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and
Russell Roberts. The Groupe proclaimed themselves as Modernist, seceding from Pictorialism, and the youngest members were, like Le Guay, commercial photographers. They were inspired by a new image of the body, Australian in that it referred to sun-worshipping beach culture, health and vitality.
148:
in 1940, serving as a photographer in the
Mediterranean (1941–43) and the Middle East (1943–45). Demobilised in Sydney in January 1946, he accompanied artist Robert Emerson Curtis as photographer on the Australian Geographical Society's tour of Northern Australia, and joined other expeditions, to
173:, the first Australian photographic magazine not published by a photo supply firm, the first issue of which appeared in December 1946. Through it he promoted modernism, abstraction and documentary approaches as an antidote to the
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exhibition in New York in 1955, which toured the world to reach the largest audience of any photographic exhibition since. He, and David Moore, were the only
Australian photographers whose work was included in the exhibition.
759:
McNeil, Peter, 1966- & Karaminas, Vicki & Cole, Cathy, 1950- (2009). Fashion in fiction : text and clothing in literature, film and television (English ed). Berg, New York p.67
49:
and from 1935, at age eighteen, he worked as an assistant at Dayne portrait studio, before opening his own studio in Martin Place in 1937, to concentrate on illustrative and
150:
563:
246:
In 1963 Le Guay was awarded the
Commonwealth Medal for his contributions to the profession as photographer, editor, lecturer and member of professional organisations.
567:
211:. Born in London, Mist trained and worked in the UK, so augmented his partners' acquired European élan, and further enlivened the burgeoning local industry.
450:
Paolo
Magagnoli, “A Library of Photographs Covering the Entire Continent”: Walkabout Magazine and the Politics of Documentary in Post-War Australia,
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style which still predominated in
Australia, and which he began to react against during his membership (1940–1953) of the increasingly conservative
362:
White, Richard. "The
Importance of Being Man." Australian Popular Culture. Ed. Peter Spearritt and David Walker. Sydney: Allen and Unwin, 1979.
590:
535:
384:
Crombie, I. L. (1999). Body culture: Max Dupain and the social recreation of the body, c. 1919-1939. University of
Melbourne doctoral thesis.
236:
679:"Naturalism and the establishment of photography as an art form in mid-century Australia. Chapter Two: Contemporary Photography Magazine"
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Le Guay continued to be a significant international, and Sydney's leading, fashion photographer throughout the 50s and 60s, rivalling
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Steichen, Edward; Sandburg, Carl; Norman, Dorothy; Lionni, Leo; Mason, Jerry; Stoller, Ezra; Museum of Modern Art (New York) (1955).
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240:
425:
Australian
Geographical Society (1 April 1947), "CIVILIZATION IN THE SPINIFEX THE STORY OF MOUNT ISA AND HER MINE (1 April 1947)",
750:
Ennis, H. (2004). Intersections: photography, history and the
National Library of Australia. National Library Australia. Chicago
315:
Geeves, P., Cazneaux, H., & Newton, G. (1980). Philip Geeves Presents Cazneaux's Sydney, 1904-1934. David Ell Press. Chicago
249:
He died on 2 February 1990 survived by Ann Warmington, whom he had married 22 July 1948 and divorced in 1967, and one daughter.
490:
APA Dupont, S. (2012). Raskols (Postcards from the Rim). Chicago Dupont, Stephen. "Raskols (Postcards from the Rim)." (2012).
125:
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196:. They were among the first in Australia to use outdoor locations for fashion photography. In 1947–48, he produced a film on
705:"History associated with Contemporary Photography within Australia: Contemporary Photography Magazine - Le Guay (1946-1950)"
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Miles, M. (2013). Light, Nation, and Place in Australian Photography. Photography and Culture, 6(3), 259-277. Chicago
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515:. Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation.
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in 1940 and exhibited with them at various national and international photographic salons. He began producing
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118:
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Le Guay, Laurence & Slessor, Kenneth, 1901-1971 (1966). Sydney Harbour. Angus & Robertson, Sydney
781:
AUSTRALIA, I. (2010). FASHION PHOTOGRAPHY. Australian Fashion Unstitched: The Last 60 Years, 59. Chicago
324:
Lydon, J. (2009). Photography and Australia (review). Journal of Colonialism and Colonial History, 10(1)
197:
185:
37:, of locally born parents Charles Sidney Le Guay, company secretary, and Doris Alma Le Guay, née Usher.
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Bell, D. (1980). Australian Aborigines, Shadows in a Landscape . Aboriginal History, 4, 230. Chicago
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Maynard, M. (2008). The Fashion Photograph: an ‘Ecology’. Fashion as Photograph, 54. Chicago
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Ray, Greg. "Man Magazine: the Australian Publishing Icon Published by K.G. Murray." Online.
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Walkabout, Vol. 13 No. 5 (1 March 1947) : Australian National Travel Association, p.40
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235:(1978), having closed his studio on Castlereagh Street, Sydney in 1970. With the younger
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Le Guay, Laurence (1949). A Portfolio of Australian photography. H.J. Edwards, Sydney
813:
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Hurm, Gerd, 1958-, (editor); Reitz, Anke, (editor); Zamir, Shamoon, (editor) (2018),
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in Sydney in 1974. He continued giving lectures, and also took up deepwater sailing.
