Knowledge (XXG)

Le Samouraï

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attempt to avoid being seen. He checks his hat, but leaves his hat-check ticket on the counter, and puts on white gloves, which he wears when carrying out his hits, in full view of everyone. He approaches the stage where Valérie is performing. She quietly advises him to leave, but he points his gun at her. Strangely unafraid, she asks him why he is doing this, and he responds he was paid to do so. Suddenly, Jef is shot four times by policemen who had been waiting for him. When the Commissaire inspects Jef's gun, however, he discovers it was not loaded.
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After the nightclub closes, Jef has Valérie take him to her home, reasoning that she did not identify him as the killer because his employer had told her not to. He asks her who hired him, and she tells him to call her in two hours. Meanwhile, the police search Jane's apartment and offer to leave her
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of the Delons' performances after Nathalie's death in 2021, Bertrand Guyard noted that the husband and wife are both nearly silent in the film, but "their gazes, fraught with meaning, are enough to make the camera quiver", and the director was able to create from their portrayals "a mythical couple
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Back at his apartment, Jef notices some loose feathers scattered around his bird's cage and suspects it was agitated by an intrusion. He finds the police bug and deactivates it, and then goes to a public phone to call Valérie, but she does not answer. When he returns home, he is ambushed by the man
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Melville wrote the film for Delon. It was the first film for Delon's wife, Nathalie. He filed for divorce after the film wrapped, but they terminated the divorce proceedings a few days later, though they separated in June 1968 and their divorce became official in February 1969, with Nathalie being
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involves creating airtight alibis, including ones provided by his lover, Jane. After carrying out a contract killing on Martey, a nightclub owner, Jef is very clearly seen leaving the scene by the club's piano player, Valérie, and glimpsed by several other witnesses. The police bring Jef and other
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Dozens of undercover police attempt to tail Jef in the Paris Métro, but he evades them. He visits Jane and assures her everything will work out, then drives to Rey's house, which is also where Valérie lives, though she is not home. Jef kills Rey and returns to the nightclub, this time making no
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Jef is released, but the commissaire suspects him and has him followed. Jef loses the tail and goes to collect his fee for the hit. Instead of paying him, the man he meets tries to kill him, shooting him in the arm. Jef realizes his unknown employers now view him as a liability because he is
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In an interview with Rui Nogueira, Melville said he originally filmed Jef Costello meeting his death with a picture-perfect grin, but he modified the scene after discovering Delon had a smiling death scene in another of his films. Production stills of the smiling death exist.
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The film was released on 25 October 1967, and it sold over 1.9 million tickets in France. It received positive reviews, with particular praise given to Melville's screenwriting and atmospheric direction, and Delon's performance. An
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collection of essays, Roger Ebert gave the film four out of four stars, writing: "Like a painter or a musician, a filmmaker can suggest complete mastery with just a few strokes. Jean-Pierre Melville involves us in the spell of
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called the film "a curious hybrid" that "appears a bit too solemn to inject all the suspense, action and characterization seeks", and said it "almost seems to be an American film dubbed into French" and "could be cut a bit".
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who shot him. Holding Jef at gunpoint, the man offers a fresh start. He pays Jef for the hit on Martey, as well as for an upcoming one. Jef overpowers the man and forces him to disclose the identity of his boss: Olivier Rey.
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was released in France on 25 October 1967. It sold over 1.9 million tickets in France, and over 797,011 tickets in Spain. First released in theaters in the United States in 1972, it grossed $ 39,481 from a 1997 re-release.
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with the lines: "You are a beautiful killer / I like your silhouette when you stand on the streets / Like a samurai you can handle the heat / Makes me wanna pray for a haunted man."
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is an homage to Melville's gangster films, and the main character is a retired assassin whose last name is Costello. To offered the role to Alain Delon, who turned it down.
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makes the most of its spare aesthetic, using stylish – and influential – direction, solid performances, and thick atmosphere to weave an absorbing story."
