560:, which he learnt from Roberto Murolo (who recorded it earlier). The lyrics, written in a poetical, literary form of Neapolitan, are a lament by a young boy in love with a girl who has recently installed a new blind on her window; the boy implores the blind itself, which is adorned with small, shining golden nails, to stay open and let him see his loved one, otherwise he will die. The song was not included in the setlist of De André's 1990–'91 promotional tour for the album, as its delicate instrumentation did not translate well to an arena stage.
563:"Ă‚ çĂmma", in Genoese, is a very detailed description of a Genoan recipe for a traditional boiled stuffed veal dish. The preparation process and the ingredients are described at length in the lyrics, and the "rope" referred to in the title is actually the cotton thread used to tie the stuffed veal up. The lyrics also mention some ancient folk traditions, such as setting a
512:, he remembers that "All of you had powerful voices, fitting for a «fuck you!»". The music for this song, consisting of an almost-recited, low-key monologue over two intervals of no more than five notes each, and backed by a complex acoustic guitar accompaniment in 9/8, has been described by De André and Pagani at the time (namely, on the eighth and final volume of the
216:
211:
206:
201:
196:
1299:
588:, set in Gallura and inspired by a local folk tale, describes a love affair between a female donkey and a young shepherd. They fall passionately in love with each other and want to marry, but they are unable to, because their birth certificates reveal them to be first cousins. The song, like most of Side B, features a simple,
504:
then-current political outlook is underlined by his occasional use of vulgar language: an imaginary "Minister of
Rainstorms" is described by the singer as "hop for democracy with a tablecloth in his hands and his hands on his bollocks"; describing a woman climbing up a section of the just-demolished
571:
away from the kitchen; according to the tradition, if a witch came into the kitchen by sliding down the chimney and the fireplace, she was compelled by the desire to count all of the bristles in the broom and would not stop until dawn, when she was forced to leave. The final verse mentions the fact
503:
ideology in Europe at the end of the 1980s, and the ensuing political chaos caused in Italy by such dissolution, again without explicitly mentioning anyone's names, but depicting a series of grotesque, highly stylized characters and situations. De André's utter, resentful disillusionment with the
470:
prison where Cutolo is kept; by portraying the character as a close friend of the titular
Raffaele's, De André uses references to the real Cutolo (such as the famous "maxi-trial" in the late Eighties, where he was sentenced to life imprisonment), never naming him explicitly, to spoof a number of
273:
because, according to De André, his colleague's ability to play with the sounds and the inner melodies of the
Genoese dialect was much better than his own. Pagani's collaboration with De André, always according to the Lombard musician, happened in an identical way for De André's previous album,
422:, where De André, singing normally, mocks the dramatic style and subject matter of his own early compositions, such as "La canzone di Marinella". After the interlude, De Andrè moves into a faux-German section, comically mixing authentic German words with Italian "Germanized" ones. (
438:
attire, to underline the satirical aspects of the lyrics, and sang the entire song while standing up – which was extremely unusual for him. He ran offstage during the yodel section and reappeared onstage shortly thereafter, for "Don Raffaé", in his usual stage outfit – bleached
1124:
The full lyrics to the "German" section read as follows: "Eine kleine
Pinzimonie, wunder Matrimonie, Krauten und Erbeeren / und Patellen und Arsellen fischen Zanzibar; / und einige Krapfen frĂĽher von schlafen, und erwachen mit der Walzer / und die
475:
and
Neapolitans in general. An ironical footnote printed in the booklet after the lyrics says: "The facts and characters in this song are fictional. Any references to actual people are nothing but coincidences." In 1992 the song was covered by
576:
is entitled to give the first knife-cut to the finished dish. After singing this as the second-to-last line of the last verse, De André finishes the verse by singing: "Eat, eat, you don't know who will eat you" - a pointed reference to
399:, over which two Sardinian women, who were chosen for their age difference (the elder Lalla Pisano and the young Maria Mereu) recite a free-verse poem apparently about clouds; the real subjects in the poem, which is inspired by
31:
381:
The two sides on the original vinyl album are meant to be contrasting. Side A concerns contemporary society and the songs are all written in
Italian, except for "Don Raffaé" (see below), written in a very Italianized
1202:
At the start of the first half of De André's 1991 live shows, during which the album was played in its entirety, Pisano and Mereu appeared on stage and read their lines over a pre-recorded orchestral backing
508:, he sings: "While she was climbing, every one of us saw her ass"; later on, talking about his singer-songwriter colleagues in Italy and accusing them of having forsaken their political stance in the name of
637:
Livia Baldi, Stefano
Barneschi, Maria Cristina Vasi, Emanuela Sfondrini, Brigid Sinead Nava, Debora Tedeschi, Elena Confortini, Martino Lovisolo, Carla Marotta, Giacomo Trevisani,
280:, with Pagani setting to music De André's already fully written lyrics, on the basis of a few melodic ideas from the latter. His next songwriting collaboration with Fossati, on
545:
in the
Italian health care system, personified by a greedy physician who cares much more about money than about his patients' well-being. De André's sparse usage of
1157:
before sleeping, and wake up with the waltz / and the Alka-Seltzer to forget." All of the grammar here is intentionally wrong, as well as De André's pronunciation.
