589:
240:
214:
232:
1244:
248:
256:
205:. The Gleizes' family moved to Avenue Gambetta in 1887. Both artists were discontent with the conventional perspective mechanism. They had long conversations about the nature of form and perception. They agreed that traditional painting gave a static and incomplete idea of the subject as experienced in life. Things, they would conclude, are in fact dynamic, observed to move, are seen from different angles and can be captured at successive moments in time.
503:, confirmed the return of the painting to Francois Warin, grand-nephew of Alphonse Kann. The Gleizes painting was one of 2,000 objects returned to France from Germany after the war. If a work remained unclaimed, they were temporarily entrusted to museums. These artworks are known as National Museum Recovery (NMR). Francois Warin learned of the Gleizes painting from a book written in 1997 by the journalist
40:
580:
was among them. The state-museum network explained that few or none of the works in its possession were looted from Jews, but were sold to the Nazis by collaborationist dealers in the wartime
Parisian art market. However, works such as the Gleizes, were indeed seized from Jews deported to death camps
303:
of the same period, Gleizes had no interest in the flattening of the entire surface, of fusing background and foreground to the point where all spatial depth of field was abandoned. Gleizes made use of fragmentation of form, multiple perspective views (i.e., mobile and dynamic, rather than static and
161:
is an oil painting on canvas with dimensions 146.4 cm × 114.4 cm (57.6 in × 45.0 in), signed and dated 'Albert
Gleizes 1911' (lower right); signed again and titled 'Alb Gleizes Paysage' (on the reverse). This work, painted at the outset of 1911, represents a human figure
435:
With its prismatic Cubism, shifting multiple perspective points and its holistic integration of landscape and figure centred around this lone figures journey through a path in the woods and through the heart of the picture, this work represents a radical extension of
Gleizes' Cubism into an entirely
417:
is one of the artist's most celebrated paintings. In the present work, Gleizes retained a traditional sense of perspective and employed the use of a vanishing point in the road and the houses in the background. There is a logical diminution of form, and in this respect
Gleizes' Cubism retained his
431:
is a large and important painting made by Albert
Gleizes in the summer of 1911 at the height of his new friendship and collaboration with fellow Cubist Jean Metzinger. One of his largest and most ambitious paintings from this period, made in direct response to the inspiration of Metzinger, it was
239:
290:
The classical armature and
Claudian image of Gleizes' picture are both overlaid with a pattern of planes and facets that fragments forms, combines perspectives and complicates the relation between spaces and volumes, but does little to disrupt the conventional spatial
588:
584:
Feliciano accused state museums of doing nothing to try to return the MNRs to their owners. Warin had to wait a year to recover the work after his original claim, even though documents listing the
Gleizes were in France's Foreign Ministry archives.
768:, September - October 1964, no. 23 (illustrated); this exhibition later travelled to Paris, Musée national d'Art moderne, December 1964 - January 1965, no. 9 and Dortmund, Museum am Ostwall, March - April 1965, no. 9 (titled 'Paysage, Meudon').
552:, a state spending 'watchdog' charged with conducting financial and legislative audits of public and private institutions, accused the museums of failing in their legal duty to seek out the owners or heirs of the works, including paintings by
862:
Le Siècle, nº 27808, 11 mars 1912, p. 4 (repris de L’Action, 10 mars 1912 ; introduction d'Olivier
Hourcade, « Enquête sur le Cubisme », Le Siècle, nº 27794, 26 février 1912,
637:(Reichsministerium für Volksaufklärung und Propaganda, RMVP or Propagandaministerium) in Hannover (1937) from Leihgabe im Landesmuseum Hannover, Beschlagnahme 1937, Gal. Buchholz Berlin, and has been missing ever since.
213:
231:
378:. These same aesthetic preoccupations would unite several artists that formed a group and held meetings in Puteaux, at the Duchamp residence. For their first public manifestation as a group—the Salon de la
670:
Christie's, London, King Street, Sale 7857, Impressionist/Modern
Evening Sales, Lot 38, 23 June 2010. Price realized: $ 2,683,878, or 2,198,983 Euros (a public auction record for a work by Albert Gleizes)
373:
is stylistically much closer to
Metzinger, Le Fauconnier, Léger and Delaunay. Gleizes' interpretation of space in a succession of plans and simple geometric lines descends directly from the teachings of
831:
had been exhibited was held from 21 April to 13 June in the spring of 1911; so Gleizes' painting could not possibly have been made "in the summer of 1911" as stated in the Christie's catalogue notes.
432:
exhibited by Gleizes at the groundbreaking exhibition of the so-called 'Salon Cubists', Robert Delaunay, Fernand Léger, Henri Le Fauconnier and Gleizes, at the Salon des Indépendants in June 1911.
1025:
761:, October 1957 - April 1958, no. 17 (illustrated); this exhibition later travelled to Columbus, Ohio, Gallery of Fine Arts; Pittsburg, Carnegie Institute and Minneapolis, Walker Art Center.
803:, Barcelona, March - August 2001, no. 31; this exhibition later travelled to Lyon, Musée des Beaux-Arts, September - December 2001 (illustrated p. 44, titled 'Le Chemin, Meudon').
