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longer to find the lane." Despite the album's long gestation period, McCoy was able to write some of the songs at a very rapid pace. The song "After
Midnight" was written, recorded, and mixed in less than a half an hour. He began by recording himself humming the song's melody and creating a constant loop that repeated throughout the song, and then recorded his verses over the track. McCoy also selected the guest appearances for the album quickly after writing individual parts of songs, choosing artists he felt would work best with the musical style he had in mind. The hook of "Dr. Feel Good" was written by Bruno Mars, and upon hearing Mars sing it, McCoy decided that Cee Lo Green would be a good candidate to sing the hook, as McCoy had idolized Green since his teenage years after listening to him on the song "
549:". McCoy says that the song is about "not caring about what people think and just ignoring your insecurities." McCoy was given the idea for "The Manual" after reading music blogs that were critical of his music. He explained "It's so easy to get online and lose all your inhibitions and complain and nag about what's wrong with music. But if you're going to do that, offer some way to change things. Or make music. A lot of the people aren't even artists. The title of 'The Manual' is asking if there is a manual out there on how to do things the right way, then please show it to me and I'll read it five times over." "After Midnight" was inspired by the movie
530:; what are we going to do here?' So we've got no money, and I'm walking the streets and came up with, 'I wanna be a billionaire, so frickin' bad.'" With the song, McCoy intended to avoid "superficial" lyrics in the wake of an economic recession, and added "There's something to sing about here; if I was in the position to have a ridiculous amount of money, would I be selfish or selfless?’ I just took that concept and ran with it." "Need You" describes a situation in which a person wants to start a new relationship, but still needs time to heal.
377:", the album's first single, was the first song McCoy began work on after abandoning the original material for the album. Working on more uptempo music helped put him in a "different headspace". He also credits his "really awesome friends" and collaborators on the album for helping him recover from his depressed state during the recording process. McCoy felt uncomfortable with his singing voice as he was more accustomed to rapping; however, T-Pain encouraged him to sing more on the album and overcome his insecurities.
628:. He planned to tour extensively to promote the album in order to make the album "a household object—and hopefully not a coaster." Starting from October 18, 2010, McCoy set off on his first solo European headline tour along with Bruno Mars who supported the tour throughout. The majority of dates took place at smaller venues throughout the United Kingdom. On March 17, 2011, he began performing throughout the United States and Canada on the Sgt. Schlepper's Who Needs Hearts Club Band Tour featuring
479:. McCoy noted the contrast between the song's subject matter and musical style, as the song touches upon failed relationships in an uptempo manner and "explodes" as it reaches the chorus. In the same vein of "Need You", McCoy described "Critical", featuring Tim William, as "really personal, introspective subject matter put into an upbeat pop song. It's kind of like a rock song, but at the same time, it has this really shimmery, cute vibe to it." "Akidagain" features a children's choir and samples
541:. McCoy explained that the song discusses these subjects in "a tongue-in-cheek way. Basically, if the world was to end tonight, fuck it--lets have a beer and watch it all go down." "Akidagain" is reflective of McCoy's childhood and pop culture shifts that influenced his life, featuring three verses; in the first verse, he discusses his early childhood, the second verse is about his teenage years, and the final verse meditates on his life as an adult. "We'll Be Alright" shares lyrical themes with
317:, to record new material and recover from his addiction, which helped him to create a more upbeat album because he "want to do something positive." McCoy decided to officially call himself "Travie" on the album instead of Travis; he explained that he has been called Travie by friends and family for "as long as can remember." He believes that the new name allows listeners to become "that much closer" to him and to "feel much more comfortable with calling Travie and being part of the family."
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felt that the artwork accurately portrayed the album's key themes: "This convincingly fun record is filled with lyrical introspection and, in spite of all its hip-hop, pop-hook, pay-it-forward-ness, there are gray clouds that work to keep the mood of the album realistic and relatable to the worlds of
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restores him back to life after being dead for four days. McCoy said of the name "I never really thought about how synonymous it was with the biblical reference with the fact that my middle name is
Lazarus. I feel like I've been dead and resurrected on many occasions. I went public with a lot of dark
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was released after being in the works for a year and a half. McCoy calls the album "The longest, I think, I've spent on a record in my whole career." He wished to keep the number of collaborations on the album "kinda tight," but he plans to work with other artists on remixes of the album. Producers
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sound. McCoy stated "If you're looking for an introspective, in-depth look into my personal life or my deepest emotions, this is definitely not the record. It's just a record you can put on, turn up, roll the windows down, and drive around to." He intended to save more personal themes for Gym Class
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vocalist Travie McCoy announced that he would be pursuing a solo career. He denied rumors that Gym Class Heroes had broken up, asserting that "Since the inception of Gym Class in 1997, every member has had another musical outlet, if not three or four. This is just another one of those." McCoy began
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McCoy "took a lot of time" with the track listing of the album to make sure the album was cohesive and felt like a "ride". He said of the album's writing process "With any project, I just go in and blindly start writing songs and then find out which way we want to go with it. This one took a bit
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had not broken up. After creating demos of melancholy and low-tempo songs, McCoy decided to abandon his early material and start over, as he claimed the songs were "too personal". He began to write more uptempo "party anthems" with lyrical themes of overcoming grief. Musically, McCoy draws from
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agreed with
Shriver about "The Manual", and praised the album's "relatable themes" further commenting that "The 10-track album's inclusion of reggae-influenced beats and dance jams may polarize listeners, but its snappy wordplay and deep introspection will appeal to a wide demographic of music
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It was a year in the making. We thought we had found the lane, then I started doing other shit. Now that it's done and I've listened to it a bunch of times, I'll say that it's got a pop appeal...the songs will appeal to a broader range of people as opposed to the hip-hop crowd or conventional
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through music" and that it expresses how he felt about recovering from drug addiction and depression. "Superbad (11:34)" is about McCoy's experiences on the road, considering the song to be his "theme song". Bruno Mars came up with the lyrical concept for "Billionaire" during a trip to
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to hold any attention for more than a fleeting period." Although Diver praised Cee Lo Green's "spotlight-stealing" contribution to "Dr. Feel Good", he referred to "We'll Be
Alright" as "repulsive" and the reggae stylings of "Billionaire" as "horribly dated". Andy Gill of
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The album was released on June 8, 2010. McCoy aimed for a June release because he believes that summer is "when most of the memorable music drops. You want music to have a good time to, music to connect to. You wanna play it at the party."
