554:). Magda is deeply touched, but also uneasy: she knows that her past life as a courtesan would make her unacceptable to Ruggero's family, and possibly to Ruggero if he knew who she really was. As Ruggero leaves to post his letter she meditates on her dilemma, torn between her desire to tell Ruggero everything, her wish not to hurt him and her fear of losing his love. Prunier and Lisette arrive. Lisette has had a brief and disastrous career as a music-hall singer: her performance in Nice the previous evening was a catastrophe. She and Prunier bicker with each other while waiting for Magda. When Magda appears, Lisette begs for her job back, and Magda consents. Prunier expresses surprise that Magda can be happy away from Paris, and delivers a message to Magda from Rambaldo: he is happy to take her back on any terms. Magda refuses to listen. Prunier takes his leave of Lisette (first arranging a rendezvous with her for that evening) and Lisette resumes her duties as Magda's maid. Ruggero returns with a letter from his mother, in which she says that if Ruggero's fiancée has all the virtues he has described to her, he will have a blissful marriage. She looks forward to welcoming the couple to her home and sends Magda a kiss. Magda is unable to keep her secret any longer. She tells Ruggero about her past and declares that she can never be his wife – she would cause his parents too much grief. Ruggero implores Magda not to abandon him (
528:. They dance happily together. Prunier and Lisette enter, arguing about Prunier's desire to turn Lisette into a lady and to educate her. Magda and Ruggero return to their table and Magda begins to reminisce about a past love affair. Ruggero asks for her name and she answers 'Pauletta'. She writes the name on the tablecloth and Ruggero adds his own beneath. The attraction between Magda and Ruggero grows as they talk. Lisette and Prunier pass their table and Lisette recognizes Magda. Magda signals to Prunier not to give away her secret and Prunier tells Lisette she is mistaken. To prove his point, he introduces Lisette to Magda, who tries to maintain her disguise, to the puzzlement of Lisette. The two couples sit together and drink a
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asks where he may find the best place to spend an evening: after much discussion, Lisette recommends
Bullier's. Ruggero leaves. Magda chides the other guests for mocking him. After they too have gone, she tells Lisette that she will remain at home that evening. Then, on a whim, she determines to disguise herself and go to Bullier's as well. She goes to get changed. Prunier returns in secret to escort Lisette to Bullier's and flirts extravagantly with her. Lisette is wearing Magda's hat and Prunier tells her that he dislikes it and orders her to take it off. They then set out together. Magda re-enters, disguised as a working girl. She sings a fragment of Prunier's song about Doretta as she leaves, happily anticipating an adventure.
536:). Prunier notices that Rambaldo has come in, and orders Lisette to take Ruggero out of the room for a few minutes, which she does. Rambaldo demands an explanation from Magda for her behaviour and disguise; she tells him that she has nothing to add to what he has already seen. Rambaldo suggests they leave together but she refuses and declares her love for Ruggero, apologizing for any pain she is causing Rambaldo by her actions. Rambaldo tells her that he cannot prevent her staying with Ruggero. As he leaves, Ruggero returns, and tells Magda that dawn is breaking. They decide to begin a new life together, but Magda secretly worries that she is deceiving Ruggero.