340:
Il est sorti un art simple et noble, expressif et mesuré, ardent à la recherche de la beauté et tout prêt à aborder ces vastes sujets que les peintre d'hier n'osaient entreprendre.
311:
of the following year employs the same concept of multiple perspective, but not at the expense of vacating spatial depth. Though highly sophisticated in theory, this aspect of
522:(ERR), a Nazi government branch that supervised the confiscation of artworks in France. Feliciano said that after plundering the painting, the Nazis brought it to the
480:
was among approximately 130 works that had been looted from the Kann collection by the German Occupation Army in 1940. The National Museums of Recuperations recovered
634:
596:, oil on canvas, 72.8 x 87.1 cm, missing from Hannover since 1937. Provenance: Küppers, Leihgabe im Landesmuseum Hannover, Beschlagnahme 1937, Gal. Buchholz Berlin.
166:
river, and a town with a church (possibly the Paroisse de Saint-Cloud) on the 'horizon', consistent with elements of the town in the southwestern suburbs of Paris,
225:
1243:
626:
796:, Edinburgh, August–October 1994, pp. 37, 161, and 191, nos. 124 and 252 (illustrated in color, p. 84; detail illustrated in color, p. 160).
873:
2125:
1058:
958:
1712:
150:. It was returned to the heirs of Alphonse Kann in July 1997 and placed at public auctions in New York (1999) and London (2010) respectively.
992:
825:
This mention of the timing of the painting's creation in Christie's "lot essay" appears to be an error. The Salon des Indépendants at which
2280:
850:
661:
Deposited with the Musée national d'Art moderne, Paris, by L'Office des biens privés (Office of Private Properties; inv. no. RIP) in 1949.
545:"degenerate", German art dealers were able to inexpensively acquire them or exchange them for less valuable works that the Nazis coveted.
1183:
247:
667:
Christie's, New York, Rockefeller Plaza, Sale 9224, 20th Century Art (Evening Sale) Lot 516, 9 November 1999. Price realized: $ 827,500
1856:
1824:
879:. Walt Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution. Document shows Gleizes' address
519:
485:
243:
Saint-Cloud, Panorama viewed from Bellevue, La Boucle de la Seine, Le Pont de Sèvres, Boulogne, Saint-Cloud, Le Fort du Mont-Valérien
1720:
943:
740:, Musée moderne de Bruxelles, 10 June - 3 July 1911, Place A. Stews, Delaunay, Gleizes, Léger, Le Fauconnier, no. 88 (as Le chemin).
523:
448:
had been admired for his extraordinary taste and keen eye. Before the war his collection included at least thirty-five paintings by
625:, 1912, an oil on canvas of dimensions 72.8 x 87.1 cm, has been missing from Hannover since 1937. This work is listed in the
1323:
1087:
972:
2310:
1081:
646:
177:, speaking in the context of the Indépendants exhibition in Brussels which included this work by Gleizes, along with others by
2231:
2197:
600:"This is proof the museums haven't done their job for 50 years," Feliciano said. "They had these documents in their hands."
572:. In an attempt to rebut the charges, French authorities put 900 of the MNRs on exhibit in five national museums, including
352:
1215:
2300:
2295:
1832:
1776:
1704:
1051:
2192:
1848:
1539:
1792:
1207:
1119:
533:
so they bartered it or sold it for the type of paintings they liked," said Feliciano. Because the Nazis considered
2285:
1864:
1736:
1223:
925:
Catalogue of 8th Salon annuel du Cercle d'art Les Indépendants, Musée moderne de Bruxelles, 10 June - 3 July 1911
358:
235:
Bellevue-Meudon, Panorama of Issy-les-Moulineaux, the Champ d'Aviation de Billancourt, and the Boucle de la Seine
106:
1414:
319:
group. Gleizes deployed these techniques in "a radical, personal and coherent manner", according to Cottington.
2305:
1808:
1637:
973:
Christie's, London, King Street, Sale 7857, Impressionist/Modern Evening Sales, Lot 38, 23 June 2010. Lot Notes
306:
219:
2290:
2259:
2180:
1816:
1519:
1439:
1159:
1044:
549:
500:
2220:
1444:
1231:
2156:
1267:
1143:
557:
473:
312:
174:
2075:
1459:
1404:
1316:
17:
959:
Christie's, New York, Rockefeller Plaza, Sale 9224, 20th Century Art (Evening Sale), 9 November 1999
2186:
1840:
1768:
1672:
1612:
1569:
1544:
1454:
1386:
630:
186:
2117:
1259:
193:, who had recently moved to Meudon. Gleizes too lived and worked in the western suburbs of Paris (
2236:
1784:
1760:
1677:
1489:
1469:
1199:
1111:
1095:
1559:
1484:
1409:
255:
658:
Alphonse Kann, Saint-Germain-en-Laye, from whom confiscated by the National Socialists in 1940.
2133:
1982:
1952:
1449:
1151:
988:
939:
908:
629:. Formerly in the collection of Dr. Paul Erich Küppers, Hannover, Germany (the first director
396:
750:
Salon de La Section d'Or, Paris, Galerie La Boétie, October 1912, no. 39. *City Art Gallery,
2150:
2090:
2008:
1967:
1891:
1883:
1800:
1728:
1682:
1647:
1627:
1524:
1509:
1504:
1376:
1191:
1175:
1167:
1135:
1103:
504:
465:
182:
139:
418:
singular vision of imposing a sense of weight and volumetric relationships to his subjects.