1346:
1402:
553:
feel, with Pagani playing several ethnic instruments and singing backing vocals in an invented, pseudo-African language ("ooh welele, ooh welelele").
621:
are also featured, the latter credited with his real name (Sergio
Conforti). De André himself provides only vocals without playing any instruments.
434:. All of the instrumentation in the song is orchestral. When performing it live, during his 1990–1991 tour to promote the album, De André wore a
1426:
1386:
1370:
1933:
1418:
715:
who provide the spoken vocals were chosen for the huge age gap between them; they were reported at the time to be respectively 95 and 20.)
516:
DVD series) as very forced and almost unsingable, as it was written after the lyrics and meant to adapt to them, rather than vice versa.
1339:
609:
Lele
Melotti, Paolo Costa, Amedeo Bianchi and Demo Morselli, as well as members of De André's regular live band at the time, such as
1630:
1513:
650:
Adriano Ancarani, Enrico Martinelli, Silvio Righini, Beatrice Cosma Pomarico, Jorge Alberto Guerrero, Caterina Dell'Agnello – Cellos
386:. Side B concerns traditions and stories from the past, and the songs are written in three different languages spoken within Italy.
403:, are in fact prominent figures who disturb and disrupt ordinary people's lives, namely politicians and powerful business managers.
492:(i.e. eighty). For Murolo's cover, the arrangement was changed into a slightly slower and more traditionally Neapolitan-sounding
1492:
1484:
524:, before and after "Don Raffaé", played by pianist Andrea Carcano. Furthermore, the side opens and closes with the sound of
1332:
999:
898:
700:
1109:
1442:
1827:
725:
This track features the same orchestra as in the previous track, without the spoken vocals and adding the following:
1552:
1544:
614:
521:
830:
257:), he is responsible for the writing of most of the music, while De André wrote all of the lyrics – except for
1264:
1230:
1178:
578:
592:-based arrangement, once again adorned by a variety of ethnic instruments played by Pagani. Sardinian trio
499:"La domenica delle salme" describes the dissolution (and, more generically, the loss of importance) of the
1410:
1378:
406:"Ottocento" is an intentionally funny song sung by De André in a mock-operatic style, musically set as an
618:
220:
596:
sing backing vocals on the track, which, like "La nova gelosia", was never performed live by De André.
1928:
1649:
1355:
848:
238:
123:
112:
43:
286:, would be more equally balanced, with he and Fossati composing music by actually playing together.
1154:
1142:
542:
463:
383:
833:'s piano interludes before and after "Don Raffaè" are played by classical pianist Andrea Carcano.