579:, in 1920, Prunier is the deciding force in Magda's decision to leave Ruggero in Act 3, and she departs without seeing her lover. In the third version of the opera, Puccini changed the final act again, adding a scene in which Rambaldo comes to beg Magda to return to him, and ending with Ruggero's discovery (via an anonymous telegram) of who Magda really is, his angry rebuke of her, and his decision to leave her for ever. At the end of this version, Magda is left alone with Lisette. The third version was not heard until 1994 in
493:). Magda's guests are charmed by her performance and her long-term protector Rambaldo gives her a pearl necklace. Lisette enters to announce the arrival of a young man – the son of an old school friend of Rambaldo. Lisette is ordered by Rambaldo to bring in the guest. Suddenly nostalgic, Magda recalls her life as a young working girl and happy evenings spent dancing at Bullier's, where she first experienced love (Aria:
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Prunier maintains that no one is immune to romantic love and sings the first verse of his latest song about
Doretta, who rejected a king as her suitor because of the value she placed on true love. He does not know how to finish the song, so Magda takes over and provides the second verse: she recounts how Doretta falls in love with a student (Aria:
583:. Moreover, a fire at Casa Sonzogno archives caused by Allied bombing during the war destroyed parts of the score which had to be restored based on the surviving vocal-piano arrangements. The orchestration of the third version was finally completed in authentic Puccinian style by the Italian composer
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to some of the girls, while
Lisette brings in the visitor, Ruggero. He has an introduction from his father for Rambaldo. Prunier reads Magda's palm and tells her that she is like a swallow: she longs for migration towards the sun and true love. Ruggero explains that it is his first visit to Paris and
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The bar is packed with students, artists and flower girls, singing and dancing. Magda enters and attracts the attention of several young men. She hurries over to a table at which
Ruggero is sitting alone. She apologizes for intruding and tells him that she will move away as soon as the young men at
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has been one of
Puccini's less successful works; "In box office terms, was the poor cousin to the other great hits." There is no established final version of it, Puccini being dissatisfied, as often, with the result of his work; he revised it many times to the point of making three versions (1917,
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At a cocktail party hosted by the courtesan Magda, the poet
Prunier expounds his theories on love. Magda's friends Yvette, Bianca and Suzy playfully mock him, while Lisette, Magda's maid, tells him he does not know what he is talking about. Prunier takes offence and Magda orders Lisette to leave.
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Magda and
Ruggero have been living together on the French Riviera for some months. They talk about their first meeting and happiness together, living quietly by the sea. Ruggero tells Magda that he has written to his mother to ask for money to pay their growing debts and for her consent to his
173:, "only more entertaining and more organic," he agreed. The work proceeded for two years, sometimes intensely, sometimes with great difficulty, and in spring 1916 the opera was finished. The originally intended Viennese première was impeded by the outbreak of
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was seen at the Théâtre du Châtelet, revived at the Royal Opera House in 2005 and 2013, and presented by the San
Francisco Opera in 2007, all with Gheorghiu. On 31 December 2008, again with Gheorghiu as Magda, the
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the bar stop watching her. Ruggero, who does not recognize Magda in her disguise, asks her to stay. They chat and
Ruggero tells Magda that she reminds him of the quiet and elegant girls from his home town,
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558:), but Magda is adamant that they cannot remain together, and that Ruggero must return home. Like a swallow, she flies back to Rambaldo and her old life, leaving Ruggero behind, devastated.
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in 1995 used the third version, but added to the tragedy by having Magda commit suicide by drowning in the final bars of the opera. This version of the opera has since been staged by the
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497:). Some of the guests suggest that Prunier should compose a song based on Magda's story but he declares a preference for songs about perverse heroines, such as
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The creator of the role of
Lisette, Ines Maria Ferraris, made the earliest known recording of the aria "Chi il bel sogno di Doretta" in 1928 for the
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in 1917 the initial reception by the public and press was warm. However, despite the artistic value of the score,
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Ines Maria Ferraris, creator of the role of Lisette, singing the first recording of "Chi il bel sogno di Doretta"
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1920, 1921), with two completely different endings, but died before clearly deciding on a final version.
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in the leading roles. A feature of the music is Puccini's use of modern dance rhythms, such as the
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marriage to Magda. Ruggero imagines their happy married life and the child they may have (Aria:
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Members of the bourgeoisie, students, painters, elegantly dressed ladies and gentlemen,
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to movie theaters and schools throughout the world. This opera also was performed by
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The Complete Puccini: The Story of the World's Most Popular Operatic Composer
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Reviews and photos of first performance at the Metropolitan Opera in 1928
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in New York gave the company's first staging in 70 years. The
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Ainhoa Arteta and Marcus Haddock perform the alternate ending
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Following the premiere of a joint new production by director
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Opera Classics Library Puccini Companion: The Glorious Dozen
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Weaver, William (March 1958). "Naples Revives La Rondine".
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and subsequently performed there on 22 March 1994.