382:
of 1912—Gleizes chose to present this 1911 landscape (no. 39 of the catalogue), along with
2248:
1947:
1942:
1927:
1687:
1581:
1534:
1494:
1424:
1366:
1309:
469:
269:
178:
110:
2162:
1998:
1917:
1396:
861:
565:
379:
375:
316:
120:
733:
Salon des Indépendants, Paris, Quai d'Orsay, April - June 1911, no. 2613 (as Le chemin).
2242:
2225:
2202:
2174:
2055:
1932:
1667:
1617:
1586:
1529:
1514:
1479:
1464:
1434:
1429:
1381:
1361:
1356:
1351:
1285:
1067:
530:
453:
300:
190:
102:
50:
109:
during the spring of 1911, Paris; Les Indépendants, Musée moderne de Bruxelles, 1911;
2274:
2030:
2025:
2003:
1657:
1602:
1554:
1499:
1346:
569:
553:
542:
461:
449:
445:
404:
296:
143:
304:
from one point-of-view) along with linear and planar structural qualities. Gleizes'
2214:
2208:
2095:
2035:
2013:
1977:
1922:
1899:
1744:
1662:
1642:
1632:
1607:
1574:
1549:
1474:
1419:
561:
493:
347:
147:
1752:
721:
Cubism in the Shadow of the War - the avant-garde and politics in Paris, 1905-1914
276:, a 'grinding together', a term Gleizes himself used with Jean Metzinger}. In his
162:
walking through a hilly landscape with trees, houses or villas, a bridge over the
891:
2254:
2065:
2040:
2018:
1962:
1957:
1937:
1014:
985:
The Lost Museum, The Nazi Conspiracy to Steal the World's Greatest Works of Art
707:
The Lost Museum: The Nazi Conspiracy to Steal the World's Greatest Works of Art
76:
146.4 cm × 114.4 cm (57.6 in × 45 in)
39:
1652:
573:
496:
during the Second World War, to the heirs of the art collector Alphonse Kann.
202:
911:
Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914
278:
Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914
2168:
2100:
1622:
1371:
488:, Paris. On 11 July 1997 the Musée National d'Art Moderne returned Gleizes'
457:
268:, Gleizes' largest painting to date, is the principal product of "rodage" (
315:
would actually become quite commonly employed within the practices of the
2085:
2080:
2050:
538:
196:
101:, is an oil on canvas painted in 1911 by the artist, theorist and writer
518:
while researching his book. The painting was listed in documents of the
1972:
702:, Paris, 1986, p. 247 and 248 (illustrated in color, p. 247).
1015:
France returns artwork looted by Nazis to owner, Reuters, 14 July 1997
2060:
2045:
1564:
1332:
1290:
534:
411:
In 1911, Albert Gleizes was at the height of his artistic powers and
167:
581:
or fleeing persecution, or sold under duress at rock-bottom prices.
754:, London, Tate Gallery, and Birmingham, July–September 1956, no. 7.
716:, Paris, 1998, vol. I, p. 135, no. 369 (illustrated in color).
594:
Landschaft bei Paris, Paysage près de paris, Paysage de Courbevoie
254:
246:
238:
230:
173:
The term 'Cubism' was employed for the first time in June 1911 by
163:
1036:
142:
as having been plundered by the Nazis from the home of collector
2070:
511:, which traces the fate of many works confiscated by the Nazis.
1305:
1040:
782:, Milan, December 1973-February 1974, no. 147 (illustrated).
695:, Saint-Etienne, 1982, pp. 13, 40 and 70 (illustrated).
613:
was not the only work by Gleizes to be looted by the Nazis:
484:
in 1949 and it subsequently went into the collection of the
723:, New Haven & London, 1998, p. 112 (illustrated).
691:, New York, 1962, p. 148 (illustrated). *P. Alibert,
1301:
709:, New York, 1997, p. 225 (illustrated, p. C15).
633:
art gallery), the painting was confiscated by the German
422:
In their Lot Notes for the 2010 sale, Christie's writes:
328:, Guillaume Apollinaire wrote of this painting, titled
295:
Just as in the works of Metzinger, and unlike those of
189:. During the summer, Gleizes was in close contact with
664:
Restituted to the heirs of Alphonse Kann in July 1997.
367:. Visibly distant from the work of Picasso or Braque,
968:
966:
954:
952:
766:
Albert Gleizes, 1881-1953, A Retrospective Exhibition
436:
new integrated and simultaneous style of composition.
874:
Armory Show entry form for Albert Gleizes' painting
526:
in Paris where confiscated artworks were deposited.
