225:, and enjoying the early Pentagram material. He heard rumors about Liebling, including living in his parents' basement and ingesting illegal drugs. When Fenton and Argott began filming Liebling, they were not sure if a documentary could result. Fenton said, "It really seemed like he was going to smoke himself to death in his parents' basement, something we weren't interested in documenting." When Liebling attempted to recover from his lifestyle, the directors saw potential for a documentary.
211:, Liebling begins to recover from his lifestyle. His friend and manager Sean "Pellet" Pelletier attempts to help Liebling overcome his drug addiction and escape his old life. The film ends in 2010 with Pentagram returning to the stage and Liebling sober, married and his new wife expecting their first child.
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The directors filmed hundreds of hours of footage over three years with very little budgeting. Fenton said about addressing the swift changes in
Liebling's life, "Many times we had to finesse the rapid shifts in Bobby’s life so the viewer wouldn’t be left confused." He said that Liebling had shown
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said
Liebling's story was typical of most rock star stories and that he would normally not be interesting to mainstream viewers since Pentagram never had a mass audience. However, he said that "Fenton... and Argott spent six years waiting for the story to reveal itself and that patience has been
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207:-based doom metal band founded in 1971 and active sporadically throughout the following four decades. At the film's outset, Liebling is in his 50s, living in his parents' basement, and addicted to drugs. After Pentagram's music is rediscovered by the heavy metal
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rewarded with a tale that's sad, sometimes frustrating and ultimately triumphant." Saito applauded Fenton and Argott's use of supporting characters to share stories about
Liebling. He noted, "
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isn't weighed down by history, or much of anything for that matter as it uses a traditionally straightforward, slightly shaggy narrative to tell of
Liebling's rise and fall."
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Co-director Fenton first became familiar with
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