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called "Akidagain" the "real highlight of the album" and stated that "Even though every track on the album isn't a keeper, it has some solid additions to any summer playlist and will definitely please fans of Gym Class Heroes." Jerry
Shriver of
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enjoyed the album's upbeat songs and noted a departure from McCoy's earlier work, commenting "Full of summer time jams, it's hard to imagine this is the same guy who rapped about desolate times and experiences in his band's second album
495:. He described the album's closer "Don't Pretend" as "probably the most personal" song on the album; during recording of the song, he suffered from allergies and had difficulty breathing, which "added to the emotional vibe of the song".
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awarded the album four out of five stars and deemed McCoy's singing to be "the most engaging thing" about the album: "Not only are the tracks incredibly catchy, but McCoy belts out his choruses like he's just discovered his voice."
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criticized the over-abundance of guest appearances and likened the album to "a newborn child forced out of a hip-hop womb by 13 different fathers", while opining that McCoy still demonstrates musical potential. Mike Diver of the
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in which he was given £250 ($ 350) by his record label to spend for 11 days. He found the amount of money to be insufficient, and explained "We were like, 'Is this the biggest mistake we've ever made? We thought we were broke in
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McCoy drew from various lyrical inspirations on the album. The subject matter often deals with topics such as partying, personal insecurities, and overcoming grief. McCoy explained that the opening song "Dr. Feel Good" is about
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felt that although the disc had songs with potential to be hits such as "Dr. Feelgood" and "We'll Be
Alright", the remainder of the songs "expose McCoy's shortcomings" and the album is "unlikely to make him a household name".
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and his addiction to painkillers. However, he decided to scrap his early material and start over, calling it "too personal" and saying "I didn't want that to be my first look as a solo artist," comparing the album to
275:" have also been released as singles. Critical response to the album has been mixed to positive, with most critics praising the album's upbeat songs yet criticizing the overabundance of featured collaborations.
1038:(2005)...This is not a world-beater by any means, but it shows some growth in McCoy as an artist and lets him get out his ideas before recording and releasing the next Gym Class Heroes album."
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s Brad Wete gave the album a B+ and commended McCoy for keeping with Gym Class's hip-hop/rock style, calling the album "a summery set that serves as a nice break from Class." Drew
Beringer of
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things that people usually keep in the closet like drug addiction and what not." The album was originally titled "The
Lazarus Project", but the name had to be changed due to the
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praised the album's "all-night party gems" and referred to "The Manual" as the album's "true keeper" and praised the song's introspective lyrics. Melanie
Bertoldi of
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Digital Albums chart. As of April 2012, the album has sold more than 75,000 copies in the United States. On May 17, 2019, the album was certified
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The album's artwork, designed by Brent
Rollins and Alex R. Kirzhner, features a recurring theme of clouds and city skylines. Amber McDonald of
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a "smile-inducing, high quality hip-pop album from a distinctly creative and original voice", praising the record's uptempo yet dark songs.
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is mainly influenced by hip-hop, although "at the same time, love for live instrumentation is still reflected on the record." "
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released on June 8, 2010. McCoy announced his plans to pursue a solo career in early 2010, although he insisted that
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awareness in South Africa, India, and the Philippines in the summer of 2009 that "really changed outlook on life."
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412:, McCoy intended to create an album of mostly uptempo, positive songs. During his time in Miami, he was exposed to
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McCoy chose the name for the album, which is also his middle name, after his experiences in charity work in
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listeners. After all, the album cover art is of a gray backdrop with clouds, not sunshine and blue skies."
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s Mikael Wood gave the album 3½ out of 5 stars and commended its pop-oriented sound, stating "most of
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gave the album 2½ out of 5 stars, calling his crooning-style rapping "more unctuous than charming".
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on May 17, 2010 on his blog. However, the single failed to make an impact on any of the
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chart, with sales of 15,000 copies in its first week. The album also debuted at number 11 on the
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In early May 2010, McCoy released "Billionaire" as the album's lead single, which debuted on the
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was highly critical of the disc, noting that "McCoy employs too many disparate styles...for
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Bruno Mars wrote the lyrics to "Billionaire" while producing an album for the Sugababes in
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2615:"Travie McCoy's rising star and the Sgt. Schlepper's Who Needs Hearts Club Band Tour"
2116:"Radio Industry News, Music Industry Updates, Arbitron Ratings, Music News and more!"
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at 92. "Billionaire" continued to be successful, peaking at number four on the
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On April 28, 2010, McCoy embarked on the Too Fast For Love tour with
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655:"Songs of Summer 2010" chart. The next single, "Need You", was released to
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was released in Europe. In the United Kingdom, debuted at number 69 on the
487:". "We'll Be Alright", which McCoy refers to as a "party anthem", samples "
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chart with sales of 15,000 copies. The lead single from the album was "
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2258:"Travie McCoy Beats His Demons, Crafts Bumping Summer Solo Debut"
624:, featuring a backup band that includes Gym Class Heroes drummer
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on September 14, 2010, and peaked at number 36 on the
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as part as the Sgt. Schlepper's Who Needs Hearts Club Band Tour.