2143:
2109:
1991:
1910:
1875:
1696:
1595:
1395:
1339:
1278:
1251:
1074:
124:, 1912. The painting was reproduced in the journal
80:
72:
64:
56:
46:
32:
904:
902:
894:Albert Gleizes, Chronology of his life, 1881-1953
851:Site Rose-Valland, Musées Nationaux Récupération
794:Monet to Matisse: Landscape in France, 1874-1914
452:, in addition to many others by artists such as
1010:
1008:
1006:
1004:
1002:
1000:
759:Paintings from the Musée national d'Art moderne
635:Ministry of Public Enlightenment and Propaganda
887:
885:
693:Albert Gleizes, naissance et avenir du cubisme
689:The School of Paris in the Musée d'Art Moderne
1317:
1052:
738:Salon annuel du Cercle d'art Les Indépendants
700:La collection du Musée National d'Art Moderne
8:
1028:Paysage près de paris, Paysage de Courbevoie
1026:Lost Art Internet Database, Albert Gleizes,
826:
764:The Solomon R. Guggenheim Museum, New York,
426:
412:
389:
383:
368:
362:
338:
329:
323:
281:
263:
938:, Edition du Centre Pompidou, Paris, 1986,
280:, art historian David Cottington writes of
2126:The Cubist Painters, Aesthetic Meditations
1324:
1310:
1302:
1059:
1045:
1037:
747:, Barcelona, 20 April–10 May 1912, no. 16.
698:A. de la Beaumelle and N. Pouillon, eds.,
29:
936:Collection, Musée national d'Art moderne
587:
361:in Paris was the point of departure for
226:Musée d'Art Moderne de la Ville de Paris
212:
987:, p. 215; New York, Basic Books, 1997,
843:
818:
789:, Aix-en-Provence, August–October 1986.
801:Albert Gleizes: El cubisme en majestat
403:In their Lot Notes for the 1999 sale,
322:In his catalogue preface for the 1911
117:, Barcelona, 1912; Galerie La Boétie,
18:Le Chemin, Paysage à Meudon (Gleizes)
7:
1721:Portrait of Daniel-Henry Kahnweiler
259:Paroisse de Saint-Cloud, circa 1910
1857:Still Life with Checked Tablecloth
1825:Nude Descending a Staircase, No. 2
787:Pages Cézanniennes: Albert Gleizes
714:Albert Gleizes: Catalogue raisonné
576:and the Pompidou Centre. Gleizes'
520:Einsatzstab Reichsleiter Rosenberg
499:Didier Schulman, a curator at the
251:Saint-Cloud, Le Pont, Vue générale
25:
524:Galerie nationale du Jeu de Paume
1242:
775:, Créteil, October 1971, no. 35.
736:Indépendants de Bruxelles, VIII
105:. The work was exhibited at the
38:
757:Institute of Contemporary Art,
647:List of works by Albert Gleizes
224:, oil on canvas, 105 x 171 cm,
2232:Douglas Cooper (art historian)
2198:Daniel Robbins (art historian)
792:National Gallery of Scotland,
1:
1184:The Publisher Eugène Figuière
913:, Yale University Press, 1998
1713:Portrait of Ambroise Vollard
684:, London, 1959, p. 150.
486:Musée National d'Art Moderne
128:(1912) in an article titled
2281:Paintings by Albert Gleizes
2193:Paul Rosenberg (art dealer)
1849:Still Life with Candlestick
1540:Georges Ribemont-Dessaignes
1128:Le Chemin, Paysage à Meudon
159:Le Chemin, Paysage à Meudon
92:Le Chemin, Paysage à Meudon
33:Le Chemin, Paysage à Meudon
2327:
1793:Portrait of Jacques Nayral
1208:Portrait of an Army Doctor
1120:Portrait of Jacques Nayral
627:Lost Art Internet Database
27:Painting by Albert Gleizes
1833:The Cathedral (Katedrála)
1737:Le pigeon aux petits pois
1705:Les Demoiselles d'Avignon
1240:
514:Feliciano found Gleizes'
391:Le Dépiquage des Moissons
339:
325:Indépendants de Bruxelles
37:
1638:Stanton Macdonald-Wright
529:"For the Germans it was
494:stolen by Nazi occupiers
2260:Fourth dimension in art
2181:Daniel-Henry Kahnweiler
1817:Les Joueurs de football
1160:Passy, Bridges of Paris
780:Boccioni e il suo tempo
745:Exposicio d'art cubista
501:Centre Georges Pompidou
201:), 24 Avenue Gambetta,
132:, by Olivier Hourcade.