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Impassive hitman Jef Costello lives in a spartan single-room Paris apartment and keeps a small bird in a cage as a pet. His methodical
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suspected in Martey's murder. After treating his wound, Jef returns to the nightclub. While he is out, two police officers
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A Samurai in Paris Nogueira, Rui; TRUCHAUD, FRANCOIS. Sight and Sound; London Vol. 37, Iss. 3, (Summer 1968): 118.
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as a hitman who idolizes Alain Delon's Jef Costello, dressing like the character and speaking to Costello via a
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called the original film "immaculate", but criticized the dubbing of the 1972 version released in the U.S. as
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André Thorent as the policeman disguised as a taxi driver who follows Jef when he is released from custody
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was in production. Melville, who termed the blaze "suspicious", finished the shoot at another studio.
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suspects in for a lineup, but the witnesses, including Valerie, fail to positively identify him.
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Studios Jenner, Melville's private film studio, was destroyed by a fire on June 29, 1967, while
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based on 38 reviews, and an average score of 8.6/10; the site's "critics consensus" reads: "
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as an assassin, who bears a resemblance to Costello, hiding in a small Italian village.
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code. Just as Costello has a huge ring of keys that enables him to steal any
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Maria Maneva as "the girl with chewing gum" who follows Jef in the subway
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Georges Casati as Ange Séraphin Damolini, the first suspect in the lineup
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Maurice Magalon as the partner of the policeman who bugs Jef's apartment
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as a nameless protagonist who shares key characteristics with Costello.
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Georges Billy as a customer at Martey's who is a witness at the lineup
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Jacques Deschamps as the policeman at the microphone during the lineup
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alone if she recants her alibi for Jef. She flatly rejects the offer.
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features a similar dynamic between a reluctant female witness and a
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Jean Gold as a customer at Martey's who is a witness at the lineup
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André Salgues as the man in the garage who gives Jef his contracts
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Jacques Leroy as "The Man on the Bridge", a hitman working for Rey
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Robert Rondo as a police inspector who works for the Commissaire
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Roger Fradet as a police inspector who works for the Commissaire
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as the hatcheck girl at Martey's, who is a witness at the lineup
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In a 1997 review of the film that later appeared in his first