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2512:"Bruno Mars Steps Into Spotlight on 'Doo-Wops & Hooligans'"
2291:"Travis McCoy Says New Album Is 'Music To Have A Good Time To'"
2062:"Travis McCoy Says New Album Is 'Music To Have A Good Time To'"
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is so bright you'll need (designer) shades". Gregory Heaney of
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writing new material while Gym Class was on the road promoting
1099:(RIAA) for sales of over 500,000 copies in the United States.
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2927:"Listen Up: Non-Twihards will like 'Eclipse' soundtrack, too"
2460:
Zemler, Emily (July 2010). "Review: Travie McCoy – Lazarus".
2331:"Travie McCoy Exclusive Interview W/ CHAMP Mag on "Lazarus""
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Hot 100 chart. The song was positioned at number six on the
3265:"American album certifications – Travie McCoy – Lazarus"
2094:"Billionaire (feat. Bruno Mars) – Single by Travie McCoy"
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Reviews of the album were generally mixed to positive.
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However, not all reviews were positive. Jon Dolan of
2416:"Travie McCoy Celebrates Second Coming With Lazarus"
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3120:"Trapped: Many artists selling singles, not albums"
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537:-themed song inspired by natural disasters such as
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2722:"We'll Be Alright by Travie McCoy – Chart History"
2185:"Travis McCoy Is Rising With 'Lazarus' Solo Debut"
1665:"Travie McCoy: The Four Day Theory" (Documentary)
3065:"Hip Hop Album Sales: The Week Ending 6/13/2010"
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2572:: CS1 maint: others in cite AV media (notes) (
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2747:"Lazarus Reviews, Ratings, Credits, and More"
2671:"Billboard "Songs of the Summer Music Chart""
2646:"Billionaire by Travie McCoy – Chart History"
225:is the debut studio album by American rapper
8:
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2422:. Archived from the original on May 24, 2010
1841:– engineer, mixing, vocal engineer, composer
1392:"Don't Pretend" (featuring Colin Munroe and
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448:opined that "Superbad (11:34)" sounds like "
234:various influences on the record, including
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2697:"Need You by Travie McCoy – Chart History"
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2142:"Video: Travie McCoy – 'We'll Be Alright'"
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3269:Recording Industry Association of America
3226:"Travie McCoy | Artist | Official Charts"
3147:Recording Industry Association of America
2805:"Travie McCoy, Lazarus – Hip Hop Reviews"
1692:"We'll Be Alright" contains a sample of "
1097:Recording Industry Association of America
3202:"Lazarus – Travie McCoy – Album Credits"
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442:-inspired guitar riffs. Emily Zemler of
3009:"Travie McCoy – Lazarus – Album Review"
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2834:"Album: Travie McCoy, Lazarus (Review)"
2220:"Travie McCoy: New Name, New Direction"
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1162:Bruno Mars, Philip Lawrence, Ari Levine
604:McCoy performing on March 18, 2011, in
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1913:– drum programming, engineer, producer
1817:Chad Jolley – engineer, vocal engineer
332:McCoy, on the composition of the album
264:", which peaked at number four on the
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460:", the album's lead single, displays
18:2010 studio album by Travie McCoy
7:
1016:Nathan Slavik of DJBooth.com called
3552:Albums produced by the Smeezingtons
2289:Montgomery, James (March 8, 2010).
2060:Montgomery, James (March 8, 2010).
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667:" was also released as a single by
571:is the subject of a miracle in the
3122:. Associated Press. April 26, 2012
3044:. British Broadcasting Corporation
2953:Bertoldi, Melanie (July 2, 2010).
2589:"CD Review: Travie McCoy, Lazarus"
2510:Lipshutz, Jason (April 10, 2010).
1536:iTunes deluxe edition bonus tracks
1256:"Critical" (featuring Tim William)
14:
2096:. Itunes.apple.com. March 9, 2010
1521:McCoy, Nathan Payton, Samuel Jean
954:
840:
732:
3007:Beringer, Drew (June 14, 2010).
2896:"Review: Travie McCoy – Lazarus"
2803:Slavik, Nathan (July 16, 2010).
2587:McDonald, Amber (July 1, 2010).
2484:"Lazarus by Travie McCoy Review"
2256:O'Donnell, Kevin (May 7, 2010).
1802:Rob Gold – art manager, producer
1739:Ryan Williams – engineer, mixing
1446:"Billionaire" (remix; featuring
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582:2008 drama film of the same name
3557:Albums produced by Josh Abraham
3063:Jacobs, Allen (June 18, 2010).
2981:"Lazarus – Travie McCoy Review"
2955:"Travie McCoy "Lazarus" Review"
2925:Shriver, Jerry (June 8, 2010).
2865:"Travie McCoy – Lazarus Review"
2414:Richards, Pete (May 21, 2010).
1889:Michelle Piza – package manager
1080:debuted at number 25 on the US
392:Southernplayalisticadillacmuzik
253:debuted at number 25 on the US
3067:. Hiphopdx.com. Archived from
2613:Kale, Wendy (March 23, 2011).
2388:"Track-By-Track: Travie McCoy"
2386:Coleman, Jill (June 8, 2010).
2329:Adorn, Nathan (June 9, 2010).
2183:Graff, Gary (April 23, 2010).
