467:'s apartment while waitressing by day and vampire slaying by night. The Slayers are viewed as social pariahs, for which they blame Buffy. Simone, in particular, wishes to kill her. Like other former witches, Willow is struggling with the loss of magic, and feeling powerless, ends her relationship with Kennedy. Finally, after inheriting Giles' estate, Faith takes Angel with her to bring him back on to the righteous path.
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584:." He explains, "I really wanted the impact to come across and for the reader to understand that Giles was being killed here. Drawing such a quick action was tough because, of course, comics don't move, so I had to capture the act as it happens)." He also confirms that the last panel of Buffy, curled on the floor in tears, was foreshadowed in issue #10 "
424:. Angel is possessed by Twilight and tries to retrieve the Seed, while Earth is invaded by demons from other dimensions. The Scooby Gang believe the best course of action is to protect the Seed, as destroying the Seed or handing it over would return the demons to their respective dimensions but also rid the world of all magic. As
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mini-series. Buffy destroying the seed effectively means "No more magic in the sense of not so much entirely convenient magic". According to Whedon, it was his choice to "dim" the world of the show "a little bit. Possibly because that’s how I feel about it, or at least this country in the last 10
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and charges toward the Seed. Angel, seeing what Giles intends to do, snaps his neck. Horrified by the death of her mentor, Buffy grabs the Scythe and uses it to smash the Seed before collapsing to the ground in tears beside Giles, causing all magic on Earth to vanish. All of the world's witches,
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began, Whedon wanted to make full use of the comic book medium's potentials. For example, he introduced Giant Dawn, which he felt fit the universe's tone and "was the right kind of problem for Dawn to have". Ultimately however, Whedon felt that
452:'s spell, dies once again. The invading demons are returned to their own dimensions and the Twilight realm is vanquished. Angel is freed from his possession and, suddenly conscious of what he has done, turns catatonic with grief.
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did. The change also made Buffy an underdog again, and no longer an overlord; Whedon commented that fans typically prefer Buffy in that role. Willow's mini-series further explored Willow's destiny — first pondered in the
540:. However, he was able to explain other motivations; he felt that from a writing perspective, Giles' did not work in the comic book medium where he had flourished on the television show. His primary roles — provider of
544:, and paternal figure — didn't place well in the comic book format. Whedon killed off Giles where he did so that it could have a greater effect on the following season, "because wanted to make all this matter".
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was less about the scope of its stories; he describes the show's "mission statement" as “What does this feel like?”, and therefore ultimately decided to take the series back to the "real world".
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explained in an interview that the line is the mission statement of both characters. However, he adds that Buffy's use of the line "also means something real different from when Angel said it."
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When pencilling Giles' demise in Issue #39, Georges Jeanty first had the intention of making the panels show extreme close ups of Angel twisting Giles' neck. However, he opted to parallel
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confiscates the Seed from the Master and feels more powerful and more connected to the universe than ever; now able to destroy hordes of extra-dimensional demons above ground with ease.
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engage in a mass battle, Buffy and a select few descend into the
Hellmouth, where they find the Master guarding the Seed, a red, egg-shaped ball of energy.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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more closely resembled the television series, and dwelled as it did more on Buffy's interiority and less on the "cavalcade of mythology", as
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years. And I wanted to do a little bit of a reset, where things seem more back down to earth." When
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glasses who looks fairy evil". As Whedon had promised, the character was better explored in
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639:"Buffyfest: Exclusive Interview: Scott Allie on the Road Behind and Ahead for Buffy"
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Final story arc of the Buffy the
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Four months after the battle, Buffy is living a quiet and modest lifestyle in
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On the penultimate page of issue forty, a panel shows the face of "a guy in
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Please help to demonstrate the notability of the topic by citing
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665:"*COMPLETE* (SPOILER) Q&A with Georges Jeanty Session 17"
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In this arc, Whedon sets up a number of new paradigms in the
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753:Buffy the Vampire Slayer Season Eight
703:Buffy the Vampire Slayer Season Eight
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895:Buffy comics storylines
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542:narrative exposition
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336:With respect to the
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671:. December 26, 2010
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866:A Beautiful Sunset
813:Predators and Prey
799:Wolves at the Gate
645:. January 19, 2011
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553:Season Nine
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534:Season Nine
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486:Season Nine
384:Scott Allie
377:Joss Whedon
330:Scott Allie
316:Colorist(s)
290:Scott Allie
286:Joss Whedon
47:independent
889:Categories
777:Story arcs
709:2010–2011
592:References
471:Production
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310:Andy Owens
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55:redirected
852:The Chain
669:SlayAlive
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422:Sunnydale
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326:Editor(s)
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306:Inker(s)
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476:Writing
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217:Vampire
155:Jo Chen
153:Art by
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59:deleted
494:Willow
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430:Willow
234:#36–40
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351:canon
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102:JSTOR
88:books
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398:Plot
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