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Ainhoa Arteta performing "Chi il bel sogno di Doretta"
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In Italy, Puccini offered the work to his editor Tito
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794:(Indianola, IA) in July 2012, starring
223:neutral territory. At the premiere in
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16:Opera in three acts by Giacomo Puccini
505:. Prunier demonstrates his skills at
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1262:on operadis-opera-discography.org.uk
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602:in New York City on March 10, 1928;
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634:(1994), as well as performances at
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208:"; thus Ricordi's rival, Lorenzo
151:In autumn 1913, the directors of
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1234:Returns to L. A. – June 7, 2008"
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667:Royal Opera House, Covent Garden
139:. It was first performed at the
19:For the 2002 song by Mango, see
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1441:at Metropolitan Opera Archives
1434:Libretto (Italian and Spanish)
562:Subsequent performance history
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618:, Italy, staged a revival of
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655:Teatro Filarmonico di Verona
251:Premiere cast, 27 March 1917
141:Grand Théâtre de Monte Carlo
90:Grand Théâtre de Monte Carlo
1430:, Washington National, 1998
1307:Puccini: His Life and Works
1190:Kendell (2012), p. ??
863:Francesco Molinari-Pradelli
606:sang the role of Magda and
491:Chi il bel sogno di Doretta
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1199:Budden (2002), pp. 351–368
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534:Bevo al tuo fresco sorriso
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1952:Operas by Giacomo Puccini
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702:Washington National Opera
594:The American premiere of
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732:(2008, 2014, 2024), and
1957:Italian-language operas
1726:Tu che di gel sei cinta
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626:Modern-day performances
552:Dimmi che vuoi seguirmi
470:Time: Mid-19th century.
79:27 March 1917
1151:Cat: 50999 631618-9 2
792:Des Moines Metro Opera
632:Teatro Regio di Torino
589:Teatro Regio di Torino
556:Ma come puoi lasciarmi
1569:La fanciulla del West
1363:Puccini Among Friends
769:as Magda) and at the
463:Place: Paris and the
1972:Operas set in France
1485:List of compositions
683:Opéra de Monte-Carlo
673:(2002, 2005, 2013),
665:(2002, 2003, 2007),
324:Rambaldo Fernandez,
183:Opéra de Monte-Carlo
126:Alfred Maria Willner
1670:E lucevan le stelle
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287:Ines Maria Ferraris
147:Composition history
1754:Un bel dì, vedremo
1698:O mio babbino caro
1656:Donna non vidi mai
1649:Torna ai felici dì
1139:Metropolitan Opera
1102:DVD: ArtHaus Musik
1082:Stefano Antonucci,
780:Metropolitan Opera
730:Metropolitan Opera
714:Boston Lyric Opera
600:Metropolitan Opera
598:took place at the
587:at the request of
545:The French Riviera
495:Ore dolci e divine
318:Francesco Dominici
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1747:Che gelida manina
1740:O soave fanciulla
1733:Signore, ascolta!
1719:Non piangere, LiĂą
1677:Recondita armonia
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1075:Fernando Portari,
1042:Emanuele Giannino
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952:William Matteuzzi
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853:Graziella Sciutti
756:Los Angeles Opera
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706:Los Angeles Opera
653:in Lucca (1998),
651:Teatro del Giglio
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336:Gustave Huberdeau
326:Magda's protector
271:Gilda dalla Rizza
187:Gilda dalla Rizza
