440:- noted that "Bardo Pond's brand of drug-rock, thick as a hot kettle full of snot, is more explorative than experimental. There aren't any shocking changes or mechanical innovations here, just a mesmerizingly lolling sea of dissonant sounds, trudging along around mid-tempo to a final exhausted end, This is not rock of violent addiction or somber coming-down, it evokes more a constant state of mind: a perpetual buzz that makes everything just a bit fuzzy around the edges."
405:'s Bill Meyer was similarly positive, hailing the album as a "blazing return to earth. The group still works up open-ended, exploratory jams whose contours gradually coalesce out of a haze of thick, distorted tones generated by bassist Clint Takeda and brother guitarists John and Michael Gibbons. But now these ethereal elements are tethered by riffs that recall the sludgy downer rock of early
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wannabes on the rampage, but a strong sense of purpose underlies the broody noise-scapes of this 5-piece from
Philadelphia." Similarly mixed, Christopher Hess - reviewing the album for
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would later name the album as one of his favorites & an influence, noting that "here is a strong emotional aspect to this band that a lot of other
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seem like they’ve been playing cotton gins all these years in comparison. Bardo Pond doesn’t just evoke heavy rock or
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received positive reviews from critics upon its release. "The achievement of Lapsed" wrote Jason Ankeny for
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692:"The Quietus | Features | Baker's Dozen | Lucky For Some: Alexander Tucker's Favourite Albums"
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album, and wonderfully so at that. Guitars are so thoroughly caked in distortion that
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voted it one of the best albums of the year in its annual poll. British musician
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sensations though, they do something in between and much better."
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A mixed review came from Angela Lewis of the
British newspaper
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Lapsed - Bardo Pond | Songs, Reviews, Credits | AllMusic
560:"The Boston Phoenix November 14-20, 1997: Vol 26 Iss 46"
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668:"Brainwashed - 1997 Readers Poll: The Results"
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436:in the lead up to the band's performance at
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359:. It was released on October 21, 1997, on
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562:. Boston Phoenix. 14 November 1997.
494:Isobel Sollenberger - Flute, Vocals
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16:1997 studio album by Bardo Pond
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619:""Lapsed" by Bardo Pond (Review)"
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497:Michael Gibbons - Guitar, Vocals
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642:Meyer, Bill (6 November 1997).
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60:Cycle Sounds, Philadelphia, PA
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500:John Gibbons - Guitar, Vocals
509:J. Cox - Producer, Engineer
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506:Joe Culver - Drums, Vocals
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466:"Tommy Gun Angel" - 5:15
371:Like its predecessors,
355:was the third album by
907:Matador Records albums
469:"Pick My Brain" - 6:43
546:"SXSW Record Reviews"
764:Isobel Sollenberger
585:. 21 September 2011.
577:"Pop: Album Reviews"
433:The Austin Chronicle
242:The Austin Chronicle
186:Professional ratings
503:Clint Takeda - Bass
475:"Anandamide" - 2:23
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481:"Straw Dog" - 3:23
478:"Green Man" - 6:26
280:The Boston Phoenix
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134:Bardo Pond, J. Cox
902:Bardo Pond albums
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582:Independent.co.uk
455:experimental rock
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759:Michael Gibbons
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484:"Aldrin" - 14:19
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52:October 21, 1997
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648:Chicago Reader
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472:"Flux" - 9:07
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415:Black Sabbath
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699:. Retrieved
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644:"Bardo Pond"
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626:. Retrieved
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457:acts lack."
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37:Studio album
897:1997 albums
786:Aaron Igler
696:The Quietus
446:Brainwashed
407:Dinosaur Jr
891:Categories
858:Bardo Pond
780:Joe Culver
743:Bardo Pond
701:2021-01-03
677:2021-01-03
653:2021-01-03
628:2021-01-03
604:2021-01-03
514:References
393:Valentines
357:Bardo Pond
142:chronology
140:Bardo Pond
83:noise rock
73:Space rock
42:Bardo Pond
489:Personnel
367:Reception
93:post-rock
531:AllMusic
411:Iron Man
397:shoegaze
391:and the
377:AllMusic
205:Allmusic
130:Producer
88:shoegaze
49:Released
39: by
810:Amanita
428:Nirvana
389:Sabbath
175:(1999)
166:(1997)
157:(1996)
153:Amanita
861:(2010)
853:(2006)
845:(2003)
837:(2001)
834:Dilate
829:(1999)
821:(1997)
818:Lapsed
813:(1996)
805:(1995)
794:Albums
527:Lapsed
413:"-era
373:Lapsed
352:Lapsed
199:Rating
196:Source
162:Lapsed
101:Length
57:Studio
22:Lapsed
409:and "
385:dirty
118:Label
66:Genre
623:Opus
438:SXSW
381:Opus
529:at
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568:^
537:^
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