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Carlo Nell as a police inspector who works for the Commissaire
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Compagnie Industrielle et Commerciale Cinématographique (CICC)
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Jack Léonard as Juan Garcia, the second suspect in the lineup
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The film has influenced numerous other works and directors:
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features a protagonist who quotes and performs scenes from
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Jean-Pierre Posier as Olivier Rey, who has Martey killed
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version of the film was released in the U.S. in 1972 as
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Carl Lechner as a suspect who looks very similar to Jef
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as the bartender at Martey's, who is a witness at the
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List of films with a 100% rating on Rotten Tomatoes
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Archived from the original on 8 March 2016 1054:"LE SAMOURAI - ALAIN DELON BOX OFFICE 1967" 1031:"Le Samourai (1967) - Jean-Pierre Melville" 863: 861: 859: 857: 486:at Martey's, who is a witness at the lineup 285: 1733: 1719: 1711: 372:his room, agitating the bird in its cage. 29: 20: 965: 963: 676:and Melville's techniques for the film's 668:, with the pianist replaced by a singer. 1870: 853: 610:In 2010, the film was ranked No. 39 on 518:granted custody of their son, Anthony. 501:Humberto Catalano as a police inspector 1947:Films directed by Jean-Pierre Melville 1942:Films about contract killing in France 1376: 664:was heavily influenced by the plot of 893: 891: 279: 7: 1448:Thomson, David (20 September 2011). 1048: 1046: 955:Box office<r information for film 837:List of films featuring surveillance 472:Pierre Vaudier as the policeman who 1982:Films scored by François de Roubaix 563:On Rotten Tomatoes, the film has a 427:as Wiener, Jane's wealthy boyfriend 1977:Films produced by Raymond Borderie 1697:Le Samouraï: Death in White Gloves 1647:. London: British Film Institute. 1538:Schrager, Nick (26 October 2023). 593:as "disorienting" and "dreadful". 14: 697:Ghost Dog: The Way of the Samurai 1909: 1897: 1885: 1873: 1512:Bilmes, Alex (27 October 2023). 1011:. Nash Information Services, LLC 981:. Nash Information Services, LLC 262:1.9 million admissions (France) 1564:Pierce, Nev (10 October 2023). 1420:Cox, David (30 November 2010). 1399:"Vengeance / Johnnie To / 2009" 1266:Amith, Dennis (18 April 2010). 797:Adilkhan Yerzhanov's 2020 film 498:Guy Bonnafoux as a poker player 1480:Mason, Kerri (23 March 2012). 495:Ari Aricardi as a poker player 337:(Périer) trying to catch him. 1: 1967:Italian crime thriller films 1624:. London: Wallflower Press. 1247:(in French). 21 January 2021 722:crime-and-filmmaking comedy 193:Fida Cinematografica (Italy) 1962:French crime thriller films 1643:Vincendeau, Ginette. 2003. 1593:Nogueira, Rui (ed.). 1971. 935:Archivo del Cinema Italiano 826:in contemporaneous reviews. 2008: 1937:1960s crime thriller films 1597:. New York: Viking Press. 1771:When You Read This Letter 1749: 1383:: CS1 maint: unfit URL ( 1363:Directory of World Cinema 264:$ 218,495 (US re-release) 209:25 October 1967 35:Theatrical release poster 28: 736:poster in his apartment. 307:written and directed by 16:1967 neo-noir crime film 1492:Prometheus Global Media 1620:In Phil Powrie (ed.), 1217:. 2010. Archived from 904:British Film Institute 482:Gaston Meunier as the 281:[ləsa.mu.