585:
1450:
276:
136:
748:
659:
415:
1394:
606:
549:
emerges again here: "Ooh, what a fucking contract you would make me sign!" The song has a
1560:
1268:
1234:
1113:
538:
500:
459:
266:
254:
107:
245:. As Pagani revealed in an interview within the 2011 DVD biographical documentary series
1434:
754:
477:
317:
262:
261:, detailed below, whose lyric writing is shared between De André and singer-songwriter
1922:
1905:
638:
509:
418:, which parodies the hustle and bustle of modern life. It also features a section in
342:
270:
1129:
für dimenticar." These are 'translated' by De André in the liner notes as "A little
395:"Le nuvole" features an orchestral background written by Pagani and orchestrated by
1777:
1304:
1126:
806:
631:
451:
396:
269:
on side B, "MĂ©gu megĂşn" and "'Ă‚ çĂmma", which De AndrĂ© co-wrote with fellow Genoan
242:
116:
96:
91:
556:"La nova gelosia" is De André's rendition of a romantic anonymous song from 1700s
1466:
1213:
979:
964:
955:
706:
678:
654:
644:
Anna Maria Gallingani, Sebastiano Borella Cristina Cassiani Ingoni, Carlo Goj –
550:
525:
505:
467:
282:
154:
100:
68:
59:
677:
Luca Quaranta, Maria Gabriella Giaquinta, Adelia Colombo, Gianfranco Scafidi –
1315:
1294:
1138:
1134:
1106:
1012:
821:
589:
568:
493:
400:
64:
758:
610:
546:
484:, celebrating the singer's 80th birthday – the album's title being a pun on
435:
1150:
889:
876:
810:
764:
744:
690:
684:
573:
431:
407:
188:
1146:
1005:
995:
904:
801:
736:
712:
696:
672:
593:
455:
30:
557:
472:
447:
353:
1324:
241:, released in 1990. The songs were written by Fabrizio De André and
1261:
1227:
856:
740:
732:
645:
564:
528:
singing, which symbolizes people talking endlessly and aimlessly.
440:
427:
411:
38:
613:
Mario Arcari and guitarist Michele Ascolese; Flavio Premoli from
480:
as a duet with De André; Murolo's cover is included in his album
880:
795:
666:
1328:
424:
Eine kleine Pinzimonie, wunder Matrimonie, Krauten und Erbeeren
872:
743:); Carlo Proverbio, Bortolo Laffranchi, Alessandro Cairoli (
888:(Pagani's invented name for a violin plucked with a guitar
671:
Sergio Orlandi, Umberto Marcandalli, Luciano Marconcini –
605:
Among its musicians, the album features prominent Italian
584:"Monti di Mola" ("Mountains of Mola"), a song written in
1494:
Fabrizio De André in Concerto - arrangiamenti PFM vol. 2
426:... etc.) This section, which is supposed to be set in
430:, leads to the coda of the song, an increasingly fast
1753:"Carlo Martello ritorna dalla battaglia di Poitiers"
1036:
The album won the 1991 "Targa Tenco" prize for albums
735:: Lucia Vivien Pick, Diane Rama, Nadia Pellicciari (
496:
beat, featuring additional keyboards and percussion.
1843:
1722:
1648:
1641:
1536:
1477:
1362:
122:
106:
90:
74:
58:
50:
37:
23:
1486:Fabrizio De André in Concerto - arrangiamenti PFM
912:Esteban Candelabro "Candelo" Cabezas – Percussion
1803:"Un matto (Dietro ogni scemo c'è un villaggio)"
1193:All personnel credits taken from the CD booklet.
1133:(an olive oil-based sauce), wonderful marriage,
711:(Note: The two otherwise anonymous women from
634:and Sergio Conforti, conducted by Piero Milesi
471:well-known Italian stereotypes about Camorra,
193:
1340:
991:Fabrizio De André – Vocals (main and backing)
541:, is a satirical song about deficiencies and
520:Side A also features two piano excerpts from
8:
791:Amedeo Bianchi and Mario Arcari – Clarinets
414:, and inspired by his colleague and friend
237:) is an album by Italian singer-songwriter
1645:
1347:
1333:
1325:
466:from the point of view of a jailer in the
