141:, and was approved by Diaghilev in the autumn of 1925. It appears however that over the next two years the story-line was changed, against Yakulov's wishes, as Diaghilev made preparations for the first production. The original scenario was rooted in scenes of Soviet life, of which Yakulov had experience (but the émigrés Prokofiev and Diaghilev did not), involving speculators, sailors and workers, and with scenes in a station, a market and a factory, centered on life in the early Soviet Union. The factory scene features machines and sprocketed wheels as the setting for a danced romance between a sailor and a young girl worker. It is interesting that in the factory scene the chromatic ostinato figure of the viola is nearly the same as the one of Mosolov's contemporary "Iron Foundry".
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In this architectural decor agitates a poor drama, undecided between enthusiasm for
Bolshevism and bitter irony. Only the musician was carried away in depth by the material – for the rest, is it a homage or a parody? Is it for real or cynical derision? Must one laugh or cry? Neither one nor the
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was a major success for
Prokofiev and Diaghilev in Paris, where it was performed for three consecutive seasons. Diaghilev was a confirmed supporter of Prokofiev's compositions, going so far as to term him "my second son" (Stravinsky being his metaphorical "first"), and Diaghilev's death in 1929
149:
Although no record of the choreography of the eventual 1927 production has survived, it is clear from the comments of critics that the scenario had been altered from the original so as to include scenes of
Russian folklore, which were a typical element of
247:. This production was described as "faithful to the original, never-performed concept of a celebration of Soviet workers' lives, instead of a mockery of them, which was the version seen by audiences of the early 20th century."
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artist Georgi
Yakulov and himself, in 1925–1926, much of it during his tour of the United States. Prokofiev wrote that his music represented "a move towards a Russian musical language, not that of the
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removed
Prokofiev's primary source of ballet commissions and practical support in the field in Paris and the West. The ballet was performed under new choreography and cast at the
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other, it seems to me, the superficial eccentricity conceals the pain of a fundamental emptiness and a dishonest conception.
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with the help of
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giving an overview of the various dance sections from the 2005 performance. (Accessed 29 June 2013)
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After 1931, the next performance of the ballet was in 2005, when it was staged at
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Sayers, Lesley-Anne (2000). "Re-Discovering
Diaghilev's 'Pas d'Acier' ", in
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industrialization." Prokofiev wrote the score, based on a scenario by the
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Altmann, Jennifer
Greenstein (2005). "Le Pas d’Acier: The Steel Step" in
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on June 7, 1927. Critical reaction was extremely mixed. The critic
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International
Exposition of Modern Industrial and Decorative Arts
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Dance
Research: The Journal of the Society for Dance Research
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Cantata for the 20th Anniversary of the October Revolution
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commented "one wonders whether is propaganda or music."
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conducted a suite from the ballet in concert with the
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Three Pieces & Six Pieces & Ten Pieces from
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Lina and Serge: The Love and Wars of Lina Prokofiev
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387:"Sergei Prokofiev – Early Ballets – Jurowski"
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882:Sinfonietta in A major (orig. & rev.)
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491:from the 2005 Princeton production, on
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83:G. Yakulov. Scene model for the ballet
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436:Samuel, Claude (tr. M. John) (1971).
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460:Music in the Early Twentieth Century
1150:No. 5 in C major (orig. & rev.)
462:. Oxford: Oxford University Press.
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156:productions. With choreography by
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1091:Sonata for Two Violins in C major
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212:Performance history
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184:notes that
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1393:Categories
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1160:No. 7 in B
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251:References
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208:in 1929.
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116:Afanasyev
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1174:♭
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392:June 29,
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145:Premiere
139:Ursignol
1187:No. 10
1123:Sonatas
648:Trapèze
626:Ballets
493:YouTube
489:Extract
422:Sources
235:Revival
53:Russian
1268:(1926)
820:No. 6
552:Operas
466:
444:
172:wrote:
160:, the
128:themes
104:Soviet
87:(1927)
75:Origin
61:ballet
1377:Audio
1199:Other
1177:major
1166:major
1107:minor
832:Other
809:major
788:major
775:Piano
759:minor
748:minor
737:major
641:Chout
69:suite
464:ISBN
442:ISBN
394:2013
301:2013
271:2013
122:and
114:of
134:."
47:or
1395::
243:,
55::
51:;
711:)
528:e
521:t
514:v
448:.
396:.
303:.
273:.
43:(
20:)
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