ʁa.i] 1972:French neo-noir films 1763:Les Enfants terribles 1142:, Nov 8, 1967. p. 24. 627:of the seventh art." 542:Release and reception 277:French pronunciation: 1787:Two Men in Manhattan 1755:Le Silence de la mer 1743:Jean-Pierre Melville 1706:Criterion Collection 1622:The Cinema of France 1595:Melville on Melville 1359:"You Shoot, I Shoot" 1297:(29 February 2000). 1087:Orlando Evening Star 899:"Le SAMOURAÏ (1967)" 768:Nicolas Winding Refn 678:Criterion Collection 631:Influence and legacy 565:100% approval rating 309:Jean-Pierre Melville 190:S.N. Prodis (France) 172:Fida Cinematografica 57:Jean-Pierre Melville 45:Jean-Pierre Melville 1987:1960s Italian films 1957:Films shot in Paris 1819:Le deuxième souffle 1616:Palmer, Tim. 2006. 957:at Box Office Story 911:on 28 November 2012 305:crime thriller film 149:François de Roubaix 1992:1960s French films 1952:Films set in Paris 1795:Léon Morin, Priest 1741:Films directed by 1162:The New York Times 725:You Shoot, I Shoot 587:The New York Times 533:Alternative ending 1861: 1860: 1401:. Films de France 1304:The Village Voice 1221:on 3 October 2013 1215:Bauer Media Group 1183:Chicago Sun-Times 1003:Le Samourï (1972) 973:Le Samourï (1972) 574:A 1967 review in 559:Critical response 443:Catherine Jourdan 268: 267: 60:Georges Pellegrin 1999: 1914: 1913: 1912: 1902: 1901: 1900: 1890: 1889: 1888: 1878: 1877: 1876: 1869: 1735: 1728: 1721: 1712: 1581: 1580: 1578: 1576: 1570:Empireonline.com 1561: 1555: 1554: 1552: 1550: 1535: 1529: 1528: 1526: 1524: 1509: 1503: 1502: 1500: 1498: 1477: 1471: 1470: 1468: 1466: 1455:The New Republic 1445: 1439: 1438: 1436: 1434: 1417: 1411: 1410: 1408: 1406: 1395: 1389: 1388: 1382: 1374: 1372: 1370: 1354: 1348: 1347: 1345: 1343: 1338:on 26 April 2005 1334:. Archived from 1323: 1317: 1316: 1314: 1312: 1291: 1285: 1284: 1282: 1280: 1263: 1257: 1256: 1254: 1252: 1237: 1231: 1230: 1228: 1226: 1201: 1195: 1194: 1192: 1190: 1173: 1167: 1166: 1155:(13 July 1972). 1149: 1143: 1137: 1131: 1130: 1128: 1126: 1109: 1103: 1102:. July 12, 1967. 1096: 1090: 1084: 1078: 1075: 1069: 1068: 1066: 1064: 1058:BOX OFFICE STORY 1050: 1041: 1040: 1027: 1021: 1020: 1018: 1016: 997: 991: 990: 988: 986: 967: 958: 952: 946: 945: 943: 941: 927: 921: 920: 918: 916: 907:. Archived from 895: 886: 885: 883: 881: 865: 822:was compared to 788:Beautiful Killer 616: 599:The Great Movies 299: 296: 293: 290: 287: 283: 278: 216: 214: 175:T.C. 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Josh Fromson 1286: 1258: 1232: 1196: 1176:Ebert, Roger. 1168: 1153:Canby, Vincent 1144: 1132: 1121:. 12 July 1972 1104: 1091: 1079: 1070: 1042: 1022: 992: 959: 947: 922: 887: 852: 851: 849: 846: 845: 844: 839: 832: 829: 828: 827: 808: 795: 786:'s 2012 song " 781: 765: 762:George Clooney 749: 737: 716:Pang Ho-Cheung 713: 681: 653: 650:getaway driver 632: 629: 560: 557: 548: 545: 543: 540: 534: 531: 514: 511: 509: 508: 505: 502: 499: 496: 493: 490: 487: 480: 477: 470: 467: 464: 461: 458: 455: 452: 449: 446: 440: 437: 428: 422: 419: 413: 410:Nathalie Delon 407: 398: 391: 389: 386: 361:modus operandi 356: 353: 321:Nathalie Delon 266: 265: 260: 256: 255: 252: 248: 247: 245: 244: 241: 237: 235: 231: 230: 227: 224: 221: 220: 218: 217: 206: 204: 201: 198: 197: 195: 194: 191: 187: 185: 184:Distributed by 181: 180: 177: 176: 173: 170: 167: 163: 162: 160: 155: 152: 151: 146: 142: 141: 139: 138: 135: 134:Monique Bonnot 131: 129: 125: 124: 119: 118:Cinematography 115: 114: 112: 111: 106: 104:Nathalie Delon 101: 96: 90: 88: 84: 83: 81: 80: 77: 71: 69: 65: 64: 62: 61: 58: 54: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 2004: 1993: 1990: 1988: 1985: 1983: 1980: 1978: 1975: 1973: 1970: 1968: 1965: 1963: 