1823:Alex Kirzhner – design, layout
1793:Elizabeth Gallardo – assistant
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1465:Peter Hernandez, Faheem Najm,
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1178:"Superbad (11:34)" (featuring
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1076:On the week of June 26, 2010,
464:influences; Gregory Heaney of
1:
3537:Albums produced by DJ Frank E
3242:"Travie McCoy Chart History (
3038:"Travie McCoy Lazarus Review"
3036:Diver, Mike (July 29, 2010).
2894:Wood, Mikael (June 9, 2010).
2832:Gill, Andy (August 6, 2010).
1563:"Ms. Tattoo Girl" (featuring
1216:Mars, Lawrence, Levine, McCoy
3382:Snakes on a Plane (Bring It)
3254:. Retrieved April 30, 2016.
3232:. Retrieved April 30, 2016.
2863:Dolan, Jon (June 22, 2010).
1986:
1972:
1895:Brent Rollins – cover design
1883:Oligee – keyboards, producer
1721:– composer, vocals, producer
1491:standard edition bonus track
421:Heroes' subsequent release,
271:. The songs "Need You" and "
193:Released: September 14, 2010
2979:Wete, Brad (June 9, 2010).
2218:Graff, Gary (May 2, 2010).
1850:Fabian Marasciullo – mixing
1644:US deluxe edition bonus DVD
1626:"Billionaire" (music video)
1471:John Gordon, Michael Gordon
1150:"Dr. Feel Good" (featuring
3573:
2775:"Album Reviews – 7/6/10 «"
2550:(CD liner). Travie McCoy.
1886:Chris Phelps – photography
1847:Giancarlo Lino – assistant
1730:Javier Valverde – engineer
1681:"Akidagain" interpolates "
1240:, Carsten Mortensen, McCoy
1008:lovers." Emily Zemler of
424:The Papercut Chronicles II
206:Released: October 18, 2010
3547:Albums produced by T-Pain
3184:"Lazarus: Deluxe Edition"
3162:"Lazarus by Travie McCoy"
2440:: CS1 maint: unfit URL (
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1820:Brandon Jones – assistant
1763:Brody Brown – bass guitar
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1201:
1174:
1146:
1138:
1135:
1132:
719:
716:
696:
693:
416:genres, which influenced
214:
171:
156:
128:
28:
2297:. Viacom. Archived from
1865:George Mayers – engineer
1856:– vocals, backing vocals
1355:, Joseph Williams, McCoy
1341:"The Manual" (featuring
321:Recording and production
309:(2008). He relocated to
3496:Nappy Boy Entertainment
3462:Last Girl on Earth Tour
2552:Nappy Boy Entertainment
1928:The Wrighteous – vocals
1860:Graham Marsh (producer)
1805:O. Goldstein – composer
1748:Elvis Aponte – engineer
1713:adapted from AllMusic.
1035:The Papercut Chronicles
184:Released: March 9, 2010
3532:Fueled by Ramen albums
2118:. FMQB. Archived from
1945:Chart performance for
1868:Tommy Hittz – producer
1829:Hannon Lane – producer
1814:Jaycen Joshua – mixing
1811:Eric Hernandez – drums
1784:Victor Flores – mixing
1781:Steve Fiction – guitar
1778:Drew Correa – producer
1766:C. Burnette – composer
1072:Commercial performance
609:
575:of the Bible in which
512:
369:provide guest vocals.
335:
3142:"Gold & Platinum"
3071:on September 27, 2012
1874:Colin Munroe – vocals
1826:J. Klemmer – composer
1775:Chad Beatz – producer
1751:Dave Benck – engineer
603:
596:Release and promotion
506:
468:compared the song to
341:on the album include
306:808s & Heartbreak
2986:Entertainment Weekly
2677:. September 18, 2010
1907:– musician, producer
1892:J. Reeves – composer
1871:Charles Monez – bass
1808:W. Hector – composer
1790:J. Franks – composer
1736:– executive producer
1727:– composer, producer
1574:McCoy, Faheem Najm,
1419:Japanese bonus track
1262:Andrew "Drew" Correa
1185:Justin Franks, McCoy
1102:On August 21, 2010,
1023:Entertainment Weekly
684:Professional ratings
3527:Travie McCoy albums
2568:cite AV media notes
2562:. 2010. 0015133-02.
2003:
1999:Certifications for
1949:
1844:A. Lewis – composer
1787:Frank E. – producer
1645:
1612:McCoy, Payton, Jean
1609:"Bad All by Myself"
1595:McCoy, Payton, Jean
1537:
1492:
1420:
1124:
685:
559:Packaging and title
365:; Mars, T-Pain and
1998:
1944:
1760:– guitar, producer
1745:– guitar, producer
1643:
1535:
1487:
1418:
1327:The Smeezingtons,
1317:, Lawrence, Mars,
1119:
683:
679:Critical reception
663:Pop Songs chart. "
610:
569:Lazarus of Bethany
513:
249:Upon its release,
145:Never Slept Better
3522:2010 debut albums
3509:
3508:
2779:Blaremagazine.com
2482:Heaney, Gregory.
2462:Alternative Press
2393:Alternative Press
2230:on March 28, 2012
2224:The Oakland Press
2122:on April 11, 2016
2074:on March 10, 2010
2044:
2043:
2039:
1991:
1990:
1672:
1671:
1639:
1638:
1576:Dwayne Carter Jr.
