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Lady Caroline Lamb (film)

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1130: 1764: 300:). Despite the misgivings of his mother, the marriage seems happy enough at first, a love match, but on their honeymoon in Italy William becomes concerned about Lady Caroline's wilful behaviour, which leads to a man's death. Back in England William is seen as a political "coming man", respected by parliamentarians both Whig and Tory. Meanwhile Lady Caroline meets the poverty stricken Lord Byron ( 313:, and becomes a wealthy celebrity, feted in society. An early literary superstar, he also becomes an object of fascination among women, some of whom write to him provocative fan letters. Lady Caroline and Byron begin a scandalous affair. Eventually he tires of her, and after she appears with Byron at a 501:
in the title role. Bolt said he was attracted to the story of Lamb because it "was funny, touching and entertaining" and felt the movie was about "the struggle between the romantics of the world and the classicists.... The classical, ignoble view of life, as espoused by Wellington in the film, keep
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felt Bolt "thrashes about from one style and point of view to another. The film seems to have been made by a square Ken Russell; Bolt tries for romantic excess, but he can’t get anything warmed up. His Caroline Lamb is an hysterical fool but also a misunderstood free spirit struggling against a
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Lady Caroline's mental health has deteriorated further but, with the support of her husband, she appears to recover. However, after she understands that her notoriety is undermining her husband's career, her wilfulness returns. She flees to France, where she has a brief affair with Wellington.
332:'s victory against the French. Crashing the gathering, she interrupts Byron and Millbanke, cutting her forearm with a knife. William is taken to meet King George IV, who pressures him to leave Lady Caroline so he can take up the prestigious post of 545:"I'm not a good director but I know what the author intended", said Bolt. He elected to use new collaborators rather than David Lean's crew apart from Norman Savage, who died shortly after the film premiered. Filming was plagued by the presence of 31: 520:
However these plans fell through. Eventually finance was raised from Anglo-EMI and General Electric, along with Franco Cristaldi in Italy. Bolt had to waive all his fee in order to keep artistic control. EMI's investment, through
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One scene was cut after it earned the film an X-Certificate; Bolt refused to re-shoot it, which meant that several crucial moments of exposition, much of it necessary for understanding the film's narrative, were left out.
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Miles dressed up as Lamb: Robert Bolt has gone to Italy to complete work on the first film he has directed. BARRY NORMAN talks to him about the problems of embarking on a new career The Guardian 25 Mar 1972:
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Spurned by him, she returns to England and prepares a legal separation, with the approval of William's mother. Lady Caroline descends further into despair and illness, dying apparently from a broken heart.
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hypocritical society—a sort of Regency Zelda. Sarah Miles acts like a dizzy shopgirl dreaming of being a great lady, and falling flat even in her dreams; as Byron, Richard Chamberlain scowls and sneers."
517:, in association with Pulsar Productions and Vides Cinematographa of Rome. Richard Chamberlain and Sarah Miles would star, with cameos from Laurence Olivier, Margaret Leighton and John Mills. 1183: 509:
agreed to produce. Bolt said it was difficult to raise finance because people said they had not heard of Lady Caroline Lamb. In July 1971 it was announced the film, then called
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writing that "... Olivier's brief appearance as the Duke of Wellington is a beautifully witty and rounded characterization that is worth the price of the admission in itself".
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The film was one of the most popular films of 1973 at the British box office. In November 1973 Nat Cohen of Anglo-EMI said "we've done very well with
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which turned out to be popular entertainment." However the film was a commercial disappointment in the US. Bolt and Ghia would collaborate again on
534:"I've been playing zanies and eccentrics for the past few years," said Chamberlain, "so Byron is new for me. He was like this incredible pop star." 426: 1893: 1828: 1803: 966: 1888: 1833: 1818: 1813: 1793: 785: 389: 1076: 435: 362: 245: 241: 317:
costume ball as a black slave, half naked and covered in greasepaint, she finds herself humiliated and a figure of derision in society.
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society going... but it's the romantics, like Caroline, who drive life, who instigate new ideas, and who often are the true geniuses."
1798: 1276: 1188: 328:). Lady Caroline's behaviour becomes more bizarre when, dressed as a coach boy, she stalks Byron to a ceremonial dinner commemorating 704: 1162: 976: 842: 1583: 733: 542:
Filming started 20 September 1971 at Pinewood Studios. By that stage Bolt said he had been working on the film for ten months.
416: 1559: 1454: 304:), and visits his modest flat. To her husband, she claims to find Byron "disturbing" and that she will not see him again. 1908: 1903: 1733: 1284: 309: 1883: 1873: 1808: 1537: 1324: 1249: 333: 73: 1178: 531:
was originally cast as Lamb. However Bolt then decided to cast Jon Finch in the role. Dalton sued and won damages.
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British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure
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would be the first film financed by Tomorrow Entertainment, a subsidiary of
