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Lewis have come to arrest her. They eventually find the perpetrator in the parking lot shooting: a little girl, living three doors down from the victim, who took her father's gun from its cabinet and fired it into the air without knowing where the bullet would land. Afterward, Pembleton and Lewis make peace by saying that if they caught the same case again, each would investigate it exactly as he did this one.
355:
he was a younger man. Munch confronts the artist, who turns out to be a bitter ex-girlfriend seeking to humiliate him over a bad breakup years previously. She refuses to remove the photograph, but compromises by covering the image Munch's genitals with a poster. Unfortunately, their public argument draws even more attention to the photograph, which becomes the subject of a newspaper article.
347:
replaced with anger when Felton, more traumatized by his shooting than he had admitted, loses his temper with Gee in the squad room. Gee bluntly tells Felton that trauma is only the latest in a long line of excuses for substandard work as a detective, and that he has never been good enough for the homicide unit.
339:, while Lewis is offended by Pembleton's assumption that the shooter is probably black. Lewis also objects to Pembleton's method of starting the investigation by working their way down the list of registered handguns, pointing out that most crimes are committed by people with stolen or unregistered guns.
323:
has provided a false alibi and confronts him, to which Munch defiantly provides an even weaker alibi and offers to let
Bayliss examine his weapon. Exhausted from having to question his fellow detectives, Bayliss chooses not to press the matter and later convinces Gee that the murder is unsolvable. It
354:
by
Bolander's bed. Munch returns to the station to find himself the laughingstock of everyone who sees him. The reason why remains a mystery until Lewis advises him to visit the art gallery across the street, where Munch discovers that the main exhibit is a giant nude photograph of Munch, taken when
342:
At first, the detectives are surprised when
Pembleton's list immediately leads to a woman who confesses to murder. However, the murder turns out to be unrelated to their case, as the confession comes from a woman who had shot her boyfriend two days before, and mistakenly believes that Pembleton and
346:
With all of his detectives either in the hospital or on other cases, Gee takes a rare case as a primary and reluctantly agrees to partner with Felton, who begs to be put back on duty after his hospitalization. At the crime scene, Felton is visibly upset by the body, and Gee's initial concern is
311:
orders
Bayliss to question the other officers in the homicide unit, which makes him highly unpopular among his colleagues. No one in the unit considers Pratt's death to be unfortunate, and they all, to varying degrees, are offended by Bayliss's questions, despite the knowledge that he is merely
334:
to assist him—a whim he soon regrets. At the crime scene, Pembleton and Lewis are confused by the fact that no one saw the shooter or heard a gunshot, and a witness expresses the opinion that it must be "one of those black kids who go around shooting off guns." Pembleton points out that,
385:, who meets with Pembleton to hand over a fugitive who fled from Baltimore to New York City. Although the opening is unrelated to events in the rest of the episode, it bears a narrative significance in linking the continuities of
330:, who usually partners with Bayliss, objects to his questions in a more subtle way by choosing to not be his partner on the case. Instead, he takes the case of a woman shot dead in a parking lot and asks
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following orders. The problem is compounded when Gee, dissatisfied by the investigation, orders
Bayliss to double check the detectives'
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Kalat, David P. (1998). Homicide: Life on the Street: The
Unofficial Companion. Los Angeles, California: Renaissance Books.
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McNaughton, John. (2003). Homicide Life on the Street - Season 3 (episode "Law & Disorder"). . A&E Home Video.
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Because he responded to the call about the murder of Gordon Pratt—the prime suspect in the shooting of
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is strongly implied that Munch did kill Pratt, but no one cares and the case goes unsolved.
