Knowledge (XXG)

Lalor Roddy

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267:: "At that time the shit was hitting the fan with how many high-ranking IRA people were actually informers. It was a really contentious issue at the time and it left everyone in Northern Ireland very uncertain. It was a paranoid time, that period raised a lot of unanswered questions and the play taps into that. It was also the discovery of a new writer and there was a lot of hype and excitement about it. It’s a terrible pity Stuart’s been taken up in TV recently, there is a mighty play in operation there, it’s quite brilliant...Barney is a scapegoat. He is set up before the play begins as the fall-guy for the higher echelons and the authority figures within the organisation. It is still a very sensitive subject. People like 296:. In 2013, he told the Irish journalist Hilary Fennell: "Being a professional actor means holding onto your own persona despite edging towards someone else’s. It can be a dangerous process at times: holding onto what you are while being someone else. I regard myself as a shy person. I was a very shy youngster, that’s why I was attracted to drama...I’ve told both my kids how much they have taught me. They’ve taught me to be more fully human and they’ve taught me how to love. The bottom line is love. If I could change one thing in our society it would be racism and bigotry. The fact that some people think they are better than others due to the colour of their skin" In 2018, he starred in 131:. Roddy had been working as a psychologist in England until he returned home to Ireland at the age of 33 to take up acting, saying: "I had been working as a psychologist in England, but decided the time had come to get out. I had had enough therapy to last me a lifetime. Maybe it was the lurking actor in me, but I found I was taking too many people’s problems onto myself – and paying the price. At least now, I can inflict them on others!" 123:
in its early days in both a managerial and performing capacity back when they were in Derryvolgie Avenue. We were dragged along to the theatre and I never lost a love for it. It was a magical experience where you were transformed to another world. My mother’s father managed cinemas in Belfast, in the
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were very like Barney, scapegoats to cover up the higher-up figures in the IRA and that’s still extremely controversial to this day. What Barney represents, there is nothing innocent about him, he’s child-like but he’s guilty in the sense that he’s involved. I see Barney as the missing mother. He is
159:' of Northern Ireland, and create a theatre company that would "despite the system" put on new plays that might bring people together. Roddy was one of the co-artistic directors of the company. The Tinderbox company came to be, in the 1990s and 2000s, one of the leading theatre companies in Belfast. 151:, described as the "ultimate endorsement" in the world of Irish theatre. From 1989 to 2000, the Tinderbox company hosted an annual Festival of New Irish Playwriting intended to present "artistically dangerous" new plays. The intention behind the Tinderbox was to challenge the sectarian hatreds in 272:
the only allowance that Stuart gives to femininity and that notion of caring and men being affectionate. I always thought there was that feminine aspect in the Barney and Thomas relationship within the family dynamic. He represents that missing mother I think."
284:, Roddy is best known internationally for work in film and television, having appeared in over sixty films and television episodes. One of his best known roles on the screen is also one of his briefest, namely as the assassin who tried to kill Bran Stark in 124:
Falls Road and the top of the Shankill, and he would have brought me along on a lot of Saturdays to the matinees and that filled me with a similar love, so that love was always there despite me taking another route in life."
232:, was a Catholic, saying "Gary and Stuart are coming from different perspectives of course but very similar voices in a way. Neither of them are afraid to be critical of their ‘sides'". In 2004, he was nominated in the ESB/ 877: 872: 184: 212:, the leader of whom is a repressed homosexual, was described as a "landmark" play in Dublin, and Roddy's performance in the play did much to enhance his reputation. 867: 630:
Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms
119:. In 2014, he stated in an interview about his youth: "Theatre was very much part of our upbringing and the cinema as well. My mother was associated with the 593: 628:
Grant, David (2014). "Insider Knowledge: The Evolution of Belfast's Tinderbox Theater Company". In Duggan, Patrick; Ukaegbu, Victor (eds.).
882: 147:. The two plays were produced on the very modest budget of £75 each. In 1989, the Tinderbox company received a cheque from the playwright 390: 127:
As an young man, he left for the United States to play football. Upon his return to Northern Ireland, he majored in psychology at the
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and Stephen Wright, he founded the Tinderbox theatre company in Belfast, which produced two plays by
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Making Theatre in Northern Ireland: Through and Beyond the Troubles
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In 2004 and again in 2014, he acted in the controversial play
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Roddy's performances in Belfast attracted attention of the
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The Contemporary Ensemble: Interviews with Theatre-Makers
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as "surely the finest Irish actor of his generation".
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Through primarily a theatre actor working throughout
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Theatre Awards for best actor for his performance in
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Observe the Sons of Ulster Marching Towards the Somme
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Observe the Sons of Ulster Marching Towards the Somme
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Observe the Sons of Ulster Marching Towards the Somme
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For the latter play, he won the 14: 594:That They May Face the Rising Sun 257:Provisional Irish Republican Army 697:"Best Actor of Our Generation?" 695:Coyle, Jane (17 August 2005). 111:Roddy was born and grew up in 89:(born 30 November 1954) is an 1: 609:Radosavljević, Duška (2013). 222:In a Little World of Our Own 214:In a Little World of Our Own 190:In a Little World of Our Own 883:Alumni of Ulster University 414:Summer of the Flying Saucer 228:, the playwright who wrote 220:, the playwright who wrote 899: 344:The Ruth Rendell Mysteries 164:Royal Shakespeare Company 863:Male actors from Belfast 647:Maguire, Thomas (2006). 276:Television and film work 734:"Defender of the Faith" 224:, was Protestant while 139:In 1988, together with 701:CultureNorthernIreland 564:Float Like a Butterfly 489:Cowboys and Dissidents 436:Five Minutes of Heaven 613:. London: Routledge. 265:Defender of the Faith 245:Defender of the Faith 519:The Light of My Eyes 129:University of Ulster 93:actor, described by 16:Northern Irish actor 736:. Galway Advertiser 580:The Devil's Doorway 176:Stratford-upon-Avon 170:and James Robson’s 788:Radosavljević 2013 762:"This Much I Know" 182:in Dublin, namely 537:(2015) - Narrator 336:Circles of Deceit 320:Between the Lines 84: 83: 77:Years active 890: 821: 815: 806: 800: 791: 785: 774: 773: 771: 769: 764:. 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Index

Belfast
Northern Ireland
Irish
Irish
The Irish Times
Fintan O'Toole
Belfast
Northern Ireland
Lyric Theatre
University of Ulster
Tim Loane
Harold Pinter
Samuel Beckett
Ulster
the Troubles
Royal Shakespeare Company
Stratford-upon-Avon
Abbey Theatre
Observe the Sons of Ulster Marching Towards the Somme
ESB
British Army
First World War
Gary Mitchell
Frank McGuinness
Stuart Carolan
County Armagh
Provisional Irish Republican Army
the Crown
Jean McConville
Ireland

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