1960: 1958: 1955: 1953: 1950: 1948: 1945: 1943: 1940: 1938: 1935: 1933: 1930: 1929: 1927: 1917: 1907: 1905: 1895: 1893: 1883: 1881: 1871: 1867: 1853: 1852: 1848: 1845: 1844: 1840: 1837: 1836: 1832: 1829: 1828: 1824: 1821: 1820: 1816: 1813: 1812: 1808: 1805: 1804: 1800: 1797: 1796: 1792: 1789: 1788: 1784: 1781: 1780: 1776: 1773: 1772: 1768: 1765: 1764: 1760: 1757: 1756: 1752: 1751: 1748: 1744: 1736: 1731: 1729: 1724: 1722: 1717: 1716: 1713: 1707: 1703: 1702:David Thomson 1699: 1698: 1694: 1692: 1688: 1687: 1683: 1681: 1677: 1676: 1672: 1671: 1667: 1662: 1661:0-85170-949-4 1658: 1655:(hardbound), 1654: 1653:0-85170-950-8 1650: 1646: 1642: 1639: 1638:1-904764-46-0 1635: 1632:(hardbound), 1631: 1630:1-904764-47-9 1627: 1623: 1619: 1615: 1612: 1611:0-670-01926-7 1608: 1605:(hardbound), 1604: 1603:0-670-46757-X 1600: 1596: 1592: 1591: 1587: 1571: 1567: 1560: 1557: 1545: 1541: 1534: 1531: 1519: 1515: 1508: 1505: 1493: 1489: 1488: 1483: 1476: 1473: 1461: 1457: 1456: 1451: 1444: 1441: 1429: 1428: 1423: 1416: 1413: 1400: 1394: 1391: 1386: 1380: 1364: 1360: 1353: 1350: 1337: 1333: 1329: 1322: 1319: 1306: 1305: 1300: 1296: 1290: 1287: 1275: 1274: 1269: 1262: 1259: 1246: 1242: 1236: 1233: 1220: 1216: 1212: 1211: 1206: 1200: 1197: 1185: 1184: 1179: 1172: 1169: 1164: 1163: 1158: 1154: 1148: 1145: 1141: 1136: 1133: 1120: 1119: 1114: 1113:"Le Samouraï" 1108: 1105: 1101: 1095: 1092: 1088: 1083: 1080: 1074: 1071: 1059: 1055: 1049: 1047: 1043: 1038: 1037: 1032: 1026: 1023: 1010: 1006: 1004: 996: 993: 980: 976: 974: 966: 964: 960: 956: 951: 948: 936: 932: 926: 923: 910: 906: 905: 900: 894: 892: 888: 876: 875: 870: 869:"Le Samouraï" 864: 862: 860: 858: 854: 847: 843: 840: 838: 835: 834: 830: 825: 821: 820: 816: 812: 811:David Fincher 809: 806: 802: 801: 796: 793: 789: 785: 782: 779: 775: 774: 770:'s 2011 film 769: 766: 763: 759: 758: 754:'s 2010 film 753: 752:Anton Corbijn 750: 747: 746: 742:'s 2009 film 741: 738: 735: 731: 727: 726: 721: 717: 714: 711: 707: 703: 699: 698: 693: 689: 685: 682: 679: 675: 671: 667: 663: 662: 658:'s 1989 film 657: 654: 651: 647: 646: 642:'s 1978 film 641: 638: 637: 636: 630: 628: 625: 624: 618: 613: 608: 606: 601: 600: 594: 592: 588: 584: 583:Vincent Canby 580: 577: 572: 570: 566: 558: 556: 553: 546: 541: 539: 532: 530: 528: 523: 521: 512: 506: 503: 500: 497: 494: 491: 488: 485: 481: 478: 475: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 438: 436: 432: 431:Robert Favart 429: 426: 423: 420: 417: 414: 411: 408: 406: 402: 399: 396: 393: 392: 387: 385: 381: 377: 373: 371: 365: 362: 354: 352: 350: 349: 344: 338: 336: 335: 330: 326: 322: 318: 314: 311:and starring 310: 306: 303: 300:) is a 1967 282: 274: 273: 261: 257: 253: 249: 242: 239: 238: 236: 232: 228: 222: 208: 207: 205: 199: 192: 189: 188: 186: 182: 174: 171: 168: 165: 164: 161: 153: 150: 147: 143: 136: 133: 132: 130: 126: 123: 120: 116: 110: 107: 105: 102: 100: 97: 95: 92: 91: 89: 85: 78: 76: 73: 72: 70: 66: 59: 56: 55: 53: 51:Screenplay by 49: 46: 43: 39: 32: 27: 22: 19: 1849: 1841: 1833: 1826: 1825: 1817: 1809: 1801: 1793: 1785: 1777: 1769: 1761: 1753: 1700:an essay by 1696: 1685: 1674: 1644: 1640:(paperbound) 1621: 1617: 1613:(paperbound) 1594: 1573:. 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Index


Jean-Pierre Melville
Raymond Borderie
Alain Delon
François Périer
Nathalie Delon
Cathy Rosier
Henri Decaë
François de Roubaix
[ləsa.mu.ʁa.i]
neo-noir
crime thriller film
Jean-Pierre Melville
Alain Delon
François Périer
Nathalie Delon
Cathy Rosier
hitman
commissaire
dubbed
modus operandi
bug
Alain Delon
François Périer
Commissaire
Nathalie Delon
Cathy Rosier
Michel Boisrond
Robert Favart
lineup

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