253:, the latter being De André's nickname in
168:
29:
20:
18:1990 studio album by Fabrizio De André
1042:won the 1991 "Targa Tenco" prize for song
488:(i.e. I feel like (singing) so much) and
1881:Non al denaro non all'amore né al cielo
1403:Non al denaro non all'amore né al cielo
1052:
653:Giuseppe Barbareschi, Roberto Bonati –
739:); Giuseppe Lopopolo, Giuseppe Donno (
1856:Äia da respiâ - Genova canta De André
265:, and the lyrics to the two songs in
174:
7:
928:Michele Ascolese – Classical guitar
845:Michele Ascolese – Classical guitar
363:(De André/Fossati – De André/Pagani)
1624:In direzione ostinata e contraria 2
1527:Fabrizio De André e PFM in concerto
794:Demo Morselli – Trumpet, trombone,
779:Michele Ascolese – Classical guitar
195:
14:
1631:Effedia: Sulla mia cattiva strada
1618:In direzione ostinata e contraria
1514:Ed avevamo gli occhi troppo belli
401:Aristophanes's same-titled comedy
1706:"La canzone dell'amore perduto"
1297:
214:
209:
204:
199:
194:
1871:Non piĂą i cadaveri dei soldati
1002:in G, bouzouki, backing vocals
1:
1797:"Nuvole barocche" (re-issue)
1107:Discography of Massimo Bubola
729:Fabrizio De André: Main vocal
1791:"La stagione del tuo amore"
1785:"La stagione del tuo amore"
1023:Angelo Pusceddu – Percussion
972:Angelo Pusceddu – Percussion
705:Lalla Pisano, Maria Mereu –
683:Luisa Vinci, Alessio Nava –
641:, Carlo De Martini – Violins
567:upright in a corner to keep
938:
522:Tchaikovsky's "The Seasons"
325:"La domenica delle salme"
1950:
1821:"Il pescatore" (re-issue)
1759:"La canzone di Marinella"
1694:"Per i tuoi larghi occhi"
1017:Flavio Premoli – Accordion
960:Flavio Premoli – Accordion
944:Fabrizio De André – Vocals
925:Fabrizio De André – Vocals
868:Fabrizio De André – Vocals
855:Mauro Pagani – Violin and
842:Fabrizio De André – Vocals
776:Fabrizio De André – Vocals
662:, Michele Brescia – Flutes
1267:October 28, 2011, at the
1233:October 28, 2011, at the
1064:Genova ed il Mediterraneo
1026:Paolo Costa – Bass guitar
1020:Walter Calloni – Drum kit
975:Paolo Costa – Bass guitar
969:Walter Calloni – Drum kit
915:Paolo Costa – Bass guitar
909:Walter Calloni – Drum kit
837:"La domenica delle salme"
785:Paolo Costa – Bass guitar
537:"MĂ©gu megĂşn", written in
182:
179:
130:
28:
1934:Fabrizio De André albums
1747:"La canzone di Barbara"
951:(see above) and bouzouki
617:and "Rocco Tanica" from
356:anonymous, 18th Century)
1901:De André canta De André
1729:"Preghiera in Gennaio"
1664:"La ballata del Michè"
1594:La canzone di Marinella
1553:La canzone di Marinella
1545:Tutto Fabrizio De André
1040:La domenica delle salme
934:Franco Formenti – Viola
788:Sergio Conforti – Piano
782:Lele Melotti – Drum kit
1891:Duemila papaveri rossi
1828:"Una storia sbagliata"
1688:"Valzer per un amore"
1600:Mi innamoravo di tutto
1411:Storia di un impiegato
1379:Tutti morimmo a stento
1181:Ottantavogliadicantare
1112:July 22, 2011, at the
630:Orchestra arranged by
482:Ottantavogliadicantare
1861:Faber - Amico fragile
1771:"Leggenda di Natale"
1682:"La guerra di Piero"
1521:In concerto volume II
665:Francesco Pomarico –
619:Elio e le Storie Tese
1866:Mille papaveri rossi
1815:"la cattiva strada"
1320:" on viadelcampo.com
1090:DVD series, vol. 2:
1062:DVD series, vol. 5:
443:and a black sweater.
170:Professional ratings
1700:"La cittĂ vecchia"
1612:Peccati di gioventĂą
1262:"Targa Tenco" prize
1228:"Targa Tenco" prize
963:Franco Pettinari –
747:); Lucio Folilela (
454:song about Italian
350:"La nova gelosia"
171:
1886:PFM canta De André
1658:"Nuvole barocche"
1078:, DVD 5, as above.