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three more times. In addition, the character of Munch would be transplanted to the series
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series finale in 1999, where the character talks about the naked picture incident in the
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statistically, the witness is probably correct that the shooter came from the nearby
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This article is about the
Homicide: Life on the Street episode. For other uses, see
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In a comical subplot, the return of
Bolander's memory prompts Munch to relax his
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is given the unpleasant task of investigating the murder. Despite his protests,
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271:. The episode concludes elements of a storyline about the shooting of
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23:
15th episode of the 3rd season of
Homicide: Life on the Street
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would use more intricate storylines to cross over with
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259:on February 24, 1995. The episode was written by
249:of the American police drama television series
915:Homicide: Life on the Street season 3 episodes
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8:
465:
451:
443:
25:
873:Homicide: A Year on the Killing Streets
408:Law & Order: Special Victims Unit
7:
221:
187:
14:
910:1995 American television episodes
153:Julie Lauren as Off. Anne Schanne
49:
1:
245:" is the 15th episode of the
225:Homicide: Life on the Street
475:Homicide: Life on the Street
363:The title is a reference to
252:Homicide: Life on the Street
40:Homicide: Life on the Street
697:And the Rockets' Dead Glare
377:features a cameo from Det.
120:February 24, 1995
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15:
823:Zen and the Art of Murder
255:. It originally aired on
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222:
188:
138:
37:
816:Fallen Heroes (Pt. 1, 2)
795:Blood Ties (Pt. 1, 2, 3)
711:Night of the Dead Living
739:A Many Splendored Thing
704:Smoke Gets in Your Eyes
319:Bayliss discovers that
880:Homicide: Second Shift
746:Nearer My God to Thee
156:Sharon Ziman as Naomi
920:Crossover television
212:The Old and the Dead
170:NYPD Det. Mike Logan
162:as Brigitta Svendsen
855:Homicide: The Movie
788:For God and Country
690:A Dog and Pony Show
683:Three Men and Adena
419:episode "Secrets".
381:, a character from
359:Cultural references
177:as R. Vincent Smith
760:Law & Disorder
676:A Shot in the Dark
243:Law & Disorder
184:Episode chronology
150:as Dr. Alyssa Dyer
144:as Margie Bolander
31:Law & Disorder
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662:Ghost of a Chance
373:. The episode's
239:
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133:Guest appearances
117:Original air date
99:Cinematography by
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530:Stanley Bolander
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281:Stanley Bolander
267:and directed by
234:List of episodes
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103:Jean de Segonzac
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18:Law and Disorder
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809:Finnegan's Wake
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403:Law & Order
391:Law & Order
383:Law & Order
370:Law & Order
367:s sister show,
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269:John McNaughton
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160:Valerie Perrine
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109:Production code
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75:James Yoshimura
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837:Lines of Fire
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580:Rene Sheppard
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570:Laura Ballard
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560:Stuart Gharty
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287:Plot summary
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79:Henry Bromell
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54:Season 3
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830:Self Defense
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669:Son of a Gun
565:Paul Falsone
555:J. H. Brodie
550:Julianna Cox
510:Al Giardello
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265:Julie Martin
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247:third season
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93:Julie Martin
38:
30:
767:The Gas Man
725:See No Evil
525:Tim Bayliss
490:Beau Felton
273:Beau Felton
261:Bonnie Mark
175:John Waters
89:Bonnie Mark
85:Teleplay by
61:Directed by
904:Categories
590:Ed Danvers
515:Kay Howard
495:John Munch
483:Characters
423:References
411:after the
395:Rey Curtis
379:Mike Logan
277:Kay Howard
166:Chris Noth
124:1995-02-24
56:Episode 15
889:franchise
375:cold open
365:Homicide'
328:Pembleton
142:Dana Ivey
753:End Game
646:Episodes
413:Homicide
399:Homicide
387:Homicide
337:projects
293:Bolander
227:season 3
200:End Game
195:Previous
71:Story by
48:Episode
718:Bop Gun
599:Seasons
305:Bayliss
208: →
193:←
122: (
43:episode
802:Subway
432:
314:alibis
301:Howard
297:Felton
279:, and
352:vigil
332:Lewis
321:Munch
430:ISBN
389:and
299:and
263:and
206:Next
316:.
309:Gee
257:NBC
168:as
112:316
50:no.
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