170:Der Rosenkavalier
112:in three acts by
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1879:Related articles
1863:Domenico Puccini
1791:Film adaptations
1705:In questa reggia
1691:Ch'ella mi creda
1554:Madama Butterfly
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122:Giuseppe Adami
116:to an Italian
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1896:Puccini Spur
1838:
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1814:
1806:
1798:
1778:
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1712:Nessun dorma
1684:Vissi d'arte
1621:
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1591:
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1362:
1341:
1327:
1306:
1296:
1295:
1282:. Retrieved
1275:
1268:
1259:
1253:
1246:"La rondine"
1245:
1241:
1231:
1225:
1216:
1210:
1204:
1195:
1162:
1161:
1148:EMI Classics
1123:Samuel Ramey
1040:Maya Dashuk,
968:EMI Classics
908:Lorin Maazel
848:Mario Sereni
805:
774:
763:Nicolas Joël
760:
743:
738:
728:(2008), the
718:Dallas Opera
695:
629:
619:
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517:
494:
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479:
478:
444:
394:Suzy Laugée
325:
309:
278:
253:(Conductor:
228:
199:
181:, hence the
168:
150:
105:
100:
99:
98:
1962:1917 operas
1841:(2001 film)
1833:(2008 film)
1825:(1988 film)
1817:(1965 film)
1809:(1956 film)
1801:(1926 film)
1764:Other works
1630:discography
1613:discography
1585:Il trittico
1561:discography
1546:discography
1531:discography
1284:14 December
1090:Carlo Rizzi
971:Cat: 56338
643:Opera North
345:baritone /
302:Tito Schipa
225:Monte Carlo
213: [
191:Tito Schipa
175:World War I
165:comic opera
157:Carltheater
133: [
106:The Swallow
1946:Categories
1593:Il tabarro
1577:La rondine
1384:La rondine
1276:La rondine
1260:La rondine
1158:References
1141:, New York
1018:DVD: Decca
872:RCA Victor
843:Anna Moffo
824:Conductor,
802:Recordings
775:La rondine
744:La rondine
716:(2003), ,
620:La rondine
596:La rondine
378:Rabonnier
367:Crébillon
342:PĂ©richaud
247:Voice type
229:La rondine
221:Monégasque
101:La rondine
83:1917-03-27
57:Librettist
29:La rondine
1831:La Bohème
1823:La Bohème
1815:La Bohème
1799:La Bohème
1524:La bohème
1095:La Fenice
894:Leo Nucci
687:La Fenice
647:Oper Bonn
526:Montauban
507:palmistry
448:grisettes
429:Delestan
423:A butler
381:baritone
373:Stéphane
308:Prunier,
277:Lisette,
1920:Category
1623:Turandot
1500:Le Villi
1305:(2002),
754:and the
736:(2017).
724:(2007),
720:(2007),
712:(2002),
704:(1998),
700:(1984),
685:(2007),
681:(2005),
663:Helsinki
657:(2002),
638:(1994),
636:La Scala
499:Berenice
480:Magda's
458:Synopsis
437:soprano
434:A voice
402:soprano
391:soprano
331:baritone
283:soprano
279:her maid
210:Sonzogno
161:operetta
118:libretto
108:) is an
75:Premiere
67:Language
1780:Requiem
1626:(1924)
1588:(1918)
1557:(1904)
1542:(1900)
1527:(1896)
1428:YouTube
1412:YouTube
1400:YouTube
1297:Sources
1232:Rondine
1219:(4): 7.
810:label.
784:matinée
577:Palermo
484:, Paris
399:Bianca
388:Yvette
351:Libert
266:soprano
202:Ricordi
81: (
70:Italian
1967:Operas
1850:Family
1783:(1905)
1775:(1880)
1580:(1917)
1572:(1910)
1519:(1893)
1511:(1889)
1503:(1884)
1492:Operas
1402:, 1928
1369:
1355:
1348:
1334:
1320:
1313:
1013:Chorus
829:Label
691:Venice
671:London
616:Naples
503:Salome
359:tenor
356:Gobin
314:tenor
310:a poet
153:Vienna
1931:Audio
1839:Tosca
1807:Tosca
1641:Arias
1539:Tosca
1508:Edgar
1163:Notes
1064:Naxos
819:Cast
816:Year
808:Odeon
679:Paris
640:Leeds
581:Turin
540:Act 3
530:toast
514:Act 2
482:salon
475:Act 1
426:bass
410:Suzy
297:tenor
243:Role
236:Roles
217:]
206:Lehár
195:tango
137:]
110:opera
35:Opera
1367:ISBN
1353:ISBN
1346:ISBN
1332:ISBN
1318:ISBN
1311:ISBN
1286:2010
1278:DVD"
1146:DVD:
1109:2009
1072:2008
1062:DVD:
1025:2007
976:1998
931:1997
880:1981
834:1966
748:Bonn
347:bass
189:and
128:and
1426:on
1410:on
1398:on
966:CD:
923:CBS
921:CD:
870:CD:
746:in
689:in
614:at
501:or
155:'s
120:by
37:by
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23:.
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