1531:
1530:
1483:
1482:
1414:
1413:
1010:Alternative Press
977:
976:
539:Hurricane Katrina
533:"Critical" is an
477:Justin Timberlake
445:Alternative Press
218:
217:
152:
151:
3564:
3491:Gym Class Heroes
3479:Related articles
3374:Featured singles
3350:We'll Be Alright
3303:
3296:
3289:
3280:
3273:
3272:
3261:
3255:
3239:
3233:
3223:
3217:
3216:
3214:
3212:
3198:
3192:
3191:
3180:
3174:
3173:
3171:
3169:
3158:
3152:
3151:
3138:
3132:
3131:
3129:
3127:
3116:
3110:
3109:
3107:
3105:
3087:
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3054:
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3051:
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3033:
3024:
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2998:
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2910:
2908:
2891:
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2881:
2879:
2877:
2860:
2851:
2850:
2848:
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2829:
2820:
2819:
2817:
2815:
2800:
2791:
2790:
2788:
2786:
2771:
2762:
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2759:
2757:
2743:
2737:
2736:
2734:
2732:
2718:
2712:
2711:
2709:
2707:
2693:
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2667:
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2658:
2656:
2642:
2633:
2632:
2630:
2628:
2610:
2604:
2603:
2601:
2599:
2584:
2578:
2577:
2571:
2563:
2560:Atlantic Records
2544:
2538:
2533:
2527:
2526:
2524:
2522:
2507:
2501:
2500:
2498:
2496:
2479:
2466:
2465:
2457:
2446:
2445:
2439:
2431:
2429:
2427:
2411:
2405:
2404:
2402:
2400:
2383:
2346:
2345:
2343:
2341:
2326:
2311:
2310:
2308:
2306:
2286:
2273:
2272:
2270:
2268:
2253:
2240:
2239:
2237:
2235:
2226:. Archived from
2215:
2200:
2199:
2197:
2195:
2180:
2159:
2158:
2156:
2154:
2138:
2132:
2131:
2129:
2127:
2112:
2106:
2105:
2103:
2101:
2090:
2084:
2083:
2081:
2079:
2070:. Archived from
2057:
2037:
2004:
1950:
1905:The Smeezingtons
1651:
1646:
1543:
1538:
1498:
1493:
1476:The Smeezingtons
1426:
1421:
1369:"After Midnight"
1305:We'll Be Alright
1219:The Smeezingtons
1167:The Smeezingtons
1130:
1125:
987:
973:
972:
971:
967:
966:
962:
961:
957:
956:
940:
939:
938:
934:
933:
929:
928:
924:
923:
919:
918:
902:
901:
900:
896:
895:
891:
890:
886:
885:
881:
880:
864:
863:
862:
858:
857:
853:
852:
848:
847:
843:
842:
826:
825:
824:
820:
819:
815:
814:
810:
809:
805:
804:
792:
791:
790:
786:
785:
781:
780:
776:
775:
771:
770:
756:
755:
754:
750:
749:
745:
744:
740:
739:
735:
734:
689:Aggregate scores
686:
665:We'll Be Alright
657:mainstream radio
351:The Smeezingtons
333:
285:Gym Class Heroes
273:We'll Be Alright
231:Gym Class Heroes
207:
204:
201:We'll Be Alright
194:
191:
185:
182:
130:
129:
90:
89:
85:
33:
21:
3572:
3571:
3567:
3566:
3565:
3563:
3562:
3561:
3512:
3511:
3510:
3505:
3474:
3450:
3369:
3330:
3312:
3307:
3277:
3276:
3263:
3262:
3258:
3240:
3236:
3230:UK Albums Chart
3224:
3220:
3210:
3208:
3200:
3199:
3195:
3182:
3181:
3177:
3167:
3165:
3160:
3159:
3155:
3140:
3139:
3135:
3125:
3123:
3118:
3117:
3113:
3103:
3101:
3089:
3088:
3084:
3074:
3072:
3062:
3061:
3057:
3047:
3045:
3035:
3034:
3027:
3017:
3015:
3006:
3005:
3001:
2991:
2989:
2978:
2977:
2973:
2963:
2961:
2952:
2951:
2947:
2937:
2935:
2924:
2923:
2916:
2906:
2904:
2893:
2892:
2885:
2875:
2873:
2862:
2861:
2854:
2844:
2842:
2839:The Independent
2831:
2830:
2823:
2813:
2811:
2802:
2801:
2794:
2784:
2782:
2773:
2772:
2765:
2755:
2753:
2745:
2744:
2740:
2730:
2728:
2720:
2719:
2715:
2705:
2703:
2695:
2694:
2690:
2680:
2678:
2669:
2668:
2664:
2654:
2652:
2644:
2643:
2636:
2626:
2624:
2612:
2611:
2607:
2597:
2595:
2586:
2585:
2581:
2564:
2556:Fueled by Ramen
2546:
2545:
2541:
2534:
2530:
2520:
2518:
2509:
2508:
2504:
2494:
2492:
2481:
2480:
2469:
2459:
2458:
2449:
2432:
2425:
2423:
2413:
2412:
2408:
2398:
2396:
2385:
2384:
2349:
2339:
2337:
2328:
2327:
2314:
2304:
2302:
2301:on June 5, 2011
2288:
2287:
2276:
2266:
2264:
2255:
2254:
2243:
2233:
2231:
2217:
2216:
2203:
2193:
2191:
2182:
2181:
2162:
2152:
2150:
2140:
2139:
2135:
2125:
2123:
2114:
2113:
2109:
2099:
2097:
2092:
2091:
2087:
2077:
2075:
2059:
2058:
2054:
2049:
2021:United States (
2014:Certified units
1996:
1957:
1942:
1937:
1911:The Stereotypes
1833:Philip Lawrence