115:Exposicio d'art cubista
2311:Painting controversies
2221:John Quinn (collector)
1445:Raymond Duchamp-Villon
1232:Woman with Black Glove
1216:Composition for "Jazz"
1088:The Banks of the Marne
827:
785:Atelier Paul Cézanne,
617:, also referred to as
597:
592:Albert Gleizes, 1912,
438:
427:
420:
413:
390:
384:
369:
363:
359:Salon des Indépendants
357:exhibited at the 1910
344:
330:
324:
293:
282:
273:
264:
260:
252:
244:
236:
228:
217:Albert Gleizes, 1912,
130:Enquête sur le Cubisme
107:Salon des Indépendants
98:Paysage avec personage
2157:Guillaume Apollinaire
1286:Juliette Roche (wife)
1268:Painting and its Laws
623:Paysage de Courbevoie
615:Paysage près de Paris
605:Paysage près de Paris
591:
558:Pierre-Auguste Renoir
424:
409:
336:
288:
258:
250:
242:
234:
216:
175:Guillaume Apollinaire
1460:Roger de La Fresnaye
1405:Alexander Archipenko
743:Galeries J. Dalmau,
619:Landschaft bei Paris
2301:Stolen works of art
2296:Landscape paintings
1673:Alexander Rodchenko
1613:Patrick Henry Bruce
1545:Jeanne Rij-Rousseau
1455:Henri Le Fauconnier
1415:Constantin Brâncuși
1387:Henri Le Fauconnier
771:Hall d'exposition,
388:and the monumental
187:Henri Le Fauconnier
2237:Arthur Jerome Eddy
1785:La Femme aux Phlox
1761:La Femme au Cheval
1678:Nadezhda Udaltsova
1490:Jean Lambert-Rucki
1470:Natalia Goncharova
1200:Woman with Animals
983:Hector Feliciano,
876:La Femme aux Phlox
828:Le Chemin (Meudon)
598:
568:and sculptures by
428:Le Chemin (Meudon)
261:
253:
245:
237:
229:
138:was identified by
84:Private collection
2268:
2267:
2134:La Maison Cubiste
1983:Chronophotography
1953:Neo-impressionism
1299:
1298:
1152:Harvest Threshing
993:978-0-465-04194-7
909:David Cottington,
752:Autour du cubisme
400:), both of 1912.
397:Harvest Threshing
88:
87:
16:(Redirected from
2318:
2286:Cubist paintings
2187:Léonce Rosenberg
2151:Louis Vauxcelles
2091:Russian Futurism
2009:Cubist sculpture
1968:Symbolism (arts)
1884:Groupe de femmes
1801:Man on a Balcony
1769:Dancer in a café
1729:The Accordionist
1683:Marie Vassilieff
1648:Kazimir Malevich
1628:Lyonel Feininger
1578:
1525:Louis Marcoussis
1510:Jacques Lipchitz
1326:
1319:
1312:
1303:
1246:
1192:Cubist Landscape
1176:Man in a Hammock
1168:Football Players
1136:Man on a Balcony
1104:Woman with Phlox
1061:
1054:
1047:
1038:
1032:
1023:
1017:
1012:
995:
981:
975:
970:
961:
956:
947:
933:
927:
921:
915:
906:
897:
889:
880:
871:
865:
859:
853:
848:
832:
830:
823:
773:L'Abbaye Créteil
578:Paysage à Meudon
550:Cour des Comptes
505:Hector Feliciano
490:Paysage à Meudon
482:Paysage à Meudon
478:Paysage à Meudon
430:
416:
414:Paysage à Meudon
393:
387:
372:
370:Paysage à Meudon
366:
364:Paysage à Meudon
342:
341:
333:
327:
285:
283:Paysage à Meudon
267:
265:Paysage à Meudon
140:Hector Feliciano
42:
30:
21:
2326:
2325:
2321:
2320:
2319:
2317:
2316:
2315:
2306:Nazi-looted art
2271:
2270:
2269:
2264:
2249:Blaise Cendrars
2239:(art collector)
2228:(art collector)
2217:(art collector)
2205:(art collector)
2139:
2105:
1987:
1948:Esprit Jouffret
1943:Maurice Princet
1928:Gustave Courbet
1906:
1871:
1865:Three Musicians
1692:
1688:Marie Vorobieff
1591:
1582:Georges Valmier
1572:
1560:Léopold Survage
1535:Francis Picabia
1495:Marie Laurencin
1485:František Kupka
1450:Alexandra Exter
1425:Robert Delaunay
1410:María Blanchard
1391:
1367:Robert Delaunay
1335:
1330:
1300:
1295:
1274:
1247:
1238:
1224:Brooklyn Bridge
1070:
1065:
1035:
1024:
1020:
1013:
998:
982:
978:
971:
964:
957:
950:
934:
930:
922:
918:
907:
900:
890:
883:
872:
868:
860:
856:
849:
845:
841:
836:
835:
824:
820:
815:
810:
799:Museu Picasso,
778:Palazzo Reale,
730:
719:D. Cottington,
677:
655:
643:
631:Kestner society