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Bolt wrote the script as a vehicle for Miles and decided to direct himself.
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Bolt did not direct another film. "Never again", he remarked years later.
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Owen, Michael (17 September 1971). "That's no lady that's my mad wife!".
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At the ball, Byron becomes interested in another woman, his future wife,
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Movies: Five Gardeners (for All Seasons) Has Robert Bolt Blume, Mary.
737:. Vol. 40, no. 34. Australia. 24 January 1973. p. 16 639: 525:, was reportedly £250,000 and was covered by pre-sales overseas. 777:
Voices of Victorian England: Contemporary Accounts of Daily Life
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Cultural depictions of Arthur Wellesley, 1st Duke of Wellington
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The film is also notable because it is the last film in which
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Cultural depictions of William Lamb, 2nd Viscount Melbourne
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5001 nights at the movies : a guide from A to Z
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Retrieved 1 April 2023. 745:– via National Library of Australia. 29: 20: 1864:English-language biographical drama films 592:'s cameo as the Duke of Wellington, with 563:appeared, in a cameo with his last wife, 248:). The only film written and directed by 706:Robert Bolt : scenes from two lives 1869:English-language historical drama films 720: 1879:Films scored by Richard Rodney Bennett 35:Theatrical release poster, artwork by 1899:Films with screenplays by Robert Bolt 1854:Cultural depictions of George Canning 7: 995:The Guinness book of box office hits 754: 752: 242:William Lamb, 2nd Viscount Melbourne 998:. Guinness Publishing. p. 192. 774:John A. Wagner (25 February 2014). 1277:English Bards and Scotch Reviewers 1034:"Film in 1973 | BAFTA Awards" 571:, who later based a concert work, 14: 1849:Cultural depictions of Lord Byron 1011:Marylebone and Paddington Mercury 1844:Cultural depictions of George IV 1824:British biographical drama films 1763: 1762: 1128: 1009:"Murder on the orient express". 607:called it "beautiful but dumb." 1894:Films shot at Pinewood Studios 1829:British historical drama films 1804:1970s biographical drama films 1560:The Destruction of Sennacherib 1013:. 2 November 1973. p. 31. 236:, novelist, sometime lover of 1: 1889:Films set in the 19th century 1584:So, we'll go no more a roving 925:The Films of Laurence Olivier 734:The Australian Women's Weekly 1834:British romantic drama films 1819:1970s historical drama films 1814:1970s English-language films 1794:1972 directorial debut films 573:Elegy for Lady Caroline Lamb 1538:Maid of Athens, ere we part 638:It was nominated for three 334:Chief Secretary for Ireland 1925: 1285:Childe Harold's Pilgrimage 954:. Henry Holt. p. 313. 847:Sphere Books. p. 409. 310:Childe Harold's Pilgrimage 232:film based on the life of 170:22 November 1972 1799:1972 romantic drama films 1758: 1639:The Bride of Frankenstein 1145:Anne Isabella, Lady Byron 1126: 780:. ABC-CLIO. p. 199. 214:$ 3,500,000 or £2 million 28: 1503:The Deformed Transformed 1341:The Prisoner of Chillon 703:Turner, Adrian (1998). 322:Anne Isabella Millbanke 252:, it starred his wife, 240:and wife of politician 1412:The Vision of Judgment 1206:(maternal half-sister) 1120:Timeline of Lord Byron 950:Kael, Pauline (1985). 569:Richard Rodney Bennett 126:Richard Rodney Bennett 1404:The Prophecy of Dante 1230:John William Polidori 1163:John "Mad Jack" Byron 841:Yule, Andrew (1989). 497:and starred his wife 1909:Works by Robert Bolt 1904:United Artists films 1703:Rowing with the Wind 1325:The Siege of Corinth 1245:Edward John Trelawny 1235:Percy Bysshe Shelley 992:Swern, Phil (1995). 965:Harper, Sue (2011). 256:, as Lady Caroline, 1884:Films set in London 1874:Films about writers 1809:1970s British films 1602:Fragment of a Novel 1553:She Walks in Beauty 1372:The Lament of Tasso 1301:The Bride of Abydos 821:, 28 July 1971: 21. 368:Richard Chamberlain 302:Richard Chamberlain 292:Caroline Ponsonby ( 262:Richard Chamberlain 92:Richard Chamberlain 1671:Lady Caroline Lamb 1647:The Bad Lord Byron 1250:Michael C. Burgess 1199:Lady Caroline Lamb 1179:Contessa Guiccioli 940:, 26 Feb 1973: f1. 819:The New York Times 729:"The wayward lady" 691:TCM Movie Database 686:Lady Caroline Lamb 675:Lady Caroline Lamb 664:Lady Caroline Lamb 653:Lady Caroline Lamb 624:Lady Caroline Lamb 427:Duke of Wellington 354:Lady Caroline Lamb 234:Lady Caroline Lamb 225:is a 1972 British 222:Lady Caroline Lamb 140:Pulsar Productions 24:Lady Caroline Lamb 1776: 1775: 1420:The Age of Bronze 1269:Hours of Idleness 1189:John Cam Hobhouse 938:Los Angeles Times 913:Los Angeles Times 881:Los Angeles Times 868:Los Angeles Times 787:978-0-313-38689-3 605:Los Angeles Times 565:Margaret Leighton 386:Margaret Leighton 278:Margaret Leighton 218: 217: 18:1972 British film 1916: 1766: 1765: 1531:Epitaph to a Dog 1487:Heaven and Earth 1194:Douglas Kinnaird 1169:Claire Clairmont 1132: 1079: 1072: 1065: 1056: 1049: 1048: 1046: 1044: 1038:awards.bafta.org 1030: 1024: 1021: 1015: 1014: 1006: 1000: 999: 989: 983: 982: 962: 956: 955: 947: 941: 934: 928: 922: 916: 905:Charles Champlin 902: 893: 890: 884: 877: 871: 864: 858: 855: 849: 848: 838: 832: 828: 822: 817:" A. 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Index


Ted CoConis
Robert Bolt
Franco Cristaldi
Fernando Ghia
Bernard Williams
Sarah Miles
Jon Finch
Richard Chamberlain
Laurence Olivier
Oswald Morris
Norman Savage
Richard Rodney Bennett
MGM-EMI
United Artists
epic
romantic drama
Lady Caroline Lamb
Lord Byron
William Lamb, 2nd Viscount Melbourne
Prime Minister
Robert Bolt
Sarah Miles
Jon Finch
Richard Chamberlain
Laurence Olivier
Ralph Richardson
John Mills
Margaret Leighton
Michael Wilding

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