1797:Chris Gehringer
1707:
1683:Back in the Day
1673:
1640:
1532:
1484:
1415:
1158:Thomas Callaway
1116:
1108:UK Albums Chart
1074:
1064:The Independent
985:
969:
964:
959:
936:
931:
926:
921:
898:
893:
888:
883:
860:
855:
850:
845:
833:The Independent
822:
817:
812:
807:
788:
783:
778:
773:
752:
747:
742:
737:
681:
638:
598:
561:
543:Michael Jackson
501:
485:Back in the Day
406:
401:
389:'s debut album
383:Git Up, Git Out
355:The Stereotypes
334:
331:
323:
283:In early 2010,
281:
210:
205:
198:
197:
192:
189:
188:
183:
176:
175:
147:
140:
113:Fueled by Ramen
87:
83:
82:
46:
19:
12:
11:
5:
3570:
3568:
3560:
3559:
3554:
3549:
3544:
3539:
3534:
3529:
3524:
3514:
3513:
3507:
3506:
3504:
3503:
3498:
3493:
3488:
3482:
3480:
3476:
3475:
3473:
3472:
3467:
3458:
3456:
3452:
3451:
3449:
3448:
3441:
3434:
3427:
3420:
3413:
3406:
3399:
3392:
3385:
3377:
3375:
3371:
3370:
3368:
3367:
3360:
3353:
3346:
3338:
3336:
3332:
3331:
3329:
3328:
3320:
3318:
3314:
3313:
3308:
3306:
3305:
3298:
3291:
3283:
3275:
3274:
3256:
3234:
3218:
3193:
3175:
3153:
3133:
3111:
3095:Chart History"
3082:
3055:
3025:
2999:
2971:
2945:
2914:
2883:
2852:
2821:
2792:
2781:. June 7, 2010
2763:
2738:
2713:
2688:
2662:
2634:
2620:Colorado Daily
2605:
2593:The Daily Loaf
2579:
2539:
2528:
2502:
2467:
2447:
2406:
2347:
2335:Champ Magazine
2312:
2274:
2241:
2201:
2160:
2133:
2107:
2085:
2051:
2050:
2048:
2045:
2042:
2041:
2033:
2032:
2029:
2026:
2018:
2017:
2011:
2008:
1995:
1994:Certifications
1992:
1989:
1988:
1985:
1975:
1974:
1971:
1960:
1959:
1954:
1941:
1938:
1936:
1935:
1929:
1926:
1920:
1914:
1908:
1902:
1896:
1893:
1890:
1887:
1884:
1881:
1875:
1872:
1869:
1866:
1863:
1857:
1851:
1848:
1845:
1842:
1836:
1830:
1827:
1824:
1821:
1818:
1815:
1812:
1809:
1806:
1803:
1800:
1794:
1791:
1788:
1785:
1782:
1779:
1776:
1773:
1767:
1764:
1761:
1755:
1752:
1749:
1746:
1740:
1737:
1731:
1728:
1722:
1715:
1706:
1703:
1702:
1701:
1690:
1676:Sample credits
1670:
1669:
1666:
1663:
1659:
1658:
1655:
1652:
1641:
1637:
1636:
1633:
1630:
1627:
1624:
1620:
1619:
1616:
1613:
1610:
1607:
1603:
1602:
1599:
1596:
1593:
1590:
1586:
1585:
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1579:
1572:
1561:
1557:
1556:
1553:
1550:
1547:
1544:
1533:
1529:
1528:
1525:
1522:
1519:
1516:
1512:
1511:
1508:
1505:
1502:
1499:
1485:
1481:
1480:
1477:
1474:
1473:, Travis McCoy
1469:, Ari Levine,
1463:
1444:
1440:
1439:
1436:
1433:
1430:
1427:
1416:
1412:
1411:
1408:
1403:
1397:
1390:
1386:
1385:
1382:
1376:
1370:
1367:
1363:
1362:
1359:
1356:
1350:
1339:
1335:
1334:
1331:
1325:
1308:
1301:
1297:
1296:
1293:
1288:
1274:
1271:
1267:
1266:
1263:
1260:
1257:
1254:
1250:
1249:
1246:
1241:
1231:
1228:
1224:
1223:
1220:
1217:
1214:
1203:
1199:
1198:
1195:
1186:
1183:
1176:
1172:
1171:
1168:
1165:
1164:, Travis McCoy
1155:
1148:
1144:
1143:
1140:
1137:
1134:
1131:
1117:
1115:
1112:
1073:
1070:
1049:Blare Magazine
975:
974:
950:
942:
941:
912:
904:
903:
874:
866:
865:
836:
828:
827:
798:
794:
793:
764:
762:Blare Magazine
758:
757:
728:
722:
721:
718:
714:
713:
709:
708:
705:
699:
698:
695:
691:
690:
680:
677:
637:
634:
618:Cobra Starship
597:
594:
589:The Daily Loaf
560:
557:
500:
497:
405:
402:
400:
397:
329:
322:
319:
280:
277:
216:
215:
212:
211:
209:
208:
195:
186:
172:
169:
168:
158:
157:
154:
153:
150:
149:
142:
133:
126:
125:
118:
117:
116:
115:
110:
105:
98:
92:
91:
80:
76:
75:
70:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
3569:
3558:
3555:
3553:
3550:
3548:
3545:
3543:
3540:
3538:
3535:
3533:
3530:
3528:
3525:
3523:
3520:
3519:
3517:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3484:
3483:
3481:
3477:
3471:
3468:
3466:
3465:(Support act)
3463:
3460:
3459:
3457:
3453:
3446:
3442:
3439:
3435:
3432:
3428:
3425:
3421:
3418:
3414:
3411:
3407:
3404:
3400:
3397:
3396:Coconut Juice
3393:
3390:
3386:
3383:
3379:
3378:
3376:
3372:
3365:
3361:
3358:
3354:
3351:
3347:
3344:
3340:
3339:
3337:
3333:
3327:
3326:
3322:
3321:
3319:
3317:Studio albums
3315:
3311:
3304:
3299:
3297:
3292:
3290:
3285:
3284:
3281:
3270:
3266:
3260:
3257:
3253:
3252:
3247:
3245:
3238:
3235:
3231:
3227:
3222:
3219:
3207:
3203:
3197:
3194:
3189:
3185:
3179:
3176:
3163:
3157:
3154:
3149:
3148:
3143:
3137:
3134:
3121:
3115:
3112:
3100:
3096:
3094:
3086:
3083:
3070:
3066:
3059:
3056:
3043:
3039:
3032:
3030:
3026:
3014:
3010:
3003:
3000:
2988:
2987:
2982:
2975:
2972:
2960:
2956:
2949:
2946:
2934:
2933:
2928:
2921:
2919:
2915:
2903:
2902:
2897:
2890:
2888:
2884:
2872:
2871:
2870:Rolling Stone
2866:
2859:
2857:
2853:
2841:
2840:
2835:
2828:
2826:
2822:
2810:
2806:
2799:
2797:
2793:
2780:
2776:
2770:
2768:
2764:
2752:
2748:
2742:
2739:
2727:
2723:
2717:
2714:
2702:
2698:
2692:
2689:
2676:
2672:
2666:
2663:
2651:
2647:
2641:
2639:
2635:
2622:
2621:
2616:
2609:
2606:
2594:
2590:
2583:
2580:
2575:
2569:
2561:
2557:
2553:
2549:
2543:
2540:
2537:
2536:John 11:41–44
2532:
2529:
2517:
2513:
2506:
2503:
2491:
2490:
2485:
2478:
2476:
2474:
2472:
2468:
2463:
2456:
2454:
2452:
2448:
2443:
2437:
2421:
2417:
2410:
2407:
2395:
2394:
2389:
2382:
2380:
2378:
2376:
2374:
2372:
2370:
2368:
2366:
2364:
2362:
2360:
2358:
2356:
2354:
2352:
2348:
2336:
2332:
2325:
2323:
2321:
2319:
2317:
2313:
2300:
2296:
2292:
2285:
2283:
2281:
2279:
2275:
2263:
2262:Rolling Stone
2259:
2252:
2250:
2248:
2246:
2242:
2229:
2225:
2221:
2214:
2212:
2210:
2208:
2206:
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1123:track listing
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871:Rolling Stone
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724:
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712:Review scores
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678:
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626:Matt McGinley
623:
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573:New Testament
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3424:Pretty Girls
3324:
3323:
3310:Travie McCoy
3259:
3250:
3243:
3237:
3221:
3209:. Retrieved
3205:
3196:
3187:
3178:
3166:. Retrieved
3164:. aCharts.co
3156:
3145:
3136:
3124:. Retrieved
3114:
3102:. Retrieved
3098:
3092:
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3075:November 11,
3073:. Retrieved
3069:the original
3058:
3046:. Retrieved
3041:
3016:. Retrieved
3013:AbsolutePunk
3012:
3002:
2990:. Retrieved
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2938:December 14,
2936:. Retrieved
2930:
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2783:. Retrieved
2778:
2756:December 10,
2754:. Retrieved
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2519:. Retrieved
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2487:
2461:
2424:. Retrieved
2420:Chart Attack
2419:
2409:
2397:. Retrieved
2391:
2338:. Retrieved
2334:
2303:. Retrieved
2299:the original
2294:
2265:. Retrieved
2261:
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2228:the original
2223:
2192:. Retrieved
2188:
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2145:
2136:
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2120:the original
2110:
2098:. Retrieved
2088:
2076:. Retrieved
2072:the original
2065:
2055:
2036:
2000:
1980:
1946:
1923:Betty Wright
1770:Cee Lo Green
1743:Josh Abraham
1719:Travie McCoy
1710:
1709:Credits for
1708:
1675:
1674:
1592:"She Did It"
1518:"She Did It"
1467:Radric Davis
1379:Josh Abraham
1315:Danny Goffey
1285:Stefan Gordy
1277:John Klemmer
1234:Wayne Hector
1152:Cee-Lo Green
1120:
1103:
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1029:AbsolutePunk
1021:
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550:
547:Off the Wall
532:
514:
474:
443:
430:The album's
429:
422:
417:
409:
407:
390:
379:
370:
367:Cee Lo Green
363:Josh Abraham
337:
336:
325:
304:
289:
282:
266:
255:
250:
248:
227:Travie McCoy
221:
220:
219:
165:
144:
136:
135:
122:Travie McCoy
54:June 8, 2010
44:Travie McCoy
39:Studio album
15:
3486:Discography
3470:Summerbeatz
3445:Call Me Sir
3403:Differently
3357:Rough Water
3343:Billionaire
2907:November 1,
2876:November 1,
2267:January 23,
2234:January 22,
2194:January 23,
1899:Lucas Secon
1799:– mastering
1758:Wes Borland
1615:Tommy Hittz
1598:Tommy Hittz
1552:Producer(s)
1524:Tommy Hittz
1507:Producer(s)
1435:Producer(s)
1373:Evan Bogart
1358:Hannon Lane
1353:Faheem Najm
1329:Stereotypes
1311:Rob Coombes
1281:Ahmad Lewis
1273:"Akidagain"
1244:Lucas Secon
1238:Lucas Secon
1207:Billionaire
1193:Wes Borland
1139:Producer(s)
797:DJBooth.net
