297:), asks Pete if he knows her husband and tells Pete she has locked her keys in her car. Pete drives her home, during which time Beth discusses her dire relationship with Howard. He comforts her, and she kisses him, leading them to have sex on the floor of her home. After the incident, Beth tells Pete to forget it happened, which doesn't sit well with him. Pete continues to yearn for Beth afterwards, calling her and even orchestrating a situation in which Howard invites him to dinner with Beth at their home. Before Pete creates an excuse to leave, he tells Beth to meet him at the
413:"If Megan's phone-booth conversation was the beginning of a new and exciting chapter in her life, Pete Campbell's off-the-record chat was certainly the low point in a year that has seen his life spiral out of control. Professionally, things could hardly be going better for Pete. Companies are lining up to work with him, and the new, mellow Roger is all too willing to pass off work and help from the sidelines. But personally, Pete is a disaster."
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Megan wakes Don up to tell him of her desire to start acting again, and with Don's apparent blessing, she quits her job at the agency the next morning. Don sees her off to the elevator as she leaves the office. Moments after Megan leaves, Don calls up another elevator. After the elevator doors open, Don looks down to find no elevator, just a bare elevator shaft. He peers down into the empty abyss and then steps backward.
330:"In my mind, that actually happened. The elevator wasn’t there, which we know happens all the time. I thought that was an amazing cinematic representation of his emotional state. He still had one thing left to say to her, and she’s gone, into the abyss. She’s gone off on her own. That’s all that that was supposed to be. Is someone going to fall down an elevator shaft? No. I will actually go on record as saying that."
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428:"Early in 'Lady Lazarus', Don complains to Megan that he has no idea what's happening in pop culture anymore. She reassures him that 'No one can keep up; it's always changing.' Culturally, it feels like we've seen more change in this season than the four previous, and that rate is only accelerating."
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Megan wants to get back into acting and begins to resent her job in advertising. After Peggy catches her in a lie meant to cover up her going to an audition, Megan confesses as much to Peggy, who scolds her for taking a high-value job in the agency that others would "kill to have". Late one night,
258:
The episode is set in
October 1966. Megan has second thoughts on her career path after the success with Heinz but finds it difficult to tell Don. Peggy, unwittingly caught between the two when Megan's lie comes to light, finally expresses her frustrations to both Megan and Don. Pete finds that his
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increasing success at the firm does not fill the emptiness of his life. After a sexual encounter one evening with a neighbor, he becomes obsessed with wanting to repeat the experience. Don returns to creative work full throttle, only to find the cultural changes of the 1960s have left him behind.
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for the season, one that we don't have all of the pieces to read just yet, but an episode that will seem even more obviously great in retrospect once we do. At the same time, though, analyzing it feels ever more like taking hold of one thing and trying to make it stand in for the episode as a
318:". As Megan leaves for acting class, Don plays the song and sits with a glass of whiskey. He listens to some of the song, but then picks up the needle, turns the record off, and walks back to his bedroom in silence. The song immediately resumes during the end credits.
262:"Lady Lazarus" was watched by 2.29 million viewers during its initial broadcast, and drew in 0.7 million viewers in the coveted 18–49 demographic. It received considerable acclaim from the television critical community. The episode is named after a
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Pete discusses life insurance with Howard, his commuter friend, who reveals that he has a new, attractive mistress and an apartment in the city. In the train station parking lot one evening, Howard's wife, Beth
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The episode was written by series creator
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Don complains to Megan about not knowing what is going on in youth and popular culture, leading Megan to bring him a copy of the
Beatles album
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344:"Lady Lazarus" was viewed by 2.29 million viewers on the night of its original airing. It drew 0.7 million viewers in the 18–49 demographic.
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episodes to come, but at this point I'd say Lady
Lazarus is the episode Matt Weiner should win an
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for writing. He's truly in command here and he's touching on so many longtime
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502:"How 'Mad Men' Landed the Beatles: All You Need Is Love (and $ 250,000)"
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and the 60th episode of the series overall. It was written by
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476:"Review: 'Mad Men' - 'Lady Lazarus': Tomorrow never knows"
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The episode received praise from television critics.