608:
509:The Lost Museum
443:
211:
179:Robert Delaunay
156:
111:Galeries Dalmau
28:
23:
22:
15:
12:
11:
5:
2324:
2322:
2314:
2313:
2308:
2303:
2298:
2293:
2291:1911 paintings
2288:
2283:
2273:
2272:
2266:
2265:
2263:
2262:
2257:
2252:
2246:
2243:Pierre Reverdy
2240:
2234:
2229:
2226:Leonard Lauder
2223:
2218:
2212:
2206:
2203:Gertrude Stein
2200:
2195:
2190:
2184:
2178:
2177:(poet, critic)
2175:Maurice Raynal
2172:
2166:
2160:
2159:(poet, critic)
2154:
2147:
2145:
2141:
2140:
2138:
2137:
2130:
2122:
2113:
2111:
2107:
2106:
2104:
2103:
2098:
2093:
2088:
2083:
2078:
2076:Constructivism
2073:
2068:
2063:
2058:
2056:Crystal Cubism
2053:
2048:
2043:
2038:
2033:
2028:
2023:
2022:
2021:
2011:
2006:
2001:
1995:
1993:
1989:
1988:
1986:
1985:
1980:
1975:
1970:
1965:
1960:
1955:
1950:
1945:
1940:
1935:
1933:Georges Seurat
1930:
1925:
1920:
1914:
1912:
1908:
1907:
1905:
1904:
1896:
1888:
1879:
1877:
1873:
1872:
1870:
1869:
1861:
1853:
1845:
1837:
1829:
1821:
1813:
1809:Les Baigneuses
1805:
1797:
1789:
1781:
1773:
1765:
1757:
1749:
1741:
1733:
1725:
1717:
1709:
1700:
1698:
1694:
1693:
1691:
1690:
1685:
1680:
1675:
1670:
1668:Morgan Russell
1665:
1660:
1655:
1650:
1645:
1640:
1635:
1630:
1625:
1620:
1615:
1610:
1605:
1599:
1597:
1593:
1592:
1590:
1589:
1587:Jacques Villon
1584:
1579:
1567:
1562:
1557:
1552:
1547:
1542:
1537:
1532:
1530:Jean Metzinger
1527:
1522:
1517:
1512:
1507:
1502:
1497:
1492:
1487:
1482:
1480:Auguste Herbin
1477:
1472:
1467:
1465:Albert Gleizes
1462:
1457:
1452:
1447:
1442:
1437:
1435:Marcel Duchamp
1432:
1430:Sonia Delaunay
1427:
1422:
1417:
1412:
1407:
1401:
1399:
1393:
1392:
1390:
1389:
1384:
1382:Marcel Duchamp
1379:
1374:
1369:
1364:
1362:Albert Gleizes
1359:
1357:Jean Metzinger
1354:
1352:Georges Braque
1349:
1343:
1341:
1337:
1336:
1331:
1329:
1328:
1321:
1314:
1306:
1297:
1296:
1294:
1293:
1288:
1282:
1280:
1276:
1275:
1273:
1272:
1264:
1255:
1253:
1249:
1248:
1241:
1239:
1237:
1236:
1228:
1220:
1212:
1204:
1196:
1188:
1180:
1172:
1164:
1156:
1148:
1140:
1132:
1124:
1116:
1108:
1100:
1092:
1084:
1078:
1076:
1072:
1071:
1068:Albert Gleizes
1066:
1064:
1063:
1056:
1049:
1041:
1034:
1033:
1018:
996:
976:
962:
948:
946:, pp. 247, 248
928:
916:
898:
892:Peter Brooke,
881:
866:
854:
842:
840:
837:
834:
833:
817:
816:
814:
811:
809:
806:
805:
804:
797:
790:
783:
776:
769:
762:
755:
748:
741:
734:
729:
726:
725:
724:
717:
710:
705:H. Feliciano,
703:
696:
685:
676:
673:
672:
671:
668:
665:
662:
659:
654:
651:
650:
649:
642:
639:
607:
602:
531:degenerate art
442:
439:
385:Les Baigneuses
350:work entitled
307:Les Baigneuses
301:Georges Braque
220:Les Baigneuses
210:
207:
191:Jean Metzinger
155:
152:
103:Albert Gleizes
95:also known as
86:
85:
82:
78:
77:
74:
70:
69:
66:
62:
61:
58:
54:
53:
51:Albert Gleizes
48:
44:
43:
35:
34:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2323:
2312:
2309:
2307:
2304:
2302:
2299:
2297:
2294:
2292:
2289:
2287:
2284:
2282:
2279:
2278:
2276:
2261:
2258:
2256:
2253:
2250:
2247:
2244:
2241:
2238:
2235:
2233:
2230:
2227:
2224:
2222:
2219:
2216:
2213:
2210:
2207:
2204:
2201:
2199:
2196:
2194:
2191:
2188:
2185:
2182:
2179:
2176:
2173:
2170:
2167:
2164:
2161:
2158:
2155:
2152:
2149:
2148:
2146:
2142:
2136:
2135:
2131:
2128:
2127:
2123:
2120:
2119:
2115:
2114:
2112:
2108:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2079:
2077:
2074:
2072:
2069:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2031:Orphism (art)
2029:
2027:
2024:
2020:
2017:
2016:
2015:
2012:
2010:
2007:
2005:
2004:Cubo-Futurism
2002:
2000:
1997:
1996:
1994:
1990:
1984:
1981:
1979:
1976:
1974:
1971:
1969:
1966:
1964:
1961:
1959:
1956:
1954:
1951:
1949:
1946:
1944:
1941:
1939:
1936:
1934:
1931:
1929:
1926:
1924:
1921:
1919:
1916:
1915:
1913:
1909:
1902:
1901:
1897:
1894:
1893:
1889:
1886:
1885:
1881:
1880:
1878:
1874:
1867:
1866:
1862:
1859:
1858:
1854:
1851:
1850:
1846:
1843:
1842:
1838:
1835:
1834:
1830:
1827:
1826:
1822:
1819:
1818:
1814:
1811:
1810:
1806:
1803:
1802:
1798:
1795:
1794:
1790:
1787:
1786:
1782:
1779:
1778:
1777:L'Oiseau bleu
1774:
1771:
1770:
1766:
1763:
1762:
1758:
1755:
1754:
1750:
1747:
1746:
1742:
1739:
1738:
1734:
1731:
1730:
1726:
1723:
1722:
1718:
1715:
1714:
1710:
1707:
1706:
1702:
1701:
1699:
1695:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1671:
1669:
1666:
1664:
1661:
1659:
1658:Lyubov Popova
1656:
1654:
1651:
1649:
1646:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1611:
1609:
1606:
1604:
1603:Giacomo Balla
1601:
1600:
1598:
1594:
1588:
1585:
1583:
1580:
1576:
1571:
1570:Henry Valensi
1568:
1566:
1563:
1561:
1558:
1556:
1555:Gino Severini
1553:
1551:
1548:
1546:
1543:
1541:
1538:
1536:
1533:
1531:
1528:
1526:
1523:
1521:
1520:Jean Marchand
1518:
1516:
1513:
1511:
1508:
1506:
1505:Fernand Léger
1503:
1501:
1500:Henri Laurens
1498:
1496:
1493:
1491:
1488:
1486:
1483:
1481:
1478:
1476:
1473:
1471:
1468:
1466:
1463:
1461:
1458:
1456:
1453:
1451:
1448:
1446:
1443:
1441:
1440:Pierre Dumont
1438:
1436:
1433:
1431:
1428:
1426:
1423:
1421:
1418:
1416:
1413:
1411:
1408:
1406:
1403:
1402:
1400:
1398:
1394:
1388:
1385:
1383:
1380:
1378:
1377:Fernand Léger
1375:
1373:
1370:
1368:
1365:
1363:
1360:
1358:
1355:
1353:
1350:
1348:
1347:Pablo Picasso
1345:
1344:
1342:
1338:
1334:
1327:
1322:
1320:
1315:
1313:
1308:
1307:
1304:
1292:
1289:
1287:
1284:
1283:
1281:
1277:
1270:
1269:
1265:
1262:
1261:
1257:
1256:
1254:
1250:
1245:
1234:
1233:
1229:
1226:
1225:
1221:
1218:
1217:
1213:
1210:
1209:
1205:
1202:
1201:
1197:
1194:
1193:
1189:
1186:
1185:
1181:
1178:
1177:
1173:
1170:
1169:
1165:
1162:
1161:
1157:
1154:
1153:
1149:
1146:
1145:
1141:
1138:
1137:
1133:
1130:
1129:
1125:
1122:
1121:
1117:
1114:
1113:
1109:
1106:
1105:
1101:
1098:
1097:
1093:
1090:
1089:
1085:
1083:
1082:List of works
1080:
1079:
1077:
1073:
1069:
1062:
1057:
1055:
1050:
1048:
1043:
1042:
1039:
1031:
1029:
1022:
1019:
1016:
1011:
1009:
1007:
1005:
1003:
1001:
997:
994:
990:
986:
980:
977:
974:
969:
967:
963:
960:
955:
953:
949:
945:
944:2-85850-292-7
941:
937:
932:
929:
926:
920:
917:
914:
912:
905:
903:
899:
896:
895:
888:
886:
882:
878:
877:
870:
867:
864:
858:
855:
852:
847:
844:
838:
829:
822:
819:
812:
807:
802:
798:
795:
791:
788:
784:
781:
777:
774:
770:
767:
763:
760:
756:
753:
749:
746:
742:
739:
735:
732:
731:
727:
722:
718:
715:
712:A. Varichon,
711:
708:
704:
701:
697:
694:
690:
686:
683:
679:
678:
674:
669:
666:
663:
660:
657:
656:
652:
648:
645:
644:
640:
638:
636:
632:
628:
624:
620:
616:
612:
606:
603:
601:
595:
590:
586:
582:
579:
575:
571:
570:Auguste Rodin
567:
563:
559:
555:
554:Pablo Picasso
551:
546:
544:
543:Impressionism
540:
536:
532:
527:
525:
521:
517:
512:
510:
506:
502:
497:
495:
491:
487:
483:
479:
475:
471:
467:
463:
459:
455:
451:
447:
446:Alphonse Kann
440:
437:
433:
429:
423:
419:
415:
408:
406:
401:
399:
398:
392:
386:
381:
377:
371:
365:
360:
356:
354:
349:
343:
335:
332:
326:
320:
318:
314:
310:
309:(The Bathers)
308:
302:
298:
297:Pablo Picasso
292:
287:
284:
279:
275:
271:
266:
257:
249:
241:
233:
227:
223:
222:(The Bathers)
221:
215:
208:
206:
204:
200:
198:
192:
188:
184:
183:Fernand Léger
180:
176:
171:
169:
165:
160:
153:
151:
149:
145:
144:Alphonse Kann
141:
137:
133:
131:
127:
123:
122:
116:
112:
108:
104:
100:
99:
94:
93:
83:
79:
75:
71:
68:Oil on canvas
67:
63:
59:
55:
52:
49:
45:
41:
36:
31:
19:
2215:Wilhelm Uhde
2211:(art dealer)
2209:Berthe Weill
2189:(art dealer)
2183:(art dealer)
2163:André Salmon
2132:
2124:
2118:Du "Cubisme"
2116:
2096:Ego-Futurism
2036:Abstract art
2014:Czech Cubism
1999:Section d'Or
1978:Proto-Cubism
1923:Paul Gauguin
1918:Paul Cézanne
1898:
1890:
1882:
1863:
1855:
1847:
1839:
1831:
1823:
1815:
1807:
1799:
1791:
1783:
1775:
1767:
1759:
1751:
1745:La Coiffeuse
1743:
1735:
1727:
1719:
1711:
1703:
1663:Diego Rivera
1643:August Macke
1633:El Lissitzky
1608:Alice Bailly
1550:Diego Rivera
1475:Henri Hayden
1420:Joseph Csaky
1397:Section d'Or
1266:
1260:Du "Cubisme"
1258:
1230:
1222:
1214:
1206:
1198:
1190:
1182:
1174:
1166:
1158:
1150:
1142:
1134:
1127:
1126:
1118:
1110:
1102:
1094:
1086:
1027:
1021:
984:
979:
935:
931:
924:
919:
910:
893:
875:
869:
857:
846:
821:
800:
793:
786:
779:
772:
765:
758:
751:
744:
737:
720:
713:
706:
699:
692:
688:
687:B. Dorival,
681:
680:J. Golding,
622:
618:
614:
610:
609:
604:
599:
593:
583:
577:
566:Paul Cézanne
562:Claude Monet
547:
528:
515:
513:
508:
498:
489:
481:
477:
444:
434:
425:
421:
410:
402:
395:
380:Section d'Or
376:Paul Cézanne
351:
348:Proto-Cubist
345:
337:
321:
317:Section d'Or
313:simultaneity
305:
294:
289:
277:
262:
218:
194:
172:
158:
157:
148:World War II
135:
134:
129:
125:
121:Section d'Or
119:Salon de La
118:
114:
97:
96:
91:
90:
89:
2255:Armory Show
2129:(1913 book)
2121:(1912 book)
2066:Suprematism
2041:Synchromism
2019:Rondocubism
1963:Divisionism
1958:Pointillism
1938:Paul Signac
1780:(Metzinger)
1772:(Metzinger)
1764:(Metzinger)
1756:(Metzinger)
1618:Carlo Carrà
1573: [
1515:André Lhote
1144:The Bathers
154:Description
2275:Categories
2026:Die Brücke
1992:Influenced
1911:Influences
1876:Sculptures
1653:Franz Marc
863:p. 3)
808:References
675:Literature
653:Provenance
574:The Louvre
405:Christie's
355:(The Tree)
291:recession.
203:Courbevoie
73:Dimensions
2169:Max Jacob
2101:Vorticism
1868:(Picasso)
1828:(Duchamp)
1820:(Gleizes)
1812:(Gleizes)
1804:(Gleizes)
1796:(Gleizes)
1788:(Gleizes)
1753:Le goûter
1748:(Picasso)
1740:(Picasso)
1732:(Picasso)
1724:(Picasso)
1716:(Picasso)
1708:(Picasso)
1697:Paintings
1623:Paul Klee
1372:Juan Gris
1211:(1914–15)
1171:(1912–13)
1075:Paintings
923:Preface,
839:Citations
728:Exhibited
611:Le Chemin
548:France's
516:Landscape
346:Gleizes'
331:Le chemin
136:Le Chemin
126:Le Siècle
2165:(critic)
2153:(critic)
2086:Art Deco
2081:De Stijl
2051:Futurism
1892:Danseuse
1841:The City
1112:The Hunt
1096:The Tree
641:See also
539:Futurism
197:banlieue
81:Location
2144:Related
2110:Related
1973:Fauvism
1903:(Csaky)
1895:(Csaky)
1887:(Csaky)
1852:(Léger)
1844:(Léger)
1836:(Kupka)
1340:Leaders
1279:Related
470:Courbet
462:Matisse
450:Picasso
441:History
407:writes:
353:L'Arbre
146:during
2251:(poet)
2245:(poet)
2171:(poet)
2061:Purism
2046:Tubism
1860:(Gris)
1596:Others
1565:Tobeen
1333:Cubism
1291:Cubism
1271:(1924)
1263:(1912)
1235:(1920)
1227:(1915)
1219:(1915)
1203:(1914)
1195:(1914)
1187:(1913)
1179:(1913)
1163:(1912)
1155:(1912)
1147:(1912)
1139:(1912)
1131:(1911)
1123:(1911)
1115:(1911)
1107:(1910)
1099:(1910)
1091:(1909)
1030:, 1912
991:
942:
682:Cubism
535:Cubism
474:Renoir
454:Braque
274:rodage
270:French
209:Cubism
185:, and
168:Meudon
65:Medium
47:Artist
1577:]
1252:Books
813:Notes
466:Manet
199:ouest
164:Seine
2071:Dada
1900:Head
989:ISBN
940:ISBN
621:and
541:and
458:Klee
60:1911
57:Year
299:or
195:la
2277::
1575:fr
999:^
965:^
951:^
901:^
884:^
564:,
560:,
556:,
537:,
507:,
492:,
476:.
472:,
468:,
464:,
460:,
456:,
272::
181:,
170:.
113:,
1325:e
1318:t
1311:v
1060:e
1053:t
1046:v
394:(
334::
286::
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