630:Black Cards
535:apocalyptic
458:Billionaire
454:Linkin Park
399:Composition
375:Billionaire
359:Lucas Secon
262:Billionaire
179:Billionaire
3516:Categories
3438:Wrapped Up
2785:August 31,
2751:Metacritic
2623:. Al Manzi
2340:January 8,
2126:August 31,
2047:References
1934:– composer
1932:Young Cash
1925:– director
1919:– composer
1901:– producer
1862:– engineer
1854:Bruno Mars
1839:Ari Levine
1835:– composer
1772:– composer
1734:Pete Wentz
1725:Bruno Mars
1698:Supergrass
1460:Gucci Mane
1456:One Chance
1448:Bruno Mars
1406:Chad Beatz
1347:Young Cash
1319:Mick Quinn
1230:"Need You"
1211:Bruno Mars
1189:DJ Frank E
1180:DJ Frank E
703:Metacritic
669:Pete Wentz
528:California
493:Supergrass
438:beats and
343:Bruno Mars
301:Kanye West
296:Katy Perry
279:Background
190:"Need You"
124:chronology
108:Decaydance
3251:Billboard
3244:Billboard
3168:April 30,
3126:April 27,
3104:April 26,
3099:Billboard
3048:April 29,
3018:April 29,
2992:April 29,
2964:April 29,
2959:Billboard
2932:USA Today
2814:April 23,
2726:Billboard
2701:Billboard
2681:April 26,
2675:Billboard
2650:Billboard
2516:Billboard
2495:April 23,
2426:April 25,
2399:April 23,
2305:April 23,
2189:Billboard
1981:Billboard
1964:UK Albums
1958:position
1705:Personnel
1549:Writer(s)
1504:Writer(s)
1432:Writer(s)
1136:Writer(s)
1089:Billboard
1083:Billboard
1005:Billboard
1000:USA Today
947:USA Today
673:Billboard
661:Billboard
653:Billboard
649:Billboard
643:Billboard
452:covering
291:The Quilt
267:Billboard
256:Billboard
103:Nappy Boy
62:2008–2010
3389:Daylight
3206:AllMusic
2809:DJ Booth
2489:AllMusic
2436:cite web
2295:MTV News
2100:April 7,
2078:March 9,
2067:MTV News
2031:500,000
1381:, Oligee
1291:Infamous
994:AllMusic
726:AllMusic
675:charts.
606:Montreal
552:Gremlins
518:escapism
466:AllMusic
427:(2011).
418:Lazarus'
395:(1994).
330:—
166:Lazarus
59:Recorded
51:Released
41: by
3431:Love Me
3410:Famo$ a
3335:Singles
3325:Lazarus
3093:Lazarus
2598:May 10,
2548:Lazarus
2016:/sales
2007:Region
2001:Lazarus
1947:Lazarus
1880:– drums
1711:Lazarus
1694:Alright
1402:, McCoy
1287:, McCoy
1121:Lazarus
1104:Lazarus
1095:by the
1078:Lazarus
1058:Lazarus
1018:Lazarus
990:Lazarus
645:Hot 100
636:Singles
489:Alright
470:Sublime
436:hip-hop
410:Lazarus
387:OutKast
385:" from
371:Lazarus
338:Lazarus
315:Florida
269:Hot 100
251:Lazarus
236:hip hop
222:Lazarus
162:Singles
148:(2022)
141:(2010)
137:Lazarus
24:Lazarus
3417:Higher
3364:Golden
3211:May 9,
3188:Amazon
2845:May 9,
2731:May 9,
2706:May 9,
2655:May 9,
2627:May 8,
2521:May 8,
2153:May 9,
2147:Rap-Up
1940:Charts
1917:T-Pain
1657:Length
1632:
1629:
1581:Detail
1569:Detail
1565:T-Pain
1555:Length
1510:Length
1489:iTunes
1452:T-Pain
1438:Length
1343:T-Pain
1142:Length
720:Rating
717:Source
707:68/100
697:Rating
694:Source
523:London
509:London
499:Lyrics
462:reggae
450:T-Pain
347:T-Pain
327:crowd.
242:, and
240:reggae
79:Length
3455:Tours
3246:200)"
2028:Gold
1696:" by
1687:Ahmad
1685:" by
1668:30:00
1654:Title
1546:Title
1501:Title
1429:Title
1259:McCoy
1133:Title
986:'
622:3OH!3
577:Jesus
491:" by
481:Ahmad
408:With
404:Music
311:Miami
164:from
96:Label
68:Genre
3501:Tyga
3213:2011
3170:2016
3128:2012
3106:2011
3077:2010
3050:2011
3020:2011
2994:2011
2966:2011
2940:2010
2909:2011
2901:Spin
2878:2011
2847:2011
2816:2011
2787:2010
2758:2012
2733:2011
2708:2011
2683:2011
2657:2011
2629:2011
2600:2011
2574:link
2523:2011
2497:2011
2442:link
2428:2011
2401:2011
2342:2011
2307:2011
2269:2011
2236:2011
2196:2011
2155:2011
2128:2010
2102:2010
2080:2010
2023:RIAA
1956:Peak
1635:3:33
1618:4:02
1601:3:56
1584:3:23
1567:and
1527:3:56
1479:4:54
1458:and
1410:3:06
1384:3:46
1361:4:10
1345:and
1333:3:17
1295:3:42
1265:3:17
1248:3:23
1222:3:31
1197:3:12
1170:3:54
1093:gold
982:Spin
909:Spin
620:and
545:'s "
483:'s "
440:funk
244:rock
3042:BBC
1987:25
1983:200
1978:US
1973:69
1968:OCC
1650:No.
1623:14.
1606:13.
1589:12.
1560:11.
1542:No.
1515:11.
1497:No.
1443:11.
1425:No.
1389:10.
1129:No.
1085:200
1054:BBC
565:HIV
414:EDM
303:'s
258:200
73:Pop
3518::
3267:.
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199:"
181:"
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86::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