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folded in 1950 due to his busyness, he continued his interest in writing, editing
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22:(25 December 1916 – 2 February 1990), was an Australian fashion photographer.
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to join them in forming The Contemporary Camera Groupe with others including
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http://www-public.jcu.edu.au/jameskirby/about/image-gallery/JCUPRD1_056518
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Intersections: Photography, History and the National Library of Australia
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499:"'Family of Man' photograph show", The Age, Monday, 16 Feb 1959, p.10
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Picturing an exhibition : the family of man and 1950s America
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Sailing free : around the world with a blue water Australian
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Sailing free : around the world with a blue water Australian
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building, moving, in 1947, to a partnership with John Nisbett on
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in Melbourne. The Le Guay/Nisbett studio was joined in 1961 by
76:(1938). Many of these became illustrations in the newly founded
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Fashion as Photograph: Viewing and Reviewing Images of Fashion
454:, December 2019 13(3):1-28 DOI: 10.1080/17514517.2019.1693878
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and incorporating the heroic nude, most significant being
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Le Guay's schoolboy hobby of photography was encouraged by
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Laurence Craddock Le Guay was born on 25 December 1916 at
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The Family of Man revisited: photography in a global age
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P. Law, The Antarctic Voyage of HMAS Wyatt Earp, 1995
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magazine from 1956 and the annuals published by it;
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http://www.collectingbooksandmagazines.com/man.html
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Australian Aborigines : Shadows in a landscape
80:. Consequently, in November 1938 he was invited by
287:Australian photography : a contemporary view.
264:Le Guay, Laurence & Falkiner, Suzanne (1980).
151:Australian National Antarctic Research Expedition
585:(1st ed.), University of New Mexico Press,
335:Australian Fashion Unstitched: The Last 60 Years
512:The family of man: The photographic exhibition
433:(6), Australian National Travel Association,
8:
233:Australian Photography - a contemporary view
68:style around the contemporary theme of the
566:) CS1 maint: numeric names: authors list (
136:) Kanana ceremony New Guinea, included in
562:CS1 maint: multiple names: authors list (
348:A Lost Australian Story: Man in the 1930s
105:War service and later fashion photography
333:Bonnie English, Liliana Pomazan (2010).
337:Cambridge University Press, pages 7, 65
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289:J. H. Coleman, Globe Publishing, Sydney
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400:Design and Art Australia Online (DAAO)
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184:He set up a new studio that year in
78:Man: The Australian magazine for men
772:. National Library Australia, p.209
703:O'Connor, Anne (11 November 2020).
16:Australian photographer (1916–1990)
268:(1st ed). Globe Publishing, Sydney
113:One of Le Guay's photographies on
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655:, Saturday, April 04, 1959, p.13
607:, Tuesday, February 24, 1959, p.3
396:"Robert Emerson Curtis Biography"
241:Australian Centre for Photography
709:Australian Photographic Society
643:, Tuesday, March 31, 1959, p.13
394:Holder, Jo; Kerr, Joan (2007).
215:Contributions to the profession
631:, Tuesday, March 17, 1959, p.2
619:, Monday, March 16, 1959, p.2
181:. He also taught photography.
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737:Eugenie Shinkle (Ed.) (2008)
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153:. One photograph he shot in
285:Le Guay, Laurence (1978).
280:Australian photography 1976
278:Le Guay, Laurence (1976).
271:Le Guay, Laurence (1975).
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790:Le Guay, Laurence (1975).
219:Though Le Guay's magazine
146:Royal Australian Air Force
144:Le Guay enlisted with the
667:, Monday 23 Feb 1959, p.2
653:The Sydney Morning Herald
641:The Sydney Morning Herald
481:Tuesday 06 Feb 1990, p.12
479:The Sydney Morning Herald
452:Photography & Culture
229:Australian Photography 76
140:world-touring exhibition
20:Laurence Craddock Le Guay
820:Australian photographers
677:Rossi, Danielle (1996).
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221:Contemporary Photography
171:Contemporary Photography
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825:Fashion photographers
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346:Kuttainen, Victoria.
198:Sydney Harbour Bridge
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768:Helen Ennis (2004).
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149:New Guinea, and the
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58:Sydney Camera Circle
275:. Ure Smith, Sydney
51:fashion photography
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194:Castlereagh Street
188:, then in the old
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129:Laurence Le Guay (
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830:War photographers
794:Ure Smith, Sydney
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163:The Family of Man
138:The Family of Man
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840:1990 deaths
835:1916 births
350:online at
237:David Moore
231:(1977) and
134: 1945
70:Machine Age
41:Photography
814:Categories
714:13 January
688:13 January
477:Obituary,
294:References
209:David Mist
155:New Guinea
82:Max Dupain
66:Surrealist
683:photo-web
439:0043-0064
427:Walkabout
32:Chatswood
26:Biography
545:citation
665:The Age
629:The Age
617:The Age
605:The Age
589:
534:
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119:battle
115:Toulon
35:Sydney
716:2021
690:2021
587:ISBN
568:link
564:link
557:help
532:ISBN
435:ISSN
84:and
161:in
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