Knowledge (XXG)

Larry Stark

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46:(publishers of Tales From The Crypt, Weird Science, and MAD among others) and was soon writing enthusiastic letters of comment and criticism on every issue. Publisher Bill Gaines was so impressed with his critiques that he named him "EC's Official Number One Fan" and bestowed upon him a free subscription to everything EC published, provided that Stark would keep the detailed letters of review coming. EC colorist Marie Severin made a gag sign for Gaines' office that read "God help us to write stories that will please Larry Stark!" Stark’s letters were occasionally excerpted in the E.C. letters columns but EC fans wanted to read them in their entirety, as Gaines did. The first "fanzine" to satisfy that demand was Bhob Stewart and Ted White's POTRZEBIE, in which Stewart wrote that “POTRZEBIE’S main purpose in life is to present the criticism of Stark…sans censorship. You rarely get to peruse his monstrous prose other than a few sentences in the E.C. letter columns. EC values his opinions so much that Gaines has given Larry a free lifetime subscription to all the EC Comics on the condition that he will write EC a letter about each issue telling what he liked and didn’t like about it. Now you’ll know too. Thru POTRZEBIE.” Stark’s column was titled ONE MAN’S OPINION and ran through a change in editorship for POTRZEBIE, later continuing in THE EC FAN JOURNAL. Stark made several visits to the EC offices and his "Elegy" to EC, originally published in HOOHAH #6 (1956), has been reprinted over the years in multiple formats. Most recently it was included in its entirety in "American Comic Book Chronicles: The 1950s" by Bill Schelly (2013). 34:) is an American journalist and reviewer best known for his in-depth coverage of the Boston theater scene at his website, Theater Mirror. In newspapers and online, Stark has written hundreds of reviews of local productions and Broadway tryouts from 1962 to the present. His Boston readers have given him such labels as "head theater angel of Massachusetts" and "Dean of the alternative theater critics." 17: 129:
theatres and stage productions. With insightful reviews and entertaining commentary by Stark, plus a continual flow of reviews submitted by several other contributors, Theater Mirror became a focal point for Boston actors, directors and theatergoers over the years. The Plays Up and Running section of
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Now it's no secret the Irish is great ones for the tellin of stories, especially in them small rural bars in the Northwest country where Conor McPherson sets his hour and a half slice o'life "The Weir". Surely there's not much else to do but to drink and to gossip with a few mates of an afternoon.
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I lavished more care on the package than I did on the contents. The contents were good. Larry Stark was a good editor -- much better than I, then -- and when he dropped out I'd learned enough from him to keep up the standards, but the material was mostly by other
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And once a "small one" or two's been chased down with a bottle of stout, them tales of somethin strange and maybe supernatural just come tumblin out. Better that than a lonely walk home with the wind in yer face, isn't it, now?
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In the summer and fall of 1957, Stark acted in two Harvard stage productions and then worked backstage at Cambridge theaters for the next five years. In 1962, he began doing theater reviews for MIT's
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under the pseudonym Charles Foster Ford. During this period he used a basement mimeograph machine to print the work of local poets with his Larry Stark Press, notable for publishing
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Returning to the Boston area, he acquired a computer which he used to create fiction and also to write theater reviews posted on General Electric's online service,
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On August 10, 2006, Stark was honored by the Boston theater community at a special tribute and celebration of his 74th birthday.
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Theater Mirror offers an alphabetical listing of current productions throughout New England with links to theatres from
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Actress-filmmaker Bernice Liuson Sim of RedDragonfly Films released a documentary about Stark titled
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on Brookline Access Television. The film premiered April 8, 2013 at Boston's Lyric Stage.
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Larry Stark (as Ford) review: Two one-acts at the Image Theatre (Charles Street)
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Stark was the first to write theater reviews for the alternative weekly,
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Larry Stark (writing as Charles Foster Ford) review: Congreve's
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Fiction by Larry Stark (full text of 23 stories and a novella)
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in January, 1957. In 1956-57 he co-edited the publication
377: 141:Stark's approach is much like that of film critic 442:(Larry Stark Press, 1964). Review by Mona Dickson 457:6: Ted White recalls co-editing with Larry Stark 160:A Theater Lover's Guide to 90 Theatres in Boston 49:Between 1950 and 1956, Stark studied English at 266:Larry Stark (as Charles Foster Ford) review: " 112:. During the 1980s, he wrote for Wisconsin's 8: 187:. On September 17, 2006, pilot footage for 423:Stark Review: The Heart of Boston Theater 216:Stark Review: the Heart of Boston Theater 185:Stark Review: The Heart of Boston Theater 170:A Guide to Harvard Square's 15 Bookstores 390:"RedDragonfly Films: Bernice Liuson Sim" 304: 234:Larry Stark and Geralyn Horton discuss 191:was screened for an audience of 600 in 502:Writers from New Brunswick, New Jersey 238:on Horton's podcast (October 8, 2006) 7: 106:, a free college paper published by 14: 1: 168:, 38 years earlier, he wrote 162:, was published in 2001. For 417:Larry Stark's Theater Mirror 455:Science-Fiction Five-Yearly 378:Brookline Access Television 20:Portrait of Larry Stark by 523: 507:Rutgers University alumni 477:American male journalists 199:project with film critic 53:, leaving New Jersey for 42:In 1950 Stark discovered 32:New Brunswick, New Jersey 482:American theater critics 193:Arlington, Massachusetts 55:Cambridge, Massachusetts 30:(born August 4, 1932 in 497:Journalists from Boston 84:'s first book in 1964. 356:Theater Mirror Archive 24: 109:The Cambridge Phoenix 19: 345:Plays Up and Running 270:Is An Empty Evening" 102:, he contributed to 290:(February 19, 1963) 262:(December 12, 1962) 254:(Loeb Drama Center) 438:Peter Guralnick's 433:interview sessions 278:(January 16, 1963) 51:Rutgers University 25: 487:Culture of Boston 115:La Crosse Tribune 95:Boston After Dark 514: 405: 404: 402: 401: 392:. Archived from 386: 380: 375: 369: 364: 358: 353: 347: 342: 336: 331: 325: 320: 314: 309: 218: 179:Documentary film 65:, who recalled: 522: 521: 517: 516: 515: 513: 512: 511: 462: 461: 413: 408: 399: 397: 388: 387: 383: 376: 372: 365: 361: 354: 350: 343: 339: 332: 328: 321: 317: 310: 306: 302: 246: 230: 213: 209: 181: 100:Theatre Journal 90: 88:Theater reviews 82:Peter Guralnick 40: 12: 11: 5: 520: 518: 510: 509: 504: 499: 494: 489: 484: 479: 474: 464: 463: 460: 459: 451: 450:(May 13, 1964) 435: 426: 419: 412: 411:External links 409: 407: 406: 381: 370: 359: 348: 337: 326: 323:SF Five Yearly 315: 312:Theater Mirror 303: 301: 298: 297: 296: 291: 279: 263: 245: 242: 241: 240: 229: 226: 225: 224: 208: 205: 180: 177: 158:Stark's book, 156: 155: 89: 86: 72: 71: 39: 36: 13: 10: 9: 6: 4: 3: 2: 519: 508: 505: 503: 500: 498: 495: 493: 492:Living people 490: 488: 485: 483: 480: 478: 475: 473: 470: 469: 467: 458: 456: 452: 449: 448: 443: 441: 436: 434: 432: 427: 425: 424: 420: 418: 415: 414: 410: 396:on 2006-02-12 395: 391: 385: 382: 379: 374: 371: 368: 363: 360: 357: 352: 349: 346: 341: 338: 335: 330: 327: 324: 319: 316: 313: 308: 305: 299: 295: 292: 289: 288: 283: 280: 277: 276: 271: 269: 264: 261: 260: 255: 253: 252:Love for Love 248: 247: 243: 239: 237: 232: 231: 227: 223: 219: 217: 214:Excerpt from 211: 210: 206: 204: 202: 201:Daniel Berman 198: 194: 190: 186: 178: 176: 173: 171: 167: 166: 161: 152: 151: 150: 148: 144: 139: 137: 133: 128: 124: 119: 117: 116: 111: 110: 105: 101: 97: 96: 87: 85: 83: 79: 78: 68: 67: 66: 64: 60: 56: 52: 47: 45: 37: 35: 33: 29: 23: 22:Jim McDermott 18: 454: 445: 440:Almost Grown 439: 431:Stark Review 430: 422: 398:. Retrieved 394:the original 384: 373: 362: 351: 340: 329: 318: 307: 285: 273: 268:Hollow Crown 267: 257: 251: 235: 215: 197:Stark Review 196: 189:Stark Review 188: 184: 182: 174: 169: 163: 159: 157: 146: 143:Pauline Kael 140: 120: 113: 107: 103: 99: 93: 91: 75: 73: 58: 48: 41: 27: 26: 472:1932 births 132:Connecticut 127:New England 28:Larry Stark 466:Categories 429:Photos of 400:2006-08-18 300:References 38:Early work 236:The Women 228:Listen to 63:Ted White 44:EC Comics 447:The Tech 334:The Tech 287:The Tech 275:The Tech 259:The Tech 165:The Tech 147:The Weir 104:Time Out 77:The Tech 222:YouTube 70:people. 59:Stellar 207:Watch 136:Maine 123:GEnie 61:with 244:Read 444:in 284:in 272:in 256:in 220:on 134:to 468:: 172:. 149:: 118:. 403:.

Index


Jim McDermott
New Brunswick, New Jersey
EC Comics
Rutgers University
Cambridge, Massachusetts
Ted White
The Tech
Peter Guralnick
Boston After Dark
The Cambridge Phoenix
La Crosse Tribune
GEnie
New England
Connecticut
Maine
Pauline Kael
The Tech
Arlington, Massachusetts
Daniel Berman
Excerpt from Stark Review: the Heart of Boston Theater
YouTube
Larry Stark and Geralyn Horton discuss The Women on Horton's podcast (October 8, 2006)
Larry Stark (writing as Charles Foster Ford) review: Congreve's Love for Love (Loeb Drama Center)
The Tech
Larry Stark (as Charles Foster Ford) review: "Hollow Crown Is An Empty Evening"
The Tech
Larry Stark (as Ford) review: Two one-acts at the Image Theatre (Charles Street)
The Tech
Fiction by Larry Stark (full text of 23 stories and a novella)

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