1011:Sergio Conforti –
978:Federico Sanesi –
954:Sergio Conforti –
897:Sergio Conforti –
894:and backing vocals
820:(Southern-Italian
446:"Don Raffaè" is a
377:Overview and songs
345:– De André/Pagani)
320:– De André/Pagani)
169:
54:September 24, 1990
1916:
1915:
1876:2004 Crêuza de mä
1839:
1838:
1832:
1824:
1818:
1812:
1806:
1800:
1794:
1788:
1782:
1774:
1768:
1762:
1756:
1750:
1744:
1738:
1732:
1715:
1709:
1703:
1697:
1691:
1685:
1679:
1673:
1667:
1661:
1596:(re-issue) (1995)
1582:
1577:Fabrizio De André
1571:
1570:(Black Anthology)
1566:Fabrizio De André
1443:Fabrizio De André
1356:Fabrizio De André
931:
920:"La nova gelosia"
893:
852:
825:
800:Renato Rivolta –
716:
689:Nicola Zuccalà –
660:Giovanni Antonini
462:, partly sung in
416:Francesco Baccini
371:
370:(De André/Pagani)
368:"Monti di Mola"
364:
357:
346:
328:
327:(De André/Pagani)
321:
310:
309:(De André/Pagani)
303:
302:(De André/Pagani)
239:Fabrizio De André
226:
225:
167:
166:
163:
162:
124:Fabrizio De André
113:Fabrizio De André
44:Fabrizio De André
1941:
1830:
1822:
1816:
1810:
1804:
1798:
1792:
1786:
1780:
1772:
1766:
1760:
1754:
1748:
1742:
1736:
1735:"Via del Campo"
1730:
1713:
1707:
1701:
1695:
1689:
1683:
1677:
1676:"Il testamento"
1671:
1670:"Il fannullone"
1665:
1659:
1646:
1581:(Blue Anthology)
1580:
1569:
1395:La buona novella
1349:
1342:
1335:
1326:
1314:
1307:
1302:
1301:
1300:
1284:
1282:
1278:
1274:
1260:
1256:
1250:
1248:
1244:
1240:
1226:
1222:
1216:
1210:
1204:
1200:
1194:
1191:
1185:
1176:
1170:
1164:
1158:
1122:
1116:
1105:
1101:
1095:
1085:
1079:
1073:
1067:
1057:
1008:– backing vocals
947:Mauro Pagani – '
929:
887:
846:
829:As noted above,
819:
710:
369:
362:
351:
340:
326:
315:
308:
301:
219:
218:
217:
213:
212:
208:
207:
203:
202:
198:
197:
172:
132:
131:
86:
85:
81:
33:
21:
1949:
1948:
1944:
1943:
1942:
1940:
1939:
1938:
1919:
1918:
1917:
1912:
1835:
1718:
1637:
1561:Nuvole barocche
1532:
1473:
1358:
1353:
1312:
1303:
1298:
1296:
1293:
1288:
1287:
1280:
1276:
1272:
1269:Wayback Machine
1258:
1257:
1253:
1246:
1242:
1238:
1235:Wayback Machine
1224:
1223:
1219:
1211:
1207:
1201:
1197:
1192:
1188:
1177:
1173:
1165:
1161:
1123:
1119:
1114:Wayback Machine
1103:
1102:
1098:
1086:
1082:
1074:
1070:
1058:
1054:
1049:
1033:
994:Mauro Pagani –
988:
986:"Monti di Mola"
941:
930:(multi-tracked)
922:
903:Mario Arcari –
871:Mauro Pagani –
865:
839:
815:Alfio Antico –
773:
723:
695:David Searcy –
627:
603:
534:
486:Ho tanta voglia
460:Raffaele Cutolo
392:
379:
336:
297:
292:
215:
210:
205:
200:
158:
149:
140:
83:
79:
78:
46:
19:
12:
11:
5:
1947:
1945:
1937:
1936:
1931:
1921:
1920:
1914:
1913:
1911:
1910:
1903:
1898:
1893:
1888:
1883:
1878:
1873:
1868:
1863:
1858:
1853:
1847:
1845:
1841:
1840:
1837:
1836:
1834:
1833:
1825:
1819:
1813:
1807:
1801:
1795:
1789:
1783:
1778:"Il pescatore"
1775:
1769:
1763:
1757:
1751:
1745:
1739:
1733:
1726:
1724:
1720:
1719:
1717:
1716:
1710:
1704:
1698:
1692:
1686:
1680:
1674:
1668:
1662:
1655:
1653:
1643:
1639:
1638:
1636:
1635:
1627:
1621:
1615:
1609:
1603:
1597:
1591:
1585:
1574:
1557:
1549:
1540:
1538:
1534:
1533:
1531:
1530:
1524:
1518:
1510:
1504:
1498:
1490:
1481:
1479:
1475:
1474:
1472:
1471:
1463:
1455:
1447:
1439:
1431:
1423:
1415:
1407:
1399:
1391:
1383:
1375:
1366:
1364:
1360:
1359:
1354:
1352:
1351:
1344:
1337:
1329:
1323:
1322:
1309:
1308:
1292:
1291:External links
1289:
1286:
1285:
1251:
1217:
1205:
1195:
1186:
1171:
1159:
1153:; / and a few
1117:
1096:
1080:
1068:
1051:
1050:
1048:
1045:
1044:
1043:
1037:
1032:
1029:
1028:
1027:
1024:
1021:
1018:
1015:
1009:
1003:
992:
987:
984:
983:
982:
976:
973:
970:
967:
961:
958:
952:
945:
940:
937:
936:
935:
932:
926:
921:
918:
917:
916:
913:
910:
907:
901:
895:
869:
864:
861:
860:
859:
853:
843:
838:
835:
827:
826:
813:
804:
798:
792:
789:
786:
783:
780:
777:
772:
769:
768:
767:
763:Paolo Somià –
761:
755:Flavio Premoli
752:
730:
722:
719:
718:
717:
703:
693:
687:
681:
675:
669:
663:
657:
651:
648:
642:
635:
626:
623:
602:
599:
598:
597:
582:
561:
554:
533:
530:
518:
517:
497:
478:Roberto Murolo
444:
404:
391:
388:
378:
375:
374:
373:
366:
359:
348:
339:"MĂ©gu megĂşn"
335:
332:
331:
330:
323:
318:Massimo Bubola
312:
305:
296:
293:
291:
288:
263:Massimo Bubola
224:
223:
191:
185:
184:
181:
177:
176:
165:
164:
161:
160:
151:
142:
128:
127:
120:
119:
110:
104:
103:
94:
88:
87:
76:
72:
71:
62:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
1946:
1935:
1932:
1930:
1927:
1926:
1924:
1909:
1908:
1904:
1902:
1899:
1897:
1896:Fabrizio 2009
1894:
1892:
1889:
1887:
1884:
1882:
1879:
1877:
1874:
1872:
1869:
1867:
1864:
1862:
1859:
1857:
1854:
1852:
1851:Canti randagi
1849:
1848:
1846:
1842:
1829:
1826:
1820:
1814:
1808:
1802:
1796:
1790:
1784:
1779:
1776:
1770:
1765:"Il gorilla"
1764:
1758:
1752:
1746:
1741:"Caro amore"
1740:
1734:
1728:
1727:
1725:
1721:
1711:
1705:
1699:
1693:
1687:
1681:
1675:
1669:
1663:
1657:
1656:
1654:
1651:
1647:
1644:
1640:
1633:
1632:
1628:
1625:
1622:
1619:
1616:
1613:
1610:
1607:
1604:
1601:
1598:
1595:
1592:
1589:
1586:
1583:
1578:
1575:
1572:
1567:
1563:
1562:
1558:
1555:
1554:
1550:
1547:
1546:
1542:
1541:
1539:
1535:
1528:
1525:
1522:
1519:
1516:
1515:
1511:
1508:
1505:
1502:
1501:1991 concerti
1499:
1496:
1495:
1491:
1488:
1487:
1483:
1482:
1480:
1476:
1469:
1468:
1464:
1461:
1460:
1456:
1453:
1452:
1448:
1445:
1444:
1440:
1437:
1436:
1432:
1429:
1428:
1424:
1421:
1420:
1416:
1413:
1412:
1408:
1405:
1404:
1400:
1397:
1396:
1392:
1389:
1388:
1384:
1381:
1380:
1376:
1373:
1372:
1368:
1367:
1365:
1363:Studio albums
1361:
1357:
1350:
1345:
1343:
1338:
1336:
1331:
1330:
1327:
1321:
1319:
1311:
1310:
1306:
1295:
1290:
1270:
1266:
1263:
1255:
1252:
1236:
1232:
1229:
1221:
1218:
1215:
1209:
1206:
1199:
1196:
1190:
1187:
1184:
1182:
1175:
1172:
1168:
1163:
1160:
1156:
1152:
1148:
1144:
1140:
1136:
1132:
1128:
1121:
1118:
1115:
1111:
1108:
1100:
1097:
1093:
1089:
1084:
1081:
1077:
1072:
1069:
1065:
1061:
1056:
1053:
1046:
1041:
1038:
1035:
1034:
1030:
1025:
1022:
1019:
1016:
1014:
1010:
1007:
1004:
1001:
997:
993:
990:
989:
985:
981:
977:
974:
971:
968:
966:
962:
959:
957:
953:
950:
946:
943:
942:
933:
927:
924:
923:
919:
914:
911:
908:
906:
902:
900:
896:
891:
886:
882:
878:
874:
870:
867:
866:
862:
858:
854:
850:
849:multi-tracked
844:
841:
840:
836:
834:
832:
823:
818:
814:
812:
808:
805:
803:
799:
797:
793:
790:
787:
784:
781:
778:
775:
774:
770:
766:
762:
760:
756:
753:
750:
746:
742:
738:
734:
731:
728:
727:
726:
720:
714:
708:
704:
702:
698:
694:
692:
688:
686:
682:
680:
676:
674:
670:
668:
664:
661:
658:
656:
655:Double basses
652:
649:
647:
643:
640:
639:Enrico Onofri
636:
633:
629:
628:
624:
622:
620:
616:
612:
608:
600:
595:
591:
587:
583:
580:
575:
570:
566:
562:
559:
555:
552:
548:
544:
540:
536:
535:
531:
529:
527:
523:
515:
511:
510:commercialism
507:
502:
498:
495:
491:
487:
483:
479:
474:
469:
465:
461:
457:
453:
449:
445:
442:
437:
433:
429:
425:
421:
417:
413:
409:
405:
402:
398:
394:
393:
389:
387:
385:
376:
367:
360:
355:
349:
344:
343:Ivano Fossati
338:
337:
333:
324:
319:
314:"Don Raffaè"
313:
307:"Ottocento"
306:
300:"Le nuvole"
299:
298:
294:
290:Track listing
289:
287:
285:
284:
279:
278:
272:
271:Ivano Fossati
268:
264:
260:
256:
252:
248:
244:
240:
236:
232:
231:
222:
192:
190:
187:
186:
178:
175:Review scores
173:
157:
156:
152:
148:
147:
143:
139:
138:
134:
133:
129:
125:
121:
118:
114:
111:
109:
105:
102:
98:
95:
93:
89:
77:
73:
70:
66:
63:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1906:
1900:
1895:
1890:
1885:
1880:
1875:
1870:
1865:
1860:
1855:
1850:
1629:
1623:
1617:
1611:
1605:
1599:
1593:
1587:
1579:
1576:
1568:
1565:
1559:
1551:
1543:
1526:
1520:
1512:
1506:
1500:
1493:
1485:
1465:
1458:
1457:
1451:Crêuza de mä
1449:
1441:
1433:
1425:
1417:
1409:
1401:
1393:
1385:
1377:
1369:
1317:
1313:(in Italian)
1305:music portal
1277:TARGHE TENCO
1259:(in Italian)
1254:
1243:TARGHE TENCO
1225:(in Italian)
1220:
1212:Named after
1208:
1198:
1189:
1180:
1174:
1166:
1162:
1139:strawberries
1130:
1127:Alka-Seltzer
1120:
1104:(in Italian)
1099:
1091:
1088:Dentro Faber
1087:
1083:
1076:Dentro Faber
1075:
1071:
1063:
1060:Dentro Faber
1059:
1055:
1039:
956:Synthesizers
948:
884:
863:"MĂ©gu megĂşn"
828:
816:
807:Mauro Pagani
771:"Don Raffaè"
724:
679:French horns
632:Piero Milesi
604:
526:grasshoppers
519:
514:Dentro Faber
513:
489:
485:
481:
423:
420:tempo rubato
419:
397:Piero Milesi
380:
361:"'Ă‚ çĂmma"
281:
277:Crêuza de mä
275:
258:
251:Inside Faber
250:
247:Dentro Faber
246:
243:Mauro Pagani
234:
229:
228:
227:
153:
145:
144:
137:Crêuza de mä
135:
117:Mauro Pagani
39:Studio album
15:
1929:1990 albums
1537:Anthologies
1507:In concerto
1478:Live albums
1467:Anime salve
1273:GLI ARTISTI
1271:(click on "
1239:GLI ARTISTI
1237:(click on "
1214:Luigi Tenco
1169:CD booklet.
1135:sauerkrauts
965:Hurdy-gurdy
831:Tchaikovsky
721:"Ottocento"
625:"Le nuvole"
611:ethnologist
551:world music
543:malpractice
506:Berlin Wall
468:Poggioreale
283:Anime salve
155:Anime salve
101:Fonit Cetra
69:World music
1923:Categories
1907:Sogno n° 1
1809:"Suzanne"
1723:Post-Karim
1712:"Geordie"
1588:Il viaggio
1183:on Discogs
1179:Entry for
1149:fished in
1131:pinzimonio
1092:Gli ultimi
1047:References
939:"'Ă‚ çĂmma"
822:frame drum
607:sessionmen
494:tarantella
464:Neapolitan
384:Neapolitan
354:Neapolitan
341:(De André/
316:(De André/
259:Don Raffaè
235:The Clouds
126:chronology
1606:Da Genova
1459:Le nuvole
1318:Le Nuvole
1167:Le nuvole
1013:Harmonium
899:Keyboards
759:Accordion
745:baritones
685:Trombones
601:Personnel
586:Gallurese
547:profanity
501:Communist
448:satirical
436:black tie
230:Le nuvole
146:Le nuvole
24:Le nuvole
1844:Tributes
1265:Archived
1231:Archived
1155:krapfens
1151:Zanzibar
1147:tellinas
1143:patellas
1110:Archived
1000:recorder
890:plectrum
877:bouzouki
817:Tammorra
811:Mandolin
765:Yodeling
737:sopranos
701:triangle
691:Clarinet
673:Trumpets
574:bachelor
408:operetta
189:Allmusic
108:Producer
51:Released
41: by
1642:Singles
1564:(1968)
1427:Vol. 8°
1419:Canzoni
1387:Vol. 3°
1371:Vol. 1°
1281:CANZONE
1006:Tazenda
996:Bansuri
980:Darbuka
949:Ndelele
905:Shehnai
885:ndelele
802:Piccolo
713:Alghero
709:vocals
697:Timpani
594:Tazenda
572:that a
569:witches
539:Genoese
490:ottanta
456:Camorra
267:Genoese
255:Genoese
159:(1996)
150:(1990)
141:(1984)
97:Ricordi
67:, Pop,
1831:(1980)
1823:(1978)
1817:(1974)
1811:(1972)
1805:(1971)
1799:(1971)
1793:(1970)
1787:(1970)
1781:(1970)
1773:(1969)
1767:(1969)
1761:(1968)
1755:(1968)
1749:(1968)
1743:(1967)
1737:(1967)
1731:(1967)
1714:(1966)
1708:(1966)
1702:(1965)
1696:(1965)
1690:(1965)
1684:(1964)
1678:(1963)
1672:(1963)
1666:(1961)
1660:(1961)
1652:period
1634:(2008)
1626:(2006)
1620:(2005)
1614:(2000)
1608:(1999)
1602:(1997)
1590:(1991)
1584:(1986)
1573:(1976)
1556:(1968)
1548:(1966)
1529:(2007)
1523:(2001)
1517:(2001)
1509:(1999)
1503:(1991)
1497:(1980)
1489:(1979)
1470:(1996)
1462:(1990)
1454:(1984)
1446:(1981)
1438:(1978)
1435:Rimini
1430:(1975)
1422:(1974)
1414:(1973)
1406:(1971)
1398:(1970)
1390:(1968)
1382:(1968)
1374:(1967)
1203:track.
1141:/ and
1031:Awards
741:tenors
707:Spoken
646:Violas
558:Naples
532:Side B
473:Naples
452:parody
410:-like
390:Side A
372:– 7:45
365:– 6:18
358:– 3:04
347:– 5:22
334:Side B
329:– 7:35
322:– 4:08
311:– 4:56
304:– 2:16
295:Side A
249:(i.e.
183:Rating
180:Source
75:Length
1650:Karim
1247:ALBUM
857:kazoo
733:Choir
579:death
565:broom
458:boss
441:jeans
432:yodel
428:Tyrol
412:waltz
92:Label
60:Genre
1279:", "
1275:", "
1245:", "
1241:", "
1145:and
1137:and
881:lyre
796:tuba
749:bass
699:and
667:Oboe
590:folk
221:link
65:Folk
883:, '
873:Oud
615:PFM
1925::
1283:")
1249:")
998:,
879:,
875:,
809:–
757:–
115:,
99:,
84:24
80:41
1348:e
1341:t
1334:v
1316:"
1094:.
1066:.
892:)
851:)
847:(
824:)
751:)
581:.
450:/
352:(
233:(
82::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
