197:, whom the band held a strong admiration for. Following their first gig, Slater and Roquemore began rehearsals in new drummer Mike Griffins' garage, also accompanied by Dan Fletcher (bass guitar) and rhythm guitarist Buddy Bates. In 1964, after establishing themselves as top-tier competitors in battle of the bands tourneys in Fort Worth, Larry and the Blue Notes replaced Fletcher with Randy Cates and recruited Jack Hammonds (organ, vocals). The new members had some prior experience as vocalists, providing the group with enough expertise to replicate the lush
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became popular. In 1966 the band released a single, once again as Larry and the Blue Notes, the pounding "In and Out" b/w "There's No Other Like My Baby" on Charay. The label would re-release the song again as a single several times over the next year with alternating flipsides. The band would break
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inspired the tune, including "the escaped mental patient with a hook on his right hand who used to terrorize parkers in Lover's Lane; a guy dressed in a gorilla suit who used to tap on car windows of couples parking late at night at my old school, Northside High; and tales of a Goat Man who was
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in 1962. The group is one of the more notable musical acts to emerge from the flourishing Fort Worth teen scene, and one of the few that had the opportunity to release a nationally distributed record. They are best known for the song "Night of the Sadist", which has been revived on several
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to negotiate for publishing rights, making "Night of the
Phantom" one of the few releases from the Fort Worth teen scene to reach a national audience. A follow-up, "Talk About Love," appeared in late-1965 on the Charay label, but did not fare as well on the regional charts until a
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version was released in its place. Afterwards, Larry and the Blue Notes would release some of their records under different band names such as with the single "The
Phantom," but under the pseudonym, the Mark V, of a song conceived by local
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220:. The group entered the studio to cut the Roquemore and Slater-penned "Night of the Sadist", recording two versions: one with a saxophone instrumental and another which featured a
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Larry and the Blue Notes became fixtures at Fort Worth's most popular venue, the Teen A-Go-Go. In 1965, the band attracted the attention of record producer
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In the intervening years since Larry and the Blue Notes' disbandment, their song "Night of the Sadist" (or "Night of the
Phantom") has appeared on several
236:"Night of the Phantom" was released on Larry and the Blue Notes' debut single in early 1965 on Tiris Records. The resulting regional hit prompted
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Mark
Stevens as an identifier for the "Phantom." Other singles by the group were released as the Bad and later as Soul Purpose when
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In
October 1962, Rocky Shores (drums) recruited Larry Roquemore (saxophone, vocals) and Larry Slater (lead guitar) to perform at a
327:"Everybody Needs Somebody to Love" b/w "She'll Love Me" (Charay, 1095) (Epic 9871, December 1965—under the pseudonym "The Bad")
296:. Their protopunk anthem "In and Out" has become one of their most highly regarded songs over the years and has appeared on
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party, with Slater bringing along rhythm guitarist Tommy Skaggs. Originally, the group's set list included mostly
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532:(First ed.). Branford, Connecticut: Priceless Info Press. pp.
282:(2014 version). As for "Night of the Phantom", the song is compiled on
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650:"Larry Roquemore, key figure in Fort Worth music scene, dead at 69",
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212:, who is best known for his hand in recording national hits such as "
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Teenage
Shutdown! The World Ain't Round, It's Square!
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Shutdown! The World Ain't Round, It's Square!
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611:"Review: Fort Worth Teen Scene!"
599:TS-6610 – CD foldout liner notes
462:Fort Worth's Rock and Roll Roots
308:Fort Worth Teen Scene, Volume 3.
304:Fort Worth Teen Scene, Volume 1,
636:Fort Worth Teen Scene, Volume 3
559:Fort Worth Teen Scene, Volume 2
398:Fort Worth Teen Scene, Volume 1
294:Fort Worth Teen Scene, Volume 2
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561:(CD booklet)". Norton Records.
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369:"Larry & the Blue Notes"
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557:Campbell, David (2004). "
396:Campbell, David (2004). "
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18:American garage rock band
524:Markesich, Mike (2012).
162:Larry and the Blue Notes
25:Larry and the Blue Notes
638:. Norton Records. 2004.
593:Marksich, Mike (1998).
40:Background information
458:Nobles, Mark (2011).
432:Unterberger, Richie.
270:Acid Dreams – Epitaph
495:cosmicmindatplay.com
238:20th Century Records
615:austincheonicle.com
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255:up in 1968.
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155:Dan Fletcher
151:Rocky Shores
141:Larry Slater
137:Past members
123:20th century
89:Years active
59:Soul Purpose
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500:November 7,
443:November 7,
378:November 7,
316:Discography
279:Acid Dreams
222:guitar solo
203:the Beatles
166:garage rock
153:Buddy Bates
147:Randy Cates
82:Garage rock
666:Categories
576:|url=
415:|url=
350:References
252:soul music
191:surf music
53:The Mark V
214:Hey Paula
187:Halloween
567:cite web
406:cite web
640:CED-306
620:July 8,
243:punkish
181:History
103: (
95: (
56:The Bad
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292:, and
276:, and
248:deejay
119:Charay
113:Labels
78:Genres
67:Origin
216:" by
101:–1968
622:2016
580:help
538:ISBN
502:2015
468:ISBN
445:2015
419:help
380:2015
306:and
105:1968
97:1962
93:1962
226:dub
201:of
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