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500:Itzkoff, Dave; Sisario, Ben (May 7, 2012).
395:"'Lady Lazarus' feels big. It feels like a
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314:. She tells him to start with the song "
270:. The episode is notable for its use of
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18:8th episode of the 5th season of Mad Men
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409:magazine writer Nate Rawlings stated:
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989:Guy Walks Into an Advertising Agency
381:– that he makes it look effortless."
1278:Retrospective: The Music of Mad Men
447:"'Mad Men' Watch: Megan's Last Day"
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632:VanDerWerff, Emily (May 7, 2012).
377:truisms – including the main one,
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1318:2012 American television episodes
575:Kondolojy, Amanda (May 8, 2012).
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1051:The Chrysanthemum and the Sword
1030:Christmas Comes But Once a Year
549:Itzkoff, Dave (June 10, 2012).
474:Sepinwall, Alan (May 7, 2012).
233:" is the eighth episode of the
138:Teyonah Parris as Dawn Chambers
658:Rawlings, Nate (May 7, 2012).
528:"Mad Men - Lady Lazarus - AMC"
44:
1:
664:Watch: Phone Booths and Lies"
391:gave the episode an A grade:
251:. It originally aired on the
606:Goodman, Tim (May 7, 2012).
1003:Shut the Door. Have a Seat.
955:Meditations in an Emergency
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445:Hale, Mike (May 7, 2012).
1323:Mad Men season 5 episodes
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913:For Those Who Think Young
634:"Mad Men: "Lady Lazarus""
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365:"There might be better
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1197:Commissions and Fees
975:My Old Kentucky Home
361:Tim Goodman stated:
316:Tomorrow Never Knows
276:Tomorrow Never Knows
81:Tomorrow Never Knows
1162:At the Codfish Ball
1079:The Beautiful Girls
941:A Night to Remember
188:At the Codfish Ball
135:as Michael Ginsberg
830:Marriage of Figaro
555:The New York Times
506:The New York Times
451:The New York Times
348:Critical reception
299:Hotel Pennsylvania
172:Episode chronology
156:Jordan Feldman as
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278:" from the album
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158:Rick Swanson
152:Phil Beachum
143:Howard Dawes
106:Running time
60:Phil Abraham
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26:Lady Lazarus
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1224:The Doorway
1204:The Phantom
823:Ladies Room
778:Joan Harris
763:Peggy Olson
272:the Beatles
164:Pat Wallace
133:Ben Feldman
85:the Beatles
56:Directed by
1312:Categories
1134:Tea Leaves
934:Maidenform
788:Lane Pryce
758:Don Draper
750:Characters
433:References
322:Production
128:Beth Dawes
109:48 minutes
98:2012-05-06
66:Written by
1231:The Crash
1148:Signal 30
893:The Wheel
335:Reception
51:Episode 8
1297:Category
1242:Season 7
1215:Season 6
1118:Season 5
1014:Season 4
966:Season 3
920:Flight 1
904:Season 2
807:Season 1
798:Episodes
560:June 10,
534:June 10,
424:stated:
311:Revolver
281:Revolver
215:season 5
213:Mad Men
183:Previous
43:Episode
1265:Related
982:The Fog
851:Babylon
741:Mad Men
673:May 10,
662:Mad Men
643:May 10,
617:May 10,
591:May 10,
485:May 10,
456:May 11,
400:whole."
375:Mad Men
367:Mad Men
340:Ratings
240:Mad Men
196: →
181:←
96: (
38:episode
35:Mad Men
511:May 9,
480:Hitfix
422:HitFix
359:'s
872:Shoot
530:. AMC
526:AMC.
83:" by
704:IMDb
675:2012
645:2012
619:2012
593:2012
562:2012
536:2012
513:2012
487:2012
458:2012
406:TIME
371:Emmy
288:Plot
264:poem
194:Next
702:at
695:AMC
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266:by
253:AMC
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