(1812)
884:(1805)
873:Operas
750:
725:
633:
467:tenor
461:eunuch
443:Irak,
387:sultan
373:tenor
349:Olga,
179:, and
177:Alexis
72:French
1304:Opera
881:Julie
596:Act 3
569:Act 2
563:harem
544:Act 1
449:bass
423:]
322:tenor
302:Role
290:Roles
121:(The
921:Emma
748:ISBN
723:ISBN
393:bass
580:by
270:by
175:),
139:by
83:'s
30:by
1316::
765:.
704:^
653:.
565:.
508:,
459:a
421:it
419:;
417:de
234:.
183:.
1292::
849:e
842:t
835:v
822:)
641:.
631